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Home Sound Effects

Sound Effects

  • Geophonic Instruments Vol. 5 is a set of mind-bending, sustained sounds with immense low end. Captured with the Lom Geofon and a range of sources such as Harmonicas, Drums and various stringed instruments, our Audio Craftsmen designed an eclectic range of sustained Drone, Rumbles & Risers perfect for epic trailers and nail biting horror.

    This collection features subsonic frequencies that drop as low as 10Hz, allowing you to inject some super weighty, speaker-shaking energy into your work.

    Use this library to intensify sci-fi, mystery, thriller and horror genres in your Fil, TV & Game projects.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease

  • Get ready for an immersive and thrilling gaming experience Sci-Fi Voices Volume 02 Big Battle Robot. This pack includes over 1090 high-quality, futuristic words and phrases that will bring your gameplay to life.

    With the Big Battle Robot Mech guiding you every step of the way, you’ll feel like you’re in the middle of the action.Whether you’re maneuvering through dangerous terrain or giving commands, the battle mech robot’s powerful, commanding voice will keep you on track.

    The voice lines range from authoritative to helpful, giving your in-game character the personality it deserves. Whether you need to issue orders for an attack, warn your crew members of threats, or provide information on the state of the mission, the MBig Battle Robot Voice Sound Pack has the perfect sound to suit your needs.

    Here are some example phrases to give you an idea of what’s included in the pack:

    My systems are always prepared for the next fight 

    My programming demands your destruction 

    Strategy remarkable 

    Your tactics are predictable. I know your every move 

    Your weapons are nothing compared to mine 

    Victory is inevitable I am programmed for greatness 

    Outcome outstanding 

    My thirst for victory is unquenchable 

    I”ve seen a lot in my time lets see if I”ve still got it 

    My weapons are at the cutting edge of technology 

    My advanced weaponry and fighting spirit make me a force to be reckoned with 

    My abilities are not up to the challenge 

    I”ll protect the team and ensure their safety 

    I may be old but I still have a lot of fight left in me 

    I am not equipped to handle this type of challenge 

    A robot with a thirst for victory always pushing for greatness 

    Good job!

    Closing Application 

    For a detailed listing of the words and phrases, take a look at the soundlist PDF document.

     

    All sounds are provided in 44,1khz/16bit and 48kHz/24bit

     

  • The Metal Hit Sweetener sound effects library features metal hit sound effects, drops, bashes, and more with shovels, containers, pots and pans, and others.

    The Metal Hit Sweetener Library gathers over 80 multi-sample strikes, hits, impacts, drops and other clips in 1.18 GB of 192 kHz sound-design friendly field recordings.

    The metal hit sound effects include strikes with hammers, drumsticks, forks, and other implements hitting over 22 types of props: from bowls to pots and pans, oil barrels to wheelbarrows, shovels and spades, trailers, and much more. Every recording has multiple performances in each file to allow for a variety of sound design tools created to sweetener hits, blasts, bursts, breaks, and other impactful sound effects.

    Includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments.

  • The grass trimmer sound effects library features field recordings of working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Jonsered GC 2125 grass trimmer with a 2-stroke engine 25 cm3. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The SPAS-12 combat shotgun sound effects library includes nearly 50 channels of two types of gunshots, performed effects of loading and pump action sounds, and more.

    This Franchi SPAS-12 combat shotgun sound effects library features 293 sound clips in 5.73 gigabytes of sound. It showcases field recordings of the Italian dual-mode weapon wth a folding stock and uses 12 gauge 2 3/4 inch shells.

    The collection gathers 24 perspectives and 47 channels (including an Ambisonic perspective) of both pump action and semi-automatic firing, as well as performed effects of loading, pump action, rattling, the safety, and others. The perspectives range from close to 150 meters distant.

    The sound library includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • Debsound – Hammer Hit sound effects

    60 Hammer Hitting sound effects
    If there are industrial, forging, construction or medieval atmospheres in the production then this is a good choice.
    This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
    videos, animation, and any other entertainment industry where a high-quality audio effect is essential.

  • Experience mesmerizing sound illusions with Shepard Tones Vol. 2. These can be used as-is or manipulated to fit your specific sound design needs.

