We recorded tons of different metallic objects like wrenches, cameras, stands, microphones,etc… to create different hits and textures for the Source Material kit, everything was recorded at 192 kHz with the famous Sennheiser MKH 8040/8050 microphones in order to capture all the harmonics up to 50-60 kHz. Then we layered/edited/pitched, crushed them to create the sounds in the Designed folder.
The “Source” folder contains 91 files and hundreds individual sounds divided into these categories:
The “Designed” folder contains 20 files and many more individual sounds, all created from the “Source Material”:
– Silenced/Suppressed shots
The “Synced” folder contains multiple groups of 8 layers + 3 silencers/suppressor, all sync’ed on some of the most common guns rate of fire :
– Ak 47
All the sounds are 192 kHz / 24 bits, giving you all the process flexibility you need. Most importantly the files are embedded with exhaustive metadata compatible with Soundminer, Basehead, etc…
This library is perfect to spice up “boring” real life recordings, create a whole new futuristic weapon or just to give that ” Hyper Realistic ” feel to the project you’re working on.
SSL15 Metal Workshop Session is a full angle recordings from a metal workshop. All the machines in all the formats and angles. Choose between the close 416 mono mic, with the full power of the engine, or the far or medium surround format recorded 5/20 meters away.
This way we managed to get all the sounds from the visit to the workshop!
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
This sound collection covers a wide range of sounds produced by this unique vintage car from 1954, 4CC and 63HP. Not only extensive driving sounds but also some foley and horn blasts. All in high quality 96/24 BWAV-files, recorded with high end equipment. All sounds include metadata.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair.
Microbes is 76 minutes/2.12 Gb of microscopic life forms skittering and scurrying about in their strange world. 326 separate files – recorded in 24bit/96kHz using various microphones.
A construction kit of the sounds you need to design organisms on the microscopic level. Whether you're making a medical animation, a nature documentary or something entirely fictional, Microbes delivers in skittering, fluttering and slithering sounds. Anything from single-cell organisms to complex insects is possible. Sounds are grouped in a variety of creature “species”, allowing you to create different voices with a good amount of nuance in performance. You also get a range of bubbling and swarming sounds, as well as wet and slimy elements. To complete your microscopic universe, there are a number of abstract and otherworldly ambiances.
Sounds were created using various physical instruments and props, such as a hardware modular synth, bowed metal springs, a cactus and good fashioned old voice acting. No actual microbes were harmed (or even consulted) during production. You can read more about the creation of Microbes here.
MicroBots is a collection of 293 carefully recorded and designed robotic sound effects.
Micro movements, ones shots, transformations, tonal sequences and more
MicroBots consist of two main categories Designed (main folder) and Source files (X SOURCE folder).
Designed: 96KHZ 24BIT | 180 Files
Mechanical movements, one shots, sequences etc.
Perfect for designing all kinds of sci-fi future tech.
Source: 192KHZ 24BIT | 113 Files
Organic source sounds.
Perfect for adding extra organic layers.
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8060, DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10.
The MicroTone: Doors library contains 189 everyday door open and closes at various distances and speeds.
Two interior doors, one plastic frame and one wood frame, recorded in mono at close, medium and distant perspectives. Performances range from slam, to normal close, to a soft push shut and finally partial closing.
Contains sounds which will work for all your household door effect cutting needs.
MicroTone is a series of smaller, less expensive libraries from Tone Manufacture for those times when you need a small injection of fresh sounds for a project and don’t have time to record your own.
The MicroTone: Doors library contains 133 everyday filing cabinet drawer open and closes at various distances and speeds.
Two filing cabinets, one metal and one wood, recorded at close and medium perspectives. Performances of all the drawers at fast, medium and slow speeds.
Contains sounds which will work for all your drawer and door effect cutting needs. Slowed down they make great rattling, creaking doors as well. The metal cabinet sounds particularly big and slamming at lower pitches!
MicroTone is a series of smaller, less expensive libraries from Tone Manufacture for those times when you need a small injection of fresh sounds for a project and don’t have time to record your own.
86 sounds of a British mid-size family 2017 1.6 litre manual car. Doors, windows, seat, horn, wipers, glovebox, trunk, hood, driving and more. Nice clean new sounds, recorded in the Summer of 2017.
