A meditation on the most versatile audio tool with which we are biologically equipped, we have carefully crafted this collection of mouth noises to provide you with highly dynamic and almost unpredictable organic audio fare. However, we tried to explore less conventional noises and specifically avoided the usual burps, coughs, throat clears, etc. Captured from a single male voice actor, this collection includes squishy spurts, saliva smacks, guttural loops, pops, clicks, cracks, inhales, exhales, and air bursts.
A particular part of this library is the intentional use of creating soft distortion from moving air over the mic membranes in specific ways. This helped add low end and saturated elements to many of the sounds. The wide spectral coverage of this library makes it easy to blend many of the sounds together to achieve some truly diffused but balanced soundscapes. Don’t try to tame this library, unleash it! We've successfully used these in explosions, engine layers, organic rummaging, shots, ambient clouds, UI, and more. Enjoy!
Home to biggest fashion houses and supermodels, Milan is one of the most entertaining cities in Italy. On the contrary, it’s a secular city that has one of the biggest Gothic cathedrals in the world – the Duomo. Extensive public transport (trams, buses, metro, scooters), canal system and people give this city unique soundscapes. Apart from Milan you will also experience a journey to Lake Como, an upscale resort area know for its dramatic scenery and celebrity homes.
This library was recorded in southern France and Komagane, Japan for a diverse collection of cricket, grasshopper and frog sounds. With a Fostex FR2, Sennheiser 418S and Olympus LS11, these focused sounds were captured without the rumbling of nearby traffic or wind. They are clean enough to be dropped right into your project, and they are long enough to offer loop points for interactive use.
Cats are remarkably expressive creatures. And capturing their voices can be a daunting task. Not anymore…
The “Meow” sound library provides all the core cat vocalizations you'll need in a single package.
Using 11 different cats cherry picked for their characters, this library provides over 272 vocalizations for your productions.
From sweet mewls, to longing cries, or vicious shrieks, this library has got you covered.
This library also includes the Sonic Worlds “CAT” sound pack.
A lunatic Calico. A treasure trove of enraged vocalizations.
AFORI & FANGS
Sweet natured Russian Blues for that soft gentle character.
A nasty mean tomcat, hence his name. A Tabby with a rich growl.
Deep threatening growls and hisses. A Ginger in a foul mood.
GINGY & LUCIFER
Whiny sounding Ginger cats. For those hungry begging cries.
Classic meows that work like a charm.
A sad sounding Tabby cat. For those longing mewls that will break your heart.
An absolute sweetheart black cat. Purry meows galore.
Do you need an inspiring collection of carefully edited expressive engine sound fx loops?
Loopable Motors 1: Small Engines is a huge collection seamlessly looping engine sounds from ten different engines. The package includes steady engine loops with multiple RPMs, recorded in 96 kHz, 24-bit for creative sound design. Matching start and end clips are included for many loops for easy drag & drop game implementation or sound editing.
Finding high quality, steady engine recordings and editing them to usable, looping clips can be a really time-consuming task. This sound library is designed to give you plenty of creative material to work with in your next project.
Special Edition includes all the steady engine loops plus 25 accelerations for LeSound Audiomotors plugin.
Library highlights:- 10 combustion engines
– 444 sound files (148 sound with 3 pitch versions)
– Power generators, ATV, compressors, lawnmowers, water pumps.
– Multiple RPM speeds (see datasheet)
– Start & end clips for many loops
– Special Edition includes 25 accelerations compatible with LeSound Audiomotors plugin
– 96 kHz, 24-bit stereo WAV files
– 2.23 GB
– Carefully edited, seamless loops
– Soundminer & BWAV metadata
Synthetic Sphere is a collection of spatialised synthetic pads. Multiple layers of pads, tones and amorphic FX are spreaded across the sphere, resulting in a truly immersive experience. These pads include gentle movement across 3D space, creating rich ambiances but without catching to much of the listener attention.
This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.
All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.
This package includes 10 stereo samples – Total 51 minutes of content.
The library is also available in an Ambisonic version here.
• Harmonic Series Drones is an extension of several of my music compositions. Over the past few years, I've been very interested in data sonification, writing several pieces that turn real-time weather data into music. This library was created using a drone generator that turns weather data into sound. I built this drone generator for my piece Sitka for piano and seasonal electronics.
• Instead of pulling weather data from Sitka, Alaska, as I did in the piece, I used 2016 daily temperature data from the Arctic National Wildlife Refuge, a fragile place wrapped up in current political drama and now open to drilling. This library is a sonification of 2016 temperature data in ANWR. The highest global temperature on record was recorded in 2016 (2016 Global Climate Report). It is even worse in the Arctic where temperatures are warming at twice the rate of lower latitudes (2016 Arctic Report Card). With this library, you'll be able to hear the warming, and I hope this library helps to draw attention to the rapidly changing environment of the Arctic.
