Antiques Bundle Vol. 1 contains 4 libraries with authentic antique prop sound effects, perfect for use in projects with a historical setting.
The libraries included in this bundle are:
Antique Luggage – Suitcases and trunks, reminiscent of those seen in films like Harry Potter, Paddington, Breakfast At Tiffany’s, and Titanic. Antique Telephone – Genuine vintage candlestick telephone, with dialling, handling and ringing sounds. Antique Books – Old, dusty library book handling effects, through to magical spell-book elements. Antique Typewriter – 1929 Royal Portable Typewriter Model P’s, from the re-spooling of the colour ribbon to its more essential operational writing and key-pressing tones.
With a total size of 836.6 MB and over 320 files to work with, Antiques Bundle Vol. 1 bundle gives you everything you need to create memorable and realistic antiques sound effects. By purchasing this bundle you are saving 15% when compared to buying separately, making this collection excellent value for money.
Geophonic Design Vol. 6 features our biggest, heaviest-sounding recordings captured with the Lom Geofon. This collection is a real speaker shaker!
The frequencies captured with this microphone extend all the way down to 10Hz resulting in more mysterious, complex and darker elements; perfect for game and film design.
Our Audio Craftsmen have predominantly taken recordings from a gramophone, and manipulated them to create a plethora of unique and versatile sound effects.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
The Jump Scares Bundle features over 300 blood-curdling, hair-raising and spine-tingling sounds to suit a huge variety of horror-impact moments.
To yield this range of terrifying sounds, our Audio Craftsmen recorded and designed human voices, abstract instruments, metal and glass impacts, analogue synthesis, violins and electromagnetic waves. Each jump scare comprises an eclectic layering of manipulation processes and sound sources to ensure your next horror project has its own gruesome edge.
Make the hair of your audiences, listeners or players stand on end with the Jump Scares Bundle!
All sounds included were meticulously edited for maximum sonic quality, enabling you to drop each sample into your projects with no need for further enhancement or modification.
Each library is delivered at 24Bit. Jump Scares Vol. 1 is delivered at 96kHz, while Vols. 2 and 3 are delivered at 192 kHz. The entire bundle is tagged with extensive Metadata for ease of use.
Dog Vocalisations Vol. 2 features the unusual noises of a Wire Haired Standard Dachshund in heat. This pet’s personality shines through as she stubbornly tries to paw her way into her metal kennel.
Her frenzied behaviour makes way for bizarre whines, cries, barks, growls and mewls – all carefully captured and edited by our Audio Craftsmen. The result is a series of truly strange sounds ideal for creature sound design or enhancing character in your animal creations.
The candid quality of these sounds also makes them perfect for enhancing realistic animal moments in Film, TV and Game productions.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use
Ghostly Presences Vol. 3 is the third volume of ambiences created specifically for use in your horror genre projects.
In this instalment, our expert crafts team manipulated drones nerve wracking voice recordings to create a series of haunting ambiences.
These sounds are perfect for individual use or textural layering. Ghostly singing, eerie whistling, deathly drones, wicked whispers, spooky synths and more have been designed to enhance your ghostly soundscape in Film, TV and Game Audio.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
Unveil a new dimension in sound design with SoundMorph’s Lock/Load library, an expansive arsenal of over 7,000 sounds housed in a commanding 20GB collection.
Lock/Load elevates the bar with a meticulously captured array of firearms, highlighting not just popular guns but also those unique models that provide fresh and distinctive sonic characteristics. From the tactical crispness of the Romanian AMD-63 assault rifle to the historical resonance of the Winchester Model 1892 lever-action rifle, this collection is crafted to satisfy the most demanding audio professionals.
Key highlights include:
Assault Rifles: Engage with the refined sounds of the IWI Tavor Bullpup series and the raw power of the Rugar AR-556.
Pistols: Appreciate the subtle complexities of the Beretta M1951 and the commanding presence of the FN Highpower.
Rifles: Traverse a world of sonic details with the bolt-action precision of the Remington 700 series and the swift action of the SKS rifles.
