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Home Sound Effects

Sound Effects

  • The Foley Vault is home to an ever-growing collection of original Foley recordings.

    Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.

    These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.

  • Cartoon SFX Vol. 1 is an explosion of slapstick sounds created for your playful animated projects. Its lively recordings are fit for a variety of cartoon action, such as slips, slides, eyebrow raises, blinks, walking, dashes, impacts, falls, crushes, smooches, rattles, inflation, stretches, pokes and much, much more!

    Our Audio Craftsmen channelled the organic, mickey-mousing sounds of classic cartoons while performing for this library. A selection of instruments and props were chosen and recorded to yield dynamic, expressive phrases ideal for accompanying on-screen movement. Recordings include harmonica and accordion rhythms, violin plucks and slides, glockenspiel hits, slide whistle movement, anvil hits, rattles and rubber tension.

    This library is perfect for cartoon or animated productions that require energetic, exaggerated, metaphorical sounds that reference the classic zip-crash sonic palette.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • The Users of Tomorrow library is the next level of futuristic and high-tech interface sounds, containing 2.2GB and more than 1,800 sounds designed to be used as final assets or layers.

    Users of Tomorrow features more than 2.2GB of 1,800 24bit/96khz files, all embedded with Soundminer metadata.

    Users of Tomorrow gets you:

    • Confirms
    • Calculations and text
    • Drones
    • Environment loops
    • Holograms
    • Glitch
    • Liquid interfaces
    • Beeps
    • Buttons
    • Static and noise
    • Alarms
    • Interface expansions and compressions

     

    Bonus:

    Users of Tomorrow also includes the unique Galactic Assistant Synthesizer Tool to design your own hi-tech interface sounds – it works in stand-alone mode, as well as with Reaktor and Max4Live.
  • Signal Return is a performable Kontakt instrument and soundset designed to create a wide variety of interesting and textured sounds.

    All of the source material comes from recordings of various devices feeding back into themselves either electrically or acoustically. No software based speaker emulators or distortions were used in the creation of these sounds. Comes with 250 .wav files – more than 2 hours of recordings + 22 Kontakt instruments (these require the full version of NI Kontakt 5.0 or higher).

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

  • A small library, spontaneously captured on a trip to Marrakech, Morocco.

    The library features Souk market ambiences, hotel ambiences, call to prayer, Scandinavian and Arabian walla, birds – as well as onboard Airplane Ambience, Onboard Airplane taxiing, and Onboard Airplane Take off ambiences.

  • If you're looking for cinematic SFX, here's the follow-up to the wildly popular Sinematic sound library from SoundMorph: This Neon Expansion pack focuses on avant-garde cinematic sounds including synthesized impacts, static glitched hits, mechanical mechanisms, cyber & biotech hits, motion graphic sound glitches and passbys, organic slams and electronic punches. Perfect for adding punch to your projects – and a heads up: These sounds go extremely well with visuals!

  • Helicopter Sound Effects Utility Helicopters Play Track 48 sounds included, 105 mins total $50

    Need helicopter sounds? The Bell 407 and Bell 429 are *THE* helicopters used in police, news, rescue, military and private fleets. Over 1 hr and 45 minutes of beautiful recordings.

  • Remington Rand is an early American typewriter and adding machine manufacturer formed in 1927. The last Remington Rand branded business machine rolled off the line in 1958. The adding machine that we acquired was an electric version in good working condition. Remington Rand also manufactured things like shavers, pistols and calculators.

    Our adding machine has a big electronic mechanism for the summing function and nice heavy clacks for the regular keys. It also had some very sticky metal plates that would occasionally get stuck and then pop loose with a big resonant ringing sound. This specific defect made an incredibly interesting sound that is very unique to this specific machine’s wear and tear.

