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Home Sound Effects

Sound Effects

  • Get the perfect sound effect for any door or drawer with this comprehensive collection of 100 individual WAV files recorded in high quality 24bit, 96kHz.

     

  • The SKI RIDE sound effects library is a comprehensive collection of audio recordings that capture the various sounds associated with skiing. This library includes a wide range of ski sounds, recorded on the Italian Alps in the 2023.

    The collection features recordings of skiers carving turns on groomed trails, as well as sounds of off-piste skiing through fresh powder and pass bys on the ski slopes.
    In addition to the sounds of skiing, this library includes recordings of ski equipment like ski poles, ski boots, ski binding, ski gloves, ski jacket, backpacker, foley sounds like ski boots footsteps and ambience tracks like chair lift and ski lift stations.

    All of the recordings in this library are of high quality and have been carefully edited and mastered to ensure they are ready for use in a variety of audio projects, including films, television shows, video games and podcasts. Whether you are creating a documentary about skiing or a commercial for a ski resort, the SKI RIDE sound effects library has everything you need to bring your project to life.

    All the files are 24 Bit, 192 Khz, extensive embedded metadata and categorized with the Universal Category System (UCS).

  • Debsound – Brick, Stone Falling Sound Effect Pack

    60 Brick, Stone Falling sound effects.
    This sound effect collection is ideal for use in game software, applications.

  • Household Sound Effects Home devices Play Track 100 sounds included, 23 mins total $40
    50 devices, 100 sounds. All files are recorded 32bit, 192 kHz, with RØDE NTG1 and FEL Pluggy EM272 microphones, Sound Devices MixPre-6 II and Zoom F3 recorders. The libary is also available in UCS.
  • Footsteps Vol. 3 is the third instalment in our popular Footsteps library series. Our Audio Craftsmen performed a series of runs, walks, jumps, hops and scuffs on a variety of surfaces found in our acoustically-treated Foley pits.

    Footsteps were recorded using wooden pallets, broken glass and wet concrete. Check out  Footsteps Vol. 1 and Vol. 2 for more surfaces and textures.

    These sounds provide you with natural, unprocessed sounds that can be used to add a sense of realism to your projects  or manipulated further for a variety of film, TV and video game genres.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • The Desert Eagle sound effects library features multiple takes of gunshots, as well as performed effects of magazine moves, loading, unloading, and more.

    The Desert Eagle sound effects library includes 174 clips in 4.25 gigabytes of audio. It showcases the sound of a .44 2010 American pistol firing as well as performed effects of handling, loading, unloading, and magazine movement.

    The gunshots feature multiple shots in two takes from 24 perspectives ranging from close to over 150 meters distant. 50 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Neumann, Sanken, Sennheiser and other professional microphones.

    The collection includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, and Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • Instruments Cow Horn Play Track 36 sounds included $29

    Cow Horn is a traditional Finnish musical instrument constructed from the horn of cattle. In Finnish language it has many names, including sarvi, paimensarvi, lehmänsarvi, and sarvitrumpetti. Similar Nordic instruments include the Swedish kohorn and the Norwegian kuhorn.

    The recorded cow horn had two finger holes. Without covering any finger holes, we got a note C#. Covering one hole made a note D, and covering both finger holes made a note D#.

    We recorded long and short notes, and then expanded these to cover some lower and higher notes. Legato, portamento and vibrato was added via script.

    Cow Horn was recorded with two microphones, Neumann TLM 103 and Sennheiser MKH 8040, and you can choose your preferred one. We captured 36 samples with 3 round robins.

    FULL Kontakt 6.7.0 or higher required

  • Onboard sounds are from four separate microphones.
    Cabin Left, Cabin Right, Engine, and Exhaust
    One stereo microphone was used to capture Foley Effects & External perspective sounds from
    fixed positions.

    Specification: 2022 Chevrolet Colorado, 4×4 truck, v6, 3.6 Liter, and 308 horse power.

  • 29 airport traffic and crowd ambiences in 1.83 GB with a blend of sizes, densities, and distances.

