Get the sounds of a Ford F-150 2013 truck, captured by Watson Wu. Metadata is included with over 52 minutes of combined recording time split into 85 ready to use wave files. There are onboard, external, and foley sounds, all in high quality 24 bit resolution, 96khz sample rate. This is the right library when you need truck sounds for your film, TV, or game projects. Note that are no interior cab recordings in this package.
Onboard multi-track recordings are in 4 separate mono wave files. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo wave files. The download is a 1.5gb compressed .rar file (3.45gb Uncompressed).
Channel 1 = Engine, Channel 2 = Near Air Intake, Channel 3 = Exhaust 1, Channel 4 = Exhaust 2
Stereo in Left and Right Channels
This library is a collection of balls bouncing off different surfaces, inside and outside. We can generally find sports being played but not the clean sound of the ball used. We have included unique sounding balls such as a toddlers play ball and a Yoga ball for that really specific sound.
This idea was created with efficiency and budget in mind. On independent films we don't always have the luxury of budgeting out an extensive amount of foley. There are tons of resources for cutting cloth, props, and footsteps, but there are none for actions of the human body in every day situations. In this comprehensive library you will find touches, pats, scratches, slides, clasps, slaps, and so many other common actions involving skin that will help bring realism to your projects.
Carma Studio teleports you to the Golden Age of Video Games with over 600 sound ‘bytes’ starring 5 characters:
8-bit Low-Res Man • Computer Room Man • Tough Guy • • 2 Vocoders.
These familiar and clearly articulated words & phrases straight from the arcades of the past will add that nostalgic accent to today’s music and production work. Soundminer enabled 44k/24bit format.
Deposit coins… ready, start playing!
The Audi S6 sound effects library features 240 clips in 16.41 gigabytes. The aspirated 5.2 liter V10 435 horsepower engine and a distinctive Milltek exhaust system combine to portray an extensive snapshot of this 2007 European hatchback. The engine is similar to a Lamborghini Gallardo, Huracan, and an Audi R8.
Slow, medium, and fast performances are catalogued in 19 onboard and exterior perspectives, covering approaches, aways, passbys and more. The collection also includes engine recordings at steady RPMs, ramps, and gear shifts, and is complimented with bonus takes of idles and horns.
The Volvo XC90 2017 sound fx collection features 407 clips in 34.68 gigabytes from a Swedish hybrid SUV. The bundle gathers 24 synchronized takes recording the sound of a T8 4-cylinder petrol/electric hybrid twin-engine.
The onboard takes (12 perspectives, 16 channels) showcase a wide selection of microphones mounted in the engine, at the exhaust, and inside the cabin. The recordings depict driving at slow, medium, and fast speeds with steady RPMs, gearshifts, and ramps. The 8 exterior perspectives (18 channels) recorded the car starting, idling, departing, passing, reversing, arriving, and shutting off from 4 locations and two distances. There is a variety of performed effects such as doors, hoods, horns, and much more. Also included are an Ambisonic recording of the interior cabin, and an Altiverb impulse response.
Every take is embedded with Soundminer, BWAV, and macOS metadata.
The Leaf Blower sound library features recordings of air blowing engine machine. 14 activities were recorded from 4 different perspectives (in sync), which gives 56 files in total.
Recorded activities: turning on/off the blower, idle, gas pressing, steady rpms, rpm loops, ramps, normal usage stationary, normal usage while walking.
Recorded perspectives: onboard engine (3 microphones), external: front wide stereo XY, mono, side wide stereo XY.
The Audi A4 B8 Allroad 2.0 TFSI is a 211 HP 4×4 car with turbo, and this library gets you almost 9GB of recordings, featuring 155 96kHz and 24bit files (including RAW files, 111 without RAW), with a total length of 213 minutes (without RAW files).
The library covers different sound effects like engine during regular driving, reverse or accelerations. It was recorded with 3 microphones mounted under the hood and one inside the drivers’ cabin to capture the interior in sync with the engine.
It was recorded with two Sound Devices 702, two DPA 4061 microphones, two Sennheiser MKH 8040, Sony PCM-M10 and Rode NTG3.
In addition to the onboard sound you’ll find exterior driving, turning, stopping, turning engine on and off or reverse sounds recorded from 2 perspectives.