Shotguns: Command attention with the authoritative pump of the Mossberg 590 and the Kalashnikov KS-12’s tactical operation.
To capture the nuanced details of these firearms, many of the files were recorded using the high-resolution Sanken Co-100k microphone, ensuring a wide frequency range and capturing the most delicate of mechanical sounds that can be pitched up or down severly while still maintaining fidelity.
Get a collection of 134 impulse responses – recorded in the forest.
What if, instead of going to the forest to record the sound, we can find a way to bring the characteristics of the forest to us? Say, for example, we have recorded a sound in the studio like the sound of chopping wood or foley footsteps, but we want them to sound like they are in the forest?
There is a way to emulate this. To make our source sound like it is, in fact, in a forest. The answer is to use the impulse response of the forest and one of the convolution reverb plugins for your DAW.
An impulse response of the forest (or “forest IR”), is the sum of reflections from trees, foliage and the ground by very short signal at high volume. For this sound library, I recorded different impulses in a stereo at different locations of the forest with perfect conditions. Also, the library includes alternate versions of these impulses for use in the processing of the sounds that are far away from the listener.
Note: Requires a convolution reverb plugin
– here are some free options:
For using these impulse responses, you need a convolution reverb plugin (not included). The library can be used with the built-in convolution plugins in many DAWs like ProTools, FL Studio amd Sony Vegas, and there are other commercial options on the market, but costs can be high. For starters, you can use a free convolution reverb from the following
A wide choice of IR’s will allow you to choose the most appropriate nuanced impulse response for your material. As you gain more experience with this forest IR, you will find that you can quickly adjust the ratio and volume level for wet and dry channels and effectively use other options of convolution reverb. This powerful forest reverb emulation will be incredibly effective for your sounds.
This is a large foley library with almost 700 recordings of every day props that can be applied to the types of scenes we design all the time. Sounds included are movements like writing, impacts, handling and sliding; surfaces such as wood, cloth, water, metal and skin; and props like cigarettes, glasses, vacuums, doors, flask, mattresses, car doors and more! All sounds were professionally recorded by a Foley artist on a Foley stage, and the recordings are kept raw. Enjoy!
Get ready for Christmas with this X-Mas audio package featuring sleighbell loops, bells, swoosh, oneshots, twinkle and christmas ornament sound effects. With different mix-outs in a total of 175 sound files.
Includes sounds like:
04 Oneshots FX
21 Sleighbell Loops
14 Swoosh Sounds
10 X-Mas Bell Theme Sounds (81 total)
09 X-Mas Oneshots
10 X-Mas Ornament Bell Sounds
10 X-Mas Ornament FX Sounds
05 Sleighbell Sounds
04 X-Mas Swoosh
17 X-Mas Twinkle Sounds
Want weapon sounds that stand out? With Steampunk Weapons, we mixed the old with the new to make this uniquely diversified collection of weapons. Combining modern recording techniques with metal, rusted objects, and synthesis, if you need some more weapons that break the mold of traditional weapons, this is the collection for you!
The library includes more than 40 weapons, such as:
Angry Daddy • B Eva • Back from the Past • Big Fuckin Gun • Bio Machine • Bolt Gun • Bucket Gun • Bulb Presser Gun • Cash Machine Gun • Clack Gun • Clicker Gun • Destroyer • Destructor • Drivetrain Rifle • Electro Gun • Electrocutor Gun • Eviscerator • Firestorm Flamer • Grenade Launcher and Shells • Handgun Foley • Impulse Gun • Magnet Gun • Metal Chunker Gun • Metal Daddy • Mine Machine • Mini Bolt • Pulse Gun • Rail Gun • Rebel Bio • Rocket Launcher • Rocket Launcher semi-auto • Screamer • Shotgun • Shotgun NL • Steam Gun • Steamer • Thorn • Tube Gun • Uber God Gun
‘Coins’ by Badlands Sound includes 100+ clean and high-quality coin sounds. Everything from one coin, a few, too many coins dropping on various surfaces like wood, water, metal, and other coins. Also, includes Foley sounds of grabbing coins perfect for film and video games.
