Performed on a experimental, custom-built rig with intense manipulation of objects and tools on a bass guitar string, the Sonomar Collection: Bass Machine sound library features 720 abstract sound design elements to serve as your go-to solution for mysterious designs. Add an otherworldly layer of depth and emotion to your projects with swirling metallic feedback, tensions, eerie engine drones, and gritty metallic vibrations.
At over 15GB, Bass Machine delivers 70 raw sound files and 650 designed sound effects. Recorded with contact mics and guitar pickups at 192kHz, the raw sounds provide uniquely organic building blocks for processing and manipulation. The acoustic isolation and high resolution of each file makes these sounds incredibly flexible for editing and ripe for imaginative sound design. The collection’s designed sounds have been expertly sculpted, pitched, and processed at 96kHz using parts of the raw files. Use these as inspiration for your own design potential, or drop straight into your projects to instantly add expressive tension, harmonic activity, and compelling dimension.
As the first exclusive Sonomar Collection release from Pro Sound Effects, Bass Machine demonstrates the sonic curiosity of sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the Sonomar team. Together they created the contraption, recorded and performed sounds over many hours of experimentation with the instrument, and then meticulously trimmed, designed, and organized the results for a truly generous and limitless sound library.
Each sound file is embedded with rich metadata to help you find the exact sound effect you need with fast, pinpoint search. Sustain creativity with characteristic descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.
Little Boxes is a curated collection of four unique sound sets designed to compliment one another sonically and texturally. These textures move from acoustic to electroacoustic to analog synthesis – all programmed into beautiful Kontakt 4 instruments (full NI Kontakt
4.2.3 or later required).
A small device meant to be hung flat on the wall, the balls will swing and strike the strings if the ground begins to move.
This box was shaken, plucked, strummed, performed and ebowed to produce a beautiful palette of acoustic string textures.
In Kontakt those sounds evolved into a group of instruments that ran from folksy, zither like patches to lush, shimmering pads.
This is a collection of authentic sounds from sporting events, captured in Italy.
The Italian Sports library comes with everything from soccer crowd chanting, singing, cheering, booing and whistling (check out the full list below). Also includes recordings of professional and amateur soccer matches on grass and concrete + more.
60 sound files (23 minutes total) are included in the pack so you can build an authentic soundscape of a sporting event.
MaK is a Kontakt instrument which replicates the sounds of a person using various computer keyboards, mice, or touchscreen devices. This allows you to very quickly perform the foley of using one of these devices via midi.
There are 15 devices available in MaK: 5 Keyboards, 5 Mice, 2 Touchscreens, and 3 digital keyboards. Each of these devices has been meticulously recorded at a number of different velocities for a very realistic playback performance.
The majority of the devices have 5 velocity layers; from soft to hard. Each of these velocity layers have 32 different samples: 16 for the press sound, and 16 for the release sounds of each device. That’s 160 samples per device! MaK will randomly trigger press and release samples for each layer based on the velocity you play the notes. Easy to use controls allow you to adjust additional layers of randomness in both velocity and pitch. All of this adds up to realistic devices, and convincing performance. This library requires the full version of NI Kontakt (not included)
The Farm Animals SFX library represents an big selection of domestic animal and bird sounds. The sounds were primarily recorded on farms with a focus on vocalizations.
Baby Chicks: Chirps as a group and single.
Chickens: Clucking after laying eggs, squawking when scared, and clucking in a group.
Cow: Single long and short mooing, breathing recorded with close and far distances. Mooing in farm ambience recordings.
Dogs: Single medium-sized mongrel barking. Whining, yelping and aggressive growling. Big mongrel single barking.
Ducklings: Single calls to mother.
Ducks: Quacking as a group and single.
Geese: Calls in a poultry group.
Guinea Fowls: As a group and single.
Horses: Stallion neigh, grunt, breath, snort and head shake. Ambients of a stable (feeding hay, stableman working).
Peacock: Single calls.
Piglets: European piglets squeals and screams, slurping when eating.
Pigs: European big pig grunt, snort, breath, slurping when eating. Vietnam big pig squeal, scream and breath.
Roosters: Old and young rooster crowings. Recorded at close and far distances. As single and in a poultry group.
Sheep: Single sheep’s bleatings recorded at close and far distances. Also contains recordings of milking.
Turkey: Calls in a poultry group.
African Wildlife is an utterly unique collection of pristine wildlife and nature sounds, recorded in the wilderness of Zimbabwe, Botswana and Namibia over a period of 4 months, 2015. It comes in four categories, covering Mammals, Birds, Ambience and Insects recordings.
It features animals such as elephant, baboon, jackal, lion, rhino, buffalo, hippo, impala, zebra, bat and hyena, as well as insects and 45 species of birds. 50 minutes of ambience recordings are also included.
