Industrial Ambiences – perfect for industrial settings, subtle intricate backgrounds, eerie man-made areas and horror ambiences. Features long, four minute files for extended scenes.
• 53 Tracks Total (25 Day time Tracks, 28 Night time Tracks)
• High Resolution Photographs of Recording Locations Included
• Thorough metadata included in all files
• All tracks recorded and edited at 24bit, 96kHz
• Each Track around 4 Minutes in Length
• 5 GB compressed download, 7.1 GB uncompressed
Recorded by a quiet Swedish lake in late summer of 2014, the Water Movements sfx library is filled with splashes, drips, walking/running, moving, small water creature simulations, and much more.
Whoosh, Swoosh & Swing is a large collection of “whipping” sounds made by various objects including golf clubs, swords, spatulas, fishing poles, cloth, and much more. Some of the sounds were sped up or slowed down using analog tape to give them a vintage Kung-Fu movie feel.
These sounds are essential to a good fight or sports scene, as body parts, weapons, or flying objects whip around the screen!
• Human Mouth
• Dish Brush
• Electrical Cable (twirling whooshes)
• Cloth flag
• Curtain Rod
• Fencing Sword
• Fishing Pole
• Golf Club Handle
• Tennis Racquet
• Pasta Spoon
• Golf Clubs
This sound effect library delivers a comprehensive collection of designed alarm sounds covering all types of alarm: small and large, high tech and vintage sounding, distorted and clean, complex and simple, fast and slow, continuous sirens, harsh buzzers and subtle beeps.
The sounds can be used for a wide range of alart and alarm sounds, including: car alarms, smoke detectors, timers and clocks, air raid sirens, medical equipment, police and emergency sirens, fire alarms, home security devices, digital watches, gadgets and communication devices.
Get the sounds of 12 authentic weapons from both World War 1 and World War 2, captured by recording specialist Watson Wu. A total of 587 files are included – 107 foley sounds and 480 firing sounds.
Enfield • M1 Carbine • M1 Garand • Mauser • Mosin Nagant – long • Mosin Nagant – short
Pistols & revolvers:
British Webley Revolver • Colt 1911 Pistol • German Luger Pistol • Smith & Wesson 1915 Revolver • Smith & Wesson 1917 Revolver • Walther PKK Pistol
All the weapons are authentic, the gunpowder is real and 100s of rounds were sent downrange to get you these powerful weapon sounds from the World Wars.
The Rocks Momentum sound effects library gets you more than 1100 sounds of rocks, bricks, wood logs, stones, impacting on different surfaces, rolling, being scraped one against the other and so on. The library was recorded in the Italian alps, and in Inverness, Scotland. Defective construction materials were used for the recording of bricks, roofing tiles, cement blocks etc.
Evil Twin is a Reaktor 5 and 6 ensemble for creating cinematic sound design, BPM synced rhythmic loops, intense impacts, whooshes, glitches, drones, and special effects.
Evil Twin is sample-based and contains a custom 128 sample library from SoundMorph. You can also load your own samples easily. If you own the new Reaktor 6, Evil Twin is a must have.
• Presets by Richard Devine, Ivo Ivanov, Jason Cushing, Yan David and more
• 3 LFOs
• Drawable envelopes
• Complete knob modulation
• Load up to 6 samples
• 3 effects
• Grain, Jitter, and Pitch controls
• BPM synced loops
• Included Touch OSC template
• Note: This library requires a full version of Reaktor 5 or 6
Brace for impact! Rupture delivers more than 375 impacts and destruction sound effects, categorized and ready for immediate implementation into any game. It's not only for games though, Rupture would be perfectly suited in any film or media project where high quality impacts, breaks, and destruction are needed. You could think of Rupture as the baby brother to our massive destruction library Matter Mayhem, but Rupture comes with all new recordings, new textures, and new objects. For the price, it's a must-have!
Rupture was created in collaboration with Rick Hernandez, a Los Angeles based professional sound designer. Rick is an accomplished AAA video game sound designer and field recordist. He also works on feature films & television.
