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Home Sound Effects

Sound Effects

  • The riding lawn mower sound effects library features field recordings of working, maneuvering, idling, and performed effects.

    This collection features a Mower Husqvarna Rider Proflex 21 riding lawn mower with a Kawasaki Twin 21hk engine with a cutting width 122 cm. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects. It shares driving from three exterior positions, as well as microphones mounted on the exhaust, overhead, and at the engine, with additional custom mixes of the onboard perspectives.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • Introducing the ultimate field recording collection of ambiences from the city of Budapest, Hungary. Immerse yourself in the sounds of the city streets with the hustle and bustle of people and traffic, the unique acoustics of thermal bath locker rooms, the energetic play of a school playground handball game, the ambience of a restaurant on a river Danube cruise, and the atmosphere of a Metro station with Metros coming and going. Experience the sounds of an interior mainline train journey, capturing the unique sounds of the train and its passengers. This collection is perfect for sound designers, film and video game creators, and anyone looking to add authentic Hungarian ambiences to their projects.

  • Features:

    • 50+ audio files in 24 bit 96kHz quality (excluding plasma ball at 48kHz)
    • WAV format
    • All files are metadata-tagged, allowing for easy searching in sound library management tools
    • UCS compliant file naming
    • Available for commercial or personal use without attribution

    Includes EMF recordings of:

    • Plasma ball
    • TV
    • Microwave
    • Christmas lights
    • Game Boy Advance SP
    • And many more!

    View a list of included sounds here

  • Game Audio Packs Strange Game Ambient Loops 2 Play Track 185 sounds included, 138 mins total $39

    Strange Game Ambient Loops 2 library is a meticulously designed & game ready ambience loop library created to help you make stunning and immersive audio environments quickly. This is the second installment in the Strange Game Ambient Loop series. Great for horror, fantasy, adventure, 3D, 2D mobile app games, motion graphics, film and audio productions. With over 2 hours of game locations, tension, dark moods, you’ll be well equipped to create the perfect feel and soundscape that brings your production to life.

    • 185 game ambience loops
    • 5.3 GB of samples
    • All in 96k 24bit .wav
    • 2 hours 18 minutes of audio
  • City Life Sound Effects Ambiences from Poland Play Track 61 sounds included, 160 mins total $49.99

    Ambiences from Poland is a collection of sounds recorded over winter in two major cities in Poland – Poznan and Warsaw (the capital). This library is very close to my heart, as Poland is where I was born and grew up, so I hope you enjoy it! Poznan and Warsaw are full of unusual sounds created by old and modern electric trams that are very popular amongst locals and visitors. Pay specific attention as old trams generate heavy rumbles, cracks and squeaks while modern trams generate futuristic soundscapes when they move. Apart from that, you will have a chance to immerse yourself in Polish urban environments, public places such as schools, churches, shopping centres and some residential areas.

    This expansive library is compliant with the Universal Category System (UCS) and it is recorded at high quality – 192kHz, 24bit.

  • A collection of Sound Effects for 8-Bit Games in Modern and Retro style. The 500 Sound Effects include Actions such as Jump and Drop, Footstep and Slide, PowerUp and DeBuff, Teleport and Magic as well as Weapon Shot and Hit and more. These sounds are all been designed through retro synths and so they sound gritty, just enough for the authentic 8Bit vibe.

  • The unapologetically digital Drum Machine.

    Sampled, processed, reimagined.

    Few companies have shaped the role of drum machines in music quite as significantly as Roland. In the 1980s, they created a set of machines that have since become legendary and are still being used today, be it in hardware form or (most commonly) as samples. The TR-707 is just as recognizable as its siblings, the 808 and 909, and features a set of digitally sampled sounds that’ll be instantly familiar to anyone hearing them. Sonically, it sits somewhere between a LinnDrum and TR-909 with two punchy kicks, two relatively low-pitched snares with snappy transients, a 909 hi-hat and cymbals, a capable clap, nice “woody” toms, and a classic low-pitched cowbell and rim.

    With digital memory at a premium at its release, its digital samples were stored in resolutions of 8-bit for drums and percussion, and 6-bit for cymbals. This is no doubt one of the factors contributing to this machine’s crispy sound that is remarkably clear given the limitations of digital audio at the time. A trick that Roland employed to avoid low bitrate dithering artifacts during sample decay was using analog envelope generators that attenuate the individual sounds after the 707’s D/A converters. This is why the 707’s sounds decay much more gracefully than those of some of its digital contemporaries.