A collection of stereo urban ambiences, recorded in Cairo and Dubai, where you’ll find traffic, Arabic walla, and the Call to Prayer.
From the Spice Souk in Dubai to the back alleys of Studio Galal in Cairo, something is always moving.
The collection comes with over 50 files, ranging from 21 seconds to nearly 11 minutes in length, for a total of 90 minutes of unique ambiences to put you in the “Cradle of Civilization.”
The Midlands Farm Sounds is a collection of sound effects recorded in the beautiful, quiet hillsides of Kwa-Zulu Natal, South Africa.
These 330 sounds range from animal noises, farm objects, metal squeaks to ambiences of rivers and fields. The aim of this library is to provide a large variety of farmyard sounds for film, games, documentaries, podcasts or musical projects.
A big thanks goes to the Bates, who let me record on their beautiful farm.
26 Natural ambiences
74 Animal sounds
61 Farm objects/Foley sounds
104 Metal sounds
60 Sound design elements
This collection features over interior and exterior stereo recordings of the Military Hummer H1 also known as the High Mobility Multipurpose Wheeled Vehicle (Humvee) as it is put through its paces. These effects have hand picked from the Sound Ideas Military Tanks library.
“Minacious” is a collection of 369 sounds suited for horror/paranormal productions.
If you need to induce tension, fear and oppression in your game, movie or trailer and evoke the sensation that someone or something is hiding and watching you ready to scare or kill, this library full of textures and atmospheric elements is great for you.
The library consist of 50 WAV files at 24 Bit / 96 kHz with 6 variations in each file. You will get metallic movements, abnormal textures, dark pianos and guitars, dark vocals, atmospheric elements, reverses, noises and glitches.
Also you will get the sources used to create the pack. 69 WAV files at 24 Bit / 96 kHz. Pianos, vocal effects, guitar noises and metallic cups are some of the things you will encounter in the sources section.
The sounds in this pack can be used to add rare textures to musical compositions too.
If you liked my library “DARE“, you are gonna love this one.
Get the authentic sound of a Mini Cooper S with a turbocharged 1.6 litres inline 4 engine.
The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo air intake channel.
It contains start, stop, idle, revving, constant rpms without gear, driving, horn and a full surround driveby. The recording length is 13 min 58 s.
MINI PRINTER is a collection of 178 high quality recording of Kodak Mini Printer 2.
Everything was recorded at 192kHz / 24bit which allows extreme pitching and processing. Perfect for creating all kinds of micro sci-fi effects.
The library offers 4 different recording perspectives:
DPA4060: Close (attached to printer’s case) Extremely close (removed case)
MKH8060: 30cm away, 30cm away slightly off-axis
The library consist of:
• Full length printing cycles
• Individual bursts
• Lids opening and closing
• Cartridge insertion and removal
• Photo retrieving
All SFX have baked-in Soundminer metadata.
RECORDED WITH: Sound Devices MixPre-6, Sennheiser MKH8060, DPA4060
EDITED AND MASTERED WITH: Pro Tools, RX
The recordings of real race car – the Mitsubishi Lancer Evolution 8 with 2.0 Turbo Engine on a dynapack. It features ignitions, idles, low and hi accelerations, ramps, stops and a lot of revolution sweeps.
The library delivers 9-channel recordings:
• 3 engine channels: AudioTechnika 8015, Sennheiser 416, Sennheiser 840
• 4 exhaust channels: Sennheiser 418S (MS), Shure SM 58, Octava 015
– and interior 2 channels recorded with a Neumann 185 MT stereo pair
A collection of high-quality stereo audio recordings capturing trains at speed in the United Kingdom.
Inspired by app market hits like Clash of Clans and Candy Crush, we present to you Mobile Game – a truly fun and genuinely gameplay inspired sound effects library. Filled with a thorough selection of popular game ready audio assets, Mobile Game gives you sounds that you can quickly implement inside any game to give it a familiar “hit app” game feel.
Bubbles • Building • Coins • Crafting • Mechanisms and Contraptions • Musical Stabs • Objective Completes • Pick Ups • Potions • Tonal Designed Organic fx • UI/Menu • Upgrades
Now it’s easy to reach the highest levels in professional gameplay sound and audio engagement. Mobile Game 2 – Leveled Up SFX is a dynamic collection of 500 royalty free game sound effects inspired by top selling app-game hits like Candy Crush and Angry Birds.