In the second installment of the High Desert Winds Series, get the blustery sounds of High Desert Winds 2 recorded in the resonant mountains of West Texas. This library was recorded during a massive two-day wind storm with gusts up 75 mph! These extreme winds rattled and shook the house in wonderful ways. The creaking and groaning windows, doors, and walls were vibrating so much that I could record wind for the first time using a contact microphone! There are also recordings of leaf vortexes, sand blasts, tarps popping, umbrella destruction, and much more. If you need the sounds of a stunning desert storm to complement the recordings in High Desert Winds 1, this is the library to check out.
2% FOR THE PLANET:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
KEY FEATURES:
• 90% bird and insect free
• Turbulent hurricane-force gusts ranging from 20-75 mph
• Droning and singing wind whistles
• Open plastic bottle and wine bottle wind whistles
• Mountain ridge top wind
• Desert grass, scrub oak, and pinyon pine wind
• Indoor ORTF perspectives: adobe house, wooden storage shed, and mid-sized truck
• Indoor contact mic perspectives: chimneys, windows, doors, and walls
• Plastic tarps and umbrellas whipping in 50-75 mph winds
• Locations: Davis Mountains, Texas
• Named markers included in each file to help find interesting events. Starting in Soundminer 4.5Pro_v252 you can now read text markers from within Soundminer!
• Marker text included in the Soundminer Description and BWAV description fields.
‘DARK’ by Badlands Sound delivers you 15 scary, ominous dark drones that will add an added layer to terrify the audience. You will hear low-end rumbles, sinister drones, creepy atmospheres and more! This sound library includes 15 high-quality 96k / 24-bit dark drones. All audio files are two minutes long subtly changing over time.
Small trickles, to gentle streams, raging rivers, waterfalls, and the Pacific Ocean (in Hawaii and Oregon). Many are quite long and are a perfect long background to a water-related section of your film or project.
Let’s continue our scientific journey into experimental-impulse-response research. This time around, we have developed a technique to produce outstanding rhythmic reverb spaces; utilizing intense frequency and amplitude modulation synthesis with the touch of granularity.
Some of them resulting in the most vivid and lush ambiences you could imagine, other with glitchy stuttery twists. Sounds that are truly out of this world, that can yet be tamed to fit your reality. Our impulses will reverberate clearly in your convolution reverb engine, without any harsh resonances or struggles with equalisation.
They are like pieces of glass, beautiful and clean with outstanding shapes and textures, yet coloured if need be. Trust your ears, these spatial shapes can be what it takes to transform your tracks into cinematic wonders or completely reinvent them as spatial masterpieces.
Details:
64 impulse response samples
48khz / 24bit wav files
Compatible with any convolution-reverb software
WAV + ReFill version (for Propellerhead Reason 8.3+ with 64 Combinator & RV7000mk2 patches)
• In Pacific Northwest: Roosevelt Elk, get a mini-nature collection of ambiences from the Hoh Rainforest, a temperate rainforest on the Olympic Peninsula in Olympic National Park. Hear Roosevelt Elk clack antlers and bugle as they fight for the chance to mate. Hear Pacific Wrens joyous chirps as they dance on rotten logs. Hear the massive sparseness of forests filled with 200-300 foot douglas fir and spruce. Hear haunting reverberations as ravens caw in groves of titans and the Hoh River’s soothing wash, the perfect sound to lull you off to peaceful dreams.
• This library offers you a small collection of both quiet and active nature sounds from one of the wettest forests in North America. Some places on the Olympic Peninsula get over 200 inches of precipitation per year, and that abundance of moisture makes for a magical fern and moss filled ecosystem brimming with soothing ambiences.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Pacific Northwest Series. Field Recording travel for these libraries was carbon neutral!
KEY FEATURES:
• Recorded near the One Square Inch of Silence • Featuring Roosevelt Elk
• Hear two full grown Roosevelt Elk clacking antlers and bugling!
• Distant elk trumpeting deep in the forest.
