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Welcome to the first in our new Element Series: FIRE. The Element series will feature highly designed sounds as well as expertly recorded raw source recordings. With FIRE we spared no expense to experiment with tons of different props and sources. From a double ended fire staff all the way to a “plasma gun” fire tube. Can you ever have enough FIRE? We don’t think so. FIRE is a collaboration between SoundMorph, Jason Cushing, Tibo Csuko & Boris Karekine. FIre contains more than 3.4GB / 675+ files.
All files are 24bit/96khz .WAV stereo files, all meticulously embedded with Soundminer & Basehead metadata. FIRE contains the following folder categories:
Step right up, step right up, UK Seaside Town & Theme Park contains a varied assortment of sounds recorded from a very popular seaside destination in the UK called Blackpool. We have covered many different areas in the town, including some of the tallest rollercoasters in Europe to close up sounds of waves lapping and interesting rail cars with unique horns. This library will be an amazing addition to sound designers looking for ambiences from a rarely recorded location and are perfect for using in films, documentaries, commercials, video games and other projects.
Our team of Audio Craftsmen went through fascinating spots around Blackpool and captured the most interesting sounds ranging from rollercoaster pass-bys, screams of people riding a rollercoaster, crowd cheering in a circus venue and rock concert, exciting revs of motorbikes and cars, trains and trams passing by, ambiences from café, town centre, fish and chips shop, arcade, train station, beaches with seagulls, close up sounds of waves hitting the shore etc. Furthermore, there are sounds of people chattering, walking by, shouting, laughing, clapping, whistling and much, much more.
All the included sounds are carefully edited and provided dry in 24 Bit, 96 kHz which allowing you for further sonic manipulation. Moreover, all the sounds are tagged with extensive metadata and are UCS complaint to effortlessly find the right sounds for your projects and drag them straight to your timeline.
All kinds of radio noise you can imagine.
157 recordings. Humming, buzzing, squeaking, whirring, noise, voice fragments and much more, static and changing, from all frequency bands (FM, LW, MW, SW).
Recorded in 96 kHz, the best conditions to be able to resample if you want.
Carefully edited and with detailed metadata.
If you need radio interference this is your library!
Geophonic Instruments is the latest entry in our popular Geophonic line of sound effects libraries.
Contained within this product are a range of inspiring and characterful sounds, which have been designed from raw recordings captured with the Lom Geofon. Our audio craftsman made use of a guitar and violin for this library, recording a variety of different sounds including plucks, scratches, bounces, bowings and impacts. These sounds include super low frequencies, going down as low as 10Hz allowing you to inject some weighty low frequency energy into your work.
Geophonic Instruments is perfect for sci-fi, horror and mystery projects, and will also lend itself well to Film, TV and Game productions across a variety of genres.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
Let’s get ready to rumble!
Geophonic Design Vol. 2 is our second collection of distinctive designed sounds whose frequencies range all the way to 10Hz.
Featuring recordings captured with the coveted Lom Geofón, this bundle is erupting with 102+ mins (7.15 GB) worth of ambiences, cinematic impacts, movement, oneshots, glitches and speaker-shakers perfect for more ominous and mysterious film, TV and game projects.
These complex sounds derive from the subsonic resonances of trams, trains, bridges, sand, a gramophone and more, and are intended to produce a real sense of heavy darkness in your designs.
Our Audio Craftsmen have carefully captured and meticulously edited each sound for maximum sonic quality, enabling to you drop each sample into your projects with no need for further enhancement or modification.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
Flesh, Bones & Gore Bundle features three volumes of discomfiting gore and body horror sounds crafted to make your audiences cringe and recoil.
A collection of mutilating actions and impacts were created by manipulating fruit, vegetables, meat and other food in our dedicated Foley suite. These sounds include bone crunches and cracks, squeezing guts, zombie bites, a creature slurping down raw meat, flesh rips and tears, wet and dry skin peels, chopping into body parts with weapons, and more!
Ideal for making combat sequences pack a punch or intensifying slasher moments, this expansive selection of gut-churning sounds were designed with the aim of unsettling viewers and users in your horror-thriller Game, TV & Film projects.
Each library is delivered at 24Bit. Zombie Specimens Vol. 1 is delivered at 96kHz, while Vols. 2 and 3 are delivered at 192kHz. The entire bundle is tagged with extensive Metadata for ease of use.
Haunting Ambiences Bundle Vol. 2 includes three more libraries from our series of horror-genre atmospheres: Haunting Ambiences Vol. 4, 5 & 6.