  • All tracks are recorded with Sennheiser Mkh416 and DPA 4060 mics interior, either in a studio space or living room, and contain wings flapping, buzzing, crawling, and pass bys from the little critters.

    Featuring both small and big fat fly recordings, The Housefly sound effects library is 15 tracks of close up encounters with alot of buzz in it.

    All tracks are recorded interior, either in a studio space or living room, and contain wings flapping, buzzing, crawling, and pass bys from the little critters.

    15 tracks, mono and stereo. 180Mb recorded with Sennheiser Mkh416 and DPA 4060 mics. UCS ready!

  • Car Sound Effects Toyota GT86 Hakone Stock Race Track Play Track 28+ sounds included, 286 mins total $36

    Experience the sound of Japanese RWD boxer engine powered car burning tyres on the race track! Toyota GT86 Hakone edition is stock example unit with 4 cylinder boxer engine that generates 152 kW at 7000 RPM. This first generation GT86 was recorded with multi mic setup. Library contains race track driving recorded onboard with different perspectives (intake, 2 x engine, 2 exhaust microphones) + interior stereo in sync with other mics. Last but not least, there is one stereo file with multiple exterior passes on the apex with brake squeal and tyre friction sounds.

    Library contains:

    • Individual RAW files for Intake, 2x Engine, 2x Exhaust
    • Designed Onboard files, designed engine and exhaust perspectives
    • Interior in sync with rest of mics
    • Exterior passes recorded in stereo
    • Race track driving with cooling laps
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  • Footsteps Bundle comprises all three of our Footsteps libraries. Inside are runs, walks, jumps, scuffs and stops performed on a wide range of surfaces, all recorded in our acoustically-treated Foley suite.

    These surfaces include: wet and dry concrete, broken glass, dirt, gravel, leaves, laminate, pallets, carpet, rocks, metal and wood. Movement on these surfaces were expertly performed, captured and edited by our Audio Craftsmen to provide you with a useful variety of steps.

    Achieve a natural, unprocessed sound in Film, TV and Game projects with these footsteps – all without leaving your desk. Convenience and quality rolled into one!

    Vol. 1 is delivered at 96kHz, while Vols. 2 and 3 are delivered at 192kHz. The entire bundle is delivered at 24Bit and tagged with extensive Metadata for ease of use.

  • Sci-Fi Sound Effects Parallax Play Track 518 sounds included, 68 mins total $59.99

    Welcome to Parallax, where synthetic tones and textures are powerfully combined with organic sources.

    This unique collection of 518 otherworldly sound design elements is perfect for modern sci-fi productions, trailers, gritty motion graphics, and further manipulation.

    Supercharge Your Productions
    If you’re on the lookout for top-notch sound effects to add to your game or trailer, Parallax is the perfect solution. This toolkit offers a diverse selection of modern and visually stunning sounds that can be tailored to your liking. With Parallax, you’ll be able to create a unique and immersive audio experience that will captivate your audience. So why wait? Start exploring the possibilities of Parallax today!

    Curation Applied
    Our top priority is always to deliver an exceptional experience to our end users. To achieve this, we have invested considerable time and effort into perfecting the audio content, customizing it to meet your specific production needs. Additionally, we follow rigorous editing protocols to guarantee seamless performance in every possible use-case scenario.

    Creative Freedom
    All our sounds have been meticulously created to be 100% dry, without any application of reverb. Our ultimate goal is to empower you with the complete freedom and endless possibilities to craft your own distinctive masterpieces, without any limitations or boundaries. We aim to enable you to unleash your creativity and imagination to the fullest extent. Our dry sounds serve as a canvas for you to give life to your vision.

    UCS Compliant and detailed Metadata embedded
    Parallax is fully universal category system (UCS) compliant. Additionally, to optimize your workflow and enhance productivity, our audio files are equipped with detailed metadata, allowing you to locate and access the sounds you require easily. Leading audio management software such as Soundminer and BaseHead are fully equipped to read and process the metadata, providing an intuitive and seamless user experience.

