Have you ever dreamt of attacking a piano with a metal mallet? Dream no more! This library is available in two versions (and a bundle):
What do you do when your freezer becomes over run by chunks and chunks of ice? You chip away the ice and record the sound of it of course! Pick the Ice is a library filled to the bone with sounds, over 3114 sounds recorded using three microphones, or over 1038 sounds per microphone! Sounds in this pack range anywhere from picking the ice using a thin metal pick, to thicker metal shovel. Hits, chips, scoops of ice shred dings, chopping, patting and stabs round out the sounds created with the force of striking the ice covered grates in a frosted over freezer. Pick the Ice is filled with to the brim with 177 mono and stereo .wav exported files. Microphones used in this pack are the mono Sennheiser MKH8050, Audio Technica AT897, and the stereo Audio Technica AT2022 Microphone. All files are meta-data tagged using Soundly and Basehead.
Terrifying squeals, grunts, barks, and sneeze from adult pigs weighing up to 400 lbs, and ambiences from the stables. The second part is recordings of smaller pigs (80 lbs) on the day they were picked up by truck to go you know where! The pigs knew exactly what was going on, which is represented in the sounds recorded.
Needless to say, this library has been ear wrecking to put together, but the reward is 246 single files of pure pigs.
Get the sounds of gas and water running through massive and tiny pipes, at three processing sites closed to the public.
This library delivers the sounds of a gas control station, a sewage plant and a waterworks. We recorded the hissing of gas, low drones of water rushing through massive pipes, and the sounds of various stages of sewage processing, recorded indoors and outdoors in multiple locations and rooms throughout the three facilities. The library includes close-up sound effects, indoor and outdoor ambiences, and features ambiences and stereo contact mic recordings of active gas and water pipes, capturing the various resonating pipes in isolation.
Total play time of all recordings is just under 2 hours.
Ahoy, me Hearties! Set sail into this huge soundbank of swashbuckling words, phrases, and shouts. Experience the high seas in glorious high-quality audio, featuring top voice talent that will put you at the wheel of your very own pirate ship.
“ARRR, THERE BE TREASURE FILLED WITH JEWELS AND DOUBLOONS!”
From one syllable shouts, to elaborate phrases, there be no finer collection of piratical sounds than PIRATE VOICES.
Places Ambience Library supplies you with 111 common or familiar locations from Airport to Zoo. Placing focus on locations with human involved or created environments such as public spaces, event gatherings, and public service infrastructures. Ambiences last from 1-2 minutes in length for use in any place to create a setting or local. 44k/24bit Soundminer enabled. What’s in the Pack? 111 Field Recordings Restaurants Schools Sports Traffic Underwater Hospital Subways Parks and many more…
Planes Passbys is a quick pack of 20 pass-bys from interior and exterior perspectives.
These recordings are clean of distractions like birds, traffic, wind, and crowds, and they gracefully pan for a realistic sounds image. Rather than spend all day chasing planes with Plane Finder, give this library a listen.
Perfect to use and tweak if you need a spaceship flying (or another flying transportation) over your head!
The Planets SFX library delivers 40 minutes of designed atmospheres from 20 imaginary, extraterrestrial locations. Different perspectives, sometimes close to the ground, sometimes far away. Some locations are buzzing with geological and biological activity others seem distant, cold and lifeless. All sounds are constant, ranging from one to three minutes in duration and can be easily combined to create unique variations, allowing you to dial in your own planets soundscape.
•Designed planet atmospheres
•20 extraterrestrial locations
•96 kHz / 24 bit WAV files
•Embedded Soundminer metadata
This sound library delivers 20 unique ambiences suited for space, planets or anything else science fiction. Each sound is 5 minutes in length giving you plenty of range to choose from. Featuring many different kinds of ambiences, ranging from calm winds to busy rain forests this library will be a great addition to any extra terrestrial atmosphere edit.All sounds were recorded using the Sound Devices Mix Pre 6 and a stereo pair of Sennheiser MKH 8020s.