    As with the Burroughs Protectograph we miked it with three different mono perspectives to produce three very different sounds on each move. We used Schoeps CMC6/MK4 mics on the front and back and an AT4050 for the wide perspective in mono. The close perspectives are great for big thick clicks and mechanisms, and the wide is excellent for use in one offs for bgfx tracks.

     

    Key features for Remington Rand Adding Machine

    • 3 mic perspectives of each performance
    • 9 unique articulation groups
    • 10 + performances per articulation
    • 11 Kontakt .nki files (unlocked)
    • .nki files require full version of NI Kontakt 4 or higher
    • photographs and video stills

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

  • City Life Sound Effects Ambiences from Los Angeles Play Track 32+ sounds included, 88 mins total $44.99

    From Hollywood Walk to Santa Monica beach, this library captures the spirit and atmosphere of the famed City of Angels. Home to celebrities, film studios, iconic theaters and landmarks. ‘Ambiences from… Los Angeles’ includes sounds from LAX airport, Downtown, Hollywood, Malibu, Santa Monica, Venice Beach and West Hollywood.

  • Get more than 5.5 hours of urban soundscapes from Chicago, Illinois. The recordings in the ‘Chicago – Urban Atmosphere’ library range from busy sidewalk ambiences, street corners, crowds, subways, skyline tones, horns, to back alley rumbles.

    The library is recorded with a Sound Devices 702 recorder + a stereo pair of Schoeps CMC6s with the MK2 H capsules, and is embedded with extensive metadata.

    Iconic Chicago sounds such as the El Train, Lower Wacker Drive, and Michigan Avenue are only some of the unique sounds found in this library. And although Chicago has many iconic features that create its soundscape, this library can be used for any city or urban application.

  • Vehicle Sound Effects High Desert Trains Play Track 50+ sounds included, 38 mins total $35

    High Desert Trains has the sounds of classic Southwestern freight trains. This library captures these monsters as they tear through the desert, rumbling past the observer and screeching to a halt when they reach their destination. These sounds were recorded at 192kHz, which offers you the freedom to stretch these sounds into new machines, monsters, and powerful droning ambiences. If you need a quick pack of train sounds with a lot of flexibility, this is the library for you!

    2% for the Planet:
    Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!

    Key Features:

    • Passbys (fast and slow), approaches, departures, stops, idling, braking, horns (close and distant), mountain incline climbs, whining drones, piercing screeches, thunderous wheels, and a full start from idle.
    • GPS coordinates and location map included.

    Gear Used: 
    • Sennheiser MKH 50/30 MS Rig
    • Mid/Side recordings decoded to LR stereo
    • Sound Devices 702
  • It’s finally here: An electric car sound effects library with recordings from a Tesla!

    The Tesla Electric Car SFX library gets you 146 High Definition sound effects. It features recordings of the subtle sounds of an all-electric car – with its drive motors, servos and alerts, as well as interior and exterior perspectives of doors opening and closing and the horn honking.

    It also captures the interior environment at highway speeds and the tires on gravel and pavement at various speeds. Plus, it has exterior street-based perspectives of vehicle pass-bys and arrivals on different road surfaces at various speeds.

    So if you need electric car sounds for your projects, this library delivers.

    TESTIMONIALS & BUYERS COMMENTS

    “I had a Tesla in a show and realized I had no Tesla library – This kit got the job done perfectly – Thanks Rick!

    -Jonathan Lipman, MPSE
    Sony Pictures: “The Good Doctor” network TV series

    “Rick’s TESLA SFX library was a life-saver for us on Season 2 of HBO’s Divorce, especially since Tesla demands that ONLY authentic Tesla sounds be used whenever their vehicles appear in a scene! Rick’s FX gave us that authenticity. Very valuable resource. Thanks Rick!”

    – David Briggs
    Supervising Sound Editor, HBO “Divorce”

    “Hey Rick! Awesome job on the Tesla library! Literally minutes after downloading, I cut one of the servos into a commercial I’m working on… I’m going to get a TON of mileage out of the wheel recordings. I feel like wheels are a really difficult sound to get a great recording of… All around great job!”

