This library features the original Hummer with the model name H1. The Hummer was originally designed for military use, the Humvee M998, but became popular also on the civilian market. This vehicle has the bigger V8 turbo diesel engine with 195 horsepower. The recordings consist of eight onboard channels, four engine, two exhaust, interior left & right and twelve exterior channels. It contains startups, idle, shutdowns, blips, steady RPMs, accelerations and decelerations, passbys, approaches, aways, and more.
Everything you need to make your favorite hot beverage. The Home Barista prop set includes 90 High definition sound effects featuring: an automatic drip coffee maker, an espresso machine, a french press, a pump thermos, a coffee grinder, a tea kettle and all of the accompanied sounds for preparing coffee and tea.
Do you need an inspiring collection of carefully edited expressive engine sound fx loops?
Loopable Motors 1: Small Engines is a huge collection seamlessly looping engine sounds from ten different engines. The package includes steady engine loops with multiple RPMs, recorded in 96 kHz, 24-bit for creative sound design. Matching start and end clips are included for many loops for easy drag & drop game implementation or sound editing.
Finding high quality, steady engine recordings and editing them to usable, looping clips can be a really time-consuming task. This sound library is designed to give you plenty of creative material to work with in your next project.
Special Edition includes all the steady engine loops plus 25 accelerations for LeSound Audiomotors plugin.
Library highlights:- 10 combustion engines
– 444 sound files (148 sound with 3 pitch versions)
– Power generators, ATV, compressors, lawnmowers, water pumps.
– Multiple RPM speeds (see datasheet)
– Start & end clips for many loops
– Special Edition includes 25 accelerations compatible with LeSound Audiomotors plugin
– 96 kHz, 24-bit stereo WAV files
– 2.23 GB
– Carefully edited, seamless loops
– Soundminer & BWAV metadata
Synthetic Sphere is a collection of spatialised synthetic pads. Multiple layers of pads, tones and amorphic FX are spreaded across the sphere, resulting in a truly immersive experience. These pads include gentle movement across 3D space, creating rich ambiances but without catching to much of the listener attention.
This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.
All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.
This package includes 10 stereo samples – Total 51 minutes of content.
The library is also available in an Ambisonic version here.
• Harmonic Series Drones is an extension of several of my music compositions. Over the past few years, I've been very interested in data sonification, writing several pieces that turn real-time weather data into music. This library was created using a drone generator that turns weather data into sound. I built this drone generator for my piece Sitka for piano and seasonal electronics.
• Instead of pulling weather data from Sitka, Alaska, as I did in the piece, I used 2016 daily temperature data from the Arctic National Wildlife Refuge, a fragile place wrapped up in current political drama and now open to drilling. This library is a sonification of 2016 temperature data in ANWR. The highest global temperature on record was recorded in 2016 (2016 Global Climate Report). It is even worse in the Arctic where temperatures are warming at twice the rate of lower latitudes (2016 Arctic Report Card). With this library, you'll be able to hear the warming, and I hope this library helps to draw attention to the rapidly changing environment of the Arctic.
• Each of the forty-eight drones corresponds to the average temperature of a day in 2016, with twelve drones from each of the four seasons. The drones are built from pure tones made from tightly filtered pink noise. These pure tones are then stacked in harmonic series relationships. For instance, a winter drone might consist of the fundamental and four lowest partials. A summer drone could have the fundamental and partials seven, fourteen, and thirty-two.
• The drones stand on their own without the story. If you never knew they started with weather data, you would still find a variety of pure, rich, microtonal drones with enough variety to fit the mood of any project.
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
High quality unprocessed drone/quadcopter recorded using both binaural and mid-side microphone techniques. 4 different types of quadcopters were used in this sound library.
Gear: Neumann KU-100 binaural dummy head microphone, Schoeps mid-side setup (Schoeps CMC6 MK8, Schoeps, CCM M4, Sound Devices Mix-Pre 6)
Get unique recordings of the Avro Lancaster, the iconic British World War II heavy bomber, equipped with four Rolls-Royce Merlin V12s! The extensive recording covers two startups on the ground, including steady rpms, throttle movement, taxiing, foley and more, and one flying session with take off, fly bys and landing.
The on-ground session contains 10 onboard channels from various perspectives inside and onboard the plane, and 20 exterior channels from perspectives around the plane. The flying session contains 12 onboard channels and 20 exterior channels covering flybys.
Welcome to Paris, the city of love. In my short visit to Paris, I recorded 5 tracks in ambisonic format, 48Khz and 24 bits HD. As always, great ambience files to use in your production.