Brick breaks/ crushes • Car impacts • Concrete impacts • Dirt, dust, debris • Drywall impacts • Glass breaks, shatters, cracking • Ice explosions • Lights shatters • Marble impacts • Metal impacts • Plaster impacts • Rock crumble, roll, impacts • Sand blasts, debris, dust • Snow impacts • Trees hits • Water splashes • Wood crushes, impacts, breaks – all meticulously embedded with Soundminer & Basehead metadata
Very in-depth recordings of this 4-wheel drive with an inline six cylinder engine.
The first part consists of eight onboard microphones, two interior, three engine and three on exhausts. The exhaust on this vehicle has been modified and has a really rich sound. The second part is 8 channels of external microphones in surround. The total recording time is about 48 minutes (internal 42 min, external 6min).
It consists of real traffic driving, startup, idle, blips, shutdown, steady rpm:s without gear, steady rpms driving with load, accel/deceleration ramps at different speeds and even horn, switches and doorslams recorded.
Pro Tools session and cue list included. The recording length is 47 min 54 s.
Dreamscapes is a collection of versatile, carefully crafted drones and textures, that would take you away into the deep unknown realms. The pack includes all kinds of moods: from low-rumbling environmental ambiences and spacey drones, to the divine and transparent textures. All sounds are seamless loops, thus will fit perfectly in any project including games, with no additional tailoring required.
This Sound Effects library contains 633 files that feature over 1000 sounds of unsettling and unpleasant squeaking and creaking elements. It's a great starting point for designing a vast number of different soundscapes in various genres – from just using the sounds as general Hard Effects, to Science Fiction and Horror.
All sounds are production ready: Cleaned, Edited, levelled, and come with embedded BWF Metadata.
You get heavy doors and furniture creaks, screaming dry ice, creaking leather, rubber and balloons, forks on ceramic tablets, disturbing metal squeaks and much more.
Get a collection of 134 impulse responses – recorded in the forest.
What if, instead of going to the forest to record the sound, we can find a way to bring the characteristics of the forest to us? Say, for example, we have recorded a sound in the studio like the sound of chopping wood or foley footsteps, but we want them to sound like they are in the forest?
There is a way to emulate this. To make our source sound like it is, in fact, in a forest. The answer is to use the impulse response of the forest and one of the convolution reverb plugins for your DAW.
An impulse response of the forest (or “forest IR”), is the sum of reflections from trees, foliage and the ground by very short signal at high volume. For this sound library, I recorded different impulses in a stereo at different locations of the forest with perfect conditions. Also, the library includes alternate versions of these impulses for use in the processing of the sounds that are far away from the listener.
For using these impulse responses, you need a convolution reverb plugin (not included). The library can be used with the built-in convolution plugins in many DAWs like ProTools, FL Studio amd Sony Vegas, and there are other commercial options on the market, but costs can be high. For starters, you can use a free convolution reverb from the following
A wide choice of IR’s will allow you to choose the most appropriate nuanced impulse response for your material. As you gain more experience with this forest IR, you will find that you can quickly adjust the ratio and volume level for wet and dry channels and effectively use other options of convolution reverb. This powerful forest reverb emulation will be incredibly effective for your sounds.
Water in pipes-sounds are very useful for illustrating places like sewers, underground caves and cavities, or simply a shower room. This collection delivers you water flows and leaks from a range of pipes and cavities – from large drain pipes, tunnels to drips in a bathroom.
Synthesized Moods is a collection of 18 soundscapes, drones and textures produced by sound designer Giorgio Riolo using Native Instrument’s Massive plug-in.
All moods are “Synthesized”, imaginary and abstract.
They’ll add a bizarre layer to your ambiences sound effects and sometimes they’ll give a musical taste with a sci-fi, dark and sinister accent to your project .
Synthesized Moods is available in two versions:
This pack includes a four-channel onboard recording of a real long-tail Asian boat captured in Thailand.
With one microphone on a handheld pole and the other three capturing its diesel engine, the boat goes through a series of maneuvers which it repeats three times. This library covers these maneuvers from different positions every time for sounds of starting, stopping, idling, driving, and constant RPM, which are just as unmistakeable as the boat's characteristic body.
