This is a collection of snowy, icy, slushy, crunchy winter traffic. Single car passes, busy city roads, distant skylines, village roads, highways. All files are 96khz 24bit with metadata, and recorded with 2 x Sennheiser mkh 8040, mkh 416, Audio Technica BP4025 and Sony D100.
The Fokker D.VII German warplane sound library includes 174 sound effects in 7.44 gigabytes of audio files. The collection features recordings from the 1918 fighter biplane and its 200 horsepower 6 cylinder Daimler D III aü engine.
The sound bundle collects 23 tandem takes. The exterior microphones (4 perspectives) were placed at various locations on the airstrip to capture taking off, flying by, and landing at fast and slow speeds. The onboard microphones (5 perspectives) were placed in the cockpit and engine to record steady flying, starting, flying, taxiing, and stopping. Also included are static engine recordings at various RPMs from all microphone perspectives with additional exhaust recordings. Performed effects of cockpit instruments are also included.
Every clip is embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata.
This bundle includes 4 different libraries.
The Baltic Sea sound library is compilation of 56 WAV files recorded with Sound Devices 702, Rode NTG3, Sony PCM-M10, two Oktavas MK012 set in MS, XY and ORTF setup. All the sounds were recorded far away from the cities and roads. Since most of the sounds were recorded in late winter, there are no insects or birds in background. There are few files that includes the sound of birds, but I left them on purpose, because of the overall feel of the files. In this library you will find beautiful sound of waves crushing on the rocks and shore, recorded from different perspectives in different stereo configurations, during calm and windy days. In addition to those sounds, there’s foley like walking, running and swimming in the water.
The Harbours Of Norway sound library features 25 files with ambients recorded in Myre, Sto and Nyksund, very small towns with direct access to the sea. Most of the sound effects were recorded at night, but since it’s a polar day time of the year, it was very pleasurable to walk and look for convenient places to set up my gear. Everything was recoded with ORTF setup built from two Sennheisers MKH 8040. Inside this library, you’ll find a lot of seagulls, waves crushing on the rocks and plants, windy ambients from the cliff, industrial sound from port in Myre with ship unloading the cargo, walla with steam engine boat and additional sounds from boat engine market and air cooling aggregates from food containers. Every file was recorded in 96kHz, edited (i removed any unintentional bumps, pops and unwanted sounds). I limited EQing to removing harsh frequencies, or enhancing a little bit the good sounding ones. At the end of the chain there is a small compression, for louder sounds.
The Summer Ambients sound library contains 33 beautiful WAV files recorded with Sound Devices 702, Rode NTG3, two Oktavas MK012 in MS and stereo XY pattern. All sounds were gathered in different and beautiful places like forests, lakes, meadows or swamps. You can expect amazing ambients, textures, different birds, insects, forest during rain, calm and windy days. It’s a perfect library for designing background sounds. Everything was recorded in amazing Masuria in Poland.
Summer ambients Update – library got 2x bigger and heavier than the original library. 59 additional files, 123 minutes of high quality audio recorded with Sennheiser MKH 8040 ORTF setup, Rode NTG3, Oktava MK012 XY setup plugged into SD702 and Sony PCM-10. It features ambients from the forests, ponds, swamps, meadows, lakes and suburbs recorded is very quiet locations, mostly just before the sunrise, during the day and before sunset far away from the cities.
Water Flow sound library took me about six months to record, consumed about 15 thermoses of tea and 42 litres of gasoline to get to all locations. It offers 90 BWAV files recorded in different locations. Huge part of this library is based on the recording sessions on the rivers. Two completely different locations, recorded regularly for the last 5 months allowed me to create this unique sound library. Most of the recording sessions took place during winter just before the sun was rising to reduce the amount of unwanted sounds. Almost all recordings are completely clear and only few have birds in background, since it was my intention to record some location ambients with natural backgrounds.
You can see the metadata and sound list below.
Get the authentic sounds of the Renault Master III van: The car was recorded during regular driving, accelerating, decelerating and more demanding way of driving with steady RPMs, slow accelerations and decelerations for game implementation.
The library was recorded with a Sound Devices 702 recorder. Foley was captured with a mono Rode NTG3 microphone. The engine sound effects were recorded with two DPA-4061 omni microphones. In addition to designed files, this library features RAW sounds pulled straight out of the recorder.
In this 105 minutes long sound library (excluding RAW files) you will find 16 designed and 32 raw engine sounds recorded onboard, 30 pass by and engine exterior sounds, 17 foley files and 9 engine interior recorded inside vehicles cabin in sync with microphones under the hood.
Quantum State is a collection of 30 soundscapes (WAV files, 24 Bit / 96 kHz) aimed to be used in movies, games and documentary films. It was created to evoke the atmosphere of a Quantum World.
If you are doing a documentary about Quantum Mechanics or in any Sci-fi project where, for example, your protagonist is trapped in a molecular space this soundpack can be great tool to achieve those things.
Each soundscape has a duration of 1:05 minutes.