• Each of the forty-eight drones corresponds to the average temperature of a day in 2016, with twelve drones from each of the four seasons. The drones are built from pure tones made from tightly filtered pink noise. These pure tones are then stacked in harmonic series relationships. For instance, a winter drone might consist of the fundamental and four lowest partials. A summer drone could have the fundamental and partials seven, fourteen, and thirty-two.
• The drones stand on their own without the story. If you never knew they started with weather data, you would still find a variety of pure, rich, microtonal drones with enough variety to fit the mood of any project.
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
High quality unprocessed drone/quadcopter recorded using both binaural and mid-side microphone techniques. 4 different types of quadcopters were used in this sound library.
Gear: Neumann KU-100 binaural dummy head microphone, Schoeps mid-side setup (Schoeps CMC6 MK8, Schoeps, CCM M4, Sound Devices Mix-Pre 6)
Want to make your visual effects breakdown stand out?
BREAKDOWN ELEMENTS – a bold collection of sound effects for visual effects breakdowns.
Our mission was to create a unique and easy-to-use selection of sound effects that takes an entirely different approach to cliche synthesized sci-fi sound effects.
The majority of elements have originated from organic field recordings which have been elegantly manipulated into a wild new form. This gives the sounds a natural, physical vibe to them – a style that we are certain you’ll love.
The collection is structured into eight categories: BED, BUILD, IMPACT, INTERFERENCE, REWIND, RISER, TRANSITION and WHOOSH. Each element has been designed to work both by itself or layered to produce more complex textures. Additionally, each element has 4-6 variations to maximise versatility.
All sounds are royalty free and equipped with comprehensive Soundminer metadata for rapid access.
We are extremely proud of this collection and we hope you will enjoy using the sounds. Your ears won’t be able to believe their ears!
Surround Sound LAB is proud to present our third ambisonic library decoded and mixed in Dolby ATMOS.
We recorded the Cantabria Country in Spainan area belonging to Green Spain, the name given to the strip of land between the Bay of Biscay and the Cantabrian Mountains, so called because of its particularly lush vegetation, due to the wet and moderate oceanic climate. The climate is strongly influenced by Atlantic Ocean winds trapped by the mountains.
Recorded in ambisonic format, 48Khz and 24 bits HD. As always, top quality recordings specially designed for film audio projects.
Once again, we have mastered all the files in Ad Hoc Studios Madrid (link), Post Production sound studios certified by Avid and Dolby ATMOS, one of the best post-production facilities in Spain.
AmbiX First Order Ambisonic, Dolby ATMOS 7.12, 5.1 and ST files have been mastered with Pro Tools HD 2018 system are included in the package.
Train and ambience library recorded in Tokyo, Kobe, and Osaka. Bullet and regional trains, platforms, and station ambiences. Recorded at 96kHz stereo.
Moving Soundscapes is a collection of abstract and layered textures focusing on the Sci-Fi and Space age genre. Each drone comes in multiple pitches at full 192khz WAV quality.
Perfect for anything and everything in the Sci-Fi realm.
This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The UglyBike is a typical old bicycle that’s working fine, but needs some TLC. It is a bicycle that’s just average, a little rattle a gentle scrape, a bike that everyone has had but got traded in for a newer one. A story of unrequited love.. :)
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.
If you have any questions about this, contact us!
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.
The UglyBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
Watch a video created by Zdravko Djordjevic.
The Babies & Kids SFX Library contains a variety of recorded baby and kid vocalizations from children ages six months, three years, and five years old.
The recordings in this library include breathing, cooing, coughing, fussing, grunting, squealing, laughing, sneezing, animal impressions, babbling, growling, pouting, screaming, singing, spitting, whimpering, whining, yelling, and more.
In addition to a wide range of vocalizations appropriate to their ages, the older kids were asked to also perform like younger babies–giving you the superior performance of an older child but the feel of a baby. All sounds easily pitch up or down to be useful for a wider range of ages.
All performances are non-English. Talking, singing, babbling, etc. were performed with nonsense words so the files may be used for post-production without the need to replace in an M&E.
Toyota RAV 4 II 2.0 16V Diesel sound library features 89 high quality files recorded with multi mic setup. Engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo. Last but not least, different foley were recorded to cover exterior and interior activities.
The Audi A4 B8 Allroad 2.0 TFSI is a 211 HP 4×4 car with turbo, and this library gets you almost 9GB of recordings, featuring 155 96kHz and 24bit files (including RAW files, 111 without RAW), with a total length of 213 minutes (without RAW files).
The library covers different sound effects like engine during regular driving, reverse or accelerations. It was recorded with 3 microphones mounted under the hood and one inside the drivers’ cabin to capture the interior in sync with the engine.
