• 0
    $0
    • No products in the cart.
  • 0
    $0
    • No products in the cart.

Home Sound Effects

Sound Effects

  • Sci-Fi Sound Effects Space Drones Play Track 17+ sounds included, 36 mins total $25

    Do you need some drones inspired by space? Space Drones is a pack inspired by different solar objects. It contains 17 perfectly looping files, each with their unique spacey texture. The loops are based on solar system objects, interstellar phenomenon and human mission control transmissions. The sounds are fictional but are based in part on real sound transmissions from space to give it some realism.

    Features sounds such as:

    Aurora Borealis – Flutter, Wooshing, Magical
    Black Hole – Heavy, Supermassive, Bass, Pumping
    Jupiter – Massive, Heavy Wind, Big
    Mars – Desolate, Wind, Sand
    Mercury – Solar Wind, Eruption, Pulsating
    Neptune – Superfast Winds, Howling
    Saturn – Creepy, Radio Waves, Waves
    Solar Oscilations – Sustained Note Drone, Radio Waves
    Space Chatter 1 – Radio, Mission Control
    Space Chatter 2 – Radio, Mission Control
    Space Chatter 3 – Radio, Mission Control
    Space Chatter 4 – Radio, Mission Control
    Space Chatter Deep Space – Radio, Mission Control, Hazy
    Space Chatter Garbled – Radio, Mission Control, Garbled
    Sun Close Up – Star, Boiling, Massive
    Uranus – Crystalized, Diamond Sea, Icy
    Venus – Evil, Harsh Winds, Extreme Weather

  • Meet Bleep – The adorable robot vocal library that will melt the collective hearts of your audience. With all the vocalizations you need to give your cute robotic characters a life of their own.
    Includes 211 vocals spanning over an amazing array of expressions!

    Expressions include:

    Activation, Affection, Anger, Arousal, Confusion, Dying, Drunk, Exertion, Falling/Descending, Epiphany, Grumbling, Hurt, Jumping, Laughing, Malfunctioning, Performing Actions, Relief, Sadness, Fear, Sighing, Sneezing, Surprise, and more

  • Foley Sound Effects Suitcase – old traveler Play Track 17+ sounds included, 17 mins total $12

    Get the sounds of an old suitcase – covering everything from opening and closing sounds, packing and handling, to buckle/lock sounds, squeaks, creaks and rumbles. Features numerous takes/variations per file.

  • Iceland, a volcanically and geologically active island with striking landscapes is being visited by millions of tourists each year. It also inspired many creative artists such as Bjork, Olafur Arnalds, GusGus, Mum. This sound library includes sounds from Reykjavik and local areas on Golden Circle tourist route: ambiences from Gulfoss waterfall, Pingvellir national Park, Geysir and natural spas.

  • Bird Sound Effects Crows Play Track 30+ sounds included $45

    The Crows library includes 30 stereo tracks of nothing but crow sound effects, perfect for single isolated effects, but also for ambience track layering.

    Every sound is recorded inside forests, and close to crows’ nests with younger birds being fed and calling out, and next to natural habitats where bigger flocks gather in trees. It also has a variety of up-close caw sounds from the only tame albino crow in Scandinavia, recorded in a bird’s zoo.

    The crow has quite a large vocabulary, and the classic calling usually is a little different from bird to bird. Some are more round when sounding out, while others are just plain hoarse and rusty-sounding.

    The library includes both untreated tracks, and noise reduction-processed tracks in two separate folders. Noise reduction-processed tracks have been cleaned up with a CEDAR NR system.

    Equipment used: Telinga Stereo Microphone and Flexible dish, and Sound devices 702 Recorder.

    All tracks are 96K/24 bit apx. 1 Gb big when unzipped. All meta data tagged.

  • Low Frequency Elements is a sound effects library that layers seamlessly into your tracklay, reinforcing your mix with thunderous low end.

    Layer with impacts, design ambiences, music or a full mix to strengthen your sound.

    We sourced and designed sounds from analogue & digital synthesizers, contact microphones, coil pickups, field recordings.

  • Environments & Ambiences Places Play Track 111 sounds included, 159 mins total $19.95

    Places Ambience Library supplies you with 111 common or familiar locations from Airport to Zoo.

    Placing focus on locations with human created or populated environments such as public spaces, event gatherings, and public service infrastructures.   Recognizable environments for easy use to add as a background creating your place for a scene.

