The “Screams & Shouts 2 – Humans” sound effects library brings you over 1.200 human shouts of pain and death, disturbing screams plus grunts of anger, struggle and attack from several men, women and children.
All sounds have been edited precisely and cut clean for instant use in your projects.
The “Screams & Shouts 2 – Monsters” sound effects library brings you over 940 shouts of pain and death, disturbing roars plus grunts of anger, struggle and attack from several monsters and zombies.
Additionally you get 250 clean untreated vocalized human monster sound to create your own designed monsters with it.
This is the go-to sound effects library to give your monsters an unpleasantly threatening, disgustingly haunting and ferocious voice
All sounds have been edited precisely and cut clean for instant use in your projects. These sounds fit very well in any scifi, horror, action, fighting or fantasy game, movie or any other audio-visual production.
Get the sounds of a Sea Doo RXT 260 RS jet-ski with a four stroke four cylinder Rotax engine. It consists of six channels, two engine, one exhaust, one engine air-filter and left and right passenger back. It contains engine start ups and stops on land and in water, steady rpms, blips, slow and fast take offs, ramps and reckless driving. The recording length is 16 min 1 s.
Sea Monsters from The Library by Empty Sea is a collection containing over 4000 sound effects for creature vocals. This collection weighs in at a whopping 9GB!
A must-have for any sound designer looking to level up on creature sound design.
The Seagulls sfx library includes 28 tracks of both single, isolated seagull screams, and bigger flocks of nesting seagulls, calling out to each other and their chicks. There are plenty of classic call sounds, but also some weird throaty and raspy screaming, and what could sound like seagull laughing sounds.
All tracks are recorded with the very useful zoom function of the Telinga microphone and dish.
Library includes both untreated tracks, and noise reduction processed tracks in two separate folders. Noise reduction processed tracks have carefully been cleaned up with a CEDAR NR system.
Though these birds are in an abundance around most harbours and industry around here, they are not always easy to record. You mostly hear them from a distance, or from places not easy to access. When you try to get close to them, they will usually fly away.
Many hours have been spent on rooftops, gardens, backyards, a junkyard, and different harbours to get this material.
Get the sounds of the sea – captured at different beaches along the Japan coast and the French Normandy coast. Recorded at the marina, pier, harbor, bridges and beaches, the SEASIDE library delivers around 50 minutes of waves, water, seagulls and more. All recordings are AB ORTF stereo, and there's a mono center added in some cases to deliver a LCR format.
Seaside Nature and Waves is a collection of 48 atmospheres of seashore nature. It is recorded in the Greek part of the Mediterranean Sea and the Bulgarian part of the Black Sea. Inside you will find forest atmospheres abounding from birds and sea songs far in backgrounds to insects and other natural sounds typical of the regions. The second part of the library is assigned to the sea. There you will hear waves that are recorded from different distances and emotional states of the sea. You will feel the power of Mother Nature in the waves breaking up in the rocks and the stormy sea foreshadow an autumn storm.
All files are meta-tagged in Soundminer
Gear used: Sound Devices 633. Neumann KM184 stereo set, Edirol R4pro, Rode NT4, zoom H6
Enjoy the power of Nature
“Sense” is an exciting collection of textures to enrich the sonic world of your Sci-fi production. If you need that extra ingredient when you are creating a dense and deep Sci-fi atmosphere, this library can help you to achieve that.
Movements, atmospheric elements and energies are some of the things you will find in this pack of sounds. Sounds with a strong and futuristic feeling, elements that are a great addition to your collection.
Categories:Atmospheric element • Energy • Feedback • Glitch • Impact • Interference • Movement • Robotic
In addition to being a great library for Horror or Sci-fi games and movies, this collection works well for trailers too.
A collection of 60 versatile SFX presets for Serum including risers, textures, transitions, drones, atmospheres, retro video game sounds, glitches, whooshes and abstract elements.
