Fringe Elements is an aggressive sample pack of divergent and destructive sounds designed for musicians and sound designers in need of a hard-hitting sound pallet on the periphery of normal. Each sound was built in the modular world and heavily processed through DSP algorithms to create structurally unique outcomes and ultimately highly usable samples.
Contained in this collection are 225 unique sounds designed as FX, rhythmic elements, evolving textures, noise, distortion, spectral atmospheres and other elements perfect as building blocks to new music and sound projects or to be layered into existing work to add weight, depth and dimension.
This library was recorded in southern France and Komagane, Japan for a diverse collection of cricket, grasshopper and frog sounds. With a Fostex FR2, Sennheiser 418S and Olympus LS11, these focused sounds were captured without the rumbling of nearby traffic or wind. They are clean enough to be dropped right into your project, and they are long enough to offer loop points for interactive use.
Get the sounds of 10 species of frogs, toads and treefrogs in this unique animal SFX library.
It features amphibians such as American Bullfrog, American Toad, Gray Treefrog, Green Frog, Mink Frog, Northern Leopard Frog, Pickerel Frog, Spring Peeper, Wood Frog, Western Chorus Frog as well as mixed frog chorus recordings.
The library has been recorded in Québec locations such as Laval, Knowlton, Bondville, Brome, Coaticook, St. Hubert, Sutton, and Longueuil. A total of 50+ minutes of frog recordings are included!
In the winter of 2013-2014, both the Northeast and the Northwest were slammed with snow, ice, wind, and blizzards. The SkewSound team braved the frigid cold and recorded what we could: footsteps, compression, breaking ice, body falls, and much more.
Our content was obtained during storms and their aftermath in Seattle, WA, Portland, OR, and Salem, MA. The frostbite SFX library contains some great impact sweeteners and sounds unique to winter temperatures. You won’t be disappointed!
Frozen is a collection of ice impacts, scrapes, debris, slides and more taken during a miserably cold winter in the arctic tundra of Massachusetts. These recordings were meticulously recorded, edited, named, renamed, edited again, re recorded, then re-renamed (you get the point) to give you the best quality ice library you can get.
The library roughly is broken into two sections, raw and processed. Raw is designed for sound designers to go wild with: stretch, distort, compress, and more to your hearts content. The processed section is for designers and content creators on the go. If you’re on a tight deadline, pulling some sounds that are already going to get you close to where you need to be is imperative. These processed versions play very nicely even when not designing ice.
Prepare for shivers! Frozen Footsteps is a huge library of winter footstep & foley sounds recorded on 8 expressive and cold surfaces in real -20 °C (and below) temperatures.
Containing over 2400 sounds in 81 files, Frozen Footsteps foley sfx library is created for game and film sound design. If your game needs winter footstep sounds, or you are missing some authentic source material to take your studio foley tracks to the next level, this is the library for you.
All surfaces were recorded in real movement with multiple walking and running velocities. Frozen Footsteps library includes also real jumping and landings sounds. Jumping sounds are often missing from other foley libraries, but are extremely useful for creating character movement sounds for games. This package gets you covered.
7 surfaces were recorded during two freezing winter nights in a quiet rural area in Finland. Everything from ground to trees was totally frozen and covered in frost. However, snow hadn’t fallen yet. This special moment allowed recording footsteps on unique surfaces that are usually under snowpack. To make the package complete, the frozen snow sounds were recorded later, with real crusty snow. In freezing temperatures, as well.
All sounds were carefully edited in iZotope RX and Pro Tools 12 removing the background and clothing noise. This was quite a task, but it was worth it. This makes the sounds extremely clear, versatile, and easy to use.
Library highlights:- 8 frozen surfaces
– 2400+ sounds in 81 sound clips
– Sneak, walk, run, jump, slide, scuffs, and more
– 96 kHz, 24-bit stereo WAV files
– 1.20 GB
– Carefully edited & noise-free
– Soundminer & BWAV metadata
A great range of organic fruit and vegetable sounds. From crunching, snapping, mashing and stabbing, this bundle has just about everything.
Works great with Reformer Pro but if you don’t own the plugin, you can still purchase and use the sounds in this pack separately.
This library features the sizzle of burning water with sounds that were recorded to capture the feeling of heat and the dynamics of heat exchange. These easily recognizable sounds can be used for literal frying or as sweeteners for magic sounds or anything else whi needs to feel hot. Files last from eight seconds to two and a half minutes allowing flexible use for foley, ambiences, layers, or wherever your imagination leads you.
