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Home Sound Effects

Sound Effects

  • Elevate your user interface with this collection of over 100 separate sound effects for buttons, switches, and other interface elements. Recorded at high quality 24bit, 96kHz or 48kHz, using advanced analog and digital synthesizer techniques. The designs are then edited and tagged to help categorize each sound into action feedback and interface response to user input.

    Confirmations. Deny action. Correct or incorrect sound responses. Blips and bloops keyword matched to common motion graphic animations like bounce, easing, and scale. Processing and data responses.

  • CAPTURING THAT HOLLYWOOD TRAILER SOUND

    Have you heard about this little secret that successful soundtrack composers often use? About every one of them has this little folder stashed away that contains nothing but a selection of their favorite .wav sounds.

    It might sound banal, but it actually is one of the fast lanes to that epic Hollywood sound: a folder hidden away full of pre-designed sound material, like cinematic hits or whooshes. When needed, they can be placed directly into the DAW and enhance your music with that big cinematic vibe.

    For this first edition, TRAILER SOUNDS VOLUME 1: CINEMATIC HITS, we’ve compiled 150 jaw-dropping, bass-pounding cinematic booms, hits, and whoosh hits with our friends from the world-famous BOOM Library. You’ll never have to search for fat, cinematic hits or whoosh hits in various software instruments again. Just do like many successful soundtrack composers do: keep them all in one folder, drag & drop into your DAW, and done!

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • We’ve got the mouth covered! The Nightingale Voice Box is one of the largest and most respected collections of vocal production elements created for film, TV, games, toys and all-media. Spanning over 4 volumes, our comprehensive collection includes 3000+ sound effects all made by the human voice!

  • Zenit-E Retro Analog Photo Camera Sound Effect Pack – Debsound

    This sound effects pack contains 67 retro analogue camera sounds which may be great for you if your product sounds like the 50’s 60’s 70’s 80’s era.
    With the rise of digital technology, analogue devices are increasingly disappearing from our world.
    This sound collection features the sounds of an old Russian Zenit-E analogue camera, saving it for posterity to use in your product.

    This sound effect collection is ideal for use in game software, applications.

    67 High Quality Retro Analog Photo Camera Sound Effect
    For games, apps or productions where analog camera scenes appear.

  • 30 sound clips of commercial jet airliners flying overhead and with screaming passes by.

  • A collection of 10 crowd, people, and pedestrian sound fx: cafes, college, fair, train and subway stations, and more.

  • Crowd voices, presence, and activity. 10 sounds and 837 megabytes.

  • 14 angle grinders, jackhammers, chop saws and other construction clips in 863 megabytes.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • One hour or various metal objects tortured with feedback resonance recording technique. Groaning, moaning, stressed and resonating metal. Large and massive low end rumble or high end squeaks and mid-freq screeches. In this edition there are raw unprocessed files and pitched down sounds with deep low end energy and massiveness.

  • The riding lawn mower sound effects library features field recordings of working, maneuvering, idling, and performed effects.

    This collection features a Mower Husqvarna Rider Proflex 21 riding lawn mower with a Kawasaki Twin 21hk engine with a cutting width 122 cm. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects. It shares driving from three exterior positions, as well as microphones mounted on the exhaust, overhead, and at the engine, with additional custom mixes of the onboard perspectives.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • Introducing the ultimate field recording collection of ambiences from the city of Budapest, Hungary. Immerse yourself in the sounds of the city streets with the hustle and bustle of people and traffic, the unique acoustics of thermal bath locker rooms, the energetic play of a school playground handball game, the ambience of a restaurant on a river Danube cruise, and the atmosphere of a Metro station with Metros coming and going. Experience the sounds of an interior mainline train journey, capturing the unique sounds of the train and its passengers. This collection is perfect for sound designers, film and video game creators, and anyone looking to add authentic Hungarian ambiences to their projects.

  • Features:

    • 50+ audio files in 24 bit 96kHz quality (excluding plasma ball at 48kHz)
    • WAV format
    • All files are metadata-tagged, allowing for easy searching in sound library management tools
    • UCS compliant file naming
    • Available for commercial or personal use without attribution

    Includes EMF recordings of:

    • Plasma ball
    • TV
    • Microwave
    • Christmas lights
    • Game Boy Advance SP
    • And many more!

    View a list of included sounds here

  • Game Audio Packs Strange Game Ambient Loops 2 Play Track 185 sounds included, 138 mins total $39

    Strange Game Ambient Loops 2 library is a meticulously designed & game ready ambience loop library created to help you make stunning and immersive audio environments quickly. This is the second installment in the Strange Game Ambient Loop series. Great for horror, fantasy, adventure, 3D, 2D mobile app games, motion graphics, film and audio productions. With over 2 hours of game locations, tension, dark moods, you’ll be well equipped to create the perfect feel and soundscape that brings your production to life.