The City Distant library gets you a series of high quality, diffused city ambiences. Choose ‘flat’, unobtrusive background tracks, or versions with emerging elements: trains, cars, trams, bells, sirens, fireworks and other noises. Captured in Prague, Czech Republic.
• Native 192kHz /24bit
• excellent mics used – Sanken CO100K (wide range, ultrasonic mic, recording frequencies up to 100kHz) and Sennheiser MKH30 (industry standard) in MS stereo configuration.
• Use any of rendered LR tracks or reach for included raw MS data.
• Long takes (up to 7 minutes).
• 12 files (plus the raw data), at several locations.
• Flat and normal versions
SILENTSCAPES is a collection of 36 high quality recorded and fully mastered romtoones, ambiences and background sounds.
The sound library contains both indoor and outdoor sounds and the sound editing was done to obtain constant and quiet ambiences.
All sounds can be used as the first and neutral sounding layer of your projects, to give support and consistency to dialogue and sfx tracks. Otherwise they can be used as sound sweeteners for existing background ambiences or sound sources for new sound shaping.
Interesting Interiors is a collection of recordings hand-picked by sound designer and recordist Chris Sweetman from his personal collection. They deliver a selection of interesting beds, ambiences and interior sounds, including both real and surreal sounds to play with.
This collection includes 3 rare recordings of the derelict Star Wars stage at Elstree before its demolition in 1995, as well as large drills from an interior perspective that could be mistaken for huge alarms or horns, an extremely detailed sewer recording, rain falling down an elevator shaft and much more.
A special sound effect library from renowned sound designer and recordist Tim Nielsen: It's captured with a VC3 recorder, which turns electromagnetic frequencies into audible tones. The collection features weird statics, data and telemetry beeps, the EMF signatures of things such as rack mount gear, LCD screens, telephones and computers. A total of 178 minutes of sounds are included.
EDV3RB is designed to be a complete toolbox to create a realistic sounding room atmosphere up to 5.0 surround.
A full 5.0 Surround WAV-file of each room in different perspectives will give you the base and the real sound of the location.
With the exact same room as an Impulse Response you’ll be able to add all types of different sounds to the ambience to get a perfect natural-sounding environment.
EDV3RB’s Impulse Response Library is made for the IR-Reverb PlugIns Audio Ease Altiverb, Avid Space, Waves IR-1 and others supporting WAV impulses.
Bunker 101 • Carlsberg No 19 • Carpark Big • Carpark Small • Der Saal • Factory Hall Big • Factory – Furnace • Factory Hall Huge • Factory Hall Small • Factory Tunnel • Kitchen • Living Room • Living Room II • Sleeping Room • Staircase
• EdV3rb Stereo
• EdV3rb 5.0 Surround
• EdV3rb 5.0 Surround
• 24 bit / 96 kHz
• 24 bit / 48 kHz
• 24 bit / 96kHz
Get the ambiences and atmospheres of Rwanda, Africa in this sound effects library recorded by Ana Monte. It features recordings from around the capital of Kigali, suburbs, markets, sewing shop, rooftop and roadside recordings, as well as countryside, forest and hillside recordings.
An assortment of writing utensils + a variety of paper mediums = endless paper SFX combinations.
Features 7 writing utensils:Pencil • pen • paintbrush stump • marker • eraser • chalk
12 Paper Mediums:
Canvas • notebook • shoji • sketch • cel • blackboard • parchment • cardboard • linen • mulberry • cotton • scrapbook
This library consists of two different sessions where we dropped cars from a crane onto other cars and onto the ground. The first session contains lots of windows being smashed and sounds of car body debris from two hanging cars scratching against each other. During this session, microphones were positioned inside the vehicles as they were dropped from the crane as well. The left side of the onboard recorder comes and goes, but we decided to leave it in the library since it has some very nice bits in it.
Brazillian Airports & Plane Journeys is a comprehensive collection of various ambiences and environments. All of the main areas of the airports are covered, including check-in, baggage check, food halls and departure gates. In addition to this, all of the major interior plane phenomena such as coasting, take off, landing and in flight are also included.
The majority of sound files in the library are over ten minutes in length, giving you a huge pool to source your audio from.
With Brazilian Airports & Plane Journeys you will never be left wanting for airport or passenger ambiences again.
Ringing Rocks has the chiming, beautiful tones of an ancient boulder field. As hammers strike stone, the powerful clangs resonate like church bells and bring to life a natural sonic wonder. Plus, you receive many types of melodic tones, hammering rhythms, grinding metallic stone, resonant scrapes, and much more. If you need rocks unlike any you’ve heard before, listen to Ringing Rocks.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
Need ambiences from backyards and alleyways? This collection delivers more than 3 hours of atmospheric ambiences from places such as cementaries, gardens, churchyards, school yards, industrial alleyways, castles, apartment complexes, small cities and more.
This library features a French armoured personnel carrier VAB manufactured by Renault, equipped with a 320 hp Renault MIDR engine. The recording consists of 15 onboard channels covering the engine, exhaust, fans, interior front and rear, and 17 exterior channels positioned around the recording location. It also contains startups, idling, blips, steady RPMs in neutral, driving and reversing at slow, medium and fast speeds, aways, approaches, passbys, stops, shutdown, horn and more.
