Harsh Noise is a collection of analog feedback loop manipulations where traditional audio equipment is pushed to extremes and sent spiralling out of control.
Featuring glitched-out signal malfunctions, huge walls of noise and piercing high-frequency tones, these sounds will really set the mood for any abstract scenes, unsettling moments or technological nightmare situations in your productions, particularly if working to a horror, science fiction, dystopian or experimental theme.
With each file coming in at 1 minute in length and recorded at a high resolution of 24/96, you are invited to go beyond the source material and explore your own sonic territory by way of editing, filtering and processing to suit your needs.
Carma Studio is excited to bring you a new library of over 260 metallic textures! Starting with low-end dark atmospheres to high brittle sizzle.
Hits, Bangs, Rattles, Screams, Moans, Contact Scrapes, Iced Contractions, Stretching, Cracking and Metal Movement.
These clean recordings of metal tones are left raw and unprocessed for your own creative designing.
Solo or layer these intense sounds for instant metallic mayhem. These are the tortured metal sounds you have been looking for!
44k/24bit BWAV files, All files are Soundminer metadata enabled.
The follow up to SoundMorph's hit cinematic library Sinematic, Sinematic 2 is now here! We've gone all out to bring you the best of the best in designed and source files, more than doubling the size of the first release! Designed in collaboration with the same world class sound designers as Robotic Lifeforms 2 and Sinematic…we are really proud to give you even more awesome Sinematic goodness! This library was created over the last 2 years using extensive high end recording techniques, KYMA, and Euro Rack Modular setups.
Sinematic 2 was created by and in collaboration with Thibault Csukonyi and Boris Haladjian (Robotic Lifeforms 2) and Real Cardinal (BioWare, Sinematic, Microsoft).
Sinematic 2 features more than 1,000 24bit/96 kHz .wav files, all meticulously embedded with Soundminer & Basehead metadata, including:
500 + designed sound effects
550 + source audio files
Subtle and Iconic
Textures – noise, grit, glitch
In collaboration with with Supervising Sound Effect Editor/Designer Enos Desjardins (Close, Black Mirror, Trust) If a Tree Falls presents “Boxing Gym”
For our Boxing Gym library we visited three different gyms around the UK. Two in London and a children’s gym in Newcastle and present a wide range of sounds to enhance your library.
We captured a variety of punches at various strengths, multiple perspectives and on different equipment; punch bags, pads, punch ball and speed ball, featuring single hits and combinations of impacts.
Additionally, we recorded body falls in the ring, corner pads and ropes. Footwork in the ring with; steps, scrapes and shuffles.
Plus ambience recordings of both adult and kids training sessions incorporating sparring, shadow boxing, fitness training, press-ups, sit-ups, skipping.
All of our sounds have been recorded in high-quality 24bit, 96kHz using Sound Devices recorders and Sennheiser, Schoeps and Line Audio microphones. Each file has been tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
This bundle contains 10 of my most cinematic packs to date.
You will get big and energetic planet explosions, sounds inspired by crime/investigation/espionage movies and series, impact sweeteners, elements to induce tension, beautiful atmospheric soundscapes, sci-fi textures, dynamic transitions and dark guitars!
These packs can be a great tool for horor and sci-fi games, movies and trailers.
Eradication: An exciting small pack of 25 planet explosions.
Unsolved: 141 sound effects inspired by crime/investigation movies and series.
Affix: 100 sounds in 29 files aimed to enhance and enrich cinematic impacts.
Minacious: 369 sounds suited for horror/paranormal productions.
Flute: A simple but beautiful collection of 30 atmospheric soundscapes created using a tin whistle and a bamboo transverse flute.
Quantum State: 30 soundscapes aimed to be used in movies, games and documentary films.
Sense: 75 textures to enrich the sonic world of your Sci-fi production.
Infiltration: 161 sound effects aimed to be used in modern espionage/infiltration productions.
The Transition: 127 transition aimed to enhance atmospheres, create movement and enrich musical compositions.
AXmos_Cinematic Guitars: 150 cinematic guitars to create suspense, tension and movement in your production.
This library includes 106 sfx of exterior, interior and on-board perspectives of pass bys, shifting, and foley of the Chevy Duramax 2500HD Pickup Truck.
With different performances of each action, you can add unique detail and character to your film, commercial, show, or video game.