  • Door Sound Effects Squeaks & Creaks (MS) Play Track 313 sounds included, 19 minutes 29 seconds mins total $25

    The squeakiest of the squeaks and the creakiest of the creaks! Halloween came early!

    In this library you will find everything from deep, wrenching creaks to high piercing squeaks; quiet door knobs and twisting, turning plastics. Many of these sounds were recorded in a turn of the century old victorian home with decades of wear and tear to give the most authentic, creepy sounds that your heart desires.

    Here you'll find drippy, squeaky faucets, loose boards on stairwells, creaking door hinges, squealing old door coils, metal scraping on metal, rending wood and plastic, quiet, airy floorboards, bone crushing twist and turns, gripping leather and rubber and so much more! With 300+ sounds you're sure to maximize your imagination's spookiest or maybe just that perfect sound design element you needed!

    ​

    The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.

  • Game Audio Packs 48Kilos Play Track 407+ sounds included, 300 mins total $18

    48 Kilos is our all 48kHz @ 24-bit library that provides you with a 4.6 GB tempest of audio assets.  Perfect for all audio needs in film, animation, interactive interface design, game design, music production, and audio branding where high quality audio is desired with no re-sampling required.  This library provide a wide mix of content in a compact form.

    Sound content includes breaking bulbs, mechanical gates and doors, the smashing of liquid-filled vessels, manipulating musical instruments, blades, books, ceramics, film, resonant impacts, an AC unit, and much more. They are presented in an assortment of mono and stereo recordings, recorded in a variety of settings (on location, in studio, and a few interesting creative spaces).

  • 204 retro-themed samples for guaranteed flashbacks.

    These sounds are ideal for:
    Item Pickup / Drop • Unlock • UI • Weather • Weapon


    Click for email support: Contact us anytime for custom sound effects, edits, or to let us know what type of pack we should make next.

  • Ignite your projects with the punchy presence and immersive depth of pristine exterior explosion sound effects in 5.1 surround and stereo.

    Detonate is a specialty sound effects library of high-resolution explosions, blasts, bursts, and impacts curated from the personal collection of Academy Award®-winning sound editors Mark Mangini & Richard L. Anderson.

    Delivered in both 5.1 surround and stereo, these detonation recordings and designs pack a lot of punch up front with a very spacious slap from nearby mountains. Blow it up with massive boom sound effects from dynamite, artillery, and C4 – perfect for sound designing bombs, grenades, cannons and anything else that explodes. The depth, detail, sharp transients, and powerful LFE channel make these sounds perfect design elements for your projects including film, TV, trailers, games and beyond.

    “”I heavily leverage my library to find new sounds that I didn’t think of initially…You simply can’t record everything.””

    Mark Mangini
    Blade Runner 2049, Mad Max: Fury Road

    Detonate is also included in Pro Sound Effects’ CORE: Standard.

    Key Features:

    • 42 sounds effects (2.44GB)
    • All files in 5.1 surround and stereo
    • 24-bit/96kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free
  • Percussion Instruments Cymbals From Hell Vol. 2 Play Track 141+ sounds included, 102 mins total $51

    Cymbals From Hell Vol. 2 is a haunting collection of raw and designed gong sounds, brought to you as the successor to one of our most popular horror libraries to date. Crafted from various types of gong recordings, this library brings you the creepiest stingers and harshest resonances to terrorise your audiences.

    Made in collaboration with Igor Tikhonov from KEDR Audio, who captured various types of gong sounds and several performances using both Mid-Side and omnidirectional A/B microphone techniques to encapsulate an expansive stereo-field and the richest gong textures.

    Our Audio Craftsmen then meticulously edited and designed them to make the most frightening and disturbing sounds including harsh, distorted gong rumbles, horror stingers, low heavy gong rumbles, mangled hits, and much, much more.

    All the sounds are extensively meta-tagged and are UCS complaint so you can easily find the sound you need and are in 192kHz/24bit allowing for further sonic manipulation.

  • Fully over 6 tons of metal was pummelled during the making of this sound library. Prepare for some serious metal impact recordings with this massive SFX collection that will be the go-to for game sound design, trailers, and film. Recorded over several months with precision recording techniques and discerning ears, this hard-hitting, vast library will serve any serious sound designer well for years to come.

    Capturing Intense Metal Impacts

    After recording a few dozen metal impact sounds with a standard close-mic recording setup, we were just not getting the next-level quality we wanted for this library. The recordings had an overbearing proximity feel and the sharpness of the transients was fatiguing our ears. With time, experimentation and a lot of listening we found a formula which changed the game completely. We want to share some of our findings with you!

