The Australian bush is something very close to my heart. Most of these recordings were taken on my family's property in Molong NSW.
This collection includes a large number of natural bush ambiences recorded at all times of day. There are plenty of birds, some sheep, turkeys, bees, cicadas, crickets, dogs and chickens. As well as motor vehicles on gravel, chainsaws, campfires, generators, footsteps, and even a wall construction. There is as always some random stuff fin there as well.
Recorded with a Sound Devices 633 and Sennheiser MKH8040s. The library is 2GB and includes 126 x 24bit 48kHz .wav files. Sound Miner metadata embedded.
Get your Phase problems fixed in seconds
faTimeAlign is a reliable workhorse, proven to work with any kind of multi microphone source material. Time Alignment is a delicate and often time consuming task, so you want nothing less than the best possible solution. Easily adjust your tracks, relative to the other tracks, with positive or negative delays and make A/B comparisons to absolutely nail the correct setting.
But that’s not all! You can also arrange your tracks into different sub-groups and delay them relative to each other to align different instruments or instrument groups.
Easy to use and flexible
One of many great reasons you will love faTimeAlign is its unique user interface. The range of the delay knob can be set to any value narrow or wide, which lets you easily sweep through different delay spans. Furthermore, the feature that allows you to enter values in feet, samples, meters or milliseconds gives you all the flexibility you’ll ever need.
200 sounds from no-input mixer recording sessions featuring cable & pedal noise, drones, harsh noisescapes, high frequency feedback, hum, interference, low frequency noise atmospheres, machines gone wild and a multitude of general feedback effects.
For inventive navigation tones, future technology sounds, glitch elements, horror atmospheres, corrupted audio flows and more, this original sound collection will serve as a versatile palette for sound designers/editors/artists, music producers and anyone looking for interesting audio artefacts.
All files are 24 Bit/96 kHz with embedded metadata.
A collection of short vocalizations from four females aged 10 to 30. Efforts, growls, laughs, cheers, hits, jeers, boos, raspberries, sneezes and more. All useful for video game, app or cartoon characters.
Breathe life into your female characters by giving them high-quality voices with this NEWLY UPDATED audio library! This sound pack includes 65 audio files of short interjections, single words, and common vocal sounds that are HAPPY, SAD, UPSET, FRIENDLY, SURPRISED, INQUISITIVE, AMAZED, DISMISSIVE, QUESTIONING, UNCERTAIN, SHOCKED, CONTEMPLATIVE, TIRED, ENERGETIC, EXCITED, AWESTRUCK, and many more common vocal noises to animate any female personality you can imagine. With voices ranging from LOW to MID to HIGH pitches, entertain and delight your users with this premium voice collection of women & girls to give your project’s characters the final touch.
Recording of an Italian Ferrari 458 from 2013 with a 4.5 L F136 F V8i engine with 7-speed dual clutch.
The Ferrari 458 sound effects collection gathers 197 clips in 14.2 gigabytes of audio. It features a 2013 version of the Italian sports car with a 4.5 L Ferrari F136 F V8i with a 7-speed dual-clutch.
A combined total of 29 channels of audio and 10 synchronized takes capture onboard and exterior perspectives of the luxury car. Microphones placed at the engine, exhaust, and in the interior capture 9 perspectives onboard to capture driving at fast, medium, and slow speeds with ramps, steady RPMs, and gearshifts. Nine further perspectives arrange microphones at four positions to gather starting, stopping, departing, passing by, and arriving.
Packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. In addition, each clip is embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata, with keyword translation import files available in 7 languages.
Recording of a Ferrari 488 from 2016 with a 3.9-litre twin-turbocharged V8 661 horsepower engine.
The Ferrari 488 exotic car sound collection features 302 clips in 19.39 gigabytes of audio. It features the sound of the 2016 Italian sports car’s 3.9-litre twin-turbocharged V8 661 horsepower engine performing in 17 takes.
The sound bundle includes 9 onboard and 10 exterior perspectives. The 21 exterior channels capture the car travelling at fast, slow, and medium speeds on straightaways and around corners at close and distant perspectives. The 10 onboard channels recorded engine, exhaust, and interior driving at steady RPMs, with gearshifts, and with ramps. Also included are starting, stopping, passing, and other exterior maneuvers.
Every sound effect is embedded with over 18 fields of Soundminer, BWAV, and MacOS Finder metadata. In addition, every take is provided aligned and ready for tandem-track mixing and editing in Reaper and Pro Tools session.
Get the roaring sounds of a 1974 Ferrari Dino. This Daytona 246 GT edition Italian made exotic car is a 5 speed manual mid-engine v6, and it's known to be The Ferrari without an exterior Ferrari badge.
53 wave files were captured in 24 Bit, 96 kHz – and the combined recorded driving time is more than 28 minutes.
Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine 1,
Channel 4 = Engine 2
External Passby Settings:
Stereo in Left and Right Channels
Recording of an Italian 2016 Ferrari F12 with a 140 FC V12, 6.3 litre, gas engine with performance exhaust.