'Fireworks From Paris' is a sound library, recorded as Paris was celebrating the Bastille Day on July 14th 2016. The firework recordings are divided into categories such as tiny explosions, middle explosions, and powerful explosions. The library features both solo explosions, as well as multiple blasts. It comes with 2×138 recordings, in stereo as well as UPMIX 5.1.
This library gets you atmospheric ambiences from all over the world; from the UK, Greece, Spain, Morocco to Germany and America – and includes cities like Jerusalem, Las Vegas and many more. The recordings have been captured on land, at sea and in the air – and with over 6 hours of ambiences in total, 101 Ambiences offers a wealth of material for your projects.
Designed Mecha is all about exploring the inner and outer working mechanisms of an at times slightly malfunctioning mecha and its environment. It features various kinds of mecha / robot sound effects, ambiences, mechanism and servo sounds, impacts, and glitches.
Created in collaboration with Bend Audio Design.
47 24bit / 96kHz WAV files / Meta-tagged
GAF SFX04 Liquids is a sound effects library dedicated to water sounds.
The Paper SFX library gets you 186 paper sounds – including: blow, cut, cutter knife, flip, folding, kink, roll, rub, rumple, scrape, scroll, special, stretch, tap, tape, tear and wag sounds. The sounds were produced in various variations and on different paper thicknesses. All sounds are in WAV, mono, 24 bit & 96 kHz and include metadata.
Here are ambient and specific recordings of rustling leaves, fluttering twigs and creaking trunks. Pine and Fir trees, Beechwood hedgerows and leafless Oak trees, along tall grass and reeds. All in all, a collection representative of the cultured landscape in Denmark, as well as much of northern Europe. I was lucky enough to record a storm during the last days of 2016, and those sounds are of course included here. No human voices or man-made sounds, but a few of the sounds have bird vocalizations in them.
The focus is rather narrow, going for many nuances of the same flavor – rather than many flavors. If you need sounds of a storm or gale in northern European vegetation, then this should fit the bill. Note that there is audible buffeting in several files. I opted to leave it in there, as it might suit some purposes, and let me keep the most violent passages. You can try your luck with noise reduction, but since wind is mostly broadband noise anyway, it might not turn out well. YMMV.
A few sounds appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. All sounds were captured in Denmark between October and January.
This library has an extensive collection of sounds from a well-used 1990 Ford Ltd Crown Victoria with a 4-speed AOC automatic transmission. With its 302 cubic inch, 5 liter, V8 engine, rated 152 horsepower, you'll get thick beefy growls from this Ford. The library includes all kinds of driving at various speeds, cruising, startups, shutdowns, reversing, driving at constant RPMs, gearing, various accelerations and decelerations, and long and short ramps.
Some foley is also included: doors, hood functions, parking brake and gear shifter, and IR sweeps. With 12 onboard channels covering several interior, engine and exhaust perspectives, and 13 exterior channels with microphones positioned at different spots around the recording location, you'll get up-close approaches, aways, passbys and more at different speeds.
‘Dark World’ is a collection of 50 drones and moods (250 mins +) that explore ideas of designed spaces.
Blurring the lines between score and sound design, ‘Dark World’ combines sound effects and musical instruments to create tense, beautiful and eerie moods. Made for composers and sound designers and ideal for surround sound placement.
Applause and Laughter recorded in various spaces in full B-Format Ambisonic surround. Over 90 tracks of audience laughter an another 40 of so of applause and audience reactions and chatter. 96 kHz / 24 bit recordings with full Soundminer-embedded metadata.
Various handpicked and carefully recorded essential and familiar ice sounds. Recorded ice cubes and ice blocks of different sizes to make crackling, breaking, twisting, sizzling, swirling, chipping, smashing, and shaking sounds.
Several types of tools were used to chip and break the ice objects such as kitchen knives, hammers, rubber mallets, and ice picks. A hot iron was used to melt ice blocks, ice cubes were stepped on to make crushing and walking sounds, ice cubes in glass and plastic cups combined with water, plastic ice trays of freshly frozen ice that was twisted, turned, and recorded different ways.