Need playing card sound effects? Welcome to the most thorough and comprehensive playing card library in existence. Not only does this library provide an incredible array of card actions with many diverse variations, but it's also provided with 2 Mic perspectives.
Close Perspective: For that “in your face” sound often used in games or scenes where you want to focus and create an impact.
Mixed perspective: For scenes where the sound needs to sit naturally without drawing too much attention, yet still sound articulate.
The library was recorded with the most commonly used card deck used by casinos, magicians and hobbyists alike.
It was recorded with 2 matched Neumann TLM 103's selected for their outstanding transient response and ultra high SNR, and contains 410 Sounds (205 sounds x 2 perspectives).
20 classic card sounds used in games, cherry-picked from Sonic Worlds' larger comprehensive “Playing Cards” library.
The library was recorded with the most commonly-used card deck used by casinos, magicians and hobbyists alike.
The library uses a close Mic perspective for that “in your face” sound used in games or film scenes where you want focus and create an impact.
In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.
Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.
The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.
It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.
A very in-depth multitrack recording of a Plymouth Road Runner 440 Sixpack from 1970.
The car has the 440cubic inches engine with the famous 3 x 2 barrel setup. The rating from factory was 390 horsepower. This car has the three geared automatic transmission.
The recording has eight onboard microphones, L+R interior, two engine, intake, L+R exhausts and finally a back center exhausts microphone. Exterior recording consists of four different stereo pairs, all in sync with the onboards.
The recording includes startup, idle, shutdown, blips, standing steady rpms, cruising, driving at steady rpms, various accelerations & decelerations, ramps, passbys, approaches, stops, aways and more.
It also contains foley recording of doors, hoods, gear shifter, switches and horn. Total recording time is 32min 7s.
Point and Shoot is a collection of 200 carefully recorded and mastered camera sound effects.
Shutter sounds, flash cracks, rotary dials, buttons, switches, handling, powering on and off, zoom in and out, inserting battery, SD cards and more!
All audio files have been recorded at superb 96KHZ 24BIT, multiple mic positions to capture all the wonderful sonic details.
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8060
EDITED AND MASTERED WITH: Pro Tools, iZotope RX (mildly).
POS FUJI Cam Edition is a collection of 346 carefully recorded and mastered camera sound effects.
Shutter sounds, rotary dials, buttons, aperture ring, handling, powering on and off, inserting battery, SD cards and more!
Collection was recorded using two tope tier Sennheiser microphones: Sennheiser MKH8040 for a closer perspective and MKH8060 shotgun mic for slightly further one.
All SFX have baked-in Soundminer’s meta data.
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8040 and Sennheiser MKH 8060
EDITED AND MASTERED WITH: Pro Tools, iZotope RX (mildly).
Recording of an American Polaris Indy Trail Deluxe snowmobile from 1991 with a Fuji fan-cooled, oil injected 488cc Indy Trail engine with 2 Mikuni 34 mm carburetors.
Polarity delivers more than 950 sounds of electricity, science and technology – captured in several locations around the world, from electricity museums to science labs. About 50% of the library is all about electricity, with various types of Jacob’s Ladders, Tesla Coils, Ruhmkorff lamp and all sorts of impactful bursts of energy.
Then we go through welders, plasma spheres, 3D printers, starting to cover a more broad technology theme – like old phones, telegraphs, dynamo wheels, rotary dials, whirling watchers, alarm, lab centrifuges, something scientists call a roller and a rocker, servo sounds, neon lights, a wimshurst machine and sparklers.
Many sounds in this section were captured from vintage equipment, from a 1928’s tram to old telephone switchboards, high voltage levers and control surfaces.
All content was recorded at 192KHz with a Sanken CO100K, a couple of Sennheiser 8040 and a Neumann 81i, translating into final assets that have plenty of ultrasonic content, ready for the most extreme manipulation.