The 2016 Italian Ferrari F12 sound bundle includes 278 clips in 16.87 gigabytes of audio. It showcases the sound of its 140 FC V12, 6.3 litre, V12, gas engine with performance exhaust.
The collection includes 34 synchronized channels of exterior and onboard recordings. 8 exterior perspectives provide driving at slow, medium, and fast speeds while passing by, arriving, and departing. The 12 onboard perspectives include recordings from the interior (with an Ambisonic perspective), engine, and the interior while driving with gearshifts, ramps, and steady RPMs. Also bundled are 3 stereo mixes of the onboard perspectives.
The collection includes Soundminer, BWAV, and MacOS Finder metadata, keyword import files for 7 languages, and Reaper and Pro Tools mixing sessions.
Recording of a super rare Ferrari F40 LM (Le Mans) from 1991 with a V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
The Ferrari F40 LM (Le Mans) sound effects collection features 335 clips in 21.65 gigabytes of audio. The sound library showcases the sound of a 1991 version of the Italian luxury sports car’s V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
A total of 20 synchronized takes depict both onboard and exterior perspectives. The 9 exterior perspectives arrange microphones at multiple locations and distances to record departing, arriving, passing at slow to fast speeds, as well as starting and stopping, and backfire. The 12 interior perspectives arrange microphones at the exhaust, engine, and in the interior to share recordings of driving at steady RPMs, with gearshifts, and ramps. Three mixes of the interior perspectives are also available.
The package includes Soundminer, BWAV, and MacOS Finder metadata in every clip, as well as Reaper and Pro Tools mixing sessions.
Part of the WW Audio Mini SFX Series, for those who want a small amount of recordings of a particular theme, without having to buy large libraries, Festival Fireworks brings you many options when you need some quality firework sounds.
This mini library includes a complete fireworks display from a beach during a Spanish Festival. In addition to that, there are recordings from different perspectives – near, far, busy, occasional, with and without voices and external sounds. Everything when looking to add that bit of bang to your project.
This sound collection covers a wide range of sounds produced by this colorful characteristic car. Not only extensive driving sounds but also foley (doors, windows, body tapping, …), horn blasts and engine loops. All in high quality 96/24 BWAV-files, recorded with high end equipment.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair (on a stand) and a long shotgun mic (handheld, tracking movement)
The Fiat 500 sound fx collection features 263 clips and 17.73 gigabytes of the 2016 Abarth 595 version of the Italian vehicle. The collection gathers 18 synchronized takes of the car’s 1.368 L l4 turbo engine with 158 horsepower and a 5750 Akrapovic exhaust system.
The sound library includes both onboard and exterior perspectives. 10 channels from microphones mounted in the engine, interior, and at the exhaust depict driving at slow, medium, and fast speeds. Performances include steady RPMs, gearshifts, and ramps. The 18 exterior channels share 9 perspectives of the small car starting, stoping, departing, passing, and approaching on straightaways and around corners.
Each track is embedded with Soundminer, BWAV, and MacOS Finder metadata, with bonus metadata import files for Chinese, French, German, Japanese, Korean, and Spanish. The collection also includes carefully mixed quick-access, all-in-one blended stereo versions of the interior, exhaust, and engine stems. The Fiat 500 library is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
Fiat Panda 169 sound library delivers vehicle sounds of a usual mass production car. The featured model was manufactured in late 2009 and has run about 40.000 miles at the time of recording. With the small 1.1 litre / 55 HP engine it is a lively compact size city car for daily use. The rear muffler already showed some rusty traces of age so that the entire car emits some very characteristic sounds, especially from the exhaust.
For the library the Panda was recorded to 18 takes with 6 onboard mics. These takes feature the car in various driving situations on asphalt, dirt road and gravel. Each take comes as Reaper set with time-aligned tracks from 2 mics in the engine bay, 2 interior mics, 1 wheelhouse and 1 exhaust microphone.
The exterior sounds – that encompass engine on, off, acceleration, approach, stop etc. – are recorded with Sennheiser MS Setup.
Additional foleys of doors, switches, wipers, windows, seat belts etc. are recorded separately with the car´s engine turned off.
Looking for real fart sounds? ‘Fifty Shades Of Brown’ by WW Audio features 50 disgusting, comedic, and 100% genuine real farts. Great for comedy, pantomimes, or any time your project simply calls for a bit of flatulence.
Fight is the second library in a comprehensive melee and hand combat series from Black Edge Sound Studios (formerly Output Audio). Recorded at Universal Sound, a dedicated foley stage in Amersham, UK with a wealth of experience in crafting sound for feature film, TV and video games.
The library has an extensive collection of of punch, kick, cloth, breaks, gore, whoosh and body fall. This includes all the core elements and original recordings needed to build bone crunching fist fights and ultra realistic combat action, whilst providing polished compositions and arrangements of key combat moves in the designed section for quicker results.