    Shepard Tones are a unique sound effect that can be used to create a sense of continuous rising or falling in pitch. By combining different Shepard Tones together, you can create interesting and other-worldly sounds.

    Crafted using sample-based synthesis, this collection features loopable Shepard tones, enabling you to create endless risers and downers, ideal for sci-fi vehicle sound design or injecting tension into your film, trailer, TV, and game projects.

    All sounds are delivered in 24-bit, 96kHz format, allowing for further sonic manipulation. They have been meticulously edited and tagged with extensive, UCS-compliant metadata for ease.

  • This extensive collection of vehicle recordings contains a full work up from a 2017 Land Rover Discovery Sport HSE, 2.0L. Complete with onboard and external recordings made at different speeds and performing different manoeuvres. Hear the distinctive sound of this Land Rover engine roar into action as its put through its paces in Dirt & Asphalt Vol.3.

    This library features 6 channel HD onboard recordings, with 2 microphones placed inside the engine bay, a stereo microphone placed inside the interior and individual microphones placed by each exhaust outlet pipe on the rear of the vehicle. A pro tools session is provided that takes all the effort out of arranging and preparing these recordings for mixing. Just launch the session, add your favourite DSP and render your own mix in minutes.

    Stationary revving, speed runs, slow driving, stopping and starting are all included in this collection with onboard and external recordings. The vehicle has been driven in both standard ‘drive’ mode and performance based ‘sports’ mode. Takes are included from both modes to give sound editors extra choice and a broad range to select from.

  • A Replica of ARP’s legendary Synth, multi-sampled.

    The ARP Odyssey is nothing short of a legendary synthesizer. Released in 1972 as a direct answer to the famous MiniMoog, the Odyssey became one of ARP’s most beloved synths and has been used on too many hit records to count. Stevie Wonder, Jean Michel Jarre, Kraftwerk, Devo, Abba… The list of famous Odyssey users reads like a top ten list of the most influential artists in the history of recorded music. The Odyssey is, in essence, a minimalist take on the ARP 2600 – simplified into a straightforward and immensely capable performance synth that is as sonically powerful as it is accessible. Its dual oscillators with sync functionality, FM, ring modulation, white/pink noise generator and dual EGs allow it to produce a great variety of sounds that are as universally useful as they are distinctly ARP.

    The year 2022 marks the Odyssey’s 50th anniversary, an event I knew I had to celebrate with you! To celebrate this legend’s birthday, I created a library of tastefully gnarly basses, searing leads, versatile synths, and a whole load of plucks for you to bring into your productions.

    In 2015, equally legendary instrument manufacturer KORG took it upon themselves to release a faithful replica of the classic duophonic Odyssey that encompasses the character of all three Odyssey revisions ARP produced. This is achieved by allowing the player to switch between the three different filter circuits used in the MKI, MKII, and MKIII respectively. The added analog “drive” circuitry of the KORG Odyssey adds a tasteful amount of saturation which I heavily exploited to make the sounds of this sample library extra juicy. This instrument was captured using high-end converters and cables to create ØDYSSEUS.

    Pack contents

    • 49 multi-sampled patches in multiple formats (see below)
      • 14x basses
      • 8x leads
      • 15x plucks
      • 12x synths
    • 2,341 individual samples (24 bit / 44.1 kHz, 856 mb)

    Included formats

    • .exs for Logic Pro Sampler (10.5+), Alchemy, exs24 (legacy), and DecentSampler (via import)
    • .nki for Kontakt 4.1 and newer (not compatible with free Kontakt Player)
    • .adv for Ableton Live Sampler (10 Suite or newer)
    • MPC 2 Expansion with Keygroup instruments, pre-programmed inserts, and patch previews.
    • .sfz SoundFonts for Ableton Sampler (Live 10 & earlier), UVI Falcon, Kontakt 5 & older, Sforzando, NN-XT, NN-19, Halion Sonic & others
    • Reason ReFill containing NN-XT sampler patches
    • .multisample for Bitwig Studio
    • .korgmultisample for KORG WaveState and ModWave

    ØDYSSEUS - the sound of the ARP ODYSSEY // a sample library by BØLT

    50 years of ARP ODYSSEY celebrated with a big sample library! #shorts

  • Introducing “Cruising Europe” – your passport to the authentic sounds of Europe’s most charming towns! From the tranquil waterways of Amsterdam to the vibrant streets of Budapest, our expertly captured ambience sound effects transport you straight to the heart of each location. Hear the gentle lapping of the canals in Amsterdam, the bustling chatter of the markets in Würzburg on Farmers Market Day, and the lively chatter on the streets of Vienna. With “Cruising Europe,” you can add an extra layer of depth to your projects and bring your audience on a journey through some of Europe’s most beloved destinations. Get your copy today and let the sounds of Europe inspire you!