    -Kai Paquin
    Sound Editor | Los Angeles, CA

  • Human Sound Effects BURP Play Track 242 sounds included, 8 mins total $5

    The BURP sound effects library brings to you a varied and expressive set of burps and belches. All from the gut of Jack Menhorn; the goal was to produce a burp library that would be great for regular belches in addition to monster and creature vocalizations.

    These 21 files with 242 individual takes equaling over 140 MB of authentic burps will whisk you away to another realm of rudeness and lack of manners.

    It comes with short, medium, and long versions of many performances including; harsh, airy, strained, opened/closed, and many more.

  • Sometimes you need that background sound to define the mood: The buzzy insomnia of a flickering light, a lost alien transmission, the lazy spin of a fan above, haunting radio static, the violent rush of air as you free fall into terminal velocity…

    With noise sounds recorded from an incredible array of sources, if it goes hum, whir, buzz, or hiss this library has got you covered.

    All natural and organic sounding makes this versatile library an outstanding resource for both film and game sound designers.

    The library includes:

    Generators and Compressors
    • Industrial Machinery
    • Radio static
    • Crackles and glitches
    • Ground hum and buzz
    • Transformers
    • Transportation cabin hums
    • Gas leaks, air leaks and bursts
    • Air conditioners
    • Fans, from tiny to massive
    • Vents
    • Elevators
    • Afterburners
    • Voids
    • Rumbles
    • Force fields
    • Transmissions
    • Sci-Fi Machinery
    • and more…

  • The Australian bush is something very close to my heart. Most of these recordings were taken on my family's property in Molong NSW.

    This collection includes a large number of natural bush ambiences recorded at all times of day. There are plenty of birds, some sheep, turkeys, bees, cicadas, crickets, dogs and chickens. As well as motor vehicles on gravel, chainsaws, campfires, generators, footsteps, and even a wall construction. There is as always some random stuff fin there as well.

    Recorded with a Sound Devices 633 and Sennheiser MKH8040s. The library is 2GB and includes 126 x 24bit 48kHz .wav files. Sound Miner metadata embedded.

  • The journey continues. This time we focused our attention on resonant chambers, unusual small-spaces, rooms and corridors (spiced with unique tonal character). These impulse responses will put your instruments in tight-spaces that are unreachable in the real world.

    Including organic, futuristic environments and psychedelic chambers, all surprisingly fitting in a natural way. Just for this project, we pushed granular synthesis to the limits, mixing it with great sounding analog gear and a handful of our special algorithms, to make sure we delivered the most versatile and dynamics-rich product. Everything is ready for professional use, right out of the box; thanks to the precisely controlled tonality of the IRs.

    You won’t find anything like this in any other place, and we are fully proud of it. Just try it.

    Details:

    • 64 impulse response samples
    • 48khz / 24bit wav files
    • Compatible with any convolution-reverb software
    • WAV + ReFill version (for Propellerhead Reason 8.3+ with 64 Combinator & RV7000mk2 patches)
  • The Seagulls sfx library includes 28 tracks of both single, isolated seagull screams, and bigger flocks of nesting seagulls, calling out to each other and their chicks. There are plenty of classic call sounds, but also some weird throaty and raspy screaming, and what could sound like seagull laughing sounds.

    All tracks are recorded with the very useful zoom function of the Telinga microphone and dish.
    Library includes both untreated tracks, and noise reduction processed tracks in two separate folders. Noise reduction processed tracks have carefully been cleaned up with a CEDAR NR system.

    Though these birds are in an abundance around most harbours and industry around here, they are not always easy to record. You mostly hear them from a distance, or from places not easy to access. When you try to get close to them, they will usually fly away.

    Many hours have been spent on rooftops, gardens, backyards, a junkyard, and different harbours to get this material.

