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Home Sound Effects

Sound Effects

  • This pack contains everything you need for gunshots and explosion acoustics! Features three different environments, together with three different distance layers for each sound.

    The gunshot acoustics can be used with some sort of close recording of a gun to give each weapon its own characteristics.

    All of the files are mixed and mastered and ready to use immediately in any type of media production. All sounds in this pack made with material in the source version of this library.

    Sounds included:
    • Debris
    • Field Explosion (close, distant, far)
    • Field Shot (close, distant, far)
    • Forest Explosion (close, distant, far)
    • Forest Shot (close, distant, far)
    • Urban Explosion (close, distant, far)
    • Urban Shot (close, distant, far)

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  • Horror Paranormal Play Track 234 sounds included, 27 mins total $20

    A collection of eerie synthesized tones, ominous drones, abstract textures and ghostly vocals ready to add a whole new dimension to your horror projects. Inject a sense of fear, dread, despair, tension or some spooky ambience to your scene to get the audience on the edge of their seat with sounds ranging from low-end elements to piercing, high frequency noise outbursts.

    Whether you are working on a full-scale scarefest film production, adding background atmospheres to a paranormal reality television series or documentary, soundtracking a gore-laden video game or need some sinister textures for a musical piece with a dark theme, this diverse collection of sounds is sure to have something to suit your project.

    We've included 63 raw vocal files from our voice actor talents, exactly as they were recorded and with no processing, as an exclusive bonus for A Sound Effect customers. These can be used as they are, or even better, put through your favourite effect processors to conjure up your own ghostly creations!

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  • The Crows library includes 30 stereo tracks of nothing but crow sound effects, perfect for single isolated effects, but also for ambience track layering.

    Every sound is recorded inside forests, and close to crows’ nests with younger birds being fed and calling out, and next to natural habitats where bigger flocks gather in trees. It also has a variety of up-close caw sounds from the only tame albino crow in Scandinavia, recorded in a bird’s zoo.

    The crow has quite a large vocabulary, and the classic calling usually is a little different from bird to bird. Some are more round when sounding out, while others are just plain hoarse and rusty-sounding.

    The library includes both untreated tracks, and noise reduction-processed tracks in two separate folders. Noise reduction-processed tracks have been cleaned up with a CEDAR NR system.

    Equipment used: Telinga Stereo Microphone and Flexible dish, and Sound devices 702 Recorder.

    All tracks are 96K/24 bit apx. 1 Gb big when unzipped. All meta data tagged.

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  • INDUSTRIAL TERROR – Hits & Transitions is a second installment of Industrial Terror series.
    It is a collection of dark, distorted, ear-piercing, industrial hits, impacts, crashes and transitions.
    IT Hits & Transitions is an expansion pack that focuses in single, sharp hits and transitions rather than evolving, textural impacts and whooshes (as heard in Industrial Terror).

    Collection consists of 145 carefully designed and rendered sound effects.

    Unique processing of organic field recordings combined with modular processing makes it both grounded in reality and creepy. This collection is a perfect choice for any kind of horror genre.

    RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
    CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4, Modular

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  • Are you in need for easy-to-use, ready to be implemented bow and crossbow sounds? Well look no further — BOWS & CROSSBOWS DESIGNED has you covered with all the twingy twangy arrowy goodness.

    All of the files are mixed and mastered and ready to use immediately in any type of media production. All sounds in this pack made with material in the source version of this library.

    Contains
    Arrow hit – flesh, ground, metal, wood
    Arrow passby
    Arrow quiver sheat & take
    Bow arrow load & unload
    Bow handling equip & unequip
    Bow shoot – big & small bow
    Bow string draw fast & slow
    Bow string release fast & slow
    Crossbow bolt load & unload
    Crossbow bolt draw
    Crossbow handling equip & unequip
    Crossbow shoot

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  • BOWS & CROSSBOWS SOURCE has 1600+ high quality WAV files with all sorts of bow sounds, all withing reach using our metadata.

    This collection is the ideal tool kit for any Robin Hood esque scenario you might be working on. These sounds could also be used to design all sorts of slings, lauchers and other modern and medieval ranged weaponry. Sky’s the limit!

    Including sounds from arrow/quiver foley, string draw/release creak, cloth leather and weapon draw/sheath, crossbow metal mechanisms, arrow shooting, arrow swish passby.

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  • In this collection you'll find EMF captured from devices like: phones, TVs, hard drives, Playstation 3s, MacBooks, printers, scanners, juicers, pencil sharpeners, frequency counters, digital sweep function generators, camcorders, VCRs, DVD players, DSLRs, network routers, mixing consoles, and MUCH MORE!