Inside this premium sound library you’ll experience tonal and non-melodic sounds, collects, coin sounds, pickups, treasures and specials. There’s an outstanding selection of UI sound effects, app sounds, musical motif SFX (these are our favorite sounds in this library), splash screens, logo sounds, alerts and game notifications plus cartoon and animation sound effects as well.
Mobile Game 2 – Leveled Up SFX is the all new and totally original creative companion to our #1 best selling game sound library – Mobile Game. Make a bold statement today and level up your audio production with Mobile Game 2 – Leveled up SFX. On Sale!
Whether you are designing a traffic jam or just another day in New York City, get the correct horn for the correct car with Modern Car Horns, by Frontier Sound FX.
Modern Car Horns is a comprehensive compilation of long and short horn blasts from common American cars, recorded at 16bit/44.1k. Each vehicle is logged with the year, make and model, to ensure the proper fit when matching recordings to image. List of vehicles include:
• 1993 Buick Park Avenue
• 2000 Ford Taurus
• 2000 Jeep Wrangler Custom
• 2004 Pontiac Grand Am
• 2004 Toyota Carolla
• 2004 Toyota Rav 4
• 2005 Ford Focus
• 2006 Hyundai Sonata
• 2007 Hyundai Tiburon
• 2007 Nissan Versa
• 2008 Scion TC
• 2009 Chevy Malibu
Modern Cash Register is a pack of 16 mono sound effects recorded in 24 bits/96 kHz quality, from a Sharp-brand cash register. Not your average, old fashioned cash register sound collection here, but a full set of sounds from the kind of machine you'd see in your local convenience store.
• Drawer open and close
• Printing and receipt tear-off
• Coins handled in and out of the drawer
Performances are varied, to make it easier for you to match a certain mood or intensity.
There's even a recording from the inside of the drawer!
Do you want to make some realistic firefights? Do you want the sound of the Swedish Carl Gustav anti-tank rocket? Got a sudden need for tanks and explosions?
Modern Combat is a collection of high quality sounds recorded from a real Swedish military drill, captured with a mid side rig and two mics in XY configuration. This pack contains weapon handling and reload sounds, rockets being fired, close-up and distant machine guns, rocket launchers, explosions, flares, distant yelling and firefights. As a bonus we've also included some military jeep and tank driving sounds.
This sound pack is guaranteed to spice up any modern combat scenario!
All sounds included are meta data tagged(keywords+description) for use in soundminer/basehead etc.
Modern Seating is a library compiled of a variation of modern chairs found in the office or home. The idea is to fill the need for chairs which aren't always on the verge of breaking or creaking in every direction. It's a foley library of rolls, pickups and general movement in each type of chair or seat. The library was recorded using the Shoeps CMIT5 and the Avedis MA5.
PIONEERING USER INTERFACE SOUND EFFECTS
Fully loaded with over 8 GB of sound material in a single package, this library brings you all you need to dive into the digital, virtual and interactive world. Whether you are looking for futuristic Sci-Fi sounds, high-tech sonifications, casual game UI elements or simple device / system user feedback, this versatile, ready-to-use collection has you covered.
LARGE, MEDIUM, SMALL
In many applications of any kind, users encounter various levels or stages of interaction. MODERN UI features different sound sizes / priorities to meaningfully set apart sounds within the same category, giving you an immense head start in terms of flexibility.
VERSATILE & READY TO USE
Due to their modern and clean characteristics, MODERN UI sounds come with the added benefit of being both formidable in their own right as well as good starting points for your own design. All sounds are neatly tied into 13 unique categories; one-shots come with the established six variations while all textures are looped.
The possible uses and applications of this library extend far beyond the game and film domain. Whether you are an app or interactive media developer, working in the automobile or high-tech industry, a product designer or shaping user experiences in any other way – get inspired by and equipped abundantly with MODERN UI.
WHAT WE RECORDED
As opposed to Cinematic Elements: Fire & Water, no microphones were harmed in the production of this library. In fact, it has been crafted almost entirely using synthesis and elaborate effect chains through which any resemblance of the original recording was transformed into the edgy, unique and identifiable sounds that made it into the package.
WHAT'S SO SPECIAL ABOUT THIS LIBRARY?