The diversity of African wildlife sounds is widely reflected in this library, with the material including but not limited to screaming, barking, growling, roaring, breathing, grunting, feeding, hooting, warbling, screeching, farting, guffawing, whooping, gurgling, rutting, yapping, snorting, tweeting, trumpeting, chattering and squeaking.
Extensive metadata including detailed information on location, species, habitat, behaviour and usage is included, formatted for Soundminer. Metadata sheets in .xls and .csv formats are also provided.
Recording equipment: Sennheiser MKH8040-ST (ORTF) / Sony D100 / Telinga MK2 / Sound Devices USBPre2 / Tascam DR-680
Tanks and jet was recorded during a real military drill in Sweden featuring a variety of tanks, and a JAS 39 Gripen.
From the creaking and clanking of the tanks to the glorious and soaring JAS, and all the way to the brutal tank cannon and machine guns. This pack contains all ingredients for nasty machine warfare. All of the files were recorded during a military drill performed in front of a live audience.
All files are meta-data tagged with keywords and a description.
• Tank Driving (18 files, 18:22 in duration)
• Tank Battle (7 files, 04:27 in duration)
• Jas Gripen Flyover (7 files, 12:09 in duration)
Get the voices of Italy in this library, covering Italians in the streets, at concerts, amusement parks, schools, markets, at home and more – it even covers chanting at a gladiator fight at the Colosseum. Features men, women and children – solo and in crowds of various sizes.
A library designed for fancy pants computer read-outs and jazzy interface buttons. All files are flawlessly loop-able so no matter how long that data needs to keep on flowing, you're covered. Plenty of different styles from classical digital sounds, to lighter, funnier readouts and even dangerously aggressive ones. It pretty much covers most situations.
The DIAL IT Collection collection is divided into three packs (and is available in a bundle too):
On the look out for a dial/rotary phone or a gear rotation for a robot? DIAL IT_Pack 01 is just a pitch bend away! In this pack are pick ups, hand ups, slams, detaching cable, dialing 0-9 at multiple speeds, various buttons on the phone and base, and more! Pack 01 contains over 1738 Sounds recorded over two different microphones, or over 869 takes per microphone all bundled in a total of 78 files. Pack 01 was recorded at 96 kHZ, 24 Bit using the Sennheiser MKH60 and the Rode NT5. Exported mono .wav files.
Hey there! DIAL IT_Pack 02 here. I include sound files of a Dial/Rotary phone that is meant to hang vertically. I am filled with variation of pick ups, hand ups, slams, shaking, rattling, dialing 0-9 at multiple speeds, various buttons and switches on the phone and base, and more! I top over 1998 sounds recorded using two microphones, or 999 sounds per one microphone. I am packaged in a total of 96 sound files recorded at 96 kHZ, 24 Bit using the Sennheiser MKH60 and Sennheiser MKH8050 microphones. Exported mono .wav files.
All sounds are meta-data tagged using Soundly and Basehead. Also available in a bundle combining all three packs – at a nice discount.
Battle Rifles and Pistols is an extensive library collection of modern firearms, recorded and designed by Watson Wu (Assassin’s Creed, Breach & Clear, Operation Flashpoint) and Nick Dixon (Call Of Duty, Homefront: The Revolution, Need for Speed).
The collection has been mixed and designed from 10, 12 and 16 channel recording sessions. Each weapon features a full suite of ballistics, foley, casings on four surfaces and multiple firing modes where appropriate. The library includes close and distant range ballistics alongside a small selection of impulse responses for acoustic processing.
Impulse Responses Included:
• 5 Floor Apartment Stairwell
• Underground Car Park
This soundpack contains all you need to recreate the sonic environment of the ERF E14 tractor unit.
This particular vehicle is owned by John Mayle, who has preserved it following its withdrawal from the UK Mines Rescue Service. John's father has restored a number of heritage trucks at his workshop near Newark, Nottinghamshire.
Get the sounds of an old suitcase – covering everything from opening and closing sounds, packing and handling, to buckle/lock sounds, squeaks, creaks and rumbles. Features numerous takes/variations per file.
Small trickles, to gentle streams, raging rivers, waterfalls, and the Pacific Ocean (in Hawaii and Oregon). Many are quite long and are a perfect long background to a water-related section of your film or project.
We are proud to present the next step in our impulse response research; Impulse Exploration 4. This time we have combined all the algorithms and processing techniques used in our previous IR-based products including FM, AM, time stretching, pitch-shifting, spectral-synthesis and multi-faceted manipulations, then added rhythmic elements, which result in tape echo-like sounds or metallic-comb textures.
All of these new impulses were optimized with a slightly soft-warm feel which perfectly fits the mix. It’s an entire world of brand new processing effects and possibilities which can be easily unraveled within any convolution engine, ready to be explored. We hope you enjoy the trip.