• Varied ambiences from the Hoh Rainforest in Olympic National Park
• Sparse ambiences with minimal wildlife
• Active ambiences with twittering songbirds
• One extended 35-minute quiet nature ambience
• This library is a portrait of the Hoh Rainforest. The rainforest is in a long river valley, so the distant soothing wash of the Hoh River can be heard in all recordings.
TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
• Marker text included in the Soundminer description and BWAV description fields.
FILE LIST &METADATA:
• View in Browser or Download CSV • Flora (plants) and Fauna (animals) are described in these terms: • fauna sparse • fauna constant • flora sparse • flora constant • flora and fauna sparse • flora and fauna constant • Included wildlife: Roosevelt Elk, American Crow, Common Raven, Pacific Wren, Brown Creeper, Barred Owl, chipmunks, and various other distant murmuring songbirds
MORE INFO:
• Read 30+ user reviews for Thomas Rex Beverly Audio
• Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
• Browse the Library Info Master List to compare specs on all my libraries.
• Browse the Metadata Master List to search my entire catalog.
• MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
• ***Note – the name of this library was changed from Pacific Northwest: Miniature to Pacific Northwest: Roosevelt Elk on 9/28/2018. This was a name change only. No audio files were updated.
INDUSTRIAL TERROR is a collection of dark, distorted, rumbling, ear-piercing, evolving industrial impacts and whooshes, designed to unsettle.
Collection consists of 108 designed sound effects and 102 source field recordings.
Unique processing of organic field recordings makes it sound rooted in reality and fits perfectly into horror genre.
Ready to be used on their own or as a part of a more complex sound design.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060 CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4
Winter Parks by Badlands Sound features 31 ambiences of parks in or near the city recorded during the winter months. These sounds are three minutes long and are loopable allowing for easy editing while cutting ambiences for the projects you are working on. This was recorded in 96k / 24 bit with high level professional gear: Sound Devices 702t, a pair of Sennheiser MKH 8040’s and a Rycote in ORTF configuration.
This is a unique bicycle library that captures road surfaces from the perspective of super quiet bicycle. These are clean, quiet, nicely performed true exterior rides. Including multipleperspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The Extra Surfaces library provides 162 sounds captured on the following road types Large Bricks, Gravel, Grit, Icy Asphalt.
The four additional ‘onboard road’ surfaces are the perfect extension for your other ‘City Bicycle’ library of taste. Just add it as a layer, mix it and voila your bicycle can move from gravel to bricks to grit or from large bricks to slippery icy asphalt roads.
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently brakes to smooth departures.
Five perspectives:
1. Onboard Front: captures the whirring tire and surface sound.
2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
5. Static XY shot: stereo recording of the passby that emphasizes speed.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers: Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window.
However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.
Need more?
The Extra Surfaces library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.
Responses:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
This Halloween, be prepared to be scared! From Carma Studio, comes the ultimate Halloween package.
With over 1500 individual sounds, this collection has something for every media artist. Whether you’re searching for vocal phrases, eerie ambiance, terrifying screams, or possessed toys, we’ve got you covered with a truly unique collection of Halloween delight!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
Gabriel Guy
Re-recording Mixer, Walt Disney Animation Studios: Frozen, Big Hero 6
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
David Farmer
Sound designer: Lord of the Rings & The Hobbit trilogies
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
Zdravko Djordjevic
founder of The Audio Spotlight
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
Afghanistan
Åland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belau
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bonaire, Saint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Brazil
British Indian Ocean Territory
Brunei
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo (Brazzaville)
Congo (Kinshasa)
Cook Islands
Costa Rica
Croatia
Cuba
Curaçao
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Falkland Islands
Fiji
Finland
France
French Polynesia
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Isle of Man
Israel
Italy
Ivory Coast
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
North Macedonia
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Rwanda
São Tomé and Príncipe
Saint Barthélemy
Saint Kitts and Nevis
Saint Lucia
Saint Martin (Dutch part)
Saint Vincent and the Grenadines
Samoa
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom (UK)
Uruguay
Uzbekistan
Vanuatu
Vatican
Venezuela
Vietnam
Virgin Islands (British)
Virgin Islands (US)
Western Sahara
Yemen
Zambia
Zimbabwe