  • Gore Sound Effects Pumpkin Gore Play Track 12+ sounds included, 6 mins total $5

    Our ​Gore library​ was​ ​recorded ​in ​the ​​weeks​ ​preceding ​Halloween ​2017. We decided ​to ​have​ ​some fun​ ​because​ ​we ​generally​ ​only​ ​have ​access​ ​to ​​pumpkins​ ​this​ ​time ​​of​ ​year​ ​and​ ​thought​ ​why​ ​not​ ​create something ​​fun​ ​for​ ​us,​ ​and ​​our​ ​friends​ ​and ​colleagues​ ​to ​use. Please ​enjoy​ ​the ​use​ ​of ​these​ ​recording​ ​in all​ ​your​ ​spooky​ ​movies​ ​and ​sound design.

    Provided ​are 750 MB of ​LR ​and ​MS Recordings. ​​​LR ​is​ ​decoded ​from​ ​the​ ​MS​ ​and​ ​has the​ ​approximate ​stereo ​​width ​as​ ​an ​​XY ​recording.​​ ​On ​​the ​MS ​tracks​ ​the mid ​mic​ is​ ​on ​the ​left ​and ​the ​​side ​mic​ on ​​the ​​right.

    The ​​LR ​​can ​be ​encoded ​back​ ​into ​MS​ ​or​ ​if ​panned ​center, ​​cancels​ ​out ​the side​ ​mics​ ​to just ​play​ ​the ​mid ​mic. ​Alternately​ ​in ​​the ​provided ​MS ​​file, ​the right ​​side ​channel ​​can ​be dropped ​​so ​you ​can ​​use ​the ​mono ​​center. The ​2 ​​files​ ​are ​​mastered ​​the ​​same. Occasionally ​​the ​​levels​ ​vary​ ​on ​the ​MS track​ ​as​ ​these ​are ​the ​levels​ ​set ​to ​​keep ​the ​the tracks​ ​phase ​coherent. ​All tracks​ ​are ​​edited ​to ​be ​M&E ​​friendly, ​and ​monitored ​through ​a ​​phase ​scope to ​again, ​​keep ​the​ ​tracks​ ​phase ​coherent.

    All ​recordings​ ​were ​recorded ​In ​a​ ​foley​ ​studio ​at ​192kHz​ ​with ​​a ​Fostex​ ​FR-2 recorder, ​Project ​​Studio ​​C4 ​mic, ​and ​​Ambient ​Emesser​ ​ATE-208 bi-directional ​​mic​ ​and ​​mastered ​​in ​Pro ​​Tools.

    All ​recordings​ ​are ​recorded ​​in ​​Toronto, ​​Ontario ​Canada, ​​by​ ​Ryan ​​Macneill and ​Steven ​​Ejbick​ ​of ​​Textures​ ​Sound.

  • Get the sounds of a 1999 Harley Davidson Fat Boy motorcycle sound effects library (with Metadata).

    All 131 ready to use wave files were captured in 24 Bit, 96 kHz. Files are divided into External static sounds, External following sounds, Foley sounds, and Onboard sounds. The combined recorded driving time is more than 42 minutes long.

    The Onboard recordings are in 2 separate mono wave files, channel one for engine and channel two for exhausts. drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings.

    The External recordings are in stereo, one MS (Mid-Side) for following (tracking) and the other MS at a fixed (static) position.

    Vehicle specs:

    Vehicle Type: Motorcycle
    Brand: Harley Davidson
    Model: Fat Boy
    Year: 1999
    Country origin: USA
    Specification: modified with straight pipes (without mufflers), 1450cc, 2 cylinder, 4 stroke, V-Twin, air cooled, manual 5 speed, carburetor fuel system (modified with larger jets), 63 horse power.

    Recording details:

    Onboard Settings:
    Channel 1 = Engine, Channel 2 = Exhaust

    External Settings:
    Following (MS Stereo in Left & Right Channels tracking the moving vehicle)Static (MS Stereo in Left & Right Channels from a fixed position)

  • Factory Tones by Badlands Sound features 17 two minute seamless loopable roomtones, making these a breeze to work with – perfect for your projects.