• In Pacific Northwest: Quiet Nature, get a peaceful collection of ambiences from the Hoh Rainforest, a temperate rainforest on the Olympic Peninsula in Olympic National Park. Hear the massive sparseness of one of the last pristine quiet places in the Continental US. Hear the natural cathedrals of sound created by Douglas fir and spruce. Hear wind gusts pluck autumn maple leaves and waft them to rest on forest floors. Hear massive halls of wet wood that envelop and transport you to a long-lost time when giant trees covered millions of acres of the Pacific Northwest.
• This library offers you a large collection of quiet nature sounds from one of the wettest forests in North America. Some places on the Olympic Peninsula get over 200 inches of precipitation per year, and that abundance of moisture makes for a magical fern and moss filled ecosystem brimming with soothing ambiences.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Pacific Northwest Series. Field Recording travel for these libraries was carbon neutral!
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
• Marker text included in the Soundminer description and BWAV description fields.
SPANISH COUNTRYSIDE AMBIENCES is a small collection of field recordings containing a wide view of Spanish countryside ambiences: Pinewoods, countryside, birds, crickets, and cicadas. 25 files of exterior files recorded in the Spring and Summer of 2013.
All the files have metadata embedded for great Soundminer type programs. They both include Spanish and English descriptions.
The Foley Collection series gives you performable footsteps, with additional add-on layers for clothing and accessories/keys/jewelry. You can see the list of footsteps/shoes/surfaces and any add-ons & accessories below. The sounds can be performed in Kontakt (V4+) via MIDI.
FC22 Panama Jack, Old Wood
FC23 Montain Boots, Sand
FC24 Montain Boots, Dirt
FC25 Slippers, Moquette
FC26 Bare Feet, Floating Wood
FC27 Puma Runners, Old Wood
FC28 Bare Feet, Carpet
FC29 Low Heels, Rubber
FC30 Low Heels, Floating Wood
FC31 Puma Runners, Floating Wood
FC32 Panama Jack, Gravel
FC FOOTSTEPS ADDONS:
FC43 Small Leaves Add-on
FC45 Boot Buckles Add-on
FC57 Plastic Raincoat Clothing
FC59 Winter Jacket Clothing
FC CLOTHING ADDONS:
FC74 Plastic Bag 2 Add-on
FC75 Metal Chains Add-on
FC77 Collar 2 Add-on
FC79 Earrings Add-on
FC82 Belt Buckle Add-on
FC83 Woman Bag 3 Add-on
Sounds of Australia features a large collection of high-quality sounds recorded in both natural and urban environments all around Australia.
This collection has a strong emphasis on native Australian birds and insects as well as genuine Australian crowd ambiences.
From Australian crowds and accents, to the chaotic Aussie bush chorus, you will find exotic native birds such as the Australian Kookaburra, Currawong, Rainbow Lorikeet and many other native Australian bush birds, frogs and insects.
Sounds of Australia was recorded with the intention to be particularly useful in post-production environments with a range of genuine and rare sounds you can genuinely expect to hear in Australia.
We really hope you enjoy this extensive, high-quality sound pack.
All tracks recorded by Evan Buist, sound engineer and field recordist (National Geographic, DreamWorks, Paramount Pictures).
Drops 'n' Braams brings to the table 137 new sounds of hybrid cinematic Braams and Drops to boost your production with time-bending elements and sonic manipulation brought to the max. The SFX library is produced from scratch by Alessandro Romeo, owner and lead sound designer at SampleTraxx.
With Drops ’n’ Braams you can create massive stingers, deep impacts, trailer and score elements, morphing bass, transition woosh and much more.
A great addition for trailer cue creators, score composers and cutting-edge electronic music producers.
POS FUJI Cam Edition is a collection of 346 carefully recorded and mastered camera sound effects.
Shutter sounds, rotary dials, buttons, aperture ring, handling, powering on and off, inserting battery, SD cards and more!
Collection was recorded using two tope tier Sennheiser microphones: Sennheiser MKH8040 for a closer perspective and MKH8060 shotgun mic for slightly further one.
All SFX have baked-in Soundminer’s meta data.
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8040 and Sennheiser MKH 8060
EDITED AND MASTERED WITH: Pro Tools, iZotope RX (mildly).
This is a collection of snowy, icy, slushy, crunchy winter traffic. Single car passes, busy city roads, distant skylines, village roads, highways. All files are 96khz 24bit with metadata, and recorded with 2 x Sennheiser mkh 8040, mkh 416, Audio Technica BP4025 and Sony D100.
“Mutation” is a collection of 200 mutation sound effects aimed to be used in horror/sic-fi productions.
The pack is focused on bloody and creepy transformations where you can hear how the flesh, blood and bones of the subject are being transformed and reshaping into something else.
Uncommon sources like plastic and scrap movements, dry leaves and metallic guitar picks were used to create this collection.
The library contains 20 files (WAV, 24 Bit / 96 kHz), 10 variations each, summing a total of 200 sfx.
As a bonus I included the sources (32 sfx) used to create the sounds in the library.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.