    With its ability to send and receive MIDI, sync external hardware, and output sounds on dedicated outputs, this drum machine had all the necessary features in place to make it mainstay in many artists’ studios. As such, it can be heard on countless records either providing all drums or often times specifically lending a song its punchy kick and snare.

    707+ // the definitive TR-707 kit | BØLT

    The process

    Of course, I’m aware that there are many 707 sample packs already out there. What makes this pack stand out however is the sheer amount of sample varieties and the clarity of the raw samples. Having recorded a pristine 707 using Rheingold Music cables, a DIYRE Fe2 DI with CineMag transformer, and high-end Antelope Audio converters at 24-Bit / 96 kHz ensures that the raw samples are the cleanest available anywhere.

    To create 707+, these samples have then been processed in numerous ways, exploring the full potential of the machine’s 15 sounds. I recorded them to 1/2″ tape using my restored Tascam 58 reel-to-reel multitrack tape machine at 15ips, 18ips, and 12ips to infuse the samples with analog warmth. I then captured these same recordings at different speeds to create the kind of clean re-pitching only tape machines can achieve.

    Next, I recorded the sounds onto cassette tape using a 1965 mono tape recorder originally intended for voice memo and PA use. Needless to say, the resulting samples are super grungy yet retain a lot of punch. I captured them at different input gain levels to achieve varying amounts of distortion and saturation.

    To further go down the LoFi rabbit hole, I captured the raw samples using a teenage engineering po-33 K.O! sampler that uses really punchy 8-bit A/D & D/A converters and re-pitched them yet again for that ultimate LoRes grit.

    Ultimately, I didn’t want to put out this pack without putting a uniquely personal spin on these samples. That’s why I pooled together all of the above mentioned sounds and utilized some sophisticated processing and layering techniques to create a contemporary drum kit with bucketloads of punch. This kit is suitable for anything from trap to lo-fi and is unlike anything you’d expect to come out of the TR-707.

     

    Pack contents

    • All 15 original sounds of the TR-707.
    • 40x LoFi samples recorded onto cassette using a 1965 dictation tape recorder.
    • 75x LoRes samples recorded and re-pitched using the po-33 K.O! sampler
    • 150x samples recorded, re-pitched, and saturated using a Tascam 58 reel-to-reel recorder.
    • 166x contemporary-fied samples treated with sophisticated processing and sound design techniques.
    • Fully-featured MPC Expansion with multiple kits, pre-programmed processing, and kit previews
    • 5x OP-Z kits with a total of 120 samples (compatible with OP-1)
    • 4x Ableton Drum Racks covering select clean, LoFi, LoRes, and contemporary samples.
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  • The Dan Wesson .445 SuperMag revolver sound effects library includes clips of dry firing, cocking, handling, and more.

    The Dan Wesson .445 SuperMag revolver sound effects library includes 170 clips in 3.27 gigabytes of audio. It shares the sound of a 1995 American revolver firing as well as performed effects of cocking, unlocking, loading, opening and closing the chamber, and many more.

    The gunshots feature many multiple shots in three takes from perspectives on the gun to over 150 meters distant. 53 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The package includes Reaper and Pro Tools sessions with all performances aligned for easy editing, and complete embedded metadata support.

  • The Colt Python 357 Magnum sound effects library includes 52 channels of multi-take gunshots, performed effects of cocking, loading, movement, and more.

    The Colt Python 357 Magnum sound effects library includes 158 clips in 4.01 gigabytes of audio. It shares the sound of a .357 1955-2005 American revolver firing as well as performed effects of loading, unloading, cocking, de-cocking, movement, and handling.

    The gunshots feature multiple shots in three takes from 25 perspectives ranging from close to over 150 meters distant. 52 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The collection includes 18+ fields of mule-format embedded metadata as well as Reaper and Pro Tools sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • [Note: This product requires a FULL version of Native Instruments’ KONTAKT. The free Kontakt player is not sufficient, as it only runs the instrument in DEMO mode.]

    The deep sonority of the Contrabass Panduri perfectly complements the twangy drones of the Tanbur. Though the two instruments come from neighboring regions, the Contrabass Panduri is so rare that this excellent pairing has perhaps never occurred. Until now.

    THE INSTRUMENTS
    Contrabass Panduri
    A modern innovation, the Contrabass Panduri was modified from the traditional Panduri to answer the need Georgians had for a low-registry instrument for concert folk performances. It’s a true rarity of an instrument with perhaps only 10 existing in the country of Georgia itself.