In this collection you'll find EMF captured from devices like: phones, TVs, hard drives, Playstation 3s, MacBooks, printers, scanners, juicers, pencil sharpeners, frequency counters, digital sweep function generators, camcorders, VCRs, DVD players, DSLRs, network routers, mixing consoles, and MUCH MORE!
Looking for electric car sounds? This library delivers 211 files / 162 minutes of stereo recordings of the BMW i3 electric vehicle.
The BMW i3 is a B-class, high-roof hatchback manufactured and marketed by BMW with an electric powertrain using rear wheel drive via a single-speed transmission. Its underfloor Li-ion battery pack is offered in two capacities as well as with an optional range-extending gasoline engine. The i3 was BMW’s first mass-produced zero emissions vehicle and was launched as part of BMW’s electric vehicle sub-brand, BMW i.
As of December 2016, the i3 ranked as the world’s third best selling all-electric car in history with more than 65,000 units sold since its inception.
This very quiet car has been recorded using onboard DPA-4060 microphones, to capture the engine and tyre sounds. The different surfaces are gravel, asphalt and rumble strips on the highway. The interior sounds have been recorded using the Zoom H5 XY microphone. There are also contact mic recordings of the wheel housing using Schaller mics.
Passby sounds have been recorded using Line Audio CM3’s in an XY setup as well as the Zoom H5 XY microphone. There are passes on dry and wet asphalt as well as gravel at different speeds.
Finally the engine has been recorded using the Elektrosluch electromagnetic microphone, resulting in 33 minutes of electromagnetic madness in 96 kHz.
I sincerely hope you will find this sound archive useful!
It’s my pleasure to introduce you to this dense library of accomplished and cacophonous sounds. This is a dramatic and horror filled library, teaming with tension and ghostly ambience, stingers and hits.
Most of these sounds have been used in film and television in one form or another. They’re more than just “designy sounds”.
These are intended to create a score of tension that can help you build a scene to it’s full potential. These sounds add movement within the soundtrack, especially with the drones. When creating sounds, I like to inject some sort of movement within the sound itself, so that it’s never stagnant or ‘still’ sounding.
So if you’re looking to notch your project up a level with dark, moody and expressive design, this is a good bet for you. Hopefully you’ll have as much inspiration as I did when creating these.
Data Processing is a sound effects library that emulates the movement of data and adds digital texture to your sound design.
Use these effects as building blocks to build digital, robotic, harsh, abstract and glitchy sound design or music. Also great as user interface elements.
We recorded and designed data transfer from 5G, WIFI, Solid State Drives, USB-C and more, as well as using analogue synthesizers, guitar pedals and raw data files to enhance the library.
Find more of our sound effects in the store: 344audio.com/store
This is a unique bicycle library that captures road surfaces from the perspective of super quiet bicycle. These are clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The Extra Surfaces library provides 162 sounds captured on the following road types Large Bricks, Gravel, Grit, Icy Asphalt.
The four additional ‘onboard road’ surfaces are the perfect extension for your other ‘City Bicycle’ library of taste. Just add it as a layer, mix it and voila your bicycle can move from gravel to bricks to grit or from large bricks to slippery icy asphalt roads.
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently brakes to smooth departures.
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.
If you have any questions about this, contact us!
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.
The Extra Surfaces library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
Watch a video created by Zdravko Djordjevic.
Hi folks and welcome to the Comedy Stand-Up Crowd sound library. We’re here tonight from Carma Studio delivering you a mini pack of over 30 sounds including laughter, applause, and cheers to add comic relief to any of your production work whenever that comedic moment is desired. Very short bursts to extended fill-ins. Great for television audience reactions too. Try it out, it’s a laugh! 44k/24bit with metadata added.
The Volvo XC90 2017 sound fx collection features 407 clips in 34.68 gigabytes from a Swedish hybrid SUV. The bundle gathers 24 synchronized takes recording the sound of a T8 4-cylinder petrol/electric hybrid twin-engine.
The onboard takes (12 perspectives, 16 channels) showcase a wide selection of microphones mounted in the engine, at the exhaust, and inside the cabin. The recordings depict driving at slow, medium, and fast speeds with steady RPMs, gearshifts, and ramps. The 8 exterior perspectives (18 channels) recorded the car starting, idling, departing, passing, reversing, arriving, and shutting off from 4 locations and two distances. There is a variety of performed effects such as doors, hoods, horns, and much more. Also included are an Ambisonic recording of the interior cabin, and an Altiverb impulse response.
Every take is embedded with Soundminer, BWAV, and macOS metadata.