Recording of a Polish FSC Lublin-51 military truck from 1951 with a 4-gear, inline 6 cylinder, 3.5L gasoline engine. Also known as the GAZ-51, North Korean Sungri-58, and Chinese Yuejin NJ-130.
The FSC Lublin-51 truck sound fx bundle includes 390 clips in 33.2 gigabytes of audio. The collection showcases the sound of a Russian-licensed Polish 1951 military truck and its 4-gear, inline 6 cylinder, 3.5L gasoline engine, also known as the GAZ-51, North Korean Sungri-58, and Chinese Yuejin NJ-130.
A total of 12 synchronized takes depict recordings from both onboard and exterior perspectives. The 10 exterior POVs include departures, passes, and arrivals from multiple positions and distances. The 16 onboard perspectives arrange microphones at the exhaust, in the engine, and interior (including an Ambisonic perspective) to record driving at steady RPMs, gearshifts, and ramps. Also included are custom mixes of the interior perspectives and performed sound effects of doors, switches, horns, and more.
Bonus materials include Pro Tools and Reaper mixing sessions, 19+ fields of professional embedded metadata, impulse responses, and import documents for keyword translations in 7 languages.
The Polonez 1500 police car sound fx library features 649 clips in 28.01 gigabytes of audio. It showcases the sound of a 1984 Polish FSO car with an inline 4, four-stroke engine running at 75 horsepower.
The collection includes 30 tandem takes from onboard and exterior perspectives, as well as 4 stereo mixes of the engine, interior, onboard, and siren tracks. Ten exterior perspectives document driving at slow, medium, and fast speeds while departing, passing, arriving, and starting and stopping. The 11 onboard perspectives feature ramps, gearshifts, and steady RPM driving from the interior (including an Ambisonic perspective), engine, onboard, and exhaust. Also included are ready-to-use designed mixes of the interior, engine, and exhaust perspectives as well as performed effects of doors, horns, sirens, brake pedals, and more.
The package includes full Soundminer, BWAV, and MacOS Finder metadata, Pro Tools and Reaper mix sessions, and impulse responses of the interior.
Locked and loaded, ‘Fully Charged Vol.1’ is a collection of 205 sound effects from the science-fiction realm.
Each sound is made from an original sound recording and can be used for energy movements, impacts, weapons and other alien sounds. They can easily be layered and further manipulated to create a range of new and exciting sounds.
Please note this product was originally called “Animal Sounds.”
Fun Animals Voices is a fun and one of a kind animal sound library. It contains a massive 1212 sound effects and consists of both studio recordings and on location nature recordings.
This sound pack is 2 parts.
1) 1085 animal impersonations by professional voice actors. Animals included: Bear, Cat, Chicken, Cow, Crow/Raven, Dogs (small, large), Duck, Frog, Goat, Gorilla, Hippo, Horse, Hyena, Lizard, Monkey, Mouse, Owl, Pig, Peacock, Pigeon, Rabbit, Seagull, Seal/Walrus, Sheep, Snake, Sparrow, Tasmanian Devil (comical), Turkey/Ostrich, Tweety Bird, Vulture, Wolf, Zebra.
2) 127 nature recordings of ambiences, birds, swamps and others.
ALL sounds from Fun Animal Voices are included our full sound library Pro Sound Collection so if you need more sounds be sure to check it out before purchase.
Fun Casual Sounds contains over 600 professionally designed sound effects!
A perfect collection of fun sounds suitable for all types of sound designers, video editors, game developers or anyone who needs a large range of high quality fun sound effects ready to use out-of-the-box. Great for both quickly prototyping and the finished product. Designed specifically for games, video and other media by award winning sound designers.
This pack also includes a variety of 150 bonus sounds effects from our full library Pro Sound Collection. ALL sounds from Fun Casual Sounds are included Pro Sound Collection so if you need more sounds be sure to check it out before purchase.
Fun Character Voices contains over 200 specially designed vocalization sound effects! Prefect for all types of fun games and other media.
All sounds from Fun Character Voices are included in our full sound library Pro Sound Collection, so if you need more sounds be sure to check it out first.
The “Fun Monsters” library is a vocal collection of 18 cute little monsters.
It comprises 2000+ non-textual vocalizations with variations of actions and emotions recorded by voice actors – all carefully edited, classified, thoroughly metatagged.
The sounds are suitable for cartoons, games, and any projects featuring cute funny characters! It is delivered in 192Khz which allows for additional pitch and treatments.
Gear used: Neumann TLM170R, Sanken Co-100k, Sound Devices 788T, Sennheiser MKH8090
FundamentalDoors aims to be a library that is fundamental to any door-related audio assets that are required. Whilst it isn’t a complete ‘one for all’ solution, it is a good choice for the amount of content that is contained within the library. It is a strong start or a great addition to any door library as a construction kit.