Also driving on the snow and asphalt effects recorded with DPA 4061 mounted near the tyres, and finally, passes recorded from 3 perspectives. Slow driving (20 to 40 km/h), medium speeds (40 to 80) and fast (from 80 to 140 km/h), stopping and accelerations.
Those sounds were recorded in mono with Rode NTG3 following a car, stereo ORTF recorded with MKH 8040s capturing passes from left to right, and stereo AB with Sony PCM-M10 capturing sound from right to left.
This library also contains some basic foley, like closing and opening doors, servo sounds, windows, buttons or seatbelts.
Rodeos and horse ranches aren't what they used to be.
These days, rodeos are polluted with big PAs pumping rock and pop music through the speakers while the cowboys ride the bulls and buck the broncs. People watch through cell phones and keep a safe distance from the action. Horse ranches are overrun with the sounds of 4 wheelers and dirt bikes on the tracks nearby.
The recordings we have come from before that time.
Years ago we rolled out to the rodeo with full access, a portable DAT machine, and a determination to catch every angle we could take a mic to. The house band played from a balcony unamplified while the cowboys rode the bulls and the crowd cheered. The children rode sheep in a sport called “mutton busting” and the women mounted stagecoaches and raced around the arena at breakneck speed.
…and when the show was over the crowd stood up to leave, but the cowboys were still competing – so they kept riding.
The steer wrestling contest happened in an almost empty arena. We were there — up close, capturing every gate release, the sounds of the cow struggling to stay on his feet, and the single trainer cheering the cowboys on. The dirt and the grit and the steel clacking around were all there, exposed and clean and in their native environment.
After the rodeo we went to a local horse ranch and kept on rolling. We got gallops and canters, grunts and snorts. We handled the tack, shook the bridles, and swung the gates. We recorded in the barn and out on the fields.
These recordings come from a time before 24 bit 96kHz portable rigs existed, but they have a quality and fidelity that has survived the ages. Take a listen and remember the time when these things sounded like they should sound.
Sound of Italy is an Italian sound effects library created for those who need an Italian flavor in their sound productions.
More than 2500 sounds recorded 96/48K 24bit, in over 30 gigabytes continuously updating.DOWNLOAD FILE LIST HERE
A small library, spontaneously captured on a trip to Marrakech, Morocco.
The library features Souk market ambiences, hotel ambiences, call to prayer, Scandinavian and Arabian walla, birds – as well as onboard Airplane Ambience, Onboard Airplane taxiing, and Onboard Airplane Take off ambiences.
Analog TV gets you 99 recordings from the Tele Star 4004 TV, built in the 80s in Leningrad/Russia. The collection features everything from a range of noises, frequency glitches, short pulses, and long frequency sweeps in the VHF and UHF bands. It also comes with a good collection of different static noises and really weird stuff that could – and just might – come from outer space.
Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
From Hollywood Walk to Santa Monica beach, this library captures the spirit and atmosphere of the famed City of Angels. Home to celebrities, film studios, iconic theaters and landmarks. 'Ambiences from… Los Angeles' includes sounds from LAX airport, Downtown, Hollywood, Malibu, Santa Monica, Venice Beach and West Hollywood.
You get the sounds of a real semi truck with this SFX library, featuring a 1992 Volvo F12 truck with a straight 6-cylinder diesel engine. The recording contains of both onboard and exterior material, and covers startup, idle, shutdown, accelerating and decelerating through gears, driving at steady rpms, blips, approach, passbys at different speeds and more.
Want the sound of summer by the sea? This library was recorded during the summer of 2016 in Sardinia and French Normandy.
“Summertime” delivers more than 1 hour and 50 minutes of sounds in 49 files: A lot of sounds of sea, including shore from various distances, ports, some seagulls, waves. It also features kids playing on beach and people chattering and even some crickets.
All recordings are at 24Bit/96KHz with Soundminer metadata included.
Inspired by the ASMR (Autonomous Sensory Meridian Response) community, this collection includes 43 mono/stereo pairs of whispers, scratches, taps, rubs, breathing, buzzing, and more. The general goal of ASMR is to induce a bodily response from the auditory stimuli, much like a shiver, chill, or euphoric wave. From an auditory perspective, this is usually approached by using delicate, intimate sounds in a repetitive manner; known as 'triggers'.
