Twisted Reality – Drones & Other Worlds, brings you 50 dark, twisted, ominous and magical drones / underscores for all your sound design needs. Perfect to create that unworldly atmosphere in your theatre show, film or game. Made from original field recordings and twisted into something quite different, the styles vary from monotone drone to full soundscape. All styles covered from, the condemned man’s last walk, to the Snow Queen’s, Ice Palace, and with most of the files over 3 mins, there should be plenty there to cover your scene.
Cinematic Whooshes are heavy hitting transition elements perfect for TV, Film, Game, or your latest mainstage performance. Ranging from light Fly-Bys to seriously intense sonic mayhem, these whoosh effects are up to the task!
Interface is a collection of Button Presses, Power-Ups, Data Rolls and Whooshes for use in Games and Multimedia. They are also very useful for creative music production. Use the whooshes as transition elements or the Power-Ups to start off a song. This collection belongs in every digital artist toolkit.
From the Moons of Saturn to the internal workings of a warp engine. These ambiances will set the tone for all types of futuristic soundscapes. These textures are blended phase modulations and distant radio waves that will drop right into your DAW and transport you to outer space!
British Stately Home is a collaboration between two award-winning sound designers, Stefan Henrix (Chernobyl, Batman Begins) and Steve Fanagan (Room, Frank). It is a collection of 256 files recorded at 24bit/96kHz, totalling 18.6GB. The recordings are a mixture of mono, stereo, LCR and 5.0 files. In some cases there are multiple perspectives on the same recording (close, mid and wide). There are also Impulse Responses from several of the building's more characterfully reverberant rooms, which have been recorded from different perspectives and edited for use with Altiverb.
Sounds for this library were recorded over two days in a beautifully maintained rural British Stately Home; a late-18th-century neo-classical mansion. We set out to record any and all aspects of the building and its surroundings. The collection includes doors, windows, fireplaces, clocks, drips, keys and various unusual, period specific props we came across.
The interior of the building was one of the quietest places either of us have ever recorded and the Roomtones we've captured here are some of the most still and neutral recordings we've both made.
All of the sounds are authentic and the spaces we recorded in are reverberant, have their own ambience, and have coloured each of the recordings with the natural acoustic of this magnificent building.
We often set-up with multiple mics to capture different perspectives of the same recordings and these will hopefully offer the user interesting options as they work with these sounds.
At times we have left our own movements at the beginning and end of recordings, as they captured something of the building's unique acoustic and have proven useful to both of us in our own film work with this library. This is a diverse and versatile library and the recordings take well to pitch and time shifting, and to other plugin manipulation.
Equipment Used: Sanken CMS-7S, DPA4060, Sennheiser MKH60, Rode NT4, Sound Devices 702T, Sound Devices USB Pre-2, Roland R26
Create state of the art seat jumper and modern glitches, delivers a fully immersive cinematic experience with a complete set of disturbing sound effects to enhance the action on screen and make spectacular experience for your audience.
Shockwave offers rich and powerful digital glitch, dirty blast, heavy ping, electric shock, flash, buzz, stutters and source recordings ready to be dragged in your favorite DAW or sampler.
For modern movie trailer, soundtrack, cutting edge electronic music, and audiovisual installation.
A total of 150+ WAV Samples in 24 bit / 48 kHz.
Vintage Tram features sounds of a fully working light rail vehicle in small valley near Dresden/Germany. The 2-axle railcars were built from 1957 until 1967 with reference to concepts from the 1930s.
The recorded tram drives along an 8 kilometer track through a small valley that is surrounded by reverberant rock faces of various intensity.
The Library contains recordings from the driver´s seat, from several positions in the wagon, both with and without passengers. Also included are exterior recordings of squeaky approaches and pass-bys, couplings, doorbells, and door openings/closings.
Recorded in 192 kHz the material allows for extensive downsampling to generate versatile soundscapes far beyond the original. Please listen to Audio Demo No.2
The Rain & Thunder sound library features 53 files covering different types of rain, from light showers to heavy falls. Files were recorded in different locations, like open space, forest, under the plastic or metal roofs and some experiments like rain recorded inside metal grill or bucket. There are also few thunder recordings, mostly subtle and long ones. It’s 5.31 GB 96kHz pack with total length of 162 minutes.
We recorded Madrid last winter, capturing 40 beautiful tracks in ambisonic format, 48Khz and 24 bits HD. As always, top quality recordings specially designed for film audio projects. The library was decoded and mixed in Dolby ATMOS.
Included Ambix Ambisonic, 7.1.2 Atmos Bed, 5.1 and ST versions.
This is a collection of snowy, icy, slushy, crunchy winter traffic. Single car passes, busy city roads, distant skylines, village roads, highways. All files are 96khz 24bit with metadata, and recorded with 2 x Sennheiser mkh 8040, mkh 416, Audio Technica BP4025 and Sony D100.