    I was able to capture all these sounds with no one there so these are just factory room tones that are steady with very little movement or noises from the outside world. All sounds are available to hear in the products audio demo.

    This sound library was recorded with professional gear including the Sound Devices 702t, Rycote ORTF, and a pair of Sennheiser MKH 8040’s creating high quality roomtones of 96k / 24 bit.

    If you are looking for factory room tones or looking for bigger tones and beds to fill the scene then this library is for you. All files in this product have great file names and metadata.

  • This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.

    The UglyBike is a typical old bicycle that’s working fine, but needs some TLC. It is a bicycle that’s just average, a little rattle a gentle scrape, a bike that everyone has had but got traded in for a newer one. A story of unrequited love.. :)

    Speeds and actions:
    Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.

    Five perspectives:
    1. Onboard Front: captures the whirring tire and surface sound.
    2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
    3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
    4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
    5. Static XY shot: stereo recording of the passby that emphasizes speed.

    Overview of perspectives and mic placement:

    Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
    All 3 onboard mics are edited in sync with one another to make layering easy.
    All Passbys, Arrivals and Departures move from Left to Right.

    Metadata & Markers:
    Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window.

    However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.

    Download our Metadata Reference Guide

    Download complete metadata PDF

    If you have any questions about this, contact us!

    Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.

    Need more?
    The UglyBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off  bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.

    'City Bicycles'  Sound Library by Frick & Traa

    Responses:

    344 AUDIO:City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..

    The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.

    Watch a video created by Zdravko Djordjevic.

    City Bicycles sound examples

     

  • Bluezone Corporation presents 'Battlecruiser – Spaceship Sound Effects', a new sound library covering a wide range of designed SFX. This downloadable sample pack is loaded to arm all sound designers with an arsenal of 154 meticulously designed spaceship elements such as: Alarms, command center ambiences, deep exterior and interior ambiences, machine room backgrounds and drone sounds, energy elements, high tech interface sounds, massive reactor rumbles, explosions, spaceship passby and transmission sounds.

  • Environments & Ambiences Tick Tock Play Track 25+ sounds included, 25 mins total $26

    Tick Tock contains a wide range of loopable clock ticking sounds, meticulously crafted from recordings of antique clocks, machines, victorian equipment, the human body, and household items by our award-winning Sound Designers.

    These sounds are perfect for adding unique clock effects to your library and projects.  All effects were recorded in 24Bit 96kHz, allowing for further sonic manipulation.

    If you’re tired of using the same, mundane clock sounds, then this library is for you! Tick Tock is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.

  • Epic Impacts Vol. 1 contains a huge arsenal of powerful and evocative impact sounds, split into different categories, ideal for Sound Designers and Composers looking for bold and unique effects to bring their projects to life.
    To create this epic library, our Audio Craftsmen recorded sounds from instruments such as the guitar, piano, violin, zither and waterphone. We also recorded sounds of objects falling and hitting each other. We then layered analogue synths and manipulated the recordings to create unique sound effects. All the sounds were recorded in 24Bit 96KHz, allowing for additional sonic manipulation.
    The pack includes a variety of general impact sounds as well as category folders which can be used in the genre you are working with. An incredible addition to any sound library.
    Here are the included folders:
    Abstract and Sci-Fi: Modulated and futuristic, these hits are ideal for Sci-Fi movies and video games.
    Electronic Impacts: This category contains sounds with electronic elements and bass drops. Add extra weight to your mix with these deep and heavily crafted effects.
    General Impacts: A collection of hits with wide use cases, perfect for trailers or dramatic moments that call for a more traditional impact sound.
    Horror and Fantasy: Add anticipation and suspense with this collection of sounds designed from strange tones and abrupt effects, providing a mysterious edge to your productions.

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