    Tanbur
    The Tanbur is an ancient Middle-Eastern, long-necked lute-like instrument whose drones and picks have graced musical tradition from the Balkans, Turkey, and Arabia to Persia, India, and Central Asia. It goes by as many names as countries that claim it in their traditions, and is a definite classic instrument to add that “Eastern” sound.

    Available as a DOWNLOAD

  • Bass to make your Beats Bounce.

    Every good laid-back groove needs a bass track that sits just right and makes your head bob.

    LOW ‘n’ SLOW does exactly that.

    10 original loops in 3-4 keys each and 59 one shot samples including delicious plucks, thumps, slides, and hammer-ons carefully crafted to make your beats bounce. Everything was played on a handmade FLEXX BASSES “Peter” bass with old school flat wound strings through a pristine recording chain for that authentic R’n’B sound. The loops are constructed to be infinitely choppable and stretchable so you can use them to craft your own original bass lines.

    And, last but not least, the entire pack is of course ROYALTY FREE so you can use these loops and samples for any of your projects!

    What’s included?

    • 10 original bass loops in 3-4 keys each (33 loops in total).
    • 35 note one shots (sustained, plucked, picked & thumped).
    • 11 slides to use as fills and pickups.
    • 11 hammer-on samples for adding liveliness to your bass lines.
  • Ambiences from rural Southern Spain is a collection of sounds recorded over summer in a couple of rural areas in Andalusia – Antequera and Los Malagueños, near Malaga. Listen to the stillness of nature, sparse animals and insects in the morning, afternoon and at night. Walk down the quiet alleys and streets in scorching weather to experience what Southern Spain’s soundscapes have to offer.

    This library is compliant with UCS (Universal Catalogue System) and recorded at high quality – 192kHz, 24bit.

  • In OBSCURUM – DARK DRONES you will find 61 uniquely crafted and designed drone and ambient pad sounds that will transport you to the darkest and most ominous places. Each performance is aimed to be about 3 minutes long to provide lots of versatility for even the longest scenes or trailers. The library is structured into drones and pads that can be of deep and ominous or of dark and aggressive character. This collection is perfectly suited for dark Sci-Fi or Horror productions. Whether you want to create ominous and unsettling atmospheres or moments of high tension, you will find the right sound to masterful set the mood for the audience.

    The TONAL ELEMENTS series has a heavy focus on creative sound design. It features assets that can fall anywhere between the classic definitions of a musical element or a typical hard effect aka. sound effect. They might be of rhythmical or sustained nature, they can be atonal or of tonal character, or even fall into the category of noise-like. In a media production, these elements always complete an important task, and that is to convey an emotion or help to tell the story, without being to obvious in the foreground, hence distracting the listener. Any Sound Designer should make use of these powerful tools, as they can make all of a difference when it comes to setting the right mood or triggering the right emotion at the right moment. These elements typically fall into categories like: Ambient Pads, Drones, Risers, Downers, Impacts, Stingers, Textures, Whooshes, etc..

  • Cartoon SFX sound library brings you 200+ professionally designed, high quality cartoon sound effects! Due to the noticeable overuse of currently available cartoon sound effects on the market, new cartoon and comedy sounds are extremely sought-after, but at the same time very hard to find. This sound library will freshen up your SFX collection and help your production to stand out among others with brand new and original funny cartoon sound effects!

    Cartoon SFX sound library is created and designed using both organic and synthetic source sounds, and with this sound library at your disposal you’ll have the best from both sonic worlds. Organic source sounds are recorded with top-notch equipment such as Sennheiser MKH8040 microphones and Sound Devices 702T and 744T recorders, while the synthetic source sounds are created with a range of different synthesizers and then further enhanced and processed with various plugin chains. Cartoon SFX sound library will be a perfect addition to your next cartoon, game, video, trailer, and other animated projects and productions featuring funny and goofy comedy scenes!

    Cartoon SFX sound library contains 230 sound effects (144MB) in high definition 24bit/96khz Stereo WAV format, embedded with metadata to speed up your workflow.

    If you like the sound of Cartoon SFX you might also like the second installment – Cartoon SFX 2, and one of the most popular Sound Response sound libraries – Anime SFX!

     

     

     

  • Destruction & Impact Sounds Laser Guns Shots Play Track 50 sounds included, 3 mins total $15.99

    In this library you will find a variety of sounds intended to be used as laser or sci-fi gunfire.
    These sounds are perfect to use in movies, games, documentaries, etc.