From ear-splitting squeaks and noisy cracks to the crunching of a sheet beneath a foot and much more, this library contains a vast collection of polystyrene sounds. but can also be used without the plugin
Works great with Reformer Pro but if you don’t own the plugin, you can still purchase and use the sounds in this pack separately.
Expand your sonic arsenal with this collection of pony whinnies, nickers and blows. 24bit, 96kHz reflection-free recordings means they’re great for creature sound design.
*Pop, Pop, Poppoppoppopoppop
Two Guys, three microphones, and a mountain of bubble wrap. What else to do but record the knuckle popping, transient heavy, tiny air explosion created by the ever calming sound of Bubble Wrap. This library was recorded in collaboration another fan of Bubble Wrap, Adam Carl. Microphones used was the Sennheiser MKH60, Sennheiser MKH8050- both exported as mono .wav files. The stereo microphone used and exported was the Audio Technica AT2022. How many variations of popping can you create? Between the two versions included in this pack, original and reduced reverb, 2483+ sounds per pack over three microphones 828 sounds per microphone, or 4966 Combined are packed waiting to be popped!
Why did we include almost 3 hours of total sound in a bubble wrap library? When you include the squeaking of blowing on the corners or rubbing two bubbles between fingers, clicking a pen pops, popping using a drill, and even filling the bubble with water using a syringe. Other secret sounds include popping inside a metal trash can- similar to sounds of bullets ricocheting off metal, popping wrapped in tin foil, and stretching.
All sounds are exported either in mono (Sennheiser) or stereo (Audio Technica) and meta-data tagged using Soundly and Basehead.
Great sweeteners to toughen up your explosions, glass debris, and even armor moves.
Features smashes, breaks, impacts, debris, shatters, pieces, moves, shakes – stock flower pot/mug breaks, eat your heart out!
All recordings are clean, and contain no reflections, for the widest use for all designs.
Very in-depth recording of a Porsche 911 SC 1981 with the 3.0 liter engine. It is rated 204 horsepower at 5900rpm. The car has the 5-speed 915 gearbox. The recording includes all kinds of driving at different speeds, cruising, startups, shutdowns, reversing, driving at constant rpms, various accelerations and decelerations, ramps and even faked unsteady bad driving. Lots of foley is also included like doors, hoods, switches and knobs, horn, seatbelt, electric windows and more.
Approx 25 channels out of which 8 channels are inboards covering interior, engine and exhausts.
The exterior microphones are positioned at different spots around the recording location and covers approaches, aways, passbys and more at different speeds.
A fun trivia is that this library was used for the main character’s car in the Swedish version of the TV-series “The Bridge”. Total recording time is 75min 28s.
Get the sounds of a 1999 Porsche Carrera, captured by recording specialist Watson Wu. The German-made Porsche Carrera is a 6 speed manual, 3.4 liter, Flat 6, weighing in at only 2,900 pounds. The combined recorded driving time is more than 45 minutes long.
Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine, Channel 4 = Cab
Stereo in Left and Right Channels
Need door sounds? Enter “Portals”, SoundMorph's latest Sound Library containing both designed and source recorded doors. With a focus on Sci-Fi, Medieval, Metal, and contraption type doors, Portals is an excellent resource to add to your tool box.
Portals features more than 225+ files – and as a special bonus right now, you get 190+ of the best doors sounds from our Solar Sky library, for a total 425 files of 1.2GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Basehead metadata.
• Designed Doors
• Source Doors
• Medieval Doors
• Sci-Fi Doors
• Stone Doors
• Teleport Doors
+ 190 “best of” doors sounds from our Solar Sky library
SSL14 Porto City Sounds is one of our recording travel projects, captured in Porto, Portugal during a 3-days visit to the country. The Surround Sound LAB team traveled to Porto just to record the main essence of this city.
This library contains the main character of the lovely city: Boats, trains, wine and history in one of the most beautiful cities in Portugal.
More than 2 hours of original and actual recordings, 27 original field recordings in Surround 5.1 , ST and Double MS RAW format (for custom editions).