    Microphone Setup Positioning 1

    Using a stereo pair of Sennheiser mkh 8040s feeding into a Mix Pre 6, the first step was to change up the mic positions into some balanced but unusually placed, more distanced configurations. For the sound pressure levels (SPL) that the impacts were throwing out, mid-distance recording positions were providing a broader frequency, more balanced overall feel. It might be obvious, but taking the time to position the mics and find where the nodes of sound waves are most interesting is key. At this point in our setup, the captures of the old metal cabinet we were pounding already started producing some very interesting results.

    Microphone Setup Positioning 2

    Getting within striking distance of the quality target, we still found that the recordings were not celebrating that resonant bass personality that is particular to metal objects and surfaces. To address this, we brought in a LOM Geophon contact mic which we do recommend to pick up low end frequencies beautifully. Positioning the Geophon at different nodal points on the metal surface – which was entirely different for each surface used – we started getting some well balanced low end into the recordings. The captures were really starting to get to where they needed to be; the bass was there, the frequency range was there, and above all, the complex personality of the metal impacts was really pouring through the headsets. Almost there, some truly fantastic audio captures.

    Microphone Setup Positioning 3

    The final touch was added to the recording setup when a fourth microphone, a shotgun Rode NTG2, was added to the mix. The shotgun mic was pointed directly at the source of the impact with mid-low input gain to bring in a present but balanced transient into the impact recordings. Absolute magic – the quality target was achieved and even surpassed. For recordings like these we can definitely recommend multiple microphone positions, and a high quality contact mic is essential. For each object and surface used in this Metal Impacts SFX Library, either one of the recording formula described above was used to capture the best sounding metal impacts, shakes, resonances, rattles and rings you will ever own.

  • Sci-Fi Sound Effects The Engine Room Play Track 78 sounds included, 65 mins total $24.95

    Orbital Emitter proudly presents The Engine Room – a comprehensive sci-fi environment sound-set giving you a rich palette of sounds to design your own authentic sci-fi environments! 

    …In Science Fiction, interstellar vessels travel the galaxy at great speeds. In the heart of all these ships are massive engine rooms outputting incredible power… But what would such a space sound like? Read on for more!  

    The Engine Room sound-set contains 8 long playing audio-scenes and 29 isolated audio-stems which break down to a total of 78 sounds- which played in real time, is over 65 minutes of Royalty Free sci-fi sound!
    The 8 long playing audio-scenes capture this engine room environment in various states of activity, from average speeds to faster than light cruising speeds, then back down to average power output and there’s even a separate night shift scene which is relaxed and atmospheric. Two more scenes feature the sounds of a fusion reactor in different states of operation adding another rich group of sounds to this exciting sound-set!
    Each scene plays in real time and is perfect for editors and sound editors who want convincing sound environments on the quick for their productions. 

    And for more creative control, our audio-stems offer the complete sound palette used in all the audio-scenes!
    The 29 audio-stem files are listed below.
    And many of our audio-stems files contain multiple versions of a title giving you nuanced control with those sounds. Some of the multi-version audio-stems feature different perspectives or feature different modes of a sound.

    If we break down our audio-stems by category we have:

    • 13 sub bass rumbles or low oscillating hums
    • 15 complex textured events
    • 7 layered atmospheres 
    • 6 ascending engine risers
    • 4 descending engine downers
    • 5 explosive warp flash elements
    • 8 pressurized valve releases
    • 5 alert klaxons
    • 7 mechanized processes

    And the best part about our sound-sets is that they are so easy to use! Just drag and drop our stems or scenes into any DAW or NLE have fun creating your own fantastic environments!
    Orbital Emitter’s sound effects are designed to be at home in any motion picture, television show, video game or whatever sci-fi multimedia you wish to create! 

    The Engine Room Sound-Set is part of our Star Cruiser Environments Anthology Collection and delivers industry ready at 24 bit/48k WAV and each sound file contains simple meta-data to make our sound files easy to organize & find.
    All of our sounds are 100% original, created in our sound-labs and designed to boldly explore the universe of sci-fi sound!
    Thank you for reading and watch for more sci-fi sound from Orbital Emitter coming soon!

  • Phantasmal Ambiences Vol. 2 is the second in a series of nightmarish ambiences made to unnerve you and your audiences.