    • 185 game ambience loops
    • 5.3 GB of samples
    • All in 96k 24bit .wav
    • 2 hours 18 minutes of audio
  • City Life Sound Effects Ambiences from Poland Play Track 61 sounds included, 160 mins total $49.99

    Ambiences from Poland is a collection of sounds recorded over winter in two major cities in Poland – Poznan and Warsaw (the capital). This library is very close to my heart, as Poland is where I was born and grew up, so I hope you enjoy it! Poznan and Warsaw are full of unusual sounds created by old and modern electric trams that are very popular amongst locals and visitors. Pay specific attention as old trams generate heavy rumbles, cracks and squeaks while modern trams generate futuristic soundscapes when they move. Apart from that, you will have a chance to immerse yourself in Polish urban environments, public places such as schools, churches, shopping centres and some residential areas.

    This expansive library is compliant with the Universal Category System (UCS) and it is recorded at high quality – 192kHz, 24bit.

  • A collection of Sound Effects for 8-Bit Games in Modern and Retro style. The 500 Sound Effects include Actions such as Jump and Drop, Footstep and Slide, PowerUp and DeBuff, Teleport and Magic as well as Weapon Shot and Hit and more. These sounds are all been designed through retro synths and so they sound gritty, just enough for the authentic 8Bit vibe.

  • The unapologetically digital Drum Machine.

    Sampled, processed, reimagined.

    Few companies have shaped the role of drum machines in music quite as significantly as Roland. In the 1980s, they created a set of machines that have since become legendary and are still being used today, be it in hardware form or (most commonly) as samples. The TR-707 is just as recognizable as its siblings, the 808 and 909, and features a set of digitally sampled sounds that’ll be instantly familiar to anyone hearing them. Sonically, it sits somewhere between a LinnDrum and TR-909 with two punchy kicks, two relatively low-pitched snares with snappy transients, a 909 hi-hat and cymbals, a capable clap, nice “woody” toms, and a classic low-pitched cowbell and rim.

    With digital memory at a premium at its release, its digital samples were stored in resolutions of 8-bit for drums and percussion, and 6-bit for cymbals. This is no doubt one of the factors contributing to this machine’s crispy sound that is remarkably clear given the limitations of digital audio at the time. A trick that Roland employed to avoid low bitrate dithering artifacts during sample decay was using analog envelope generators that attenuate the individual sounds after the 707’s D/A converters. This is why the 707’s sounds decay much more gracefully than those of some of its digital contemporaries.

    With its ability to send and receive MIDI, sync external hardware, and output sounds on dedicated outputs, this drum machine had all the necessary features in place to make it mainstay in many artists’ studios. As such, it can be heard on countless records either providing all drums or often times specifically lending a song its punchy kick and snare.

    707+ // the definitive TR-707 kit | BØLT

    The process

    Of course, I’m aware that there are many 707 sample packs already out there. What makes this pack stand out however is the sheer amount of sample varieties and the clarity of the raw samples. Having recorded a pristine 707 using Rheingold Music cables, a DIYRE Fe2 DI with CineMag transformer, and high-end Antelope Audio converters at 24-Bit / 96 kHz ensures that the raw samples are the cleanest available anywhere.

    To create 707+, these samples have then been processed in numerous ways, exploring the full potential of the machine’s 15 sounds. I recorded them to 1/2″ tape using my restored Tascam 58 reel-to-reel multitrack tape machine at 15ips, 18ips, and 12ips to infuse the samples with analog warmth. I then captured these same recordings at different speeds to create the kind of clean re-pitching only tape machines can achieve.

    Next, I recorded the sounds onto cassette tape using a 1965 mono tape recorder originally intended for voice memo and PA use. Needless to say, the resulting samples are super grungy yet retain a lot of punch. I captured them at different input gain levels to achieve varying amounts of distortion and saturation.

    To further go down the LoFi rabbit hole, I captured the raw samples using a teenage engineering po-33 K.O! sampler that uses really punchy 8-bit A/D & D/A converters and re-pitched them yet again for that ultimate LoRes grit.

    Ultimately, I didn’t want to put out this pack without putting a uniquely personal spin on these samples. That’s why I pooled together all of the above mentioned sounds and utilized some sophisticated processing and layering techniques to create a contemporary drum kit with bucketloads of punch. This kit is suitable for anything from trap to lo-fi and is unlike anything you’d expect to come out of the TR-707.

     

    Pack contents

    • All 15 original sounds of the TR-707.
    • 40x LoFi samples recorded onto cassette using a 1965 dictation tape recorder.
    • 75x LoRes samples recorded and re-pitched using the po-33 K.O! sampler
    • 150x samples recorded, re-pitched, and saturated using a Tascam 58 reel-to-reel recorder.
    • 166x contemporary-fied samples treated with sophisticated processing and sound design techniques.
    • Fully-featured MPC Expansion with multiple kits, pre-programmed processing, and kit previews
    • 5x OP-Z kits with a total of 120 samples (compatible with OP-1)
    • 4x Ableton Drum Racks covering select clean, LoFi, LoRes, and contemporary samples.
  • The Dan Wesson .445 SuperMag revolver sound effects library includes clips of dry firing, cocking, handling, and more.