    What’s Inside

    Ambiences (12 Sounds) • Blasts (19 Sounds) • Hits (156 Sounds) • Movements (20 Sounds) • Particles (40 Sounds) • Pings (32 Sounds) • Textures (20 Sounds) • Zaps (36 Sounds) • Swishes (62 Sounds) • Whooshes (121 Sounds)

  • A collection of switch and button sound effects. Designed for multimedia projects.

    You’ll find menu selects, switches, chunky presses and sound design elements. These clips have you covered with the classics as well as tactfully designed clicks, flicks and buttons.

  • A library of Lynx 50 sniper rifle sound effects including 23 perspective of gunfire, as well as performed effects.

    The Lynx 50 sniper rifle sound effects library includes 189 clips in 3.27 gigabytes of audio. It showcases the sound of a Finnish mod. 50 rifle made by Pirkan Ase Oy using 50 BMG Ammunition with A-MAX bullet and a high ballistic coefficient 1.050, made by Hornady.

    The collection includes 2 takes of firing with 23 mono, stereo, Ambisonic AmbiX, and multichannel microphones from nearby up to 160 meters away. The sound library features performed effects of magazine handling, reloading, and more.

    Also packaged with the collection are editing sessions in Pro Tools and Reaper formats, as well as complete embedded metadata support.

  • This library is built as a sound designer tool set for creating pass-by, drive-by, fly-by or even creature sounds, including 347 files with a 192KHz sample-rate, recorded with the Sanken CO-100K combined with Nevaton MC59 mics to deliver full spectrum content. You can shape and twist these files to fit your needs without losing quality. No synths or real engines were used, only acoustic foley recordings providing a natural doppler effect for life-like filtering.
    You can have high screeching sounds to deep rolling boomy engines, scraping gritty whooshes to airy sci-fi sounds.
    Needless to say that these pass-by sounds can be the basis of your own sounds and sweeteners, be it vehicles or creatures, cartoon or cinema trailer…

    All files are UCS compliant, include Metatags, and are bundled together in small groups that could sonically identify a virtual vehicle, each having multiple variations.

    As these are clean raw recordings, no effects have been applied that might limit the use. The focus is on flexibility and varied use.

  • Geophonic Instruments Vol. 4 comprises a range of moody space-themed sounds, designed from raw recordings captured with the Lom Geofon. Our Audio Craftsmen harnessed the unique resonances of a thunder machine and waterphone for this library to produce a series of plucks, impacts, rumbles and abstract tonal sounds.

    This collection features subsonic frequencies that drop as low as 10Hz, allowing you to inject some super weighty, speaker-shaking energy into your work.

    Use this library to intensify sci-fi, mystery, thriller and horror genres in your Fil, TV & Game projects.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease

  • Sci-Fi Voices Volume 01 Mothership

    The Mothership AI Voice Sound Pack is the perfect way to bring your intercom system to life with a collection of 1250 original voice lines and useful words for a science-fiction game or movie. These include phrases for status updates, in-game actions, warnings, and motivational greetings.

    Each voice line has been crafted with discrete glitches and the sound of electricity to create a futuristic, high-tech vibe.

    The voice lines range from authoritative to kind, giving your intercom system the character and personality it deserves. Whether you need to issue orders for an attack, warn your crew members of hazards, or provide information on the state of the mission, the Mothership AI Voice Sound Pack has the perfect sound to suit your needs.

    Here are some example phrases to give you an idea of what’s included in the pack:

    I am the motherships central control all Systems are at my command

    The universe is waiting for us to discover it

    Enter your password

    Enter your username

    Game over

    I am at your service. What objectives would you like to accomplish?

    Maneuvering through asteroid fields to avoid detection

    May i help you?

    Gathering data on unknown object

    Performance needs improvement

    Receiving Information

    Tractor beam locked on enemy vessel. Initiating capture sequence

    Initiating life support systems maintaining ships atmosphere

    For a detailed listing of the words and phrases, take a look at the soundlist PDF document.