The files are all loopable, averaging ~2'20″ in length, so you can leave them on repeat for a continuous ASMR experience. This also allows a sound designer to drop them into any environment where they need an indiscernible loop. The mono+stereo pairing allows for creating the appropriate stereo spread (or eliminating it all together) that a particular event requires. For some of the more common triggers, we provided a few variations.
Definitely intending to be a unique addition to your sonic anthology, this library will provide you with hours of evocative ear candy.
'Thailand' is a unique collection of 101 sounds recorded over 2 years and produced with high quality equipment with DPA and Neumann mics, an Audio Technica Preamp, an Aeta Mixy Recorder, and a PCM D-100 digital recorder. This collection provides authentic and interesting sounds recorded throughout the country at different seasons! Ambiences include:
The BURP sound effects library brings to you a varied and expressive set of burps and belches. All from the gut of Jack Menhorn; the goal was to produce a burp library that would be great for regular belches in addition to monster and creature vocalizations.
These 21 files with 242 individual takes equaling over 140 MB of authentic burps will whisk you away to another realm of rudeness and lack of manners.
It comes with short, medium, and long versions of many performances including; harsh, airy, strained, opened/closed, and many more.
Rivers consists of 11 beautifully recorded and edited sounds, tagged with rich metadata. From light whips and medium plops, to trickles, white water and more.
Thermal Flux is a sound effects library formed by extreme temperature reactions. With materials ranging from -119°F to 1900°F all captured at 192kHz/24bit, it’s a fiery (and icy) collection of unique sound design source material.
In each recording, props with vast temperature differentials interact with each other… Red hot ball bearings vaporize liquids, melt ice, and destroy various household products. Extremely cold metal instantly freezes water. Molten metals and glass pour into water, groaning, chirping, and crackling, as they solidify. Dry ice causes coins to viciously chatter. Water beads bounce, whine, and buzz on blazing hot pans. White hot sand roars and erupts upon contact with water. All of this and more was recorded with mics capturing quality frequency information up to ~65kHz. This ultrasonic content allows for extreme pitch shifting without compromising fidelity.
Recorded at the Technical University of Denmark and at a big Art Workshop in Copenhagen – in collaboration with sound designer and field recordist Rune Palving. This collection of sounds captures the crowds, both loud and more quiet, and the different rooms, halls, and hallway tones that are speciel to such places.
The Technical University files are all surround files, recorded in double MS and mixed into 5.0 tracks. Recorded in very crowded places, like the dining area, and at the library, but also in more quiet places, like the auditorium wardrobes and in the rest rooms.
The sounds recorded at the art workshop, focus more on the rooms and reverberation found here. The sounds also include, artists working in their own shops, cleaning, writing and painting. All sounds in this collection are stereo.
10 stereo tracks, 96/24. From 3-10 minutes long. 2.1 GB
Equipment used: Sounddevices 702, 744, Mixpre, Sennheiser Mkh8040/Mkh30/Mkh8040
Tibetan Singing Bowls – The ancient brain entrainment methodology for healing and meditation. Tibetan Singing Bowls have been used for centuries for healing and meditation purposes. They create a range of sounds to restore the normal vibratory frequencies of diseased and out-of-harmony parts of the body, mind and soul. They are also used for sound baths, which is when participants lay on the floor and let the waves of sound from the Tibetan Singing Bowls wash over them.
9 total bowls were recorded. Notes C, D, D#, E, F, G, A, A one octave up and B. A variety of bowl sizes were used from 8 to 12 inches.
The Heads Up Display sound effects library is the first installment in the Robotic Creations Collection. Each library within the Robotic Creations Collection contains sound effects designed to match five different robotic personalities with their own unique sonic characteristics: Mimo, the robot buddy; Q5, the vintage robot; NGage, the exosuit; Gregory, the android; and Firewall, the mech suit.
Features the internal tech sounds that you would hear within each distinctive robot’s heads up display, such as:
150+ interface beeps • 80+ success beeps • 70+ fail beeps • 50+ data readouts • 45+ countdowns • 15+ alarms • 100+ power ups • 95+ power downs
Also available in a special Sound Design Toolbox version.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.