The bundle comprises 19.99 GB worth of sounds recorded and designed by our Audio Craftsmen. Each of the 18 featured ambiences have been separated into individual stems, providing you with multi-layered kits for constructing your own horror backgrounds. Bangs on doors, swamp creature screeches, sewer screams, rattling chains, sacrificial chanting and many more can be endlessly mixed and matched in this customizable collection.
Use this bundle to experiment with layering, tone, and other sonic parameters when building atmosphere in your horror scenes. Sounds can be used for both digital and real-life projects, including Film, TV and Game productions, and live horror events and escape rooms.
The entire bundle is delivered at 24Bit 192kHz and tagged with extensive Metadata for ease of use.
Want the BUYOUT version instead? Find it here
A collection of authentic Italian motorcycles and scooters – includes recordings of models like the Guzzi, Ciao Piaggio, Vespa and Ducati. Recordings include pass-bys, onboard, starting, idle, stopping, horn honking – and even skidding.
Each sound file has been carefully named and tagged for easy search in Soundminer and is Universal Category System (UCS) compliant.
(see the full track list below).
This library has just been updated with 72 new recordings (47+ minutes) of motorcycles & scooters such as the APRILIA 150cc, LAMBRETTA 125cc, MALAGUTI 50cc, MOTOMORINI Scrambler 1200cc, MV AGUSTA F3 600, PIAGGIO X9 500cc and a VESPA 125 ET3 PRIMAVERA
A collection of rending, snapping, and striking bamboo SFX + some extra added goodies.
Lost Transmissions is a collection of electromagnetic and radio recordings with an emphasis on communications gone wrong. Malfunctioning static, radio recordings, analog hums, designed passbys, & tonal/fluctuating noise. Lost Transmissions is another essential set of utilitarian libraries to add to your tool box. Recorded and designed by Jason Cushing (co-founder of SoundMorph).
Not only that, as a bonus we've also teamed up with and included Echo Collective's kontakt instrument “Squelch” and accompanying sample library, giving you an additional 100+ real radio samples to work with and playable radio instrument.
The booming and serrated voice of a 100th anniversary edition American classic is upon you. And this Fat Boy had quite a lot to say. Mostly in a dialect of deliciously loud and explosive transients.
You’ll find that this library not only covers glorious engine dynamics and potato-y straight pipes, but also various switches, mechanics, linkages, electrical functions, the horn, and even a guardian bell. There are pass-bys and encircled recordings in both mono and MS formats (the latter of which are left raw for you to decode at gain and width settings appropriate to your needs), static running captures, and a structure of engine throttling that can give you delicate control over the engine’s power.
This sound library has a variety of sounds and activities that come from most household bathrooms. It includes sounds of showers, sinks filling and draining, medicine cabinet items, bottles of pills, brushing hair, spraying hairspray, clipping nails, toilets flushing, lotion, cloth towels, washing hands, etc. Each track is a 2-channel stereo recording from a Mid-side mic setup from two Schoeps CMC 5Us with MK8 and MK4 capsules fed into a Sound Devices 744T.
The Yamaha YZ250 Dirt Bike SFX library from Watson Wu delivers the sounds of this 2004 motorcycle with a 250cc 2 stroke engine. Files are divided into external static sounds, external following sounds, foley sounds, and onboard sounds. Captured Onboard – from the driver's point of view. External recordings: External Static is from a fixed stereo microphone. External Following is from an MS Stereo Shotgun mic following the traveling dirt bike.
Amusement Rides & Ambiences is a unique collection of hard to access amusement park sound effects. Package includes high-quality multichannel recordings captured with a full access to the amusement rides – and a total of 8 rides are included!
Some recordings were made in an amusement park that was closed from the public. This enabled us to capture the sound effects as clean as possible without background music or people.
Ambience recordings are authentic amusement park ambiences with people and amusement rides. They include children and adults, cheering and screaming, chatter in different languages, amusement rides loading and operating, and more. All sounds were recorded in Särkänniemi amusement park, Tampere, Finland. Also available in the special Complete Amusement Park Sound Bundle.
‘Concrete Foot Work’ by Badlands Sound includes 274 high-quality footsteps perfect for your projects.
The library features five different types of shoes; Boots, Heels or Dress Shoes, Leather Smart Shoes, Old Shoes, and Trainers on three different surfaces – Concrete, Gritty Concrete, and Wet Concrete.
A larger focus on wind – with trees, brush, crickets, and other sounds often included. There are also plain wind sounds recorded on exceptionally quiet wilderness winter nights that can be layered over most every project for several minutes or longer. Additionally includes some branches breaking in high winds and rain patter.
