More than 500 sound effects inspired by hit computer games like World of Warcraft, and Diablo. Tell your story, equip your quest and outfit the adventures in your fantasy world with imaginative and immersive sounds, effects and creative crafted audio. Fantasy Game empowers today’s game developers, audio remixers, sound designers engineers, DJs and even game oriented modern podcasters with an ultra exciting collection of designed sounds derived from stunning 192k source recordings.
Plunge your users into the worlds of yesteryear with ultra-immersive fantasy or medieval themed background environments of the highest quality. This audio library offers you hours of different soundscapes, including BATTLES with warhorses, knights, and explosions, CASTLE interiors, quiet FARMS, bustling VILLAGES with MARKETS, peaceful GRASSLANDS & COUNTRYSIDES, lush FORESTS, WATERFALLS & RIVERS, wild JUNGLES, PRISONS, and not to mention varying intensities of RAIN STORMS and the wild outdoors! Whether your project is a Lord of the Rings fantasy adventure video game, a King Arthur animation app, or a Game of Thrones slot casino game, everything you’ll need to immerse your users in your creation’s magic is here!
EXPLORE ENTIRE WORLDS
Whether your adventure takes place on a BATTLEFIELD, in a CASTLE or PRISON, on a FARM or in a VILLAGE, or outdoors in the GRASSLANDS, COUNTRYSIDE, FOREST, or JUNGLE, we’ve got you covered! Each ambience contains MULTIPLE VARIATIONS, ALL WEATHER CONDITIONS, and MULTIPLE INTENSITIES to cover each and every scene. This sound effects library is perfect for any setting you can imagine.
AN ADVENTURE TO REMEMBER
Our expert team of sound designers has meticulously crafted each ambience into CONTINUOUS, NON-REPETITIVE, DRAG AND DROP-READY LOOPS that will serve as perfect background audio for your game, film, animation, live event, or even as relaxing background audio! We have even included FULL and SIMPLIFIED MIXES, SHORT and LONG non-repetitive variants, multiple choices for INTENSITIES, and numerous other options for your convenience!
Each audio file is drag-and-drop ready, presented in high-quality MP3 and WAV formats with meticulously labeled keywords, so you can create the perfect gaming experience for your players in a matter of moments! Enrich your title in seconds with beautifully mixed, AAA quality sounds brought to you by our team of industry veterans, whose 600+ games worth of experience have culminated in this extraordinary pack of ambiences.
Now you can create the perfect mood and sound environment for your fantasy and adventure games, film and audio productions. With Fantasy World you get 52 royalty-free Ambience loops with full and 49 minimal versions and 10 Extra Non-Melodic Loops for a total of 111 dynamic loop-able audio assets. Inspired by massive hit games like World of Warcraft and The Elder Scrolls, Fantasy World is an all original royalty free ambience loop library designed to help you create stunning and immersive audio environments quickly. With over 2 hours of popular location sound loops, you’ll be well equipped with background sound effects and scene setting ambient tones that bring your Fantasy World to life.
Features settings such as:
Assassin Camp • Elven Outpost Haunted Cavern • Mystical Sanctum • Tribal Camp • Desolate Dungeon Ancient Tomb • Forest of the Unknown • Fairy Land • Ominous Jungle Barren Foothills • Shamans Apothecary, • Orc Ruins • Orc Slaughter Den • Werewolf Den • Vampire Spire
Surround Sound LAB is proud to present our first ambisonic library decoded and mixed in Dolby ATMOS.
After several months recording around Madrid, we are including 22 tracks in ambisonic format, 48Khz and 24 bits HD of Far city Ambiences.
As always, top quality recordings specially designed for film audio projects.
This time we have mastered all the files in Ad Hoc Studios Madrid (link), Post Production sound studios certified by Avid and Dolby ATMOS, one of the best post production facilities in Spain.
We have decoded all the First Order Ambisonic recordings with the HarpeX plugin into a 7.1.2 Dolby ATMOS bed configuration, using the top channel to create totally outstanding ambiences tracks ready to use.
We want to let you know that Surround Sound LAB. new releases will be in Ambisonic format. This way you will be able to decode it from mono to Atmos systems. Also it's important to think in ambisonics as the way to go for VR – and we are ready for it.
The Farm Animals SFX library represents an big selection of domestic animal and bird sounds. The sounds were primarily recorded on farms with a focus on vocalizations.