Sci-Fi Interface Construction Kit Vol. I introduces a wide array of clean-cut futuristic sound effects perfectly designed, edited and fine-tuned for your projects. Containing varied types of sounds, ranging from zaps, bleeps, wubs, small harmonies and more, you’re guaranteed to find on this library something that will bring your User Interfaces to life, be it on videogames, movies, TV shows, Apps and more.
This Construction Kit was built with versatility in mind. Each of the 500 one-shot audio files are finely cut, with no background noise and with clear nomenclature, perfect for layering and adding external effects to mangle them as you please. There are multiple categories to find with varied frequency ranges, achieved by using various hard and soft synthesizers, amongst other experimental methods and tools.
Also included are over 2 hours of electromagnetic recordings from various sources that will boost your retro-futuristic aspirations like a charm!
But wait, there’s more! Over 1 hour of experimental frequency modulation atmospheres are present, ready to lift you off into the science-fiction realm of your dreams.
This is a collection of location foley sounds (anything we could find that makes sound) recorded over 3-year period in authentic historical houses and barns.
This includes 1700s peasant village houses, 1700s manor, 1850s farm, 1900s manor and 1930s cottage. These are recorded for film projects so they have the right cinematic feel, dynamic and variation.
The houses were full of period props, so the recordings are rich and have lots of details that take you to the right time and feel.
The library weighs in at more than 20 GB total, and features 5000+ sounds & 10 hours of recordings in 347 files.
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
Baltic Forest is a collection of ambient recordings captured over one year in a private forest in Northern Lithuania. 53 carefully recorded exterior ambiences made during summer, autumn, winter and spring. From the bright sound of native birds in spring and summer, to the freezing cold (-20 Celsius) snow storms and tree movements of autumn and winter – sometimes recording in knee-deep snow.
All sounds were recorded and edited at 24-bit / 96kHz, with embedded meta data.
The whole 9 yards.
Comprised of five heavy hitting libraries, this bundle includes GEARBOX, SORCERY, HERO, BROKEN, and MELEE. Save by bundling all FIVE in a single library.
Boutique analog mechanical contraptions, steampunk gadgetry, gizmos and machines big and small.
Car crashes, explosions, crumbling buildings, earthquakes, ripping earth and metal, to debris, and more.
HERO – Sword fights, stabbing, guillotines, impaling, battle cries, shields, drawbridges, armor, foley and more.
We’ve ventured to obscure boutiques, prop houses and vintage shops to capture mechanical contraptions from around the world. Ranging from bizarre creations, to steampunk gadgetry, gizmos and machines, GEARBOX clocks in at over 10 GB of high definition, precision mastered sounds spanning across 2987 construction kit sounds and 584 designed sounds.
GEARBOX equips Sound Designers with a literal toolbox of mechanical gadgetry. Ranging from tiny to huge, GEARBOX‘s machines and gizmos provide coverage for interacts, mechanism, machine or device in your scene or game.
INTRODUCING BUILDING BLOCKS
In addition to CONSTRUCTION KIT and DESIGNED SOUND content, GEARBOX features BUILDING BLOCKS. This category of sound consists of designed phrases and oneshots utilized for our designed machinery, empowering Sound Designers with maximum flexibility when trying to get that particular phrase from an existing DESIGNED SOUND. GEARBOX features over 468 BUILDING BLOCKS ranging from levers, hits, grinds, snaps, and more.
The World War II American M16 Halftrack anti-aircraft sound library features 313 sound effects in 18.86 gigabytes of audio. Based on the M3 Halftrack, this “multiple gun motor carriage” showcases 20 takes of up to 42 channels of performances from a White 160AX, 6-cylinder, 128 horsepower engine.
Twelve onboard perspectives present the vintage vehicle in slow, medium, and fast speeds with steady idles and ramps. The twelve exterior perspectives include 26 channels of the halftrack starting, departing, passing, reversing, and arriving. Includes over 18 fields of Soundminer, BWAV, and MacOS spotlight metadata.
This SFX library features 217 sounds processed by a mint condition Chorus Echo RE-501, including metal impacts, church bells, chainsaws, voices, and water. In addition, self-oscillation sounds from the RE-501 are included. The combination of the 192khz high resolution sample rate and the tape saturation/warmth from the Chorus Echo make these samples sound great when pitch shifted and/or time stretched, even at extreme settings.