STUTTER MATTER delivers a fresh sound set of syncopated hi-tech stutters and ultra-triggered sound effects. Whether you work as movie trailer or game sound designer, editor, soundtrack composer or experimental musician STUTTER MATTER will add a touch of sound dementia to create a more diverse listening experience.
If you are looking for brutal syncopated bursts, head spinning dynamics shifts and industrial dyslexia this sound pack deserves a listen for anyone seeking out interesting sound design.
Categories:• Stutter Chopper
• Stutter Filter
• Stutter Reverse
• Stutter Woosh
• Stutter Sequences and Glitches
• Unprocessed/Raw Stutter elements
+ Bonus folder – 40 Hi-Tech Hits
The Seagulls sfx library includes 28 tracks of both single, isolated seagull screams, and bigger flocks of nesting seagulls, calling out to each other and their chicks. There are plenty of classic call sounds, but also some weird throaty and raspy screaming, and what could sound like seagull laughing sounds.
All tracks are recorded with the very useful zoom function of the Telinga microphone and dish.
Library includes both untreated tracks, and noise reduction processed tracks in two separate folders. Noise reduction processed tracks have carefully been cleaned up with a CEDAR NR system.
Though these birds are in an abundance around most harbours and industry around here, they are not always easy to record. You mostly hear them from a distance, or from places not easy to access. When you try to get close to them, they will usually fly away.
Many hours have been spent on rooftops, gardens, backyards, a junkyard, and different harbours to get this material.
Our Gore library was recorded in the weeks preceding Halloween 2017. We decided to have some fun because we generally only have access to pumpkins this time of year and thought why not create something fun for us, and our friends and colleagues to use. Please enjoy the use of these recording in all your spooky movies and sound design.
Provided are 750 MB of LR and MS Recordings. LR is decoded from the MS and has the approximate stereo width as an XY recording. On the MS tracks the mid mic is on the left and the side mic on the right.
The LR can be encoded back into MS or if panned center, cancels out the side mics to just play the mid mic. Alternately in the provided MS file, the right side channel can be dropped so you can use the mono center. The 2 files are mastered the same. Occasionally the levels vary on the MS track as these are the levels set to keep the the tracks phase coherent. All tracks are edited to be M&E friendly, and monitored through a phase scope to again, keep the tracks phase coherent.
All recordings were recorded In a foley studio at 192kHz with a Fostex FR-2 recorder, Project Studio C4 mic, and Ambient Emesser ATE-208 bi-directional mic and mastered in Pro Tools.
All recordings are recorded in Toronto, Ontario Canada, by Ryan Macneill and Steven Ejbick of Textures Sound.
This library is designed for instances when chewing rocks is not what you are looking for. There are various types of food being chewed with open and closed mouth. From soft and squishy, to hard and crunchy.
This library was recorded using the Shoeps CMIT5 and the Avedis MA5 pre.
This sound library is a carefully recorded collection of various tape(masking, duct, shipping, Scotch tape). Each type of tape were recorded in many ways like pulling fresh tape from a roll, short rips, peeling off from various objects, tearing tape lengthwise, wrapping, unraveling, crumbling and more.
Dakota Wetlands by Badlands Sound features 11 three to four minute seamless loopable ambiences making these a breeze to work with. Recorded over the span of a couple months this collection of ambiences were recorded in 96k 24bit with the Sound Devices 702t and a pair of Sennheiser MKH 8040's.
In the Audio Demo for this product you will be able to hear all the sounds that are in this library. If you are looking for marsh, prairie sounds next to a lake, or specifically wetlands for a great price this library is for you.
Beef up your creature sound design with the deep intensity of the Wildlife Collection: Grizzly Bear sound effects library. With 146 expressive bear sound effects and vocalizations, these high-quality recordings contain a wide variety of grunts, roars, sniffs, mouth smacks, and purrs that are ready for naturalistic use or manipulation for sound design applications.
Recorded at 24-bit/192kHz using multiple microphones including the Sanken CO-100K, which captures and maintains up to 100kHz (rather than 20kHz from other microphones), field recordist and sound designer Chris Diebold (Spider-Man: Homecoming, Transformers: The Last Knight) captured the unique vocalizations and slimy mouth-noises of an old aged male Grizzly bear. Use the natural and characteristic recordings of deep groans, slimy chews, and heavy breaths for pitch processing and control over your sound design, to design your beasts, creatures, monsters and more.
In addition to these raw bear recordings, this collection also contains 41 designed and “hyped” sounds, ready to drag-and-drop directly into your monstrous designs and animalistic scenes. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.