Each ambience recorded in this library is at least 1-2 minutes long, so there is no need for looping ambience in your project. This library was recorded in a Double MS mic configuration. providing great post production possibilities.
The day of reckoning is here! Inspired by Hollywood box office hits like Mad Max and The Book of Eli, we present to you “Post Apocalyptic Trailer” – Epic Stock Media’s newest hard-hitting, bass-rumbling designed movie trailer sound effects collection. Includes over 500+ stingers, big hits, impacts, drones, Shepard tones & more. All of the recordings are delivered in 96kHz/24bit, giving you the best quality for heavy sound editing, pitch shifting, and fx processing while keeping a top notch level of clarity and precision.
A collection of almost 250 aggressive blasts, shocking bursts, and whipping whoosh pass by accents.
This sound fx collection features:
This is a collection of recordings of industrial/farming make-and-break engines from the end of the 19th beginning of the 20th century.
It features small clockwork type clinks and clicks, larger gears and pistons, and huge exhaust pipe chugs and blasts.
This power tool sound library will provide you with all kinds of “whizzzz”, “brrrrr” and “Bwoooooo”.
Power Tools is full of top quality recordings of different small motors and rotors, all meticulously recorded in both mono and stereo. Contains bursts, sustained operation, revving up and down, drilling and drags against different material.
Can be used for foley purposes but would also be a cool addition when making sounds for spaceships, sci-fi guns, vehicles, robots and other neat stuff.
Recorded with a Rode Large Diaphragm Condenser (NT1-A) in Mono and Oktava MK 012 in spaced stereo configuration, at 192 kHz, 24 bit.
Sounds for this library were recorded over 5 sessions – in a private zoo and in the field, all in cooperation with professional birds trainers. All of them were recorded outdoor (and just a few in an outdoor aviary). Trainers helped us to get variety of bird calls and vocalisations, like: shriek, cry, squawk, screech, whistle, scream.
Three sessions, were recorded extremely close to birds on very quiet big field. The intention was to grab very isolated and rich sounds, useful for sound design. For this sessions we used Sanken CO-100k and Sennheiser MKH-8060, which were super close (just a few centimeters away from brids beaks) and Schoeps CMC-6XT MK41 a bit wider for more natural/open sound. Although sometimes Sanken and Sennheiser sound very similiar (they were in similar position), we left both files. Sanken recordings (@192kHz) are amazing for pitch shifting, yet sounds recorded by Sennheiser are very natural in neutral pitch.
When pitch shifted, all sounds become very evocative and emotional sound design sources.
All files contain natural sequences and rhythms of calls. There are also close wing flaps, movements and even sounds of birds eating recorded in macro close POV.
The library is extensively metatagged in Soundminer.
Please note: Pitch shifted files in the demo are presented only to show potential of those recordings and aren't included in the library.
Print Shop is a SFX & Ambiance pack containing a lot of great material from a big industrial print shop. The Soundcatcher recorded 4 different printing machines, Print Shop Ambiances in ORTF and a lot of really nice subsonic stuff with two contact microphones. As always, all sounds are tagged with Soundminer friendly metadata and the pack comes in 4 different sizes and qualities.
Ths library delivers a huge collection of quadrophonic hockey crowds from every perspective. And hockey crowds are different from other pro sporting crowds:
The NHL mandates that the music has to stop during play, which leaves every gasp, oh, and cheer free and clear of PA induced pollution.
This wrinkle in the rules of play means that pro hockey games are the ideal setting for recording arena crowds for any situation.
Our hockey crowds were recorded over the course of an NHL season and were done with unprecedented access. Entire games were recorded from various locations including:
– on the camera platform
– in the upper level seats in the hallway
– outside the doors pre and post game
– in the platinum level bar
– under the bleachers
– from the top of the penalty boxes
Each location was recorded in beautiful dual ORTF or double MS quad.
The end result is an immersive sound set that has been carefully edited and fully tagged with metadata. Finding the elements you need is simple and direct.
Pick this library up today and cover your arena crowd needs in style.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.