Baby Chicks: Chirps as a group and single.
Chickens: Clucking after laying eggs, squawking when scared, and clucking in a group.
Cow: Single long and short mooing, breathing recorded with close and far distances. Mooing in farm ambience recordings.
Dogs: Single medium-sized mongrel barking. Whining, yelping and aggressive growling. Big mongrel single barking.
Ducklings: Single calls to mother.
Ducks: Quacking as a group and single.
Geese: Calls in a poultry group.
Guinea Fowls: As a group and single.
Horses: Stallion neigh, grunt, breath, snort and head shake. Ambients of a stable (feeding hay, stableman working).
Peacock: Single calls.
Piglets: European piglets squeals and screams, slurping when eating.
Pigs: European big pig grunt, snort, breath, slurping when eating. Vietnam big pig squeal, scream and breath.
Roosters: Old and young rooster crowings. Recorded at close and far distances. As single and in a poultry group.
Sheep: Single sheep’s bleatings recorded at close and far distances. Also contains recordings of milking.
Turkey: Calls in a poultry group.
The 2020 update to Farm Equipment features modern and older tractors, smaller motors including gators and mowers, as well as farm atmos elements like parlor motors and pumps.
All recorded on farms across Devon, uk.
The Australian bush is something very close to my heart. Most of these recordings were taken on my family's property in Molong NSW.
This collection includes a large number of natural bush ambiences recorded at all times of day. There are plenty of birds, some sheep, turkeys, bees, cicadas, crickets, dogs and chickens. As well as motor vehicles on gravel, chainsaws, campfires, generators, footsteps, and even a wall construction. There is as always some random stuff fin there as well.
Recorded with a Sound Devices 633 and Sennheiser MKH8040s. The library is 2GB and includes 126 x 24bit 48kHz .wav files. Sound Miner metadata embedded.
Get your Phase problems fixed in seconds
faTimeAlign is a reliable workhorse, proven to work with any kind of multi microphone source material. Time Alignment is a delicate and often time consuming task, so you want nothing less than the best possible solution. Easily adjust your tracks, relative to the other tracks, with positive or negative delays and make A/B comparisons to absolutely nail the correct setting.
But that’s not all! You can also arrange your tracks into different sub-groups and delay them relative to each other to align different instruments or instrument groups.
Easy to use and flexible
One of many great reasons you will love faTimeAlign is its unique user interface. The range of the delay knob can be set to any value narrow or wide, which lets you easily sweep through different delay spans. Furthermore, the feature that allows you to enter values in feet, samples, meters or milliseconds gives you all the flexibility you’ll ever need.
200 sounds from no-input mixer recording sessions featuring cable & pedal noise, drones, harsh noisescapes, high frequency feedback, hum, interference, low frequency noise atmospheres, machines gone wild and a multitude of general feedback effects.
For inventive navigation tones, future technology sounds, glitch elements, horror atmospheres, corrupted audio flows and more, this original sound collection will serve as a versatile palette for sound designers/editors/artists, music producers and anyone looking for interesting audio artefacts.
All files are 24 Bit/96 kHz with embedded metadata.
A collection of short vocalizations from four females aged 10 to 30. Efforts, growls, laughs, cheers, hits, jeers, boos, raspberries, sneezes and more. All useful for video game, app or cartoon characters.
Breathe life into your female characters by giving them high-quality voices with this NEWLY UPDATED audio library! This sound pack includes 65 audio files of short interjections, single words, and common vocal sounds that are HAPPY, SAD, UPSET, FRIENDLY, SURPRISED, INQUISITIVE, AMAZED, DISMISSIVE, QUESTIONING, UNCERTAIN, SHOCKED, CONTEMPLATIVE, TIRED, ENERGETIC, EXCITED, AWESTRUCK, and many more common vocal noises to animate any female personality you can imagine. With voices ranging from LOW to MID to HIGH pitches, entertain and delight your users with this premium voice collection of women & girls to give your project’s characters the final touch.
An Italian 1985 Ferrari 308 GTB with a 240 horsepower, 2.9 liter, V8 gas engine.
The Italian 1985 Ferrari 308 GTB sound library shares 290 clips in 18.04 gigabytes of sound. It features the sound of a 240 horsepower, 2.9 liter, V8 gas engine.