The Renault Master IV 2.3 DCI 165 sound library features 76 high-quality files recorded with a multi-mic setup. The engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving, from casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road-related sounds recorded in mono and stereo. Last but not least, different foley recordings covering exterior and interior sound effects.
The BMW 420D Gran Coupe sound library delivers 72 files recorded with a Zoom F8, Sound Devices 702, two Sennheisers MKH 8040, two DPA 4061 microphones and Rode NTG3.
Inside you’ll find engine recorded under the hood, exhaust and inside drivers cabin (all in sync), exterior passes recorded in mono following a car and static stereo ORTF perspective.
Pass-by sounds cover different speeds, from 15kmph up to 140, reverse, engine on and off, stopping and driving away.
In addition there are foley recordings included, covering opening and closing doors, back, windows, handbrake and the seat belt mechanism.
“REVERSE” is a collection of 32 Sound Effects created using reversed sounds processed with extreme changes in speed and pitch.
You will find atmospheric and surrealistic production elements that works on their own to induce time, tension and mystery, or you can combine them with your current collection of production elements to create a more rich and complex sound.
These sounds have a cinematic feeling and are great for any kind of Sci-Fi or horror production (games, trailers, movies).
This bundle contains four of my most Crime/Investigation focused libraries.
You will get a nice collection of atmospheric elements, fx and musical loops ready to enhance the mood of your project and create mystery and tension.
If you are a musician who wants to define the building blocks of a track or maybe you are a sound designer who needs to create a musical moment from a sound design perspective, this bundle can help you to achieve those things.
Unsolved: 141 Sound Effects (Wav, 24 Bit / 96 kHz) aimed to enhance tension. You will find atmospheric and musical elements with a powerful cinematic feel.
Infiltration: 161 sound effects (Wav, 24 Bit / 96 kHz) aimed to be used in modern espionage/infiltration productions. From intense low frequency atmospheric elements to powerful synth movements this library can be see it as a powerful kit to create a modern espionage feel in your project .
The Case: 185 sounds (Wav, 24 Bit / 48 kHz) aimed to enhance the tension and drama of movies, games, series, trailers and musical compositions. You will find deep Bass Loops, powerful Percussive Loops (kick, hi-hat, hits, metal), Cinematic Melodies and notes (synth, clean electric guitar, percussive piano) and Fx (soundscapes, atmospheric elements, drops, hits and impacts).
Retrace: 96 strong sound elements (Wav, 24 Bit / 48 kHz) aimed to create suspense, tension and action. You will find a nice mixture of sound effects, looped percussive elements and looped cinematic musical instruments.
This library consists of hundreds of performances (581 files total) of toy whistles, clown and bicycle horns, slide whistles, melody pops, party blowers and squeeze toys.
Metadata has been meticulously added, and the material in this library is ready for immediate inclusion in your sound designs. Have fun!
• 581 broadcast wave files
• All at 24 bit, 96kHz
• 4.81 uncompressed gigabytes of audio data
• Most takes include stereo, mono and distant microphone perspectives
• Metadata carefully added to each audio file ready for efficient searching
Recorded by a quiet Swedish lake in late summer of 2014, the Water Movements sfx library is filled with splashes, drips, walking/running, moving, small water creature simulations, and much more.
The EFX Gun Foley collections feature gun handling, munitions handling, shell case drops, clip insertions and removals, cocking/uncocking, weapon drop and slide sounds – and much more. Great for actual gun handling sounds, but also highly useful for designing other mechanical sounds!
Gun Foley Pack 01:
387 sounds, 181 MB
Gun Foley Pack 02:
Shells, Clip and Weapon Drops, slides and more
571 sounds, 365 MB
Buy Gun Foley Pack 01 and 02 together in the Gun Foley Bundle – and save 20%!
We are bringing back old-school cool with Cassette! This 99+ sound effect package features all the trademark sounds of the cassette player along side more interesting sonic flavors.
Running at 24bit/96khz this collection shines best when used creatively to develop your own textures in post-sound, apps, games and more. Well grounded metadata is included to help easily navigate through this collection of retro sounds.
Need electric sounds such as sparks, current flows and electric arcs? Electronic Drain is a collection of electric and electronic sources specifically designed for movies, audio logos and trailers. The library includes new and experimental sound material generated using the most cutting-edge digital signal processing techniques.
Providing digital, organic, raw and designed sounds Electronic Drain delivers a rich sonic complexity and a wide range of possible variations. Sounds have been further processed and looped in Kontakt to offer a larger number of possible combinations.
Electronic Drain comes with 1.1 GB and 300 .Wav files + 11 Kontakt instruments. The Kontakt instruments require the full Kontakt 5 or higher – the .wav files can be used without Kontakt.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.