    These sounds were all created by me on virtual synthesizers.

    After working these sounds in post-production, this library comes with 50 single and burst shot sounds.

  • Welcome to the world of tomorrow
    This massive library of futuristic interface sounds has been made by studying all the sounds you will need for your video game or audiovisual product.
    We have considered integrating robotic voices, soundscapes, beeps of different tones, sounds to start your game, etc… All these sounds can be used for different options, whether for machines with hundreds of buttons, touch screens, command centers , sound environments for computer rooms… All these sounds will help your product feel alive and get a professional result.

    You will be able to enjoy a total of 574 High Quality sound effects divided into:
    • Acces Denied
    • Acces Confirm
    • Hologram
    • Get Object
    • Question Beep
    • Whoosh
    • Open Menu
    • Computer Beep
    • Low Beep
    • Tiny Beep
    • Denied Button
    • Start Game
    • Progress Beep Loop
    • Computer Room Background Sequence Beep Loop
    • Text Loop
    • Alarm Loop
    • Mecanic System Movement
    • Rejection Pop-Up Notice
    • Scan Progress
    • Vocalizing Robot H3R2
    • Vocalizing Robot H2R2
    • Talking Robot Type A
    • Talking Robot Type F
    • Talking Robot Type Z
    • Machine Room Background Loop

    More about the pack
    – It includes metadata integrated in the audio itself, and also in an excel file you will obtain all the additional information of the files.
    Intuitive file naming.
    – You’ll get all the individual sounds so you can easily adjust them to your project.
    – Mix the samples together, you can be creative.
    – The names of the files are indicative, so you can use any sounds for another function.
    – Everything you will need regarding interface sounds, soundscapes and voices for any game or audiovisual product.
    – Totally monocompatible sounds.
    – Use the sound effects over and over again, in any of your projects or productions, forever with no additional fees or royalties.
    – Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need it, as much as you want.
    [Authors]
    – Jorge Guillén ([email protected])
    Features:
    • 574 Sound effects of Futuristic Interface , soundscapes and voices.
    • Number of Audio Waves: 574
    • Sample rate / bit rate: 48.000 Hz / 16 Bit
    • Do Sound FX loop: Yes
    • Minutes of audio provided: 16 minutes and 16 seconds
    • Supported Development Platforms: All

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  • Debsound – Bushes Sound Effect Pack 01

    “This sound pack contains 150 high quality rustling bush, hedge, shrub, thicket foliage, dry leaves, grass, undergrowth footsteps and movement sound effects”.
    These sound effects perfect for games and apps audio.”

  • Car Sound Effects Zastava Skala 1988 compact car Play Track 204 sounds included, 28 mins total $60
    All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • A library of grunt sound effects including breathing, groans, moans, fighting vocalizations and more.

    The Grunts Sound Library includes 211 sound clips and 8.4 GB of male and female grunts and breathing.

    Recorded with a whisper-quiet Ehrlund EHR-M1 microphone with sound-design friendly 192 kHz/24-bit fidelity, the grunt sound effects feature performances from four female and four male voice actors. Categories of breathing, combat, and dying present running, jumping, and sliding breathing, punches, receiving hits, and battle cries, as well as death rattles, dying sounds, and much more.

  • This library focuses on isolated recordings of single insects, mainly from Northern Europe. While all insects have been recorded in the wild in Northern Europe, most also appear in all of Europe, Asia, North Africa and some have been introduced to America and Australia too.

    For this library I recorded various species of wild bees, wasps, bugs, cicades, grasshoppers, flys, dragonflies, butterflies, ants, sandfleas and underwater bugs. A detailed list of all species is at the end.

    You will find flybys, wing buzzes, hums, rattles, little feet, stridulations, jumps and even bites.

    Over the course of years I improved my recording of these little animals by approaching them with a set of different micing techniques, always looking for the best spots to record these small creatures, making sure not to disturb them.

    Many recordings were performed with microphones and recorders that go up to 192kHz to capture the ultra frequencies emitted by some individuals. Some grasshoppers you won’t even hear unless you pitch them down or play them slower.

    While I find their crispy, clear and often bassy sounds lovely, some of the noises of the animals can be decribed as annoying, scary, sharp or intensive.

    But besides for the original recorded species, these noises can be used to create swarms or all kind of insects or little creatures, like elves, aliens and fairies.

    In addition to the close up recordings, I added a few swarms, real and designed, a couple of ambiences and a few designed insect sounds.