    The Dan Wesson .445 SuperMag revolver sound effects library includes 170 clips in 3.27 gigabytes of audio. It shares the sound of a 1995 American revolver firing as well as performed effects of cocking, unlocking, loading, opening and closing the chamber, and many more.

    The gunshots feature many multiple shots in three takes from perspectives on the gun to over 150 meters distant. 53 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The package includes Reaper and Pro Tools sessions with all performances aligned for easy editing, and complete embedded metadata support.

  • The Colt Python 357 Magnum sound effects library includes 52 channels of multi-take gunshots, performed effects of cocking, loading, movement, and more.

    The Colt Python 357 Magnum sound effects library includes 158 clips in 4.01 gigabytes of audio. It shares the sound of a .357 1955-2005 American revolver firing as well as performed effects of loading, unloading, cocking, de-cocking, movement, and handling.

    The gunshots feature multiple shots in three takes from 25 perspectives ranging from close to over 150 meters distant. 52 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The collection includes 18+ fields of mule-format embedded metadata as well as Reaper and Pro Tools sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • [Note: This product requires a FULL version of Native Instruments’ KONTAKT. The free Kontakt player is not sufficient, as it only runs the instrument in DEMO mode.]

    The deep sonority of the Contrabass Panduri perfectly complements the twangy drones of the Tanbur. Though the two instruments come from neighboring regions, the Contrabass Panduri is so rare that this excellent pairing has perhaps never occurred. Until now.

    THE INSTRUMENTS
    Contrabass Panduri
    A modern innovation, the Contrabass Panduri was modified from the traditional Panduri to answer the need Georgians had for a low-registry instrument for concert folk performances. It’s a true rarity of an instrument with perhaps only 10 existing in the country of Georgia itself.

    Tanbur
    The Tanbur is an ancient Middle-Eastern, long-necked lute-like instrument whose drones and picks have graced musical tradition from the Balkans, Turkey, and Arabia to Persia, India, and Central Asia. It goes by as many names as countries that claim it in their traditions, and is a definite classic instrument to add that “Eastern” sound.

    Available as a DOWNLOAD

  • Bass to make your Beats Bounce.

    Every good laid-back groove needs a bass track that sits just right and makes your head bob.

    LOW ‘n’ SLOW does exactly that.

    10 original loops in 3-4 keys each and 59 one shot samples including delicious plucks, thumps, slides, and hammer-ons carefully crafted to make your beats bounce. Everything was played on a handmade FLEXX BASSES “Peter” bass with old school flat wound strings through a pristine recording chain for that authentic R’n’B sound. The loops are constructed to be infinitely choppable and stretchable so you can use them to craft your own original bass lines.

    And, last but not least, the entire pack is of course ROYALTY FREE so you can use these loops and samples for any of your projects!

    What’s included?

    • 10 original bass loops in 3-4 keys each (33 loops in total).
    • 35 note one shots (sustained, plucked, picked & thumped).
    • 11 slides to use as fills and pickups.
    • 11 hammer-on samples for adding liveliness to your bass lines.
  • Ambiences from rural Southern Spain is a collection of sounds recorded over summer in a couple of rural areas in Andalusia – Antequera and Los Malagueños, near Malaga. Listen to the stillness of nature, sparse animals and insects in the morning, afternoon and at night. Walk down the quiet alleys and streets in scorching weather to experience what Southern Spain’s soundscapes have to offer.

    This library is compliant with UCS (Universal Catalogue System) and recorded at high quality – 192kHz, 24bit.

  • In OBSCURUM – DARK DRONES you will find 61 uniquely crafted and designed drone and ambient pad sounds that will transport you to the darkest and most ominous places. Each performance is aimed to be about 3 minutes long to provide lots of versatility for even the longest scenes or trailers. The library is structured into drones and pads that can be of deep and ominous or of dark and aggressive character. This collection is perfectly suited for dark Sci-Fi or Horror productions. Whether you want to create ominous and unsettling atmospheres or moments of high tension, you will find the right sound to masterful set the mood for the audience.

    The TONAL ELEMENTS series has a heavy focus on creative sound design. It features assets that can fall anywhere between the classic definitions of a musical element or a typical hard effect aka. sound effect. They might be of rhythmical or sustained nature, they can be atonal or of tonal character, or even fall into the category of noise-like. In a media production, these elements always complete an important task, and that is to convey an emotion or help to tell the story, without being to obvious in the foreground, hence distracting the listener. Any Sound Designer should make use of these powerful tools, as they can make all of a difference when it comes to setting the right mood or triggering the right emotion at the right moment. These elements typically fall into categories like: Ambient Pads, Drones, Risers, Downers, Impacts, Stingers, Textures, Whooshes, etc..

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