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Home Sound Effects

Sound Effects

  • Sometimes you need that background sound to define the mood: The buzzy insomnia of a flickering light, a lost alien transmission, the lazy spin of a fan above, haunting radio static, the violent rush of air as you free fall into terminal velocity…

    With noise sounds recorded from an incredible array of sources, if it goes hum, whir, buzz, or hiss this library has got you covered.

    All natural and organic sounding makes this versatile library an outstanding resource for both film and game sound designers.

    The library includes:

    Generators and Compressors
    • Industrial Machinery
    • Radio static
    • Crackles and glitches
    • Ground hum and buzz
    • Transformers
    • Transportation cabin hums
    • Gas leaks, air leaks and bursts
    • Air conditioners
    • Fans, from tiny to massive
    • Vents
    • Elevators
    • Afterburners
    • Voids
    • Rumbles
    • Force fields
    • Transmissions
    • Sci-Fi Machinery
    • and more…

  • Foley Sound Effects Coins Play Track 105 sounds included $15

    ‘Coins’ by Badlands Sound includes 100+ clean and high-quality coin sounds. Everything from one coin, a few, too many coins dropping on various surfaces like wood, water, metal, and other coins. Also, includes Foley sounds of grabbing coins perfect for film and video games.

  • Get the sounds of switches, buttons, knobs and handles – recorded inside an old, retired flight simulator donated to the Danish Technical Museum.

    This machine used to make aspiring pilots sweat in their seats, putting them through all sorts of mechanical failures, emergency landings, and just plain flying.

    There is basically a switch, button, knob or handle to start every single possible emergency situation a pilot and crew may encounter when flying.

    When the sound recording started, some of them were partly broken, and others missing, some did not turn or switch, but most of them were still there and worked beautifully. The variety is surprisingly great, and very different from today's modern switch sounds.

    91 tracks, recorded with a Sennheiser 416 onto a Sounddevices 702, all tracks Metadata tagged.

  • Virtual UI is a library of over 500 high-tech user interface sounds. Using a combination of digital and analogue gear, sound designer Daniel Mumford has created super-usable wipes, beeps, notifications, menus, power-ups and downs, errors, buttons, data, malfunctions, switches, alarms, atmospheres and drones.

  • Nature & Countryside Ambiences Northern Rockies: Miniature Play Track 15+ sounds included, 101 mins total $35

    • In Northern Rockies: Miniature, get a mini-nature collection of ambiences from the mountains of Montana. Hear hallowed halls carved by glacial sculptors. Hear quaking Aspens and Ruffed grouse drumming on hollow logs. Hear euphoric dawn choruses, merry songbirds, sacred stillness, and stately woodpeckers knocking on forest doors. This library gives you a small collection of both “quiet” and “active” nature sounds from the continental divide of North America.
    • Only 26 glaciers (of the 150 in 1850) remain in Glacier National Park and all are predicted to melt within 30 yearsHear the sounds of this stunning natural cathedral while the glaciers remain. The ecosystem won’t sound the same when they’re gone.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
    • Carbon offset credits were purchased for the Northern Rockies Series. Field Recording travel for this library was carbon neutral!

    KEY FEATURES:
    • Sounds in this library are NOT included in other Northern Rockies Series libraries.
    • A mini-nature collection of both “quiet” and “active” nature ambiences from Glacier National Park in the Northern Rockies.
    • Active – euphoric dawn choruses
    • Quiet – soothing afternoons and nights
    • A 42-minute evolving dawn chorus (with 2 Loon wails)
    • Ruffed Grouse – drumming on hollow logs
    • If you need more “active” or “quiet” nature sounds check out: NR: Quiet NatureNR: Common Loons, and NR: Active Nature.


    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
    • Marker text included in the Soundminer description and BWAV description fields.

    FILE LIST & METADATA:
    • View in browser or Download CSV
    • Flora (plants) and Fauna (animals) are described in these terms:
    • stillness – close to absolute silence
    • fauna sparse
    • fauna constant
    • flora sparse
    • flora constant
    • flora and fauna sparse
    • flora and fauna constant
    • Included Wildlife: Common Raven, Cassin’s Vireo, Chipping Sparrow, Dark-eyed Junco, Fox Sparrow, Townsend’s Warbler, Ruby-crowned Kinglet, Red-breasted Nuthatch, Western Tanager, angry Chipmunks, and bats up to 90 kHz. *Bonus – two Common Loon wail calls within an extended 45-minute dawn chorus.