These are just handful of examples of the many familiar sounds of ice that are included in this sound library.
Introducing the ultimate roller coaster sound library: Roller Coaster Sound Builder includes high-quality recordings from 5 different roller coasters, from classic steel coasters to aggressive impulse coaster. This huge collection includes clean roller coaster passbys, onboard recordings, and classic roller coaster screams.
Roller coaster pass by sounds were recorded without background noise in an amusement park that was closed to the public. A great amount of natural screams with different intensities is also included, recorded during a regular summer day in the amusement park.
This collection provides unique, hard-to-access source material in high-quality, with a large amount of takes for creative sound design. We worked hard to capture as much useful material as we could when we had full access to the rides. All sounds were recorded in Särkänniemi amusement park, Tampere, Finland. Also available in the special Complete Amusement Park Sound Bundle.
This pack consists of 86 Postive/Neutral/Negative Jingles, 29 UI SFXs, 6 Coins SFX and 53 other SFXs (Consist of impacts, alarm, swells, explosion and jump sounds!)
Ambisonic Surround After Dark features 20 HD 24bit/96khz Surround Sound Effects with a large selection of evening Crickets, Cicadas, from urban and residential areas.
Recorded with a Brahma Ambisonic Microphone and a Zoom F8 recorder and mastered in 3 configurations: Ambisonic B format (FuMa 1st Order WXYZ), 5.1 Surround Sound (L-C-R-Ls-Rr-Lf ) and Stereo (L-R) – all with embedded metadata. Most tracks are 2 minutes long.
Want a taste of what's included? Download the B Format Surround Demo file here and try it out on your own system!
Punch and Combat Sounds is the perfect collection of ready to use combat sounds. The package contains a total of 720 sound effects.
• 68 Punch (including some kick) Sounds
• 198 Foley
• 395 Male Voice Screams, Grunts, Groans, etc.
• 59 Whoosh Sounds
See the full sound list below for more details.
ALL sounds from Punch and Combat Sounds are already included in our complete sound package Pro Sound Collection, so if you need more sounds be sure to check it out before purchasing.
This library features 200 professionally recorded foley sounds, created by some of the worlds most respected foley artists. These sounds are all hand-picked from Sound Ideas Ultimate Foley and General HD 1 & 2 sound effects libraries. Included are footsteps, food sounds, household sounds, doors, cabinets, clothes, fabric, scissors, zippers, chains, balloons and much more!
Wetland Atmosphere is a collection of pristine ambiences recorded at wetlands, marshes, bogs, lakes and other similar areas around Europe.
The library consists of 33 recordings ranging from 3 to 10 minutes in length, available both as stereo and surround. The recordings have been captured with a Sennheiser Double Mid-Side rig which was left out overnight in remote locations. This was to make sure that man-made noise and human interaction was kept to a minimum.
The library is accompanied by a comprehensive species list covering 68 birds and 7 amphibians in total.
Highlights include Bitterns with their booming calls, Common Loons and their wails being reflected off of trees, geese, ducks and swans making a racket, the insect-like clicking of Savi's Warbler and the incessant croaking of various frogs and toads.
Make the first step into the terrifying, creepy and mind mangling sonic experience of “Surrounding Horror“, with weird and abstract sounds from all around you.
You get 22 Horror Ambiences/Soundscapes created and mixed in 5.1 Surround (Film Channel Order) to give an instant horrifying setting for your productions. Additionally, you get Stereo Downmixes of the surround versions.
This library is a Halloween Special and is only available until end of October!
You won't find any well-oiled, wind-tunnel-tested, aerodynamically perfect sounding bicycles in this library!
This pack of sounds has been recorded to capture the extreme creaks and those “old, busted bike” kinds of sounds.
3 bicycles, all with a special sonical personality to them, were recorded:
2 SCO gentlemen's bicycles, from 1970-1980, and 1 home trainer, a little younger than the others.
Recorded inside a studio with the bikes either being on a dynamo or suspended from the ceiling, all bikes had lavalier microphones mounted front and back, and a microphone overhead of the rider. Some takes has a contact microphone track to add to the misery.
