200 sounds from no-input mixer recording sessions featuring cable & pedal noise, drones, harsh noisescapes, high frequency feedback, hum, interference, low frequency noise atmospheres, machines gone wild and a multitude of general feedback effects.
For inventive navigation tones, future technology sounds, glitch elements, horror atmospheres, corrupted audio flows and more, this original sound collection will serve as a versatile palette for sound designers/editors/artists, music producers and anyone looking for interesting audio artefacts.
All files are 24 Bit/96 kHz with embedded metadata.
Granular Textures is a collection of Foley sounds, instrumentals and lo-fi recordings which were fed into granular processors to deliver a set of unique and versatile atmospheres which bear little resemblance to their original source. Instruments such as guitar, piano, kalimba and zither have been exploited, dissected, stretched, resampled and mangled beyond all recognition and served up as inspiring grainscapes which will find their home in a variety of productions.
Whether your project calls for gritty, industrial and dystopian soundscapes, surreal, science fiction elements, twisted signals and transmissions, horror soundbeds, deep drones or experimental noise pieces, Granular Textures is a versatile collection which will serve as a great sonic asset, whatever field of multimedia you work in.
Motor on, crunch, vrrmmmmm, other crunchy paper shredding sounds. SHRED IT includes sound files of single and multiple paper shreds, on off buttons, reverse motor, paper foley, ripping, crumple, and more! A total of 50 files with over 534 sounds in it, recorded at 96kHz, 24 bit using the AT897 Shotgun Microphone. Exported as dual mono .wav files. All sounds are meta-data tagged using Soundly and Basehead.
Punchy Transients is an organized toolbox that serves as a reliable source of ”layers of impact” which many, many sounds do require to be in their best fit. It is also a trusty stash for designers who need to save some time to focus on something else.
The library content was made by recording a collection of hits on a punching bag using many techniques. Also, a dry version of each sample and a folder of bonus thumps are included.
Scene Switch: Transitions & Textures features 64 sound elements ready to bring an extra dimension to your cutaways, wipes, time shifts or any kind of motion change.
From subtle swooshes and smooth synth tones to glitched-out, abstract phrases and dramatic noise rushes, as well as serving as a ready-to-go sonic toolkit, this highly malleable bag of tricks is also useful for sound designers looking for inspiring source material to mangle.
With a raw, dark and edgy feel to a lot of the sounds, they are particularly well-suited to Science Fiction, Horror and Dystopian projects. If you're looking for quick fix scene stitch sounds, this one is handy to have around!
*Pop, Pop, Poppoppoppopoppop
Two Guys, three microphones, and a mountain of bubble wrap. What else to do but record the knuckle popping, transient heavy, tiny air explosion created by the ever calming sound of Bubble Wrap. This library was recorded in collaboration another fan of Bubble Wrap, Adam Carl. Microphones used was the Sennheiser MKH60, Sennheiser MKH8050- both exported as mono .wav files. The stereo microphone used and exported was the Audio Technica AT2022. How many variations of popping can you create? Between the two versions included in this pack, original and reduced reverb, 2483+ sounds per pack over three microphones 828 sounds per microphone, or 4966 Combined are packed waiting to be popped!
Why did we include almost 3 hours of total sound in a bubble wrap library? When you include the squeaking of blowing on the corners or rubbing two bubbles between fingers, clicking a pen pops, popping using a drill, and even filling the bubble with water using a syringe. Other secret sounds include popping inside a metal trash can- similar to sounds of bullets ricocheting off metal, popping wrapped in tin foil, and stretching.
All sounds are exported either in mono (Sennheiser) or stereo (Audio Technica) and meta-data tagged using Soundly and Basehead.
Whether you work in film, game or music production, it's a standard requirement to have a wide range of whoosh and transition sounds at your disposal. With raw, organic textures alongside heavily processed Doppler FX, the sounds in this library can be mixed together to create a multitude of variations which will give your projects a real edge. Featuring power ups and downs, spacecraft passbys, robotic movement, machine failure, future technology sounds and more, Whooshes & Transitions features 150 unique audio files ready to process to your liking or drop straight into your production.
Process Malfunction features 40 intricate future technology glitch production elements for science fiction scenarios where computers are going way out of control. You'll hear corrupt data streams, servers overloading, user interface issues, generative, abstract rhythms and more in this detailed exploration of what the computers of tomorrow may sound like when they go wrong.
Perhaps the mainframe has been compromised from a series of lethal hacker attacks or alien communication signals are interfering with the network, maybe the CPU has just seen better days… Whatever the cause of the failure, the machines have been corrupted and they are struggling, screaming and hanging on for their last bleep…
Does your production need analog tape playback sounds?
Oh, boy, we have some!
Scratching, speeding up and down, humming, noise and crackles, feedback, distortion, wavefolding, damaged tape, spring reverb and even processed with the filter of evil Polivoks synthesizer.
All records were made with analog gear and recorded with 192KHz sample rate for further manipulations.
Featuring sounds taken from lo-fi instrumental recordings, harsh noise experiments and granular synthesis explorations, Atmosfear is a gritty soundscape collection geared towards the horror genre. With a distinctly unpolished production style to bring a rough edge to your scenario, these sounds can be used to invoke feelings of suspense, dread, tension, fear and doom into your characters and environments.