    Some of the 60+ species (for details check file list):

    Apex Furrowed Bee, Big Fly, Black Tailed Skimmer, Blow Fly, Blue Winged Grasshopper, Bow Winged Grasshopper, Buff Tailed Bumblebee,  Butterflies, Purple Emperor, Honey Bee, Mosquito, Wild Bees, Carder Bee, Chelostoma Rapunzuli, Chrysogaster Solstitialis, Cloromia Formosa, Common Field Cricket, Common Green Bottle Fly, Common Wasp, Conocephalus Fuscus, Dragonfly, Drone Fly, Early Bumblebee, Eristalis Pertinax,  Eupeodes Luniger, European Orchard Bee, European Wasp, European Wool Carder Bee, False Stable Fly, Field Grasshopper, Flesh Fly, Fly of the Dead, Flying Ant, Gnat, Great Green Bush Cricket, Green Blowfly, Green Rose Chafer, Grey Backed Mining Bee, Gypsy Cuckoo Bee, Hairy Footed Flower Bee, Helophilus Trivittatus, Hornet Hoverfly, House Fly, Italian Tree Cricket, Jigger Flea, Large Bee Fly, March Crane Fly, Meadow Grasshopper,  Myathropa Florea, Painted Lady, Pale-saddled Leucozona, Red Tailed Bumblebee, Red Wood Ant, Sand Bee, Sand Wasp, Sawfly Macrophia Montana, Sceliphron Curvatum, Tritomegas Bicolor, Underwater Insects, White Tailed Bumblebee, Wood Cricket,…

  • A sound effect library of electromagnetic sound clips including buzzes, drones, crackles, pops, and more.


    The Electromagnetic Sound Library is a 2.96 gigabyte bundle of 235 buzzes, drones, clicks, pops, and other EMI effects. Crafted to use in sound design, the clips are ideal for high-tech accents, bad transmissions, computing tones, magnetic buzzes, and more otherworldly technological elements.

    The bundle is packed full of recordings of VLF radio frequencies using a LOM Priezor passive magnetic antenna and an electric guitar pickup box. A broad mix of subjects ranging from power tools to household appliances to motors and computers produce broad tones and drones as well as shorter clicks, pops, and pulses.

    The collection is named and described with care with ample keywords to ensure these strange sounds will be found fast.

  • The GENERAL AMBIENCE SERIES: A modular approach to the ambitious project become one of the largest and most versatile ambience sound effects libraries on the marked. High quality, detail, versatility and diversity will set this library apart from other products. You can expect monthly releases of small ambience packs in the future to keep the quality standards high and constantly grow the library over time.

    This Urban City Ambience Sound Effects Library is part of the General Ambience Series by Systematic Sound. Urban City 02 extends the series with the first ambience library in 5.0 Surround. This time, I’ve used a Sennheiser MKH 8040-30 DMS system which has differences in tone and features a much more precise and stable image compared to the ORTF array used in Urban City vol. 01.

    In this release you will find 82 brand-new high quality recordings that will complement the ones you own from vol. 01 to give you even more flexibility in post.

    What constitutes the sound of a modern urban city? Obviously all kinds of traffic related ambiances are included as well as more quiet ones that feature all the nuances of urban air-tones, tonal hums and deep city rumbles. I’ve recorded in residential areas and city parks to capture peoples typical urban city life activities and well as the fast and busy life downtown in the center. The recordings have been made at different times of day and in different weather conditions (rain, wind, etc.). To capture the acoustic properties of the urban environments, I placed the rig in the middle of huge empty squares, in narrow streets, recorded the typical slap back echoes you typically get between high buildings. To even get more variety, I placed the rig in small and larges alleys (with trees and without) as well as in tiny corners, under canopies and even in underground passages.

  • A sound library recording of cracking, hitting, scraping, sliding, and singing ice on a Swedish frozen lake.


    The Frozen Lake collection includes 94 files of wintery performed sound effects in 1.12 GB of field recordings.

    Captured on an iced-over lake in Sweden, a total of 5 channels share various isolated performances on the frozen surface: hits, breaks, cracks, groans, grinds, slides, scrapes, and more. Ice debris, metal hits, and rock drops were performed on the solid surface to provide a range of sounds and textures. The recordings were captured with high-resolution CO-100k and MKH 8060 microphones, as well as with dual Aquarian H2a hydrophones positioned beneath the surface.

    The collection includes extensive, detailed embedded metadata, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • The Foley Vault is home to an ever-growing collection of original Foley recordings.

    Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.

    These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.

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