Ambient recordings from various industrial sites, including the port of Aarhus with its bulk cargo and container terminals. Most of the sounds are quite generic though, and could be used in many different contexts. Some recordings are teeming with activity, while others feature deserted, yet humming and droning, industrial landscapes. Lots of HVAC with fans and pumps. Containers are moved, gravel is unloaded, engines are running. Very little wind, and hardly any legible speech. A few of the sounds are cut as seamless loops.
Most of the sounds were originally recorded with a Sennheiser MKH60/30 M/S setup. A few sounds appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. 4 of the sounds were recorded with a quasi binaural setup . All sounds were captured in Aarhus, Denmark.
Cornwall Water consists of 26 beautifully recorded and edited sounds, tagged with rich metadata. From crashing waves and babbling brooks, to rock pools and more.
HARMONICS is a new designed sound collection that explores the inner beauty of resonating metals to create an extensive set of inspiring sonic material for sound design and film scoring – proudly presented by SampleTraxx.
Metal happens to have the right combination of speed of sound and decay. Different metal shapes produce a broad spectrum of soundscapes and tones.
HARMONICS investigates this hidden magic by designing and layering these unique timbres.
The result is an extensive set of designed evolving textures and designed metal elements which are great to create sound cues in minutes, metal hits, passby-reverses and evolving drones.
The nature of this soundpack doesn’t call for compressor or maximizer. Close attention has been paid to preserve the original dynamic excursion of each sound and fully enjoy its natural vibration and evolution.
Having a wide dynamic range guarantees more freedom in layering and arranging different elements to create endless variations.
The sonic material contained in the pack is all presented in a designed fashion and different levels of design are provided: from simple elements to evolving multilayered soundscapes and textures, all based on metallic sources. No external sounds apart from metals have been added to the mix.
86 Designed Textures and Elements (dur. up to 1’10″)
37 Hits (Hi and Low Designed Hits)
26 Pass-by Reverse
9 Tibetan Bowl (Raw Recordings)
9 Kontakt Instruments -Kontakt 5.5 full required for these (free player not supported)
Note: the WAV themselves files can be used without Kontakt
The Australian bush is something very close to my heart. Most of these recordings were taken on my family's property in Molong NSW.
This collection includes a large number of natural bush ambiences recorded at all times of day. There are plenty of birds, some sheep, turkeys, bees, cicadas, crickets, dogs and chickens. As well as motor vehicles on gravel, chainsaws, campfires, generators, footsteps, and even a wall construction. There is as always some random stuff fin there as well.
Recorded with a Sound Devices 633 and Sennheiser MKH8040s. The library is 2GB and includes 126 x 24bit 48kHz .wav files. Sound Miner metadata embedded.
Do you remember the scene from The Matrix where Trinity jumps and the time freezes while the camera turns around with this amazing sub sonic bass drop sound? Here is everything you need to pump up your slow-motion scene and more!
Electrify contains a wide variety of high quality electrical noises, sound effects, and ambiences. Perfect for film, game, music, and television.
Recordings taken from an enormous variety of devices and equipment, including: harddrives, motors, sockets, powertools, interfaces, amplifiers, printers, scanners, and many more.
Sounds consist of beeps, glitches, hums, fuzz, noises, processing, crackling and more.
All sounds are cut, and ready to use, for seamless integration in to your latest productions.
High-quality nature ambiance of wild landscapes in both eastern and western Oregon – with a focus on different cricket sounds by day and night.
Types range from hot desert heat to cold windy forest nights, to vibrant riversides. Many tracks are quite long – several minutes or longer. A number catch crickets quite close to the recorder
Let’s step into the wonderful world of classic hardware reverbs. The Lexicon legends; the 960, the 480L, the PCM90 and so forth used in thousands of tracks across tens of thousands of albums, and a number of the world’s’ greatest hits. Everyone knows what’s special about them, and how good they sound. We just love the natural beauty of the “Lexicon 960”, “Lexicon 480L” and “Lexicon PCM90”.
However, instead of giving you our sampled Impulse Responses from those marvelous pieces of audio engineering, we decided to step up the game and combine them into one new device. All three of them were combined into one product, thanks to the use of FFT algorithms and complex audio processing aimed for precision and sound quality.
The final result is just astonishing, we named it “Lexi”; a new hybrid with a natural and richer sound that keeps the warm tonal character of the classics. Our team also couldn’t resist to the temptation to push our audio-processing scripts to the limits, so you not only get the great sounding regulars, but also a few of the modern (both brighter and way deeper) Impulse tones that those original devices couldn’t produce. Now it’s your turn to decide which way you use them. Will it be the remaster of a classic rock song or the new EDM club hit? The decision is truly yours.