What does an industrial scale torture chamber in an abandoned asylum sound like? What about a high-voltage electrical possession? Find the answer to these questions and more with Atmosfear. Enter if you dare.
We've raided our huge archive of 8-bit samples and compiled 50 favourites into this inspiring collection of vintage video game sound effects. All sounds sourced from a massively modified Gameboy and old-school generative software for a truly authentic flavour. Load these glitches, drum hits, arps, risers, lasers, abstract noises and general FX up in your sampler of choice and get adding that much-loved 8-bit vibe!
Burps & Farts is the perfect addition to your bodily function sound effects library! Tons of deep, resonant burps and farts included, recorded in pristine HD.
CB Radio is a small collection of static produced by different channels on a 40-channel CB Transducer.
I found a pair of “Realistic TRC-222 40-channel Citizens Band Transceivers” at a second hand store, but only one works.
Here are the sounds the surviving “walkie-talkie” produces: 54 individual sounds for a total of around 15 minutes of static and warble + button sounds and antenna extension and contraction sounds
Human Stampede was recorded across multiple marathon races and captures the sound of footsteps of large crowds of runners. The idea was to capture long takes in stereo with minimal or non-existent crowd chatter to get stereo recordings that are useful for scenes of riots, warfare or even a plain old fun run.
Whether you seek eerie ambiences, mysterious chatter, or a bassy sweetener, Strange Moods has you covered. In this collection, you’ll find over an hour of perfectly-loopable, atmospheric audio. Inspired by such games as Limbo, No Man’s Sky, and Badlands, all 69 files are high-quality 96kHz/24bit WAV files and drag and drop ready.
Personal Cassette Player_Pack 02 is the 2nd in the Personal Cassette Player Collection. In this pack are recordings of the Sony VOR Cassette Player/ Recorder. Click record and make your own recording. Press play and listen back, but don’t forget to rewind it first! Included are different buttons and sliders including the Fast Playback, Mic Sensitivity, and Pause Switch. Slide the tape in the compartment, turn it in your hand, fast forward to the end, or take the batteries out.
All recordings are metadata tagged using Basehead and Soundly, recorded at 24 Bit, 192kHz using the Sennheiser MKH8050, MKH30 microphone combo into a Sound Devices Mix Pre-6.
Plug in those headphones, sit back, relax, and listen to your favorite classic cassette tapes.
Before streaming, before the mp3 Player, before the portable CD Player, the Portable Cassette Player reigned supreme. Now you could walk and listen to your favorite tunes!
Personal Cassette Player_Pack 01 is the first in the Personal Cassette Player collection. Pop in that cassette and listen to the GPX Cassette Personal Stereo Player. Included are various buttons with and without batteries in, with and with out the tape in, open and close of both the tape compartment and also the battery compartment. Flip that cassette to the b side and pop it in. Maybe shake it a bit and squeeze first.
Over 700 sounds fills out the 30 files. They were recorded with the Sennheiser MKH8050 and MKH30 microphones and exported in stereo. Recored at 24 bit, 192kHz and metadata tagged using Soundly and Bashead.
Play and run the tape, or fast forward to the good part, plug in those headphones and enjoy!
It’s A Plain Phone_Pack 04 is the next installment in the It’s A Plain Phone_Collection. This pack includes recordings of an older office phone pressing buttons, pick up, hang ups, slams, detach and reattach cable to both phone and base, switches, and more! 1260+ sounds packed in 40 sound files, recorded at 24 bit, 192kHz using the Sennheiser MKH8050, MKH30 microphone combo into a Sound Devices Mix Pre-6.
All are meta-data tagged using Soundly and Basehead.
This collection encompasses the foundations of a blacksmith audio library. Hits, grinds, machinery, tools, and squelches are all included.
A special EFX collection of recordings of World War II weapons from both the US and Germany, featuring the STURMGEWEHR 44, WALTHER P 38, MAUSER KAR 98K, MP 40, COLT 1911, M1 GARAND and the THOMPSON A1.
WW2: German Weapon Pack
Featuring the STURMGEWEHR 44, WALTHER P 38, MAUSER KAR 98K and MP 40
181 sounds, 116 MB
WW2: US Weapon Pack
Featuring the COLT 1911, M1 GARAND and THOMPSON A1
203 sounds, 141 MB
Buy the two packs together in the WW2 Weapon Pack Bundle – and save 20%!
Small crowd sound effect libraries can be hard to find – but here's the solution: The Small Crowds Outdoors SFX library gets you crowds samples from 1 to 15 people. 649 sounds are included in three mic placements each (MS near, MS far, ORTF rear), for a total of 1947 sounds.
Includes crowd reactions with everything from painful groans, excited cheering, roaring, short words, booing, applauding, whistling, panic screams, battle shouts, battlefield attack calls, monster grunts, ritualistic incantations and so much more.
The Rowing Boat sound effects library gets you more than 17 minutes of rowing sounds. It features one-shots and rowing sequences in a slow, medium and fast pace + oars hitting the boat. It of course also gets you the creaking sounds of the oars, water splashes and the other sounds you associate with rowing.
Need bicycle sound effects? This SFX library delivers more than 650 bike sounds in 125 files, covering everything from cycle gears, chains, crankset, spokes, brakes, the saddle, gearbox, bells, bicycle pumps and valves – and of course lots of wheel sounds, spinning at various speeds.
It also features outdoor ambiences of cycling, bike passes, skids and even some falls.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.