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  • While straying through several antiques shops and flea markets I unveiled a lot of very interesting and organic sounds with character. Sounds that only prop up with plenty years of service can do.
    So this library is a versatile and composite collection of all those squeaky, creaky, rusty sounds with a lot of personality.

    Here you will find all the little vintage sonic gems.

    From mechanical cameras and rusty coffee mills, over-jammed drawers, doors and locks, to sewing machines, typewriters and malfunctioning projectors. You get over 1000+ready to use sounds. All painstakingly edited, cleaned and decently named for you.

    All source sounds were recorded with Sonosax SX-R4+ with a Sennheiser MKH8050+MKH30 M/S rig, a Sound Devices MixPre-6 + MKH8060 and a Sony PCM-D100. All sounds come with embedded Metadata.

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  • “Eradication” is an exciting small pack of 25 Planet Explosions.
    If your project needs the sounds of destruction of planets, moons or the sun this unique library of big and energetic blasts can be a great tool for your next Sci-fi production.

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  • Mechanical Clicks Play Track 3774 sounds included, 118 mins total $35

    Clicks is busting at the seams with a wide variety of buttons, switches, dials, pumps, and more. Whether you’re in need of realistic buttons for a dramatic movie scene, or designing mechanical sounds for the next AAA video game, these clicks are bound to have you covered. Both near and distant perspectives were captured for (nearly) all recordings in this library, which adds flexibility when matching these sound effects to picture.

    Some of the objects in this library include but are not limited to:

    • AK-47 Rifle
    • Apple Laptop
    • Boombox
    • Computer Mice (3 types)
    • Electric Blender
    • Electric Iron
    • Flashlight
    • Food Chopper
    • Guitar Amplifier
    • Lamp
    • Power Strip
    • PS4 Game Controller
    • Pen
    • Vinyl Player
    • Underwood Portable Typewriter From 1926
    • Old Door Knob Parts (Sweetener)
    • Kitchen Oven (Sweetener)
    • Much Much More!
    Video Thumbnail
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  • Drones & Moods Endless Drones Play Track 100 sounds included, 67 mins total $39

    Endless Drones is a diverse set of 100 multi-layered atmospheres and mangled drone textures, that will help you portray an unsettling sense of mood or establish a unique sense of location in your projects.

    All sounds are formed using field recordings and organic sound elements that have been are mixed and merged with synthetic tones and low-end rumble sources, using extensive processing and advanced production techniques.

    Some of the interesting real-life elements that have been used in the making of this library are city and roaring factory ambiences, radio statics, cicada songs, water flows and howling winds, spooky waves of laughter, horse galloping sounds, rough metal scrapes and slides, tape wrapping sounds around gears and rainscapes.

    And the sounds can be described as spacious, immersive, futuristic, mysterious, wide, deep, dark, hypnotic, ominous, experimental.

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  • Horror Pumpkin Gore Play Track 12+ sounds included, 6 mins total $5

    Our ​Gore library​ was​ ​recorded ​in ​the ​​weeks​ ​preceding ​Halloween ​2017. We decided ​to ​have​ ​some fun​ ​because​ ​we ​generally​ ​only​ ​have ​access​ ​to ​​pumpkins​ ​this​ ​time ​​of​ ​year​ ​and​ ​thought​ ​why​ ​not​ ​create something ​​fun​ ​for​ ​us,​ ​and ​​our​ ​friends​ ​and ​colleagues​ ​to ​use. Please ​enjoy​ ​the ​use​ ​of ​these​ ​recording​ ​in all​ ​your​ ​spooky​ ​movies​ ​and ​sound design.

    Provided ​are 750 MB of ​LR ​and ​MS Recordings. ​​​LR ​is​ ​decoded ​from​ ​the​ ​MS​ ​and​ ​has the​ ​approximate ​stereo ​​width ​as​ ​an ​​XY ​recording.​​ ​On ​​the ​MS ​tracks​ ​the mid ​mic​ is​ ​on ​the ​left ​and ​the ​​side ​mic​ on ​​the ​​right.

    The ​​LR ​​can ​be ​encoded ​back​ ​into ​MS​ ​or​ ​if ​panned ​center, ​​cancels​ ​out ​the side​ ​mics​ ​to just ​play​ ​the ​mid ​mic. ​Alternately​ ​in ​​the ​provided ​MS ​​file, ​the right ​​side ​channel ​​can ​be dropped ​​so ​you ​can ​​use ​the ​mono ​​center. The ​2 ​​files​ ​are ​​mastered ​​the ​​same. Occasionally ​​the ​​levels​ ​vary​ ​on ​the ​MS track​ ​as​ ​these ​are ​the ​levels​ ​set ​to ​​keep ​the ​the tracks​ ​phase ​coherent. ​All tracks​ ​are ​​edited ​to ​be ​M&E ​​friendly, ​and ​monitored ​through ​a ​​phase ​scope to ​again, ​​keep ​the​ ​tracks​ ​phase ​coherent.