This SFX library features recordings of the Pacific Ocean at various locations along the beach within Refugio State Park. The incoming waves collide with large rock formations, creating great wave impacts and rushing water through small channels and hollow rocks. A variety of mic placements at various distances from the ocean were used, from directly over the water to larger distances, recording ambience behind massive rock walls and inside natural beach caves. In addition, a hydrophone captured underwater currents from waves splashing into small tide pools on the rocks.
Recording of a Volkswagen Polo from 2003 with a 1.4L straight 4 cylinder, 16-valve petrol (79 horsepower) engine.
The 1966 Volvo P1800S sound fx collection features hours of recordings of a vintage Swedish sports car. 16 perspectives detail the B18 in-line 4 cylinder ohv 115 horsepower engine also similar to the models 1800S, 1800E and 1800ES.
The sound library includes 363 sounds from 17 exterior and 12 onboard channels totalling over 15 gigabytes of audio. The performances include departure, passes, and approaches at slow, medium, and fast speeds while accelerating, with ramps, gear shifts, and at constant RPMs. The collection also has idles, horns, an Altiverb impulse response and an extensive range of performed effects.
AudioHero's Cartoon collection Volume 4 features 200 professionally produced sound effects, ready for use in your productions. This library includes everything you need to turn your production into a cartoon masterpiece! These sounds are all hand-picked from the Sound Ideas Cartoon Express and Hollywood Edge Cartoon Trax 1 and 2 sound effects libraries. Included are musical accents, bells, boings, hits, skids, honks, squeaks, bounces, crashes and more.
The Animals Volume 4 collection features 200 professionally recorded sound effects, ready for use in your productions. Included in this library are birds, wildcats, sea life and much more! These sounds are all hand-picked from Sound Ideas Just Birds & Animals, Mike McDonough Animals, Serefine Animals, Wild World of Animals and General HD 4 sound effects libraries.
This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The UglyBike is a typical old bicycle that’s working fine, but needs some TLC. It is a bicycle that’s just average, a little rattle a gentle scrape, a bike that everyone has had but got traded in for a newer one. A story of unrequited love.. :)
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.
If you have any questions about this, contact us!
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.
The UglyBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
Watch a video created by Zdravko Djordjevic.
This library features a wide range of recordings from various museums and galleries, each differentiated by the nuances of their size and space. All recordings feature pristine echos, walla and movement. The library includes stereo & 5.0 recordings from:
All sounds were recorded using a stereo pair of DPA 4060s, DPA 5100, Sound Devices Mix-Pre 6 and Sound Devices 788T.
The American M5 High Speed Tractor includes over 20 gigabytes of recordings of a WWII US military vehicle with a Continental 6572 six-cylinder petrol engine with 207 horsepower. 188 sound fx document a full suite of performances from M5, also known as versions M5A1, M5A2, M5A3 and M5A4.
The performances include starting, idling, departing, arriving, and passing by from 6 exterior perspectives at slow, medium, and fast speeds. 10 additional perspectives feature motor, interior, exhaust, tracks, and other locations that capture idles, driving, and steady RPMs from onboard the tractor.
Includes extensive Soundminer metadata.
The Volvo 242 sound fx collection includes 271 sounds in 13.51 gigabytes of audio. The 242 is a DL 1975 version of the car, also known as models 240, 244, and 245. It features 25 takes of recordings from the Swedish vehicle and its 4-cylinder B20 A, 82 horsepower engine.
16 synchronized perspectives capture both onboard and exterior performances. Eight onboard perspectives (12 channels, including 4 in AMBEO) recorded driving at steady RPMs, with gearshifts, and ramps using microphones mounted in the engine, interior, and exhaust. Eight other exterior perspectives (18 channels) showcase driving at fast, medium, and slow speeds approaching, departing, and passing by. There are also steadies in neutral, blips, and performed effects, as well as an Altiverb impulse response.
All clips have 18 fields of Soundminer, BWAV, and MacOS Finder metadata.
Get ready to hit the slopes with this wintery gem of a sound library!
Taken from many trips up and down the slopes in Upstate New York, this library gives you in your face gliding swishes, crunching carves, turns, stops, passbys from the left and right, falls, jumps, landings, poles poking and scraping the snow, chairlift machine sounds, bindings, and more!
If you need authentic skiing sounds this library has you covered. Whether you need to create loops and insert carves in a video game or film project or if you need lengthy recordings of full trips from the top of the mountain to the bottom this library will give you it all. Enjoy Downhill Skiing!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.