  • Debsound – Metal Plate Sound Effect Pack 01

    55 Metal Plate Sound effects.
    Fallings, Hits, Slidings.
    This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
    videos, animation, and any other entertainment industry where a high-quality audio effect is essential.

  • In this library you will find a dark ambience sounds.
    These sounds are perfect to use in movies, trailers, games, documentaries, etc.

    These sounds were all created by me on virtual synthesizers.

    After working these sounds in post-production, this library comes with 5 dark ambiences.

  • Sci-Fi Sound Effects User Interaction Play Track 700 sounds included, 43 mins total $69.99

    User Interaction is a collection of 700 modern UI sounds organized into 12 categories suitable for usage in an infographic, game, animation, or user interface environment.

    Our aim with this carefully crafted collection is to give you a time-saving toolset ready to drag and drop in your projects. This wide array of modern sounds will help you stand out with your sound design.

    Curation Applied
    Our top priority is always to deliver an exceptional experience to our end users. To achieve this, we have invested considerable time and effort into perfecting the audio content, customizing it to meet your specific production needs. Additionally, we follow rigorous editing protocols to guarantee seamless performance in every possible use-case scenario.

    Thick, Middle, Thin User Interface Sounds
    User Interaction features different sound sizes/priorities to meaningfully set apart sounds within the same category. This level of distinction enables you to have more flexibility and make faster choices when it comes to layering sounds. This feature is particularly useful for those who require precise control over their sound design and want to achieve the desired sound effect with ease.

    Creative Freedom
    All our sounds have been meticulously created to be 100% dry, without any application of reverb. Our ultimate goal is to empower you with the complete freedom and endless possibilities to craft your own distinctive masterpieces, without any limitations or boundaries. We aim to enable you to unleash your creativity and imagination to the fullest extent. Our dry sounds serve as a canvas for you to give life to your vision.

    UCS Compliant and detailed Metadata embedded
    User Interaction is fully universal category system (UCS) compliant. Additionally, to optimize your workflow and enhance productivity, our audio files are equipped with detailed metadata, allowing you to locate and access the sounds you require easily. Leading audio management software such as Soundminer and BaseHead are fully equipped to read and process the metadata, providing an intuitive and seamless user experience.

    What’s Inside

    Confirm (95 sounds) • Deny (78 sounds) • Select (107 sounds) • Hover (37 sounds) • Progress (24 sounds) • Scan (80 sounds) • Text (16 sounds) • Whoosh (80 sounds) • Window (90 sounds) • Pop up (37 sounds) • Warning (14 sounds) • Impact Sweetener (42 sounds)

  • A sound effects library that contains a wide range of authentic rally car sounds, recorded at the Rally Legend 2022.

    The Rally Legend is an annual rally event that takes place in San Marino, a small sovereign state located in central Italy. It is a historic rally event that features classic rally cars from different eras, and is known for its challenging and exciting stages. The event takes place over a three-day period, and consists of a series of timed stages that are held on a variety of roads and terrain types. The stages are designed to test the skill and endurance of the drivers and their vehicles, and are known for their technical complexity and high-speed action. The event attracts a large number of spectators and rally car enthusiasts, and has become a popular destination for rally fans from around the world.

    This library features a wide range of high-quality sounds captured from real rally cars in different locations, including corners, straights, chicanes, pit lanes. These sounds include high-speed cars pass by, revving engines, powerful accelerations and are recorded to be used in a variety of media projects, such as video games and movies. With a diverse range of sounds captured from different makes and models of rally cars, you’ll be able to find the perfect sound to match your needs.