     

    All sounds are provided in 44,1khz/16bit and 48kHz/24bit

  • 100% bike sounds, 100% not what you think.

    So, this pack happened sort of on a whim. Armed with a new field recorder and eager to test its capabilities I recorded some sounds my bike makes. I quickly found that these little samples had a lot of potential and immediately started manipulating, layering, and mangling them into a fully fledged drum kit. This kit covers everything from seat-smacks turned 808s, spoke flicks turned snare drums, and freewheel hubs turned hi-hats.

    So here it is, “SPØKES”, a super off-the wall drum kit that is 100% original, 100% bike sounds, yet 100% musical at the same time. This kit was a blast to make and I hope you’ll be having just as much fun using it in your productions.

    What’s included?

    • 86 percussive one-shot samples @ 24 Bit, 44.1 kHz WAV files, 5mb total
      • 8x Kick
      • 13x Snare
      • 18x Hi-Hat
      • 4x 808
      • 43x Percussion

    Important: These are not the kind of bicycle sound effects you’d want if you’re looking add believable sound to a bike onscreen. This is a set of samples specifically targeted at music makers and as source for more experimental sound design.

  • Debsound – Welded Wire Fence Sound Effect Pack 01

    30 Welded Wire Fence sound effects.
    This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
    videos, animation, and any other entertainment industry where a high-quality audio effect is essential.

  • A collection of 70 multimedia whoosh, swipe, sweep, and fly-in sound effects.

  • THE SPIRITUAL SOUNDS OF THE VOICE

    Invoke the old magic with these mysterious voices from beyond. These otherworldly calls will deliver you into strange and unknown places, enticing your primordial inner self to break your compositions free from all inhibitions.

    For the MONGOLIAN VOICES – ANCIENT PHRASES library, we tapped into the shamanic sounds of traditional Mongolian singing. Divided into three categories, Female, Male, and Throat, the library delves into the more mystical places of vocalizations. The Female and Male parts are based on the traditional long song, or Urtiin duu, a most ancient art loudly sung from the mountaintops, each long, drawn-out syllable evoking the deep, vast, open spaces of the Mongolian steppe.

    Then there’s the famous throat singing – the Mongol Khoomei – which relies on guttural vibrations and circular breathing, creating a completely alien, otherworldly sound. At first listen, it inspires visions of far out sci-fi/fantasy worlds or ancient religions.

    MONGOLIAN VOICES – ANCIENT PHRASES is the perfect vocal instrument to add a raw, esoteric flavor to your music.

  • An intensely creative groove box from Sweden.

    The charming & quirky digital sound of the OP-Z is now coming to the most popular DAWs and samplers. All 62 patches from my previous OP-Z patch dump MPC Expansions have been converted one-by-one into industry standard SoundFont files and other formats that are supported by a wide variety of samplers and DAWs.

    I’ve been going through the samples of the original expansions one by one, cleaning them up and finding the perfect loop points so that all of them (save for some percussive patches) now offer infinite sustain. All samples are completely free of noise, recorded at 24bit / 44.1 kHz and stored as simple WAV files which makes them easily usable outside of the pre-mapped patches.

    Compatible samplers include: exs24, Ableton Sampler, NN-XT, NN-19, Bitwig Studio, UVI Falcon, Sforzando, Halion Sonic.

    Pack contents

    • 62 OP-Z patches in multiple multisample formats
    • 932 individual, unprocessed samples in total (24 bit / 44.1 kHz, 491 mb)

    Included formats

    • .exs for Logic Pro Sampler, Alchemy, EXS24 (legacy) and DecentSampler (via import)
    • .nki for Kontakt 4.1 and later (not compatible with Kontakt Player)
    • .adv for Ableton Live 10 Suite or newer (not compatible with Intro or Standard)
    • .sfz SoundFonts for Ableton Sampler (Live 10 & earlier), Kontakt 5 & older, exs24, Sforzando, NN-XT, NN-19, & others
    • Reason ReFill containing NN-XT patches
    • .multisample for Bitwig Studio
    • .korgmultisample for KORG WaveState and ModWave

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