    All ​recordings​ ​were ​recorded ​In ​a​ ​foley​ ​studio ​at ​192kHz​ ​with ​​a ​Fostex​ ​FR-2 recorder, ​Project ​​Studio ​​C4 ​mic, ​and ​​Ambient ​Emesser​ ​ATE-208 bi-directional ​​mic​ ​and ​​mastered ​​in ​Pro ​​Tools.

    All ​recordings​ ​are ​recorded ​​in ​​Toronto, ​​Ontario ​Canada, ​​by​ ​Ryan ​​Macneill and ​Steven ​​Ejbick​ ​of ​​Textures​ ​Sound.

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  • FOREST summer edition of Japan is nature sounds and ambiances captured in different forests of Central Japan, from the Kanto region.

    This library contains recordings of deep forest ambiances and direct close cicadas & birds and creeks, streams, and waterfalls in a Japanese forest.

    All of these nature ambiances are recorded using different microphone set-ups. Ortf stereo set-up and xy & ortf combination set up brings variations to stereo images from the locations.

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  • This library is a collection of balls bouncing off different surfaces, inside and outside. We can generally find sports being played but not the clean sound of the ball used. We have included unique sounding balls such as a toddlers play ball and a Yoga ball for that really specific sound.

    Ball types included:
    Soccer ball / football • Yoga Ball • Beach Ball • Tennis Ball • Kids ball
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  • INDUSTRIAL TERROR is a collection of dark, distorted, rumbling, ear-piercing, evolving industrial impacts and whooshes, designed to unsettle.

    Collection consists of 108 designed sound effects and 102 source field recordings.

    Unique processing of organic field recordings makes it sound rooted in reality and fits perfectly into horror genre.
    Ready to be used on their own or as a part of a more complex sound design.

    RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
    CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4

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  • Distant Trains Sound Library delivers impressive multi-channel recordings of trains that pass by in a distance of at least 300 meters up to 1.5 kilometres.

    Included are pass bys of freight, commuter and passenger trains plus single locomotives.
    In order to capture the impressive walls of sound caused by passing trains an arrangement of 6 microphones was used. This setup encompasses stereo-pairs of MKH3040-MS, MKH8090-ORTF and MKH8040-WideAB. All pairs are recorded to separate files that are now available as time-aligned Reaper sets.
    Each recording session took place at nights so that it was possible to capture extremely long approaches and tails that fade out to natural and calm night ambience without any disturbance by road traffic or other unwanted noises.

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  • This library is a small collection of handwriting foley on paper. It's a mix of scribbles, doodles writing and punctuation that will save you alot of time when you need various writing movements and sounds.

    All sounds recorded using the Neumann KMR81 and the MA5 Pre.

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  • Static Space is a collection of 155 space or Sci-Fi sound effects, focused on continuous, seamless loops. Instead of fly-by's and accelerations, you get the sounds of space ships going at cruise speeds or idling. If you need motion, just add panning, fades and doppler as you like.

    Here are plenty of loops for designing alien environments, including engine rooms, general room tones, strange transmissions and more. Additionally, I have made sure to add plenty of variety; both in terms of moods, frequency content and tonality. Some of these are unmistakably space sound effects, while others are more ambiguous, and could be used for other high tech environments as well.

    You will find both low- and high end sweeteners, so when ever you see the words “rumble” or “low end” in a file name; watch that master fader! Furthermore, I went for a strong, almost musical tone, in some sounds, while others are much more noise-based and abrasive.

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  • Wind In Broadleaf Trees is a collection of recordings focusing on wind through broadleaf trees. Recorded in a Swedish forest in October it is representative of the most common broadleaf trees in Europe and other areas with a temperate climate.

    In this collection I wanted to capture evocative and emotional wind sounds, from the soothing and relaxing soft winds, tense moderate winds, dramatic strong winds and the transitions between the different emotions or speeds of wind.

    The collection was recorded at 24 bits 96Khz with an A-B stereo setup. It contains both longer files, with two minutes and more in length and shorter files edited to be a seamless loop. The files also come with embedded metadata.