FSSF VOL 2 is a second installment of one of our bestsellers; foundation series sci-fi (used on projects like: Robot Will Protect You, Season 10 of Archer and many more).
This pack is created with game devs, animators and sounds designers in mind.
627 high quality sound effects, optimized for game devs and mastered to sound good on all sets of speakers and headphones.
The library features:
• Seamlessly looping ambiences
• Buttons and switches
• Cyber-Tech sound effects (cinematic transformations and robotics)
• Sci-fi, futuristic door sound effects
• Seamlessly looping drones
• Exoskeleton sound effects (steps, servos, activations)
• Micro-Tech sound effects (cinematic micro transformations and micro robotics)
• Space racer fly-by sound effects (left to right and right to left)
• Achievement/power-up/even sound effects
• Energy Risers
• Seamlessly looping radio glitches and static
• Complex UI sound effects
• Seamlessly looping UI Calculations and alarms
• Simple UI sound effects
• Weapons sound effects (gunshots + weapon foley: pickup/equip, reload)
• Cinematic risers
• Cinematic Tension Builders
• Air release/gas leak sound effects
• Extraterrestrial, big monster sound effects
All SFX have baked-in Soundminer’s meta data.
The download includes:
96KHZ 24BIT version (1.11GB)
44.1KHZ 16BIT version for Unreal Engine (0.4GB)
RECORDED WITH: Sennheiser MKH8060, MKH8040, DPA4060, SONY PCM D100, JrF Coil Pickup
EDITED AND MASTERED WITH: Pro Tools, FabFilter, Reaktor, Soundtoys, Klevgrand, McDSP, Zynaptiq
This library consists of 380 different sound effects ranging from footstep to metals gliding through snow! With each surface, there are a variety of different footsteps, impacts, jumps, metal foley and more.
You can also hear the sound of banjos, jingle bells and more sizzling on dry ice! (The banjo sounds great, trust me.)
Types of snow/ice surfaces:
The sci fi world of movies and games has shown us many space battles – and this sound collection guides us to the realm of laser sounds, with a total of 105 laser and blaster sound effects.
In the world of sci-fi not only humans but robots communicate, too. The following Astro Droid sounds are from such conversations. If your favourite was R2D2 from Star Wars then don’t miss out!
This compact pack gives you a few sound effects of summer Toboggan Run. Loud lift clicking sound of the track, fast downhill ride and passbys of the bobsleds.
Recorded in Czech entertainment park on Line Audio CM3 (XY pattern) and Tascam DR 701-D.
Here is the thunder I recorded in 1988, to DAT with an ORTF pair of Schoeps MK-4s, which includes a strike from ~12′ away! Hair standing up on end and everything. You may know some of this material as what I released through “The Hollywood Edge Signature Series” back in 1993. Well, a lot has changed. More than half the material was then unusable back then due to rain ‘ruining’ the recordings. Not so with Izotope RX 7 Advanced. Rain? What rain? Not a drop survived. Not. A. Drop.
Painstakingly remastered to 96kHz 32-bit floating-point (no shortcuts padding it with useless zeros: That would be cheap and lazy). Embrace it; it’s our near-future and everything I publish from here on out will be as such.
Hundreds and hundreds of mic capsule failures were repaired along with plenty of distortion – without removing any time; so if you line up the old with the now new, they won’t hold sync for long. Back then all I could do was cut out time. No more. Come hear the utter clarity and crispness of this thunder as it should be. To differentiate and make it quick and easy for people to cut, I’ve called the very close strikes “Lightning” and the not-as-close strikes “Thunder”. Already prepped in/for Soundminer ready to go, and a spreadsheet document for those using other systems.
Our second entry of our brand-new sound effect series 3D SURROUND is here: ROOM TONES EUROPE. This library offers an enormous variety of different room ambiences. From busy transportation areas, malls and warehouses over congress centers and green houses to swimming pools and public libraries. ROOM TONES EUROPE covers all different scenarios you could possibly need, delivered fully surround with unprecedented precision, spatial impression and clarity. Undoubtedly, this can be easily used in stereo productions as well. Either chose the angle yourself or use the stereo version (included in 3D SURROUND).
CLEAN AND PRODUCTION READY
ROOM TONES EUROPE is a highly versatile ambience library that smoothly adapts to virtually any application.
It offers a large selection of generic ambiences to blend into many different contexts as well as specifically recognizable locations delivered with maximum authenticity.
FRAME YOUR SCENE
Ambiences are an excellent tool to establish the mood of a scene, level, or location. With ROOM TONES EUROPE, this becomes a simple and rewarding task: Choose from the over 98GB large pool of well categorized ambiences available.
From ultra-silent to lively, confined to wide open, dry and close to reverberant – everything delivered in an immersive 3D audio format that’s also backward compatible.