    GEAR USED:
    • Sennheiser MKH 8040 Matched Pair in ORTF
    • Sound Devices 702
    • Rycote ORTF Blimp

  • • Harmonic Series Drones is an extension of several of my music compositions. Over the past few years, I’ve been very interested in data sonification, writing several pieces that turn real-time weather data into music. This library was created using a drone generator that turns weather data into sound. I built this drone generator for my piece Sitka for piano and seasonal electronics.

    • Instead of pulling weather data from Sitka, Alaska, as I did in the piece, I used 2016 daily temperature data from the Arctic National Wildlife Refuge, a fragile place wrapped up in current political drama and now open to drilling. This library is a sonification of 2016 temperature data in ANWR. The highest global temperature on record was recorded in 2016 (2016 Global Climate Report). It is even worse in the Arctic where temperatures are warming at twice the rate of lower latitudes (2016 Arctic Report Card). With this library, you’ll be able to hear the warming, and I hope this library helps to draw attention to the rapidly changing environment of the Arctic.

    • Each of the forty-eight drones corresponds to the average temperature of a day in 2016, with twelve drones from each of the four seasons. The drones are built from pure tones made from tightly filtered pink noise. These pure tones are then stacked in harmonic series relationships. For instance, a winter drone might consist of the fundamental and four lowest partials. A summer drone could have the fundamental and partials seven, fourteen, and thirty-two.

    • The drones stand on their own without the story. If you never knew they started with weather data, you would still find a variety of pure, rich, microtonal drones with enough variety to fit the mood of any project.

    2% FOR THE ENVIRONMENT:
    • Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!

    KEY FEATURES:
    • All files are sample seamless loops. So, there are no fade-ins and outs and the files are ready for looping in any DAW.
    • Consonant and dissonant drones
    • Simple and complex drones
    • Each of the 48 drones is between 1 and 1.5 minutes in duration
    • Non-periodic undulating drones
    • Each harmonic has a randomized gain, so the drones pulse non-periodically.
    • Drones were made from tightly filter pink noise, so drones have a small amount of soothing and airy pink noise.
    • Microtonal harmonic series relationships create beautiful beating between drone harmonics.
    • All drones have a fundamental of G1 (49Hz). Transpose them as needed to fit any project.
    • Partials are included in the metadata, for example, “fundamental_G1_harmonics_1_2_3_4_7_16”.
    DATA SONIFICATION:
    • Weather data included in the Soundminer Description and BWAV description fields.
    • Temperature data was translated as a combination of lowest harmonic, number of harmonics, and highest harmonic.
    • Generally, lower temperatures include bass harmonics and higher temperatures include treble harmonics. For example, the hottest day of the year only included harmonics 18 and 24.
    • Location: weather data is from the NOAA station at Helmut Mountain, Alaska in the Arctic National Wildlife Refuge.

    FILE LIST & METADATA:
    • View in Browser or Download CSV

    GEAR USED:
    • Max/MSP 7

    REFERENCES:
    • Harmonic series artwork by Jason Charney: http://www.jasoncharney.com/
    • 2016 Arctic Report Card: http://arctic.noaa.gov/Report-Card/Report-Card-2016/ArtMID/5022/ArticleID/271/Surface-Air-Temperature
    • 2016 Global Climate Report: https://www.ncdc.noaa.gov/sotc/global/201613
    • NOAA Weather Data: https://www.ncdc.noaa.gov/cdo-web/
  • SampleTraxx is back with SHOCKING SIGNAL, a collection of big screen alarm, disturbed cinematic feedback, ping, distortion and re-amped production elements.

    Shocking Signal is all about alerts, notifications, danger, disaster, emergency, panic red alerts, sirens, warnings, static, bad signals, blasts, broken circuits, electrics, glitches, neon, power and anything requiring sophisticated and extreme sound design.