Each sausage file has 0.1s of silence between each sound which can be strip silenced for GameAudio purposes.
The audio assets are delivered at 96kHz, 32-bit (Recorded at 192kHz, 32-bit).
No Clipping. No Limiting. Only RX and light enveloping was used during the edit process.
Categories in the library include: Door Opens, Closes, Slams, Creaks, Handle Turns, Handle Rattles, Handle Pulls, Bangs, Knocks, Hits, ‘Sneaking’ & more.
FundamentalDoors can also be used for sound design due to its high quality assets, which are perfect for any impacts / textures / stretching / pitching that marry well with other content.
An office isn’t an office without the supples. Pencils, pens, notebooks, staplers, tape, pencil sharpeners, scotch tape, hole puncher, etc were recorded patiently and meticulously. The office equipment was recorded using both mid-side and binaural techniques with high quality microphones and recorders to ensure each track sounds like the real deal.
‘Future Interface’ by Cinematic Sound Design delivers a huge collection of futuristic interface sound effects. Developed to be used within your upcoming game, app, advertisement, film or other type of project, these sounds will enhance your project and take it up to the next level.
This collection was designed using some of the best quality equipment available today: Access Virus Ti virtual analog synthesiser, DSI Prophet analog synthesiser, Waldorf Pulse 2. We have also used a Sound Devices 702 field recorder, a pair of Neumann KM184 microphones and an Apogee Symphony AD/DA for additional processing and routing.
Thank you for supporting us by buying our first library!
Packed with 1.6GB (36 minutes, 1608 samples) of hits, blocks, whooshes and foley, you will easily be able to use these sounds for
your next project! Everything is in 24bit 96khz to make stretching and pitch shifting easy and pain-free (The project was at 110bpm).
Whether you are looking for a laser sword or an electric hammer, you will quickly find something ready
to use in this pack (or make your own with the included layers!) and make that weapon sound awesome.
We have included 17 predesigned weapons complete with whooshes, hits and blocks variations. But you will find
a bunch of extra impacts and sweeps in the “Random” folders. There is also a Foley, FX and Layers folders
to add that extra organic layer to the handling of the weapons or to make your own weapon from scratch.
Have fun! :)
‘Future Robotics’ by Cinematic Sound Design features a collection of futuristic sound effects designed for Cinematic productions, games, apps and more. From hard-hitting rusty sounds too tiny droid talks, robot malfunctions, creaks, and lasers, inside you will find a unique collection for your next multi-media project.
This collection was designed using some of the best quality equipment, including Access Virus Ti, DSI Prophet, Waldorf Pulse 2 and more, all routed through an Apogee Symphony AD/DA for additional warmth and depth.
Badlands Sound went to the future to recorded 42 room tones of various spaces like computer rooms, engine rooms, bathrooms, and much more all in 24bit / 96k. We also recorded electrical buzzes and distorted sci-fi winds. More than 2 hours of futuristic room tones and ambiences included in total.
Welcome to SoundMorph’s Future Weapons soundpack, one of the most advanced weapon sound effects libraries ever created.
Inspired by some of the latest modern sci-fi films, Future Weapons takes high tech weaponry to whole other universes.
Divided into two factions ‘Alliance’ and ‘Resistance’, Future Weapons sound effects create sonic signatures for both good and evil forces.
Providing excellent designed sounds and source to get you started on crafting your own advanced arsenal, Future Weapons is a must have for the twenty-first century sound designer!
The top-selling futuristic weapons series returns with Future Weapons 2: An all-new collection of the most cutting-edge weapon sounds made for the future.
We spent months recording and designing all-new sounds to bring you the freshest set we could. Great-sounding guns, blasters, reloads, foley, and much more!
Be sure to also check out the first Future Weapons collection, these two collections are must-haves! Created in collaboration with the Russian sound design team from Principle Sound Design, Future Weapons 2 features more than 500+ sounds and 1.2GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer and Basehead metadata, including:
The Future Weapons sci-fi sound effects series is back with our newest and most cutting edge library yet: Future Weapons 3. We made this one huge, both in size and scope. In fact, since we are concluding the Future Weapons series, we wanted to do it with a bang, so we made this one the biggest of the 3! It has over 29 weapons and categories! Future Weapons 3 was created by SoundMorph in collaboration with Nikolay Semenov and Vedran Kapetinic.
Future Weapons 3 features more than 750+ files, 1.2 GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer and Basehead metadata.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.