    Perspective recordings of assorted props and instruments were captured in the 344 Audio headquarters and a beautifully reverberant Nottingham church. These sounds were then carefully edited, manipulated and layered to form haunting scenes for use in all your horrific creations.

    Inject terror and dread into your film, TV and video game projects with this Pandora’s box of evil-doers and malevolent forces – all localised in the near distance of various other-worldly spaces.

    Our Audio Craftsmen have carefully edited each sound for maximum sonic clarity so that you can drop each sound directly into your project timeline and get down to work with minimal fuss.

    All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Water Movements Vol. 3 is a new sound effect library from 344 Audio. This library features numerous aquatic sound effects captured by the legendary MKH50 Super Cardioid Microphone and our Aquarian H2a Hydrophonic microphone. Our audio craftsmen experimented dropping different objects into water, as well as producing sounds by stirring and creating waves in the water.

    All files have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use, and come delivered to you at a format of 24bit 192kHz; allowing you to manipulate and design these source recordings in any way you could wish.

  • Looking for something?

    Rummaging Vol. 1 is your go-to collection of sorting, sifting and searching sounds, featuring an extensive range of materials and props.

    Our Audio Craftsmen rummaged through boxes, drawers and antique suitcases filled with plastics, wood metals, tools and other miscellaneous items to yield a plethora of options for your Foley and SFX editing needs.

    Layer texture and realism into your Film, TV or documentary scenes with this Foley library!

    Sounds have been separated into the following categories:

    Antique Suitcase_Misc Metal: Sorting through metal rods, bars, brackets and other items in an antique suitcase.

    Metal Filing Cabinet Drawer_Misc Items: Moving through plastic bags and hard plastics, small metals, screws, nails, gloves, pens, pencils, paintbrushes and other miscellaneous items sat inside a hefty, vintage metal filing cabinet drawer. Sounds of the drawer being handled are also included.

    Metal Filing Cabinet Drawer_Misc Tools: Lifting and moving small DIY tools, including scissors, a hand plane, scrapers and screwdrivers. Sounds of the drawer being shaken and set down are also included.

    Small Plastic Basket_Misc Items: This container was filled with pens, pencils, various plastic bags, plastic goggles and more. Sounds of the basket being shaken, set down, and sliding across a wooden surface are also included.

    Wicker Basket_Misc Plastic: Sifting through an assortment of hard plastics inside a mid-sized wicker basket. Sounds of the basket being handled are also included.

    Wooden Box_Misc Items: Paper, gloves, plastic, wood, a pill canister,  a bell and many more items were rummaged through inside a small wooden box.

    Wooden Box_Rusty Metals Items: Full of rusty, dusty, crusty, salty forsaken metals and plastics.

    Wooden Drawer_Misc Items: Paper, gloves, plastic, wood, a pill canister, rubber, metal handles and other materials and textures were searched through in a large wooden drawer.

    Wooden Drawer_Misc Wood: Rummaging through wooden items of various sizes, such as sheets, planks, frames and rings. Sounds of the drawer being shaken and set down are also included.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Car Sound Effects GAZ-21 VOLGA INT Play Track 134 sounds included, 65 mins total $50

    including:

    – Internal recording

    – 2 Spots, 4 mics

    – Eng start, idle, drive, shtdwn, passby, doors, windows, hood, wipers, signal and other

    – Slow, medium and fast

    – 48 KHz, 24 bit

    – 4 x schoeps ccm (card and omni), sys AB, Aaton Cantar-X, Zoom F8

    – RAW files only

    P.S. See more car exterior sounds for GAZ21 VOLGA in our products

  • Orbital Emitter proudly presents CINEMATIC TRANSITIONS FOR EDITORS VOLUME II, a brand new collection of cinematic transition sound effects designed to add dimension and energy to any creative project!
    This special collection features 251 dynamic transition sounds across 132 files, crafted in our sound labs and tested in real world productions by editors and sound mixers alike!
    This robust sound-set gives creatives a concise assortment of easy to use sounds designed to propel and elevate any creative project they are used in.
    When we released our WHOOSHES for EDITORS Vol 1 sound-set in 2022, we had no idea how popular it would be with industry professionals as well as folks new to media creation.
    So when we embarked on making a sequel of sorts to that first sound-set, we knew it had to be different. Where volume 1 was a best-of assortment, volume 2 is an expansive toolkit of cinematic sound design for you to explore…

    Founder of Orbital Emitter, Charlie Eisenhardt conceptualized CINEMATIC TRANSITIONS VOL II as an inspiring and flexible sound-set with sounds suited for any feature film, television/streaming show, video game, audio drama or virtually any project needing emotive transitional sound! But there are also simple and muted sounds designed to fit conventional projects as well. Have a listen to our demo to hear for yourself!