11 synchronized takes include both onboard and exterior driving in 34 channels. 13 onboard perspectives detail driving with ramps, steady RPMs, and gearshifts from microphones places in the engine, at the exhaust, and in the interior (including an Ambisonic perspective). The 7 exterior perspectives share arriving, departing, passing, and reversing at fast, medium, and slow speeds.
The field recordings are packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. Also included are 3 custom mixes of the onboard microphones, 18+ fields of professional embedded metadata, and metadata keyword import files in 7 languages.
Recording of an Italian Ferrari 458 from 2013 with a 4.5 L F136 F V8i engine with 7-speed dual clutch.
The Ferrari 458 sound effects collection gathers 197 clips in 14.2 gigabytes of audio. It features a 2013 version of the Italian sports car with a 4.5 L Ferrari F136 F V8i with a 7-speed dual-clutch.
A combined total of 29 channels of audio and 10 synchronized takes capture onboard and exterior perspectives of the luxury car. Microphones placed at the engine, exhaust, and in the interior capture 9 perspectives onboard to capture driving at fast, medium, and slow speeds with ramps, steady RPMs, and gearshifts. Nine further perspectives arrange microphones at four positions to gather starting, stopping, departing, passing by, and arriving.
Packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. In addition, each clip is embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata, with keyword translation import files available in 7 languages.
Recording of a Ferrari 488 from 2016 with a 3.9-litre twin-turbocharged V8 661 horsepower engine.
The Ferrari 488 exotic car sound collection features 302 clips in 19.39 gigabytes of audio. It features the sound of the 2016 Italian sports car’s 3.9-litre twin-turbocharged V8 661 horsepower engine performing in 17 takes.
The sound bundle includes 9 onboard and 10 exterior perspectives. The 21 exterior channels capture the car travelling at fast, slow, and medium speeds on straightaways and around corners at close and distant perspectives. The 10 onboard channels recorded engine, exhaust, and interior driving at steady RPMs, with gearshifts, and with ramps. Also included are starting, stopping, passing, and other exterior maneuvers.
Every sound effect is embedded with over 18 fields of Soundminer, BWAV, and MacOS Finder metadata. In addition, every take is provided aligned and ready for tandem-track mixing and editing in Reaper and Pro Tools session.
Get the roaring sounds of a 1974 Ferrari Dino. This Daytona 246 GT edition Italian made exotic car is a 5 speed manual mid-engine v6, and it's known to be The Ferrari without an exterior Ferrari badge.
53 wave files were captured in 24 Bit, 96 kHz – and the combined recorded driving time is more than 28 minutes.
Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine 1,
Channel 4 = Engine 2
External Passby Settings:
Stereo in Left and Right Channels
Recording of an Italian 2016 Ferrari F12 with a 140 FC V12, 6.3 litre, gas engine with performance exhaust.
The 2016 Italian Ferrari F12 sound bundle includes 278 clips in 16.87 gigabytes of audio. It showcases the sound of its 140 FC V12, 6.3 litre, V12, gas engine with performance exhaust.
The collection includes 34 synchronized channels of exterior and onboard recordings. 8 exterior perspectives provide driving at slow, medium, and fast speeds while passing by, arriving, and departing. The 12 onboard perspectives include recordings from the interior (with an Ambisonic perspective), engine, and the interior while driving with gearshifts, ramps, and steady RPMs. Also bundled are 3 stereo mixes of the onboard perspectives.
The collection includes Soundminer, BWAV, and MacOS Finder metadata, keyword import files for 7 languages, and Reaper and Pro Tools mixing sessions.
Recording of a super rare Ferrari F40 LM (Le Mans) from 1991 with a V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
The Ferrari F40 LM (Le Mans) sound effects collection features 335 clips in 21.65 gigabytes of audio. The sound library showcases the sound of a 1991 version of the Italian luxury sports car’s V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
A total of 20 synchronized takes depict both onboard and exterior perspectives. The 9 exterior perspectives arrange microphones at multiple locations and distances to record departing, arriving, passing at slow to fast speeds, as well as starting and stopping, and backfire. The 12 interior perspectives arrange microphones at the exhaust, engine, and in the interior to share recordings of driving at steady RPMs, with gearshifts, and ramps. Three mixes of the interior perspectives are also available.
The package includes Soundminer, BWAV, and MacOS Finder metadata in every clip, as well as Reaper and Pro Tools mixing sessions.