• Long rides, multiple tempos
• Gears spinning
• Extreme creaks from saddle and frame
• Chain and chain guard noises
• Pedal spins
• Shaking and kicking bicycle frame
• Hometrainer riding
This collection contains a wide variety of buttons and switches. We pushed, flicked, turned and twisted all the buttons, knobs and switches we could find to make sure you have everything for your sound design needs. To give you as many options as possible, we recorded everything at a high sample rate with several microphones. Every sound was recorded with at least a contact microphone, a large diaphragm microphone and a small diaphragm microphone. In addition, most of the sounds were recorded with two small diaphragm microphones with different pickup patterns (omni and cardioid).
The high sample rate and multiple microphone setup makes this collection excellent for sound design and heavy processing. We have also included all sounds in 96 kHz and 48 kHz in case 196 kHz is not required for your projects.
1x Barcus Berry (contact microphone)
1x Neumann U87 A1 or Brauner Phantom Classic (large diaphragm)
1x Sanken CU31 (small diaphragm, cardioid)
1x DPA 4041 (small diaphragm, omni)
London Crowds brings you 20 stereo crowd recordings featuring different situations and locations: Luton and Stansted airports; Liverpool Street, King’s Cross, Victoria and Marylebone stations; a pub, a classroom, a terrace bar, an auditorium, a campus university and a few networking events. Crowds go from 10 people up to a cocktail event with dozens of people.
19 out of 20 locations are interior, so traffic noise is either minimum or absent. English (with British accent) is obviously present in all the files.
Files come in 24 bit and 96/48 kHz. Total length of the library is 105 minutes.
Cargo Trucks is a collection of on-board multi-channel recordings of heavy goods vehicles, also known as cargo trucks or lorries. The first truck in the library is a 2012 Mercedes-Benz Actros semi end dump truck, a vehicle used to haul tarmac and other material from quarries in Europe. It is powered by a 12 liter V6 Diesel engine doing 480 HP and sounds as mean as you can imagine.
Important! More trucks will be added to the collection as they are recorded. Get your copy now and you will receive all subsequent updates for free.
Disturb sound library features 170 cutting edge cinematic impact sound effects perfect for music production, movies, tv, advertisement campaigns (trailers, teasers, promos) and more!
Whether you need those massive cinematic bassy hits or you’re looking for a dark, creepy and intense metallic impacts and slams, this sound library has you covered. With this collection of designed impacts at your disposal you’ll have a powerful, hard-hitting sound arsenal ready to become a part of your next track, game or cinematic project!
Disturb sound library contains 496MB of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow and separated into three categories: 1. Cinematic Signature Impacts 2. Dark Horror Impacts 3. Metallic Tension Impacts
• In Pacific Northwest: Quiet Nature, get a peaceful collection of ambiences from the Hoh Rainforest, a temperate rainforest on the Olympic Peninsula in Olympic National Park. Hear the massive sparseness of one of the last pristine quiet places in the Continental US. Hear the natural cathedrals of sound created by Douglas fir and spruce. Hear wind gusts pluck autumn maple leaves and waft them to rest on forest floors. Hear massive halls of wet wood that envelop and transport you to a long-lost time when giant trees covered millions of acres of the Pacific Northwest.
• This library offers you a large collection of quiet nature sounds from one of the wettest forests in North America. Some places on the Olympic Peninsula get over 200 inches of precipitation per year, and that abundance of moisture makes for a magical fern and moss filled ecosystem brimming with soothing ambiences.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Pacific Northwest Series. Field Recording travel for these libraries was carbon neutral!
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
• Marker text included in the Soundminer description and BWAV description fields.
App FX is a comprehensive collection of 445 sound effects designed specifically for app makers looking for original notifications, alerts, tones, and general effects.
Designed using both software and retro synthesizers, this collection contains a wide variety of sounds to accompany every action and function on a modern phone, tablet or desktop application: from simple clicks and tones, to complex melodic alerts and interface sounds.
All sounds were programmed, designed, processed and edited at 24-bit / 96kHz, with embedded meta data and accompanying spreadsheet.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
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I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.