A new BOOM library usually is born when we feel that the current supply on the market falls short of our own needs and quality standards. Especially game sound designers require a large pool of available intensities, moods, stages and variations when working on anything UI-related. Focusing purely on the virtual / artificial world, MODERN UI perfectly complements the first, more organic library The Interface.
Modular Synth is a collection collaborated by Ross Fish and Kai Paquin, this collection represents a series of one shot sounds featuring sample and hold, granular, and FM synthesis using a custom built modular synth rack.
Modular UI is an advanced user interface library designed by world-renowned sound designer and musician Richard Devine.
Designed and sourced entirely from Richard Devine’s personal and exclusive Eurorack modular synths and processors collection, the Modular UI soundpack combines the retro, clean sound of analog with the futuristic tech of the new wave of advanced analog and digital synthesis from modular synths, evoking flashbacks of iconic sound design heard in both classic and modern sci-fi films.
The Modular UI soundpack gives you access to sounds created by one of the masters of modular synths and sound design, and is sourced from equipment that would take a lifetime to purchase and assemble, giving an incredible value to this soundpack both artistically and financially.
Utilizing many Eurorack modules that have not yet been released to the public and containing samples equally suited to sound designers and electronic musicians alike, Modular UI is in a class by itself!
Modulated Movement is a cohesive and potent collection of the sounds things make when in motion. Be it mechanical, organic, tech, sci-fi, futuristic, articulated or ambient, this collection plays the perfect compliment to characters, machines, objects or any graphic assets that are flying, creeping, crawling, crashing, sliding, swinging, swiping or displaying any kind of transitions or motions in the real world or even closer to home, in the unreal world of your projects. + Includes embedded Soundminer meta data.
This collection is a great fit for creative audio settings like movie trailers, explainer videos, animations, multimedia, game and movie sound design or straightforward video productions.
The Modulated Movement collection includes more than 500 dynamic, unique, trade craft movement and transition sounds including morphs, whooshes, swishes, transitions, projectile throws, mechanical movement sounds. Modulate the motion in your next audio soundscape with Epic Sounds and FX Modulated Movement.
We’re proud to release our first premier race ambience library, as we continue our exciting journey in sound experimentation with spatial audio. The Monaco Grand Prix 2018 is a genuine sonic document of the 76th edition of the Grand Prix Automobile de Monaco, the world’s most glamorous race.
If you’re looking for unique and modern race engine sounds and ambiences to use in your commercial, movie, television or game projects, here you’ll find lot of sounds with different perspectives to start building real and tactile sport soundscapes.
We made use of two favourite Ambisonics microphones: the Sennheiser Ambeo and the classic Soundfield SPS200, recorded across our Sonosax gear (SX-R4+, SX-R4, SX-M32) and their amazing preamps, which digested the high SPLs of the high-performance cars.
But that’s not all: you’ll also find extremely accurate stereo recordings made with a Sanken CSS-5, an A-B Stereo Technique configuration with a couple of omnidirectional DPA 4060 and, last but not least, a custom MS rig based on a Schoeps MK 41 supercardioid capsule (Mid), plus a MK 8 figure-8 capsule (Side), amplified by their respective CMC 6 units.
Looking for radical transformations? We recorded everything @ 96 kHz, so if you want to turn a pass-by into a dramatic spaceship pass, you’ll be free from any sonic artifacts.
Money is just over 21 Mb of coins and notes/bills being handled. You get 34 files in 24bit/96kHz quality.
This collection contains sounds of coins being handled, counted, poured, dropped – in hands, on tables and in a cash register drawer. There are also a few sounds of bills/notes/paper money being handled and counted. The whole thing was recorded in the studio, meaning a nice, dry sound to build on. The coins and bills used were a mixture of various international currency.
A sound pack full of money:
Falling, rolling & spinning coins, handling & counting coins and bills, rummage, pouring, digging in money piles, stacking money sacks & more.
Please insert coins to download.
Two versions are included in your download – you can either choose one or download both of them:
The audio content of both versions is 100% identical.
This collection features 200 monkey and primate sound effects. It includes gorillas, howler monkeys, chimps, gibbons, orangutans and much more! These effects have been hand picked from the Sound Ideas General HD collections, Series 6000, L2, Just Birds & Animals and Wild World of Animals libraries, as well as the Digiffects Library and the Hollywood Edge Animal Trax, The Edge 1 & 2 and Animal Planet libraries.
Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.
Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.
Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.