    All the files are 24 Bit, 192 Khz, extensive embedded metadata and categorized with the Universal Category System (UCS).

  • Footsteps Vol. 2 is the follow-up to our popular Footsteps library. Our Audio Craftsmen performed a series of runs, walks, jumps, scuffs, and stops in our acoustically-treated Foley stage pits.

    Steps were recorded on various textured ground surfaces, including carpeted floor, gravel, leaves, rocks, wood, and metal. The results are full-effect footsteps, ready to be cut without even leaving your chair!

    This versatile collection can be used across platforms, contexts and genres, so they’re perfect for Film, TV and Game projects alike.

    All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • A classic ARP mono-synth, meticulously multi-sampled.

    As a minimalist monophonic synthesizer from the 70s, the ARP AXXE is as straightforward as it gets: Single oscillator, one envelope generator, a simple low-pass filter, white noise generator, pwm… However, it still manages to achieve that delightfully gnarly ARP sound that’s so unique to everything this little New England-based synth manufacturer put together.

    This pack of carefully multi-sampled AXXE patches is a tribute to this simple synth’s greatness and contains tons of musical and useful sounds that are just as relevant today as they were back when this little synth hit store shelves. From solid basses to quirky plucks, from noise crashes to surprisingly competent synth drums – this pack is sure to inspire you.

    No corners were cut during the sampling process and every single patch was recorded one semitone at a time for consistent timbre and maximum authenticity. Additionally, each note was tuned individually to make sure this pack can work along all your other instruments and samples.

    Recorded with Rheingold music cables and high-end Antelope Audio converters, these samples are pristine and endlessly tweakable. To make sure that this pack is useful for everyone, I’m offering you these patches in a whole load of different formats so that you can bring them into your favorite sampler. Even hardware workstations are accounted for with a full MPC Expansion and files for various KORG machines.

    Pack contents

    • 34 multi-sampled patches in multiple formats (see below)
      • 2,160 individual samples (24 bit / 44.1 kHz, 500 ≈ 900 mb)
    • 60 one shot samples (24 bit / 44.1 kHz, 12 mb)

    Included formats

    • .exs for Logic Pro Sampler (10.5+), Alchemy, exs24 (legacy), and DecentSampler (via import)
    • .nki for Kontakt (not compatible with free Kontakt Player)
    • .adv for Ableton Sampler (Live 10 Suite or newer)
    • MPC 2 Expansion with Keygroup instruments, pre-programmed inserts, patch previews, and a drum kit with all one-shots.
    • .sfz SoundFonts for Ableton Sampler (Live 10 & earlier), UVI Falcon, Kontakt 5 & older, Sforzando, NN-XT, NN-19, Halion Sonic & others
    • Reason ReFill containing NN-XT sampler patches
    • .multisample for Bitwig Studio
    • .korgmultisample for KORG WaveState and ModWave

    BØLT - AXXE | a meticulously multisampled classic ARP synth.

  • Barbershop Vol. 2 is the second instalment in a series of candid recordings captured in a Mancunian Barbershop (Speak Easy Barber Club).

    Featuring a variety of hums, buzzes, and handling sounds created using a range of clippers, trimmers, shavers and razors. Additionally, it includes sounds from metal hair scissors, head brushes and beard brushes.

    Check out Barbershop Vol. 1 for sounds from a hair-washing station, the movements from a barber’s chair, the rustle of a hairdressing gown and more!

    These sounds provide you with natural, unprocessed sounds that can be used for barber-specific projects or manipulated further for a variety of film, TV, game, and soundscape projects.

    All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Debsound – Bullet Shell Falling Sound Effect Pack

    This sound collection contains 24 pieces of high quality metal bullet shell falling on concrete or hard surfaces.
    It can be great for action-packed game developments where there are a lot of shooting.

    This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
    videos, animation, and any other entertainment industry where a high-quality audio effect is essential.

  • The following is a 2018 Tesla Model X (100d) electric vehicle
    single license sound effects library (with Metadata).