Suitable for any style of production, each preset comes loaded with 4 Macro controls giving you the flexibility to go way beyond the 60 presets into hundreds of variations.
Also included are 240 audio files (4 variations of each of the 60 presets) ready to drag and drop into your projects!
*Presets require Serum 1.209 or higher (not included). If you don't have Serum, you can still use the 240 included .wav files.
A collection of motor and machine sounds, recorded in ultra-HD 24-bit 192k resolution. You'll find a variety of electric motor sounds in this library, from sources such as cameras, car electronics, tools, pencil sharpeners, shavers, immersion blenders, disc ejects, radio controlled (RC) cars and many more. All ready to bring your robots and sci-fi scenes to life.
This is your library for authentic servo sounds used for robotics, motors or sci-fi. It features over 70 servo motor sounds in stereo. Only professional servos from rc-planes were recorded. Finish your next project in lightning speed. Simply drag and drop the sounds into your DAW.
• More than 70 servo motor sounds (100 MB)
• Slow, medium and fast servo movements + buzz and hum sounds
• One sound per file for easy and fast workflow
• 24 Bit / 96 kHz / WAV / stereo / low noise recording – perfect for pitching
• EBU/BWF and WAV-Metadata made with Soundminer for use in any DAW
• All sounds are royalty free and instantly downloadable
20 libraries of production elements and soundscapes suited to all forms of broadcast media. From glitched-out future computers to dark, ominous atmospheres, these libraries feature organic elements, analogue source material and extreme digital processing for a blend of the familiar and the experimental side of sound design.
Think Dystopian environments, unexplored Science Fiction spaces, unsettling horror ambiences, signals gone awry, abstract textures and harsh walls of noise.
Join us as we embrace the decay of the human psyche with Shadowscapes. This anxiety-inducing 2.6GB sound effects suite features 100 soundscapes inspired by all things maddening, and is intended to add bleak, atmospheric tension to projects in the horror, sci-fi, fantasy, surrealism and music production.
Come, have a listen to the textures of Shadowscapes and get ready to lead your audience down the path of pure melodic mental mayhem!
There's a whole lot of rattling going on in this library – from objects on a ferry to furniture, glass, plastic, vans and some serious subwoofer shakes. Oh, and the mandatory hospital bed shake, of course.
It's time to seriously shake things up, earthquake-style.
The need for these types of sounds came when we had to create various objects being shaken during an earthquake. In Shakes and Rattles you will find various objects being shaken in multiple ways. Shakes and Rattles includes 751 sounds in 37 audio files embedded with detailed metadata, and each audio file starts with short shakes and progresses toward medium and longer shakes.
Shards is a sound library that's all about that (breaking) glass.
It contains glass and porcelain being smashed, rustled, trickled and dropped from two different microphone perspectives! Shard's intended use is for anything icy, glassy and porcelain-y.
Shattering Bricks is a collection of 243 brick & rock impact sound effects.
Brick shatters, impacts, hits, tumbles and more
Collection consist of 154 designed sound effects and 89 source sound effects. All sound effects were recorded with two Sennheiser MKH8040
at superb 192KHZ. Recording session took place in a quiet canyon between mountains.
All SFX have baked-in Soundminer’s meta data.
Download includes additional 44.1kHz 16Bit version for Unreal Engine.
RECORDED WITH: Sound Devices MixPre 6 + 2 x Sennheiser MKH 8040
EDITED AND MASTERED WITH: Pro Tools, BOOM ReCenter, iZotope RX, Brusfri, FabFilter, ReFuse, Reaktor
When looped, these abstract ambiences & drones seem to rise or fall endlessly.
All sound files are included in the Unreal Ambiences library and:
This sound pack features a recording of a 75mm M4A1 Sherman cannon from World War II as it fires blanks. The library consists of about 20 channels with distances and perspectives ranging from 0 to 150 meters, and it features a large variation of microphones and recorders, such as Sound Devices and Zaxcom. With some hatch foley to top it off, this library has you covered if you're looking for the blasts and tails that only a tank can create.