It was recorded with two Sound Devices 702, two DPA 4061 microphones, two Sennheiser MKH 8040, Sony PCM-M10 and Rode NTG3.
In addition to the onboard sound you’ll find exterior driving, turning, stopping, turning engine on and off or reverse sounds recorded from 2 perspectives.
Also driving on the snow and asphalt effects recorded with DPA 4061 mounted near the tyres, and finally, passes recorded from 3 perspectives. Slow driving (20 to 40 km/h), medium speeds (40 to 80) and fast (from 80 to 140 km/h), stopping and accelerations.
Those sounds were recorded in mono with Rode NTG3 following a car, stereo ORTF recorded with MKH 8040s capturing passes from left to right, and stereo AB with Sony PCM-M10 capturing sound from right to left.
This library also contains some basic foley, like closing and opening doors, servo sounds, windows, buttons or seatbelts.
Welcome to “INFILTRATION”, a collection of 161 sound effects aimed to be used in modern espionage/infiltration productions.
From intense low frequency atmospheric elements to powerful synth movements this 1.4 GB pack can be your secret tool to enhance trailers, movies, games or musical compositions. See it as a powerful kit to create a modern espionage feel in your production.
As a bonus I included the sources (24 sfx) used to create some of the sounds in the library.
Atmospheric element_Low • Fx_Alert • Fx_Synth_Drop • Drone_Pulse • Fx_Snare_Synth_Tension • Fx_Transition • Fx_Movement • Fx_Distant_Atmospheric • And More
Ignite your projects with the punchy presence and immersive depth of pristine exterior explosion sound effects in 5.1 surround and stereo.
Detonate is a specialty sound effects library of high-resolution explosions, blasts, bursts, and impacts curated from the personal collection of Academy Award®-winning sound editors Mark Mangini & Richard L. Anderson.
Delivered in both 5.1 surround and stereo, these detonation recordings and designs pack a lot of punch up front with a very spacious slap from nearby mountains. Blow it up with massive boom sound effects from dynamite, artillery, and C4 – perfect for sound designing bombs, grenades, cannons and anything else that explodes. The depth, detail, sharp transients, and powerful LFE channel make these sounds perfect design elements for your projects including film, TV, trailers, games and beyond.
“”I heavily leverage my library to find new sounds that I didn’t think of initially…You simply can’t record everything.””
Blade Runner 2049, Mad Max: Fury Road
Here are diffused soundscapes of one of the largest and fastest-growing city on the planet: Dubai. The traffic and activity level is constant in this metropolis.
There are ambiences recorded at ground floor, and traffic tones recorded from high-rise buildings, at the 38th floor, from indoor and outdoor. One bonus included: a Bangkok traffic ambience from 25th floor.
Need rock impacts or dirt debris for your projects? Then you're in luck:
This library offers rock impacts on iron/metal, wood, concrete + dirt & pebble debris – more than 300 files total.
• 84 files: Rocks rolling down hill
• 55 files: Concrete impacts on rock
• 37 files: Rock impacts on iron/metal
• 96 files: Rock impacts on wood (48 mono files Mkh416, and 48 mono files of Mkh8020)
• 103 files: Dirt/pebbles/bark debris impacts on Rock/wood/ground. Long rains, and short impacts
A collection of hunger-inducing sounds of cooking: Includes sounds of frying, boiling, pouring, stirring, whisking and many more sounds from the kitchen.
We are the People is a sound effects library filled with protests chants from the 2012 NATO protests in Chicago.
Two locations give this library two aurally unique crowd environments. The downtown protests reflect off the surrounding buildings, giving them a neat urban quality, while the Ravenswood protests give the impression of a more open environment. Groups of protesters in unified chant ranged in size from just a few to perhaps 200 or more. Many of the recordings have wonderful builds, starting with one or two voices and grow from there, in both size and intensity.
These recordings work great as stand alone effects or for layering in some specificity to crowds. The next time your designing a defiant crowd, bring some authenticity with We are the People.
Looking for vinyl noises, crackles, pops and buzzes? PHONO is a set of textures lovingly recorded from the blank spots of old and new vinyl records.
Comprised of various loops pops and decays, this collection spans the range of what a needle on an empty track can sound like.
108 flavors of rhythmic noise, crackles, hiss, pops, buzzes, bumps and air – packaged, looped, and ready to go. Great straight or with fx.
Want the sounds of a garage / auto repair workshop? The Auto Workshop SFX library features lots of different tool sounds and general ambiences from automotive workshops (originally recorded for scenes in the Bulgarian feature Godless).
The idea was to capture the sounds at both closeup and off-mic, to be able to fade easily between them. A mono microphone was placed close to the source, and a set of stereo microphones was set up further away, capturing more of the room and echo. The result is very usable, and the ability to fade between closeup and wide shot works very well.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.