    CINEMATIC TRANSITIONS VOL II contains 11 transition categories within over 132 sound files… These categories include whooshes, swoops, sweeps, swells, pass byes, risers, attackers, cues and 3 separate types of impacts… But there’s more! Most of the sounds in this set feature multiple takes and variants to ensure that our sounds fit any creative workflow!

    So whether you’re a beginner or a seasoned professional, we guarantee that you will find our transition sounds to be fun and easy to use in all your creative projects!
    Click the list elsewhere on this page to preview the sound titles and descriptions included in this sound-set!

    THE BUSINESS…

    CINEMATIC TRANSITIONS VOL II delivers in two sample rates for maximum compatibility…
    The 48k folder will serve just about any professional NLE editorial workflow for television, gaming, film, or streaming project and the 96k folder is for sound-designers, mixers or anyone who wishes to manipulate sound!
    And along with the two audio folders we also include a PDF guide to help you organize our sounds to fit your creative workflow.

    Our #1 goal is to provide you with sounds that let you focus on your creative process as quickly as possible. That’s why we test our sounds with other award winning editors & sound mixers to see how they use them, then we present them to you!
    We hope this robust sound-set adds impact and energy to all your creative projects!
    Thanks for listening!

    – The Orbital Emitter Team

  • Looking for some new and different background tracks? Create more movement within your BG’s tracks with dynamic files. These tracks might be just what you’re looking for. With an average of 4 min. per track, and as long as 15 min., the days of repetitive copy/paste are behind you.
    The advantage to long tracks is that it will never sound looped, and thus, no listener fatigue.

    This library consists of day and night urban and city traffic ambiences and dins, room-tones, as well as wet rainy traffic, captured in a variety of locations. These range from close traffic sounds, to the soothing night song of cicadas.

    Add this collection, “Essential Sound Urban Background Ambience & Traffic PART 2” and it’s counterpart, “Essential Sound Urban Background Ambience & Traffic PART 1“, to your library and see what all the noise is about.

    All sounds captured with Zoom H6 and Zoom F6 recorders
    Mastered in Pro Tools.

  • Sound effects recorded from 17 different cameras, all analog, analog reflex cameras, or digital reflex cameras, produced from 1960 to 2010.

    From simple clicks and timers, to modern time, lenses focusing, servos and shutter sounds, the sound effects library is packed with a lot of goodies.

    The Analog Cameras library includes:

    • Winders
    • Clicks/switches
    • Open/close Film cartridge chamber
    • Shutters
    • Lens servos
    • Lens removals
    • Timers
    • Flash charges and Flash releases
  • Wild Animals Sound Effects Tasmanian Devils Play Track 50+ sounds included $10

    Meet the Tasmanian devil! Recorded in the Copenhagen Zoo, this library features huffs, sniffs, growls, barks, bite and chewing – and those eerie and weird critter screams.

    If you need strange animal or monster sounds, do check out this library:

  • Fire Sound Effects Fireballs Play Track 179+ sounds included, 26+ mins total $70

    Fireballs is a powerful high-definition collection of whooshing, roaring, bursting, sparking, whipping, zipping, sizzling and crackling fireballs, fire sound effects and infernos – created in collaboration with flame effects expert Cary Sparx.

    Aside from the flaming staves, rope darts, fire swords, meteors and flamethrowers that you’d hope for, you’ll also get some additional, unusual, tonal flame effects.

    The sounds are also great for more textured whooshes and swishes, or adding punch to impacts, or generally getting that extra bassy oomph out of your badass sound creations.

  • Car Sound Effects Porsche Carrera Play Track 107+ sounds included, 45+ mins total $139

    Get the sounds of a 1999 Porsche Carrera, captured by recording specialist Watson Wu. The German-made Porsche Carrera is a 6 speed manual, 3.4 liter, Flat 6, weighing in at only 2,900 pounds. The combined recorded driving time is more than 45 minutes long.

    Recordings included:

    Onboard Settings:
    Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine, Channel 4 = Cab

    External Settings:
    Stereo in Left and Right Channels

Your location

Recent Reviews

What others are saying:

\n