    Onboard perspective sounds are in several formats (Binaural, Stereo, Ambisonic A Format,
    Ambisonic B Format aka AmbiX, 5.1 Surround, and 7.1 Surround).
    External perspective sounds and Foley Effects are in XY Stereo Format.
    Use a plugin like HarpEx or similar to modify how you want the onboard perspective takes to
    sound.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • Drones & Mood Sound Effects Designed Glitch Scenes I Play Track 30 sounds included, 21 mins total $10

    Designed Glitch Scenes I features 30 cinematic sci-fi sound effect sequences, ambiences, drones, pads, textures and more, that range from heavily designed to basic elements.

    Created with modular synths and effects (Rossum Electro-Music, Qu-Bit, Make Noise, Mutable Instruments), processed with digital effects.

    Designed Glitch Scenes I highlights:

    • 30 24bit/96kHz WAV files / Meta-tagged (Soundminer)
    • 8 Harmonics
    • 4 Interferences
    • 5 Malfunctions
    • 6 Organics
    • 7 Static Clicks
    • 21 Minutes in total

    33 %
    OFF
  • Rare Vintage Lawnmower Sounds – VOL 2
    All dating from the late 1800’s through to mid/late 1990’s.
    Most are British made, with a couple of exceptions (USA, Japanese).
    Most are very rare and hard to come by
    Petrol
    Battery/Electric
    Electric
    Hand Push

  • City Life Sound Effects Street ambience Play Track 10+ sounds included, 12 mins total $19

    Ambience of the streets

    Walla of Salem during an average day

    Easy to implement into a scene

    Recorded in 192Khz 32bit float using the zoom f3

    And exported in 192/32 and 96/24

  • Our Motorcycle Sound Collection contains an extensive selection of recordings for a wide variety of bikes, ranging from off-road warriors to street ninjas and highway cruisers.

    The detailed recordings comprise multiple tracks of onboard and exterior recordings with pass-bys, start-stops, idles, revs, driving, constant loops at various RPM and acceleration-deceleration ramps for use with granular synthesis tools, helping you design your vehicle sounds both for linear media as well as for interactive engine needs such as games or simulators.

    Get a total of 9 individual motorcycle libraries, including 3 that are exclusive to this bundle, all in one attractively priced package.

     

    Featured Motorcycles

    KTM ECX  300 – 2002 2-Stroke 297cc

    ENDURO – 129 FILES • 1.4 GO • 11 CHANNELS

    Pit Bike  YCF F125 – 2020 4-Stroke 125cc

    PIT BIKE – 93 FILES • 907 MO • 7 CHANNELS

    GasGas  EC 250 – 1998 2-Stroke 249cc

    DIRT BIKE – 146 FILES • 1.2 GO • 7 CHANNELS

    Aprilia  SL1000 Falco – 2001 V-twin 997cc

    SPORT TOURING – 278 FILES • 2.5 GO • 14 CHANNELS

    + Purchase separately

    KTM 1290  Super Duke R – 2016 V-twin 1301cc

    ROADSTER – 180 FILES • 1.6 GO • 12 CHANNELS

    + Puchase separately

    Aprilia  RS 125 – 1998 Sport Bike

    SPORT BIKE – 104 FILES • 1.3 GO • 9 CHANNELS

    + Puchase separately

    BMW  S1000RR – 2015 4-Stroke 999cc

    SUPERBIKE – 125 FILES • 1.4 GO • 12 CHANNELS

    + Purchase separately

    Beta 520  RR – 2010 4-Stroke 498cc

    ENDURO – 211 FILES • 3.1 GO • 10 CHANNELS

    + Purchase separately

    BMW  F800R – 2010 4-Stroke 798cc

    ROADSTER – 156 FILES • 2 GO • 10 CHANNELS

    + Purchase separately

    Multiple mic perspectives

    This sound pack includes the recordings of 9 motorcycles with synchronized channels of exterior and onboard perspectives. The exterior recordings are mono and stereo, while the onboard microphones capture the engine and the exhaust. The library also includes some custom mixes of onboard mics for an easy integration.


    Gear used

    Sound Devices MixPre-6 II • Zoom F6• Zoom H6 • Sound Devices 722 • Neumann Kmr81i • Rode NTG5 • Rode NTG3 • LOM Usi Pro • LOM MikroUsi • Sennheiser MKH 8040 • Sennheiser MKH30 • Oktava MK012 • Rode NTG1• Shure SM57


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundly, Soundminer and Basehead.

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