The ‘Lifts and Elevators’ library contains a collection of sounds sourced from 19 different elevators. Each model bringing their own unique sonic qualities and character. From slick and smooth modern elevators to weathered old freight and goods lifts, these high-quality recordings have been carefully captured in:
• Warehouses/Industrial Units
Each elevator has been recorded in motion, opening and closing its doors (manually and mechanically), producing metallic rattles, creaks, groans and more. Additionally, Button pressing, alarm bells, buzzers and stationary room tones, have been captured in crystal clear detail.
All sounds have been recorded in high-quality 24 bit, 96 kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416 and MKH30 microphones. Each file has been also tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower stereo image whilst the ORTF provides a wider version.
This is the first part of our Water Audio Libraries, featuring a variety of small movements captured in an open-air swimming pool.
99 clips (99 MONO and 99 STEREO) recorded in 192Khz and 24 bits HD Audio.
Splashes, swimming movements, small water movements, paddles, and more. Have a nice day with your friends and they will help you to record this great collection of useful sounds! How many times have you looked for great sounding natural water movements? Here you have them, in awesome 192 kHz, so you can stretch them as you want.
Grab your boom boom stick – An infamous subterranean fantasy character emerges.. The AAA Game Character “Dwarf” shows off rich dwarven voice over sayings, dialogue, vocalizations and more. Includes over 470+ scripted custom lines, battle cries, fight vocals, and everything you need to build a compelling war mongering, drunken beard wearing, protagonist dwarf character in your next game!
I took out a MZ TS150 2 stroke Motorcycle and recorded approaches, departures, pass bys, circling in a grass parking lot, engine revs, idoling, etc.
I recorded this library with 2x dpa 4060s, 2x ME2, an sm57, sennheiser 416 and a pair of cm3s recorded in an xy pattern. I set up the cm3s on a mic stand, and followed the action with the 416, with 5 onboard microphones capturing sounds on the bike as well.
In the 179 files, there are 8 syncable takes of pass by's at different rpms with the onboards and 2 different exterior perspectives. Everything has been labeled in Soundly with metadata.
You will find what you need to cover any small 2 stroke engine motorcycle in here. With purchase, I offer you to email me at firstname.lastname@example.org and I will send you the protools session that has the sync'd files and original audio if you would like even more coverage of individual microphones (if that is something you are into). Feel free to email me with any inquiries before purchase.
Combustion is a sound effects library exploding with combustible sound design material. It encompasses explosions, chemical reactions, fires, and various other forms of combustion. It provides a vast scope of sound design elements for weapons, whooshes, vehicles, impacts, and so much more.
This sound pack features the perfect transition and movement sounds for any film, tv or animation project. With 91 sounds in total, they have all been carefully sound designed using a variety of top class plugin processors. All files are meta tagged in Soundminer so you can easily find them with simple search terms. See a full list of the sound pack below:
This is a unique bicycle library that captures road surfaces from the perspective of super quiet bicycle. These are clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The Extra Surfaces library provides 162 sounds captured on the following road types Large Bricks, Gravel, Grit, Icy Asphalt.
The four additional ‘onboard road’ surfaces are the perfect extension for your other ‘City Bicycle’ library of taste. Just add it as a layer, mix it and voila your bicycle can move from gravel to bricks to grit or from large bricks to slippery icy asphalt roads.
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently brakes to smooth departures.
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.
If you have any questions about this, contact us!
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.
The Extra Surfaces library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
Watch a video created by Zdravko Djordjevic.
Bluezone Corporation presents 'Battlecruiser – Spaceship Sound Effects', a new sound library covering a wide range of designed SFX. This downloadable sample pack is loaded to arm all sound designers with an arsenal of 154 meticulously designed spaceship elements such as: Alarms, command center ambiences, deep exterior and interior ambiences, machine room backgrounds and drone sounds, energy elements, high tech interface sounds, massive reactor rumbles, explosions, spaceship passby and transmission sounds.
Scare and Entertain your audience with this hugeDISCOUNTED BUNDLE of cutting edge horror sounds and haunting Halloween music , expertly recorded, designed, composed, mixed, and mastered to immerse your audience in a spooky cinematic experience the likes of which they will never forget!