Old and new types of freight trains recorded with a high quality binaural dummy head. All tracks are recorded up close to capture all the characteristics of each freight train.
The Gun Shell sound effects library features a comprehensive collection of sounds made with empty gun shell casings. Including 12 different shell types, 7 surfaces, and a huge amount of takes (3600+ files in total), this library is more than just a collection of falling shell sounds. It includes shells colliding with each other, rolling, bouncing, being picked up, and more.
These expressive little sounds can add the essential detail in your project, or you can use them creatively to craft totally new sound effects layers for weapons or item/coin pick up. Ammo box handling foley and bullet belt link sounds are also included.
Included calibers / shell types:
7.62×39mm • 7.62×54mmR • 9mm • .22LR • .30-06 • .38 SPL • .44 MAG • .45 ACP • .223 REM • .308 WIN • 12-gauge Shotgun Paper Shell • 12-gauge Shotgun Plastic Shell
Concrete floor • Wooden floor • Carpet floor • Rumbling metal • Hard metal • Gravel • Dirt
Recorded in a quiet studio environment in 96 kHz / 24 bit, these well-edited and meta-tagged sound clips make it easy to add the perfect gun shell sounds in your projects. In addition to a massive amount of variations of shells falling on different surfaces, the sounds are useful for sweetening bullet impacts, creating collect/pick up sound assets, and pitch-shifting them to create totally new sci-fi weapons.
An informative PDF spec sheet is included with a lot of details about the shells. There you can easily find example firearms using the specific cartridge to accurately match the correct shell sounds with the guns in your projects.
The library comes in two versions: One with multiple takes in a single audio clip, the other has a new audio clip for each shell drop. Both versions are included with this library.
This collection contains a wide variety of buttons and switches. We pushed, flicked, turned and twisted all the buttons, knobs and switches we could find to make sure you have everything for your sound design needs. To give you as many options as possible, we recorded everything at a high sample rate with several microphones. Every sound was recorded with at least a contact microphone, a large diaphragm microphone and a small diaphragm microphone. In addition, most of the sounds were recorded with two small diaphragm microphones with different pickup patterns (omni and cardioid).
The high sample rate and multiple microphone setup makes this collection excellent for sound design and heavy processing. We have also included all sounds in 96 kHz and 48 kHz in case 196 kHz is not required for your projects.
1x Barcus Berry (contact microphone)
1x Neumann U87 A1 or Brauner Phantom Classic (large diaphragm)
1x Sanken CU31 (small diaphragm, cardioid)
1x DPA 4041 (small diaphragm, omni)
An library of elevators! From your standard elevator to EWP, platform elevator, large industrial lifts, one of the largest elevators in Europe and an old elevator from the early 1900s. Hear them pass by, listen to room tones, button presses, door movements and more! Everything recorded in Stereo, 96 kHz 24 Bits with Neumann KM184, DPA 4017 and Sennheiser MKH50 on a Sound Devices 633. Total 46 files in 625 Mb.
SSL14 Porto City Sounds is one of our recording travel projects, captured in Porto, Portugal during a 3-days visit to the country. The Surround Sound LAB team traveled to Porto just to record the main essence of this city.
This library contains the main character of the lovely city: Boats, trains, wine and history in one of the most beautiful cities in Portugal.
More than 2 hours of original and actual recordings, 27 original field recordings in Surround 5.1 , ST and Double MS RAW format (for custom editions).
Each ambience recorded in this library is at least 1-2 minutes long, so there is no need for looping ambience in your project. This library was recorded in a Double MS mic configuration. providing great post production possibilities.
This library contains a number of guns, AK4, AK5, AK47, MP5, Walther PPK and Sig Sauer, being fired in a number of acoustically different indoor locations, a big stone hall, a cafeteria, a catacomb-like area, and a long corridor.
African Rainforest is an expansive collection of recordings made in the various types of rainforest that lie on the Ugandan side of the Albertine Rift, ranging from high-altitude afromontane to tropical lowland jungles.
From the spooky croaking choruses of black and white colobus monkeys to barking baboons, hooting DeBrazza’s monkeys, moaning Mona monkeys, screaming chimpanzees, warbling mangabey and the otherworldly twang of the blue monkey, these forests are packed to the brim with primates calling from the canopy. Yet beyond all the monkey exuberance, these recordings are characterised by tranquility and spaciousness, where slow lazy bird calls are interspersed by gently fluttering insect choruses and pinging tree frogs.
Available in stereo and surround and covering all times of day, African Rainforest not only features lengthy ambient recordings but also includes a number of close-up vocalisations of two kinds of great ape: chimpanzee and mountain gorilla, recorded on location in their natural habitat.
• 5.5 hours of lush ambiences in surround & stereo
• 10 primate species
• 50+ birds
• Numerous frogs and mammals
• Bonus recordings of close up chimp & gorilla vocalisations
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.