The library metadata has been designed to provide a fast, efficient workflow to picture and video game, ideal for quick turn arounds.
Expanding the selection further with the original recordings means that editors can quickly create mixes and then refine and stylise. A Pro Tools session is included (2020.3) that takes all the effort out of arranging the content for mixing. The recordings have been edited and aligned with a choice of microphones. You can drop in your own routing, processing and mixing touches according to taste and quickly establish a new sound set for the picture or video game you are working with.
Whooshes are a key component for energy and drama in a fight scene, but can sometimes be over the top. So I recorded a simple but very useful library of cloth moves specifically for fights. They work like whooshes but sound a lot more natural.
Three different fabrics: jeans, nylon shorts and a cotton pillow case. All with the same coverage: grabs, single moves (varying intensities), sequenced moves for more variation, and struggling moves for when your character is pinned.
Fight Vocalizations is a sub-library from the more complete “Universal Emotes”. All the files in this library are already included in the Universal Emotes Library.
There is here 20 actors/20 folders, from all ages (kids, teen, middle-aged, elderly), male & female.
You will find the material you need to “soundify‟ combat/fight scenes or to insert into your fighting/action video game software.
Included in this library, Filmless Film Camera, are sounds recorded using a Canon TX film Camera taking pictures, rewinding, manually changing the Fstop on the lens, lens cap, opening and closing the back, and more! This pack includes both 96kHz and 192kHz versions, both exported at 24 bit, and both have 26 audio files. All metadata tagged using Basehead, recorded using the Sennheiser MKH8050 and MKH30 to the Sound Devices Mix Pre-6 and exported as Mono and Stereo.
FINAL IMPACT is an extremely detailed and comprehensive collection of 300 designed impacts, smashes and hits. Carefully layered and designed with game audio, animators and filmmakers in mind, we believe that this could be the last impact sound collection you will ever need.
Each impact has been layered multiple times to create rich, full sounds, composed of recorded hits and synthetic blasts. This collection contains a wide variety of sounds to accent every possible on-screen action imaginable: from simple knock sounds and small hits, to massive wide impacts designed with 50+ layers of material.
This collection is divided into 10 folders, according the type of sound:
– Animated Impacts (45): Big, colorful, super-real impacts.
– Deep Impacts (22): Low end, dark and bassy impacts.
– Designed Knocks (10): Simple designed knock sounds.
– Dry Impacts (29): Hard hits, multi-layered, with no processing.
– Hard Impacts (24): Designed for maximum destruction.
– Junk (43): Imagine piles of junk falling from the sky.
– Layered Material Hits (93): Multi-layered with dry and processed hits.
– Metal Hits (8): Metal based hits.
– Other (9): Various materials, including plastic and water.
– Synthetic Wrecks (17): Synthesized, chaotic impacts.
The 3Maze ‘IMPACTUS’ collection is included free in this package. An additional 423 designed and recorded impacts, bringing this collection to 723 impacts!
Included formats: 24-bit / 96kHz wav, 16-bit / 44.1kHz and 320k Mp3.
All sounds were designed, processed and edited at 24-bit / 96kHz, with embedded meta data and accompanying spreadsheet.
This fire collection is about small and unusual burning material. Here is great material that will fuel a large fire. Torch sounds recorded inside and outside. Flame with carbide chemical fire and Nitro gas burning. Pure flame sounds that become massive when slowing them down. And a gas flame thrower that will burn you down. Always ambisonic, definitively immersive.
Fire Burning Stove is a 30-minute collection of fire ambiences. With 21 files to choose from, the library was recorded throughout the life cycle of a fire. Featuring multiple variations, examples include the initial start up, full intensity and even down to the last dying embers.
Using both closed and open door perspectives, typical fire traits such as whining, crackling and popping can be heard throughout. A number of recordings also include the metal of the stove expanding/contracting due to to the heat.
Short of incinerating the recording gear, the library was recorded using a close mic'd perspective. With a minimum of 1 minute recorded per file, Fire Burning Stove was also entirely produced with looping in mind.
Need the sound of burning fire, flames, fizzles, ignites, melting, crackling, rumbling, fire popping, or flame hissing?
This library is hot stuff in every sense of the word, delivering a range of burning sounds from a wide range of sources, including branches, black powder, burning bags, butane torches, celluloid, deep-frying batter, flares, gas stoves, frying pans, matches, sparkling candles, boiling water, huge torches and much more.
Fireballs is a powerful high-definition collection of whooshing, roaring, bursting, sparking, whipping, zipping, sizzling and crackling fireballs, fire sound effects and infernos – created in collaboration with flame effects expert Cary Sparx.
Aside from the flaming staves, rope darts, fire swords, meteors and flamethrowers that you’d hope for, you’ll also get some additional, unusual, tonal flame effects.
The sounds are also great for more textured whooshes and swishes, or adding punch to impacts, or generally getting that extra bassy oomph out of your badass sound creations.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.