Includes over 50 exceptionally eerie music tracks andhundreds of sound effects, all together coveringnearly 2 hours of highest quality scary audio, inspired by Hollywood Halloween classics such as “Monster House”, “Halloween”, “Goosebumps”, “The Nightmare Before Christmas”, “Corpse Bride”, “Casper”, “Adams Family” and the darkest of Disney fairy-tails including “Hocus Pocus”, “Maleficent”, “Into the Woods”, “The Haunted Mansion”, “Tower of Terror” and many more!
No matter what you're on working on, whether it's a horror video-game, a creepy cartoon, a spooky app for children, or even a huge Halloween party, this ghostly gathering of ready-to-use sound effects is guaranteed to send a shiver through your project!
Need to go even darker? You'll love the Gore sounds and Creepy music tracks we've included, such as those you may heard in classic and modern horror such as Resident Evil, SAW, The Blair Witch Project, 28 Days Later, and The Texas Chainsaw Massacre.
MUSIC: FOREGROUND AND BACKGROUND
Whether you need to shock your audience with sudden stings, awe them with memorable themes, or introduce some subtle spookiness into your project with unobtrusive background loops, everything you need is here!
SOUND EFFECTS: EVERYTHING YOU NEED
Whether you’re looking for creepy CHARACTER VOICES such as GHOSTS, WEREWOLVES, ZOMBIES and SCREAMS, intense ACTION SOUNDS including BUBBLING CAULDRONS, CREAKY DOORS, KNIFE ATTACKS and GORE SPLATTERS, EVIL LAUGHTER or spooky AMBIENCES like HOWLING WINDS, CREEPY CLOCKS and CHURCH BELLS, you're sure to be spooked by the huge range of sounds to be found inside!
MUSIC: ENDLESS OPTIONS
With moods ranging from WHIMSICAL to TERRIFYING, plus MULTIPLE INTENSITY LEVELS, LOOPING and NON-LOOPING versions, and LENGTH VARIANTS, whatever the situation – we've got you covered!
SOUND EFFECTS: BETTER THAN CANDY
Immerse yourself in over 500 audio files of expertly designed sounds, supplied in high-quality MP3 + SD and HD WAV formats, meticulously labelled for effortless searching. Each and every audio file in this phantasmal collection has been expertly mixed and mastered to fit into ANY audio environment – just drag, drop, and let the spooky festivities commence!
MUSIC: WHENEVER, WHEREVER
Each track has been meticulously designed to fit seamlessly into any project, including LIVE EVENTS, CARTOONS/ANIMATIONS, GAMES, APPS, EDUCATION, FILMS, YOUTUBE VIDEOS, HALLOWEEN PARTIES, and more!
SOUND EFFECTS: STILL HERE? ACCEPT OUR GIFT!
With FREE UPDATES, FOREVER! and 35 FREE BONUS SOUNDS from our Best Sellers: Zombie Voices and Blood, Guts & Gore, there’s no better time to scare your audience with this ONE OF A KIND spooky sound pack!
Hurry! Buy now to prepare the perfect paranormal project in time for next Halloween!
…and all other audio-visual productions
INCLUDED PRODUCTS IN THIS BUNDLE:
Thank you for your purchase!
Who doesn't love the sounds of speed? In this library, you'll hear the fast, harsh sounds of a drift car skidding on tarmac. The library contains skidding with engine running, skidding with engine switching off, skidding on wet tarmac, roll bys on wet and dry tarmac, spinning in circles, rolling with flat tire and much more. Both onboard and exterior perspectives are covered, and several microphones were positioned at each wheel, inside the car, and along the skidding path.
Some additional material is included, such as a supercharged Chevy -57 burnout, handbrake skids from a Skoda, and more.
Rodeos and horse ranches aren't what they used to be.
These days, rodeos are polluted with big PAs pumping rock and pop music through the speakers while the cowboys ride the bulls and buck the broncs. People watch through cell phones and keep a safe distance from the action. Horse ranches are overrun with the sounds of 4 wheelers and dirt bikes on the tracks nearby.
The recordings we have come from before that time.
Years ago we rolled out to the rodeo with full access, a portable DAT machine, and a determination to catch every angle we could take a mic to. The house band played from a balcony unamplified while the cowboys rode the bulls and the crowd cheered. The children rode sheep in a sport called “mutton busting” and the women mounted stagecoaches and raced around the arena at breakneck speed.
…and when the show was over the crowd stood up to leave, but the cowboys were still competing – so they kept riding.