Introducing the Sherman M4A3 World War II American medium tank sound library, equipped with a Ford GAA V8 engine. This sound bundle includes 183 96 kHz/24-bit recordings in a variety of mono and stereo perspectives totalling over 25 gigabytes of audio. The vintage military vehicle is detailed in 16 exterior and 12 interior channels with coverage of starting, passing by, approaching, departing, stopping, and onboard driving at various speeds.
The package includes extensive synchronized elements needed to recreate the sound of this medium tank for feature films and game audio projects. An Altiverb IR preset created from a sweep inside the tank is also included.
Shiba dog is a collection of dog sounds recorded in our studio. We brought two Shibas to the studio and let them play with each other. One of them is a very vocal dog and the other one is very quiet. This allowed us to capture a wide variety of sounds, from barking to panting, without a lot of overlapping.
We recorded everything with four microphones to get the most out of this session. We included all the good takes in this collection, so each sound is covered with at least three microphones. The following microphones were used:
• Line Audio CM3 small diaphragm condenser (cardioid)
• Line Audio OM1 small diaphragm condenser (omni)
• Rode NT2000 large diaphragm condenser (cardioid)
• Rode NTG3 shotgun
A big thank you goes out to Jory Prum for helping out with planning and recording!
No animals were harmed or mistreated during the recording of this collection.
The vividly descriptive and meticulously chosen SoundMiner metadata that has been embedded into each of the 217 files allows you to save minutes, even hours, of painful searching through libraries, trying to find that elusive sound! Now it is easier than ever, due to metadata that has been crafted with humans, and not search engines, in mind!
The main library consists of: rummaging through broken glass with a metallic object, smashing broken shards of glass, breaking different size windows and pieces of glass, and hitting thick glass at different intensities without breaking it.
The bonus library contains 21 different variations of a glass bottle breaking on rocks and two variations of a bottle bouncing off the rocks without breaking. The length of all the files ranges between 1 and 3 seconds long.
This library was recorded outside on a very quiet day, with no wind, insects, birds or traffic. iZotope RX was then used to eliminate the small amounts of background noise that was present. As a result, all the recordings are dry, clean and have no reverb.
This library is useful for, but not limited to: Feature Films, TV Series, Short Films, YouTube Videos, Games, and more!
SampleTraxx is back with SHOCKING SIGNAL, a collection of big screen alarm, disturbed cinematic feedback, ping, distortion and re-amped production elements.
Shocking Signal is all about alerts, notifications, danger, disaster, emergency, panic red alerts, sirens, warnings, static, bad signals, blasts, broken circuits, electrics, glitches, neon, power and anything requiring sophisticated and extreme sound design.
Providing new and experimental sound materials generated using the most cutting-edge digital techniques, this collection is designed to suit the needs of people who want to add something unique to their production.
Dedicated to sound designers, experimental composers, cutting edge electronic music producers, busy post-production facilities, video editors, broadcast radio/TV stations.
Featuring 170+ sound effects with detailed Soundminer metadata in 96/24 HD resolution ready to be fired in your favorite DAW.
This collection includes small to big waves on surfaces such as cliffs, beaches, rocky coasts, tetrapods.
Captured from close, middle, and distant perspectives at the Bousou peninsula, Chiba, Japan.
Shores of Senja is a collection of wave recordings from the second largest island in Norway. We spent three days on Senja and recorded a wide variety of waves on different surfaces. This collection includes small to big waves and surfaces like sandy beaches, pebbles, rocks and cliffsides.
We recorded everything with one cardioid stereo pair and one omni stereo pair for added flexibility and options in the mix. The library features 192kHz/24bit stereo broadcast wave files with embedded metadata, and also includes all files converted to 96kHz/24 bit stereo broadcast wave files with embedded metadata.