To increase your mileage with the library even further, the average sound is 3-7 minutes long.
INCLUDING STEREO VERSION
In addition to the ORTF-3D files, the 3D SURROUND edition also contains all files in 2.0 stereo for your convenience to save time on unnecessary conversions. Instead, you can instantly use these great new sounds for all your projects that don’t require surround sound.
Files: 119 • Size: 19+ GB • Format: WAV – 24bit – 96kHz
The Expanded Household SFX Library contains all of the essential sound effect recordings of everyday household items included in the standard edition plus 238 additional recordings. These additional sound effects give you a greater variety of choices while editing.
The library includes sound effects such as doors, room tones, chairs, windows, kitchen equipment, sinks, bathroom shower, clothing, and more.
This highly curated and easy-to-use library is perfect for a video editor or sound effects editor working on a sitcom, family drama, or comedy. For a .pdf listing all sound files included, see the sound file list below.
Pulsing pistons, creaking cogs, bright hisses, funnel blasts and evolving mechanical rhythms, the Traction Steam Engines sound library is a collection of engine sounds straight out of the industrial age.
Consisting of two banks of material – the original recordings (90 stereo/mono files, 96khz, 4.96GB) and a custom collection of design sounds (111 stereo/mono files, 48khz, 4.83GB) – the library offers an exciting range of sonic ingredients for all manner of industrial sound design projects.
Ancient Armour and Weapons is the result of months of recording, editing and arranging historic prop foley and combat sounds. This library is the first in an extensive melee and hand combat series by Black Edge Sound Studios (formerly Output Audio). Recorded at Universal Sound In Amersham, UK. A dedicated foley stage with a wealth of experience in crafting sound for feature film, TV and video games.
The library has been designed to give sound editors and media creators some of the core audio elements needed to create epic sword fights, brutal melee conflicts and more; whilst proving multiple content options for editors to use either compiled sounds or original recordings from a choice of microphones. In addition to the search capabilities of the sound selection, care has been taken to arrange the recordings into a sequenced order. Multiple versions of each sound have been recorded in line so this content can be combined and layered easily.
Background foley for mass groups has been provided with a selection of layers. These tracks can be panned to create 2.0, 5.1, 7.1 and up to 7.1.4 mixes.
Content Groups Included:
Blood, gore, swords, metal shields, wood shields, spear, axe, arrows, historic armour impacts, whoosh, body fall wearing period dress, mass group foley, prop impacts, metal scrapes and more.
THE ELEVATOR SPEAKS is a sound pack that has a neutral male English voice reading floors and levels up to 100. Beyond the 100th floor you can use the One Hundred And, Two Hundred And etc up to floor One Thousand, to concatenate the speech files. I.e 'level two hundred and ten' or 'three hundred and fiftieth floor.'
The voice files are bespoke, recorded for this sound pack and ok to use in any project or indeed, elevator. PLEASE NOTE I have duplicated the VO files, one set is processed to sound as though they are coming through a small speaker, one set are as recorded, unprocessed for you to use as is or process as desired.
There are also a few sound effects. An elevator travelling, doors and a button press.
The Babies & Kids SFX Library contains a variety of recorded baby and kid vocalizations from children ages six months, three years, and five years old.
The recordings in this library include breathing, cooing, coughing, fussing, grunting, squealing, laughing, sneezing, animal impressions, babbling, growling, pouting, screaming, singing, spitting, whimpering, whining, yelling, and more.
In addition to a wide range of vocalizations appropriate to their ages, the older kids were asked to also perform like younger babies–giving you the superior performance of an older child but the feel of a baby. All sounds easily pitch up or down to be useful for a wider range of ages.
All performances are non-English. Talking, singing, babbling, etc. were performed with nonsense words so the files may be used for post-production without the need to replace in an M&E.
This is a modern and unique library of a Chevrolet Camaro 2000 Z28, 5.7 litre LS1 V8 engine with a loud and throaty 3.5 inch MagnaFlow exhaust. It includes exterior (both engine and exhaust mics) and interior stereo perspectives, plus Foley. Note that the 4-track files are not quad recordings, but intended to be separated into two different monos and a stereo. Enjoy!
48 Kilos is our all 48kHz @ 24-bit library that provides you with a 4.6 GB tempest of audio assets. Perfect for all audio needs in film, animation, interactive interface design, game design, music production, and audio branding where high quality audio is desired with no re-sampling required. This library provide a wide mix of content in a compact form.
Sound content includes breaking bulbs, mechanical gates and doors, the smashing of liquid-filled vessels, manipulating musical instruments, blades, books, ceramics, film, resonant impacts, an AC unit, and much more. They are presented in an assortment of mono and stereo recordings, recorded in a variety of settings (on location, in studio, and a few interesting creative spaces).
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.