The steer wrestling contest happened in an almost empty arena. We were there — up close, capturing every gate release, the sounds of the cow struggling to stay on his feet, and the single trainer cheering the cowboys on. The dirt and the grit and the steel clacking around were all there, exposed and clean and in their native environment.
After the rodeo we went to a local horse ranch and kept on rolling. We got gallops and canters, grunts and snorts. We handled the tack, shook the bridles, and swung the gates. We recorded in the barn and out on the fields.
These recordings come from a time before 24 bit 96kHz portable rigs existed, but they have a quality and fidelity that has survived the ages. Take a listen and remember the time when these things sounded like they should sound.
A collection of rail sounds captured in Italy, including sounds of trams (cable cars), trains and subways.
The library contains sounds like arrivals, departures, pass-bys and on-board recordings. Metallic wheel sounds, pneumatic doors opening and closing, crowds / passengers, and engine sounds are also captured (see the full file list below).
Both interior and exterior recordings are included, as well as PA announcements in Italian.
Machine Emanation is a contact microphone and drone sound effects library focused on machines. It contains multiple recordings and designed drones sourced from band saw to ceiling fan; table saw to dishwasher, thickness planer to paper shredder; bench grinder to refrigerator. Machines were recorded turning on and off, running, and at any available speeds.
Also included are drones designed from each machine. Power tools and appliances are re-imagined as dark rumbling drones and unique atmospheres. A small glimpse of what can be created with Machine Emanation.
Introducing PROJECTOR – An extensive library encompassing sounds of projection equipment.
PROJECTOR contains sounds such as power switches and breakers, buttons and catches, shunts and clunks from many sources including 35mm lens turrets, powering up and down processes, threading up 35mm and 16mm film projectors by experienced projectionists, extraction fans, intermittent sprocket clicks and errors, film handling and splicing, operational projection room ambiences and many more.
All sounds are royalty free and equipped with comprehensive Soundminer metadata for rapid access.
Get the powerful sounds of roaring stags – captured in the wild. Recording these sounds was a huge challenge, and about 90% of the captured material was discarded. However, 10% made the cut, and that’s what you get in this unique collection: Roaring Stags gets you more than an hour of wild stags roaring in their natural environment.
The Burroughs Protectograph that we acquired was manufactured around the turn of the 20th century and had a single unique function – to stamp and emboss checks for banks. The Burroughs corporation has been around since 1886, and was an early force in the adding machine, check stamper and typewriter industries. This Protectograph version had an electric mechanism that would move large printheads down through a ribbon and would stamp a check hard and repeatedly for as long as the print key was held down. Our machine was acquired in perfect working condition.
Its keys have a short through but a satisfying clack, and the punch mechanism is a huge whir stamp sound than can cycle if the punch button is held down. We rolled with the case both on and off, which revealed very different sounds from the main electric mechanisms.
We ran the whole session with three perspectives miked up – front by the keys, in the back by the punch and a wide perspective perfect for bgfx placement. The front and back mics were Schoeps CMC6.MK4 and the wide mic was an AT 4050 in omni about 5 feet away. Listen to the straight examples give a clear accounting of the type of sounds we got from this machine, and the bent examples show what can really be done with those sounds and the Kontakt instrument.
Get the sound of the Tunturi Maxi ‘Pappatunturi’, a Finnish moped model from 1974 with 2 gears and pedals. The library features external, onboard and foley recordings. OnBoard recordings feature 3 different channels: Engine1, Engine2 and Exhaust. All 3 channels of OnBoard sounds can be layered and will line up nicely in your audio editor.
The BMW 530D vehicle sound effects library was recorded with two track Sound Devices 702 recorder on the streets of Poland. Foley was captured with mono Rode NTG3 microphone. The engine sounds were recorded with two DPA 4061 omni microphones set under the hood.
The car sound effects were captured during regular driving, accelerating and decelerating. Engine was recorded in two different configurations with one mic in engine compartment and exhaust, and other one with two microphones set under the hood.
In addition to designed files, this library features RAW sounds pulled straight out of the recorder. In this 124-minute sound library you will find engine recorded onboard and outside, passby sounds, foley and engine recorded inside vehicles cabin.
Get a collection of 134 impulse responses – recorded in the forest.
What if, instead of going to the forest to record the sound, we can find a way to bring the characteristics of the forest to us? Say, for example, we have recorded a sound in the studio like the sound of chopping wood or foley footsteps, but we want them to sound like they are in the forest?
There is a way to emulate this. To make our source sound like it is, in fact, in a forest. The answer is to use the impulse response of the forest and one of the convolution reverb plugins for your DAW.