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  • Environments Public Pools Play Track 62 sounds included, 155 mins total From: $50

    Whether is be empty pool room tones, busy children pools or calm exterior lap pools this library has you covered. Recorded at 10 different public swimming pools this library contains different spaces (interior and exterior) differentiated by the size, space and number of swimmers.

    All sounds were recorded using the DPA 5100 and Sound Devices 788T. This library is available in stereo or 5.0 (5.0 package contains stereo down mixes as well).

  • This sound collection covers a wide range of sounds produced by this colorful characteristic car. Not only extensive driving sounds but also foley (doors, windows, body tapping, …), horn blasts and engine loops. All in high quality 96/24 BWAV-files, recorded with high end equipment.

    The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair (on a stand) and a long shotgun mic (handheld, tracking movement)

    Equipment:
    Recorder

    • Sound Devices Mixpre 6

    Onboard Mics

    • Engine hood: DPA Core 4061
    • Exhaust: DPA Core 4062
    • Cabin: DPA Core 4060smk

    Exterior Mics

    • Roadside (on stand): Sennheiser MKH8040smk with Rycote blimp
    • Roadside (handheld, tracking movement): Sennheiser MKH8070 with Rycote blimp

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  • •In Bowed Cactus, get a visceral collection of bowed and plucked cactus from the deserts of the American Southwest. Take a violin bow to a cactus spine and hear guttural screeches with intense, physical energy. Hear plucked needles popping in rich organic granulation. Hear thick, bowed spines growling like supernatural animals and single needles stuttering with real grit.
    •This library offers you an extensive collection of sounds from a unique organic sound source. Cactus sounds are incredibly soft and intimate in real life, but when recorded from two inches they morph into otherworldly creatures brimming with ultrasonic energy. I hope you are excited by their sound designing potential and I can’t wait to hear what you create!

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased to offset my field recording travel for this library.

    KEY FEATURES:
    •Animalistic vocalizations
    •Visceral scraping
    •Wild screaming harmonics
    •Rich ultrasonic energy up to 50kHz
    •Guttural mid-range and bass stuttering
    •Intricate granular textures of plucked needles
    •Multiple similar sounds are grouped into single audio files with s fade ins/outs between each sound.
    •Please note: the “Pitch Shifted Demo” was made to demonstrate the potential of the sounds in this library. However, Bowed Cactus does NOT include pitch shifted sounds, only mastered field recordings.
    TEXT MARKERS:
    •Named markers are included in each file to help find interesting events in files with multiple variations.
    •Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    FILE LIST & METADATA:
    View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo in the file list to enlarge.
    BLOG POST:
    •Read behind the scenes stories from this field recording trip in my blog post: Supernatural Cactus Creatures.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files. 
    GEAR USED:
    •Sennheiser MKH 50 and 30 in Mid/Side
    •Sennheiser MKH 8040 Matched Pair in ORTF
    •Sound Devices 702
    •Rycote MS Blimp
    •Rycote ORTF Blimp
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  • Environments Traffic Play Track 84 sounds included, 210 mins total From: $50

    This library features various recordings of traffic ranging from rural highways, inner city, residential, city CBD and wet traffic. Metadata includes information such as time of day, location and how busy the roads are. All sounds were recorded using the DPA 5100 and Sound Devices 788T this library is delivered to you in 24bit / 96khz and is available in stereo or 5.0 (5.0 version includes stereo files as well).

  • Sigil is a unique library of dark, gritty, raw, and eerie textures and tones made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician Nathan Moody.

    Sigil provides an edgy set of layers that are rich with organic complexity: Skittery bows on handmade string instruments; “prepared” string tones and textures, bowed and rubbed springs under tension; salvaged rusty metal tubes; perforated steel gongs; aluminum water bottle bells; and deep, resonant handmade percussion instruments. Textures include chugs, shrieks, groans, drones, bounces, peals, and rattles. The sounds range from blissfully musical to horrifyingly atonal, and are equally at home lending an uneasy tone to either avant garde musical works or multi-layered sound effects, especially in thriller or horror genres.

    The organic nature of the Sigil library means that its sounds hold up well to extreme processing like pitch shifting and granular resynthesis. The handmade nature of the instruments used means that there’s no other library quite like it.

    The recordings were made with a variety of pickups, contact microphones, and traditional microphones, through various high-end “character” mic preamps selected uniquely per microphone and per instrument. Full details are in the library’s documentation.

    This collection was recorded at 24 bits, 96 kHz and includes over three hours of recordings with more than 600 individual sounds, all fully tagged with metadata. Multiple articulations and voicing are ganged into single files for convenience and organization.

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