Part of the WW Audio Mini SFX Series, for those who want a small amount of recordings of a particular theme, without having to buy large libraries, Festival Fireworks brings you many options when you need some quality firework sounds.
This mini library includes a complete fireworks display from a beach during a Spanish Festival. In addition to that, there are recordings from different perspectives – near, far, busy, occasional, with and without voices and external sounds. Everything when looking to add that bit of bang to your project.
This sound collection covers a wide range of sounds produced by this colorful characteristic car. Not only extensive driving sounds but also foley (doors, windows, body tapping, …), horn blasts and engine loops. All in high quality 96/24 BWAV-files, recorded with high end equipment.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair (on a stand) and a long shotgun mic (handheld, tracking movement)
The Fiat 500 sound fx collection features 263 clips and 17.73 gigabytes of the 2016 Abarth 595 version of the Italian vehicle. The collection gathers 18 synchronized takes of the car’s 1.368 L l4 turbo engine with 158 horsepower and a 5750 Akrapovic exhaust system.
The sound library includes both onboard and exterior perspectives. 10 channels from microphones mounted in the engine, interior, and at the exhaust depict driving at slow, medium, and fast speeds. Performances include steady RPMs, gearshifts, and ramps. The 18 exterior channels share 9 perspectives of the small car starting, stoping, departing, passing, and approaching on straightaways and around corners.
Each track is embedded with Soundminer, BWAV, and MacOS Finder metadata, with bonus metadata import files for Chinese, French, German, Japanese, Korean, and Spanish. The collection also includes carefully mixed quick-access, all-in-one blended stereo versions of the interior, exhaust, and engine stems. The Fiat 500 library is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
Fiat Panda 169 sound library delivers vehicle sounds of a usual mass production car. The featured model was manufactured in late 2009 and has run about 40.000 miles at the time of recording. With the small 1.1 litre / 55 HP engine it is a lively compact size city car for daily use. The rear muffler already showed some rusty traces of age so that the entire car emits some very characteristic sounds, especially from the exhaust.
For the library the Panda was recorded to 18 takes with 6 onboard mics. These takes feature the car in various driving situations on asphalt, dirt road and gravel. Each take comes as Reaper set with time-aligned tracks from 2 mics in the engine bay, 2 interior mics, 1 wheelhouse and 1 exhaust microphone.
The exterior sounds – that encompass engine on, off, acceleration, approach, stop etc. – are recorded with Sennheiser MS Setup.
Additional foleys of doors, switches, wipers, windows, seat belts etc. are recorded separately with the car´s engine turned off.
Looking for real fart sounds? ‘Fifty Shades Of Brown’ by WW Audio features 50 disgusting, comedic, and 100% genuine real farts. Great for comedy, pantomimes, or any time your project simply calls for a bit of flatulence.
Fight is part of the comprehensive melee and hand combat series from Black Edge Sound Studios (formerly Output Audio). Recorded at Universal Sound, a dedicated foley stage in Amersham, UK with a wealth of experience in crafting sound for feature film, TV and video games.
The Fight sound library has an extensive collection of of punch, kick, cloth, breaks, gore, whoosh and body fall. This includes all the core elements and original recordings needed to build bone crunching fist fights and ultra realistic combat action, whilst providing polished compositions and arrangements of key combat moves in the designed section for quicker results.
The library metadata has been designed to provide a fast, efficient workflow to picture and video game, ideal for quick turn arounds.
Expanding the selection further with the original recordings means that editors can quickly create mixes and then refine and stylise. A Pro Tools session is included (2020.3) that takes all the effort out of arranging the content for mixing. The recordings have been edited and aligned with a choice of microphones. You can drop in your own routing, processing and mixing touches according to taste and quickly establish a new sound set for the picture or video game you are working with.
Content Groups Included:
Blood, gore, bone breaks, body fall, punches, kicks, cloth, whoosh, prop crashes and impacts, bat weapons, material debris, hand combat arrangements and more.
Whooshes are a key component for energy and drama in a fight scene, but can sometimes be over the top. So I recorded a simple but very useful library of cloth moves specifically for fights. They work like whooshes but sound a lot more natural.
Three different fabrics: jeans, nylon shorts and a cotton pillow case. All with the same coverage: grabs, single moves (varying intensities), sequenced moves for more variation, and struggling moves for when your character is pinned.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.