An impulse response of the forest (or “forest IR”), is the sum of reflections from trees, foliage and the ground by very short signal at high volume. For this sound library, I recorded different impulses in a stereo at different locations of the forest with perfect conditions. Also, the library includes alternate versions of these impulses for use in the processing of the sounds that are far away from the listener.
For using these impulse responses, you need a convolution reverb plugin (not included). The library can be used with the built-in convolution plugins in many DAWs like ProTools, FL Studio amd Sony Vegas, and there are other commercial options on the market, but costs can be high. For starters, you can use a free convolution reverb from the following
A wide choice of IR’s will allow you to choose the most appropriate nuanced impulse response for your material. As you gain more experience with this forest IR, you will find that you can quickly adjust the ratio and volume level for wet and dry channels and effectively use other options of convolution reverb. This powerful forest reverb emulation will be incredibly effective for your sounds.
This library features nearly 100 vocalizations from a recording session with a VO artist that has mastered the art of weird utterances and creature voices.
You will find violent growls, grunts, sounds of pain, moans and groans, breaths, whispers, gargling, hisses, choking, growls and everything else you'd expect from a zombie, humanoid monster or demon.
These sounds are also dry overall, with only minimal editing, and recorded at 96 kHz to allow you to continue to play around with them. The library features dual mono recordings with a set of two different microphones—one crispier and one warmer. If combined and panned, some create a stereo feel.
Ambient/Breath • Choking • Gargle • Growls • Hiss • Moans • Panting • Snarl • Word / Phrase / Gibberish / Latin • Yell / Scream
In High Desert Ambiences 1: Miniature, get a mini-nature collection of desolately beautiful sounds of the American southwest as the sun brings to life the songs of desert wildlife. This collection features sounds that will make you fall in love with the desert with the trickling of distant rivers, smooth cricket chirps, echoey caws from ravens so close you can hear the details in their wings flaps, snorts from a cautious yet curious mule deer, choruses of birds at dawn, and much more. Most recordings are well over 4 minutes, with one half-hour night-time track that will make you want to take out your tent immediately. For a mini-nature collection of lush, peaceful nature sounds from the heart of the American Southwest, here’s High Desert Ambiences 1: Miniature.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Sounds in this library are NOT included in High Desert Ambiences 2 and 3.
• This library contains a small selection of both “active” and “quiet” nature sounds from the high deserts of West Texas.
• If you need more “active” or “quiet” nature sounds check out: High Desert Ambiences 2: Active Nature or High Desert Ambiences 3: Quiet Nature.
• Featured on Designing Sound: “Our Favorite Sounds of 2016”
• Desert dawn and evening choruses
• Distant flowing river, songbirds, and insects
• Ravens soaring and squawking in a stark and resonant valley
• Lengthy night-time cricket chorus
• Partially audible and ultrasonic bat clicks up to 70kHz
• Ghostly distant animal calls
• Mule deer warning snorts and jumping movement
• Files ranging from 31 seconds to 30 minutes
• Rio Grande dawn chorus along the Texas/Mexico river border
• Locations: Near Marfa, Texas (in a mountain valley at an altitude of 6,000 ft) and Big Bend National Park along the Rio Grande River, Texas/Mexico border.
• These desert ambiences are extremely quiet, so I have included descriptive markers to signal interesting events in an otherwise featureless waveform. These markers can be read in programs such as RX, Reaper, and Soundminer. The markers are also included as .txt files in the sound files folder.
This library delivers recordings of the 2005 Honda Civic EX, a 127hp, 1.7 liter, inline 4 cylinder, 4 speed automatic transmission Japanese car.
Included are ready-to-use foley recordings, external passbys, and 4 channels of onboard wave files. All 65 wave files are at 24 bit / 96khz khz and the library features more than 40 minutes of combined driving time (total duration: 197 minutes).
A library designed for fancy pants computer read-outs and jazzy interface buttons. All files are flawlessly loop-able so no matter how long that data needs to keep on flowing, you're covered. Plenty of different styles from classical digital sounds, to lighter, funnier readouts and even dangerously aggressive ones. It pretty much covers most situations.
This library features onboard recordings of a powerful Volvo F12 firetruck which is often used at airports. With its diesel V6 and open exhausts to get some extra horsepower, it can reach the place of fire quicker. The recordings consist of two engine and two exhaust channels, and contains startups, stops, idling, driving, as well as the vehicle's sirens and horns.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.