Extracted size: 5.27 GB (96kHz files), 10.55 GB (192kHz files)
Get rare weapon recordings off the AA12 Full Automatic Shotgun (12 gauge). It gets you 14 foley sounds in mono and 56 firing sounds in stereo, captured in 24 bit resolution and 96 kHz sample rate.
Motor on, crunch, vrrmmmmm, other crunchy paper shredding sounds. SHRED IT includes sound files of single and multiple paper shreds, on off buttons, reverse motor, paper foley, ripping, crumple, and more! A total of 50 files with over 534 sounds in it, recorded at 96kHz, 24 bit using the AT897 Shotgun Microphone. Exported as dual mono .wav files. All sounds are meta-data tagged using Soundly and Basehead.
Want to make an impact? The Shredders vol 1. SFX library gets you in-your-face, electronic sounds, synths and effects, all delivered in high definition 96kHz / 24bit.
The AUDIO IMPERIA “Shredders” series is specifically designed for modern action campaigns with electronic music elements, using the talents of sound designer and renowned producer Darin Leach.
It comes with 179 .wav files + 10 custom Kontakt Patches (another 400 files), using powerful open-source engine Photosynthesis, and requires the full version of Kontakt 184.108.40.206 or higher (the patches will not run in the free Kontakt Player).
Sigil is a unique library of dark, gritty, raw, and eerie textures and tones made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician Nathan Moody.
Sigil provides an edgy set of layers that are rich with organic complexity: Skittery bows on handmade string instruments; “prepared” string tones and textures, bowed and rubbed springs under tension; salvaged rusty metal tubes; perforated steel gongs; aluminum water bottle bells; and deep, resonant handmade percussion instruments. Textures include chugs, shrieks, groans, drones, bounces, peals, and rattles. The sounds range from blissfully musical to horrifyingly atonal, and are equally at home lending an uneasy tone to either avant garde musical works or multi-layered sound effects, especially in thriller or horror genres.
The organic nature of the Sigil library means that its sounds hold up well to extreme processing like pitch shifting and granular resynthesis. The handmade nature of the instruments used means that there’s no other library quite like it.
The recordings were made with a variety of pickups, contact microphones, and traditional microphones, through various high-end “character” mic preamps selected uniquely per microphone and per instrument. Full details are in the library’s documentation.
This collection was recorded at 24 bits, 96 kHz and includes over three hours of recordings with more than 600 individual sounds, all fully tagged with metadata. Multiple articulations and voicing are ganged into single files for convenience and organization.
Signal Frontiers is a huge collection of cutting edge futuristic sounds for interfaces, robotics, space machinery and more. The library contains 1000+ uniquely designed assets and covers everything from web interface to spaceship consoles, telemetry and ambiences, offering an unparalleled variety for any project. Signal Frontiers features more than 1000 stereo 48 kHz/24 Bit sounds, all Soundminer friendly.
Signal Interference contains 40 feedback loops generated from a no-input mixer, each running for 1 minute for a total of 40 minutes of audio corruption. These unique sonic textures feature crackles, hums, buzzes and glitches to suit a wide array of multimedia projects which require the sounds of malfunctioning machinery, twisted signals and future tech gone wrong.
All files are 24 Bit/96 kHz with embedded metadata.
Signal Interferences sound library features 224 sound effects including various glitch sound effects, radio and transmission-like sounds, evolving and static noises, malfunctions, long signal interferences as well as short bursts for use in movies, games and other applications!
All sounds are created with synthesizers, sound generators and samplers in order to offer you more diverse range of interferences sounds than those generated with telephone pickup coils and similar devices.
If you’re looking to expand your sound collection with various distorted glitchy sounds and electromagnetic-like buzzing, humming and crackling sound effects this sound library will provide you with plethora of sounds to choose from!
Signal Interferences sound library contains 2.2GB of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.