    Providing new and experimental sound materials generated using the most cutting-edge digital techniques, this collection is designed to suit the needs of people who want to add something unique to their production.

    Dedicated to sound designers, experimental composers, cutting edge electronic music producers, busy post-production facilities, video editors, broadcast radio/TV stations.

    Featuring 170+ sound effects with detailed Soundminer metadata in 96/24 HD resolution ready to be fired in your favorite DAW.

  • Magic & Fantasy Sound Effects Helinä Play Track 754+ sounds included, 225 mins total $55

    “Helinä” can be translated as “the tinkling sound made by the shaking of tiny bells”.  These may be wind chimes, and some are quite large, but the meaning of the name still rings true.  Beautiful, glorious, and entrancing wind chimes, all stirred up for your designing and listening pleasure.

    We’ve meticulously recorded and only very lightly edited 15 different sets of wind chimes composed of varying materials, shapes, and sizes. The result is a stirring array of shimmering textures from the soft dull knock of bamboo to the brilliant crystalline sparkle of obsidian.

    The chimes sets and performances include:

    Chimes: Bamboo, Glass Shards, Porcelain Bell, Cast iron Bell, Glass Bell, Stoneware, Obsidian, Buoy, Paper/Mixed, Copper, Aluminum, Bronze, Agate, Shells, Capiz

    Performances: Flowing (Short, Med, Long), Breeze (Light), Windy (Moderate), Stormy (Heavy), Quaking, Plops, Gusts, Strikes, Grabbing, Releasing

    You’ll get incredible tonal depth, preciously sustained tails, and conveniently isolated strikes and “gusts” resulting in a natural representation of each chime.  All of the chime-work was recorded in 192 kHz so you can bend, stretch, and twist with the comfort of the extended harmonic content of each chime.  The majority of the stereo content is presented in Mid-Side format (noted in tracklist and metadata) such that the stereo width can be dialed in as desired and a clean mono track can be had without any added processing or summing. All of the performances resulted in 50 separate files for each of the 15 chimes, making layering and matching performances a breeze.  In addition to the chime sets, we’ve included four stereo wind captures, in different capacities and locations, for adding context and ambiance to any wind chime-appropriate environment you may find yourself working on.

  • Featured Sound Creators Rock Creatures Play Track 900+ sounds included, 39 mins total $85

    • In Rock Creatures, get a visceral collection of guttural and grating vocalizations from the volcanic rocks of the Davis Mountains. Scrape rhyolite with intense pressure and hear guttural screeches with vigorous, physical energy. Hear the thick weight of boulders growling and frenetic stutters of rocks performed to sound like animals. Hear textured squeaks of small stones sliding. Hear rocks rich in titanium clattering to create otherworldly harmonics perfect for creature sound design.
    • This library offers you an extensive collection of rocks painstakingly performed to bring these inanimate objects to life and transform them into intensely vocal creatures.

    2% FOR THE ENVIRONMENT:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!

    KEY FEATURES:
    • Rocks performed to sound like creature vocalizations
    • Resonant scrapes with shifting harmonics
    • Small, mid-sized, and large rocks
    • Thick grating boulders sliding
    • Squeaking scrapes
    • Titanium rocks rattling and clacking
    • Scraping, grinding, and rasping stones
    • Types of rocks/minerals: rhyolite, quartz, and in unidentified rock I marked as “titanium rock” in the metadata due to its high rating on the Moh’s Hardness Scale.
    • Combine these rock vocalizations with the massive impacts in SD10 Falling Rock or the resonance of SD02 Ringing Rocks for infinite creative possibilities.
    • The pitch shifted demo was made from excerpts of the normal demo at half speed. 
    • Please note: the “Pitch Shifted Demo” was made to demonstrate the potential of the sounds in this library. However, Rock Creatures does NOT include pitch shifted sounds, only mastered field recordings.
    TEXT MARKERS:
    •Named markers are included in each file to help find interesting events in files with multiple variations.
    •Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    BLOG POST:
    • Read the full story here: “Why Rock Rock for Creature Sound Design” 
    FILE LIST & METADATA:
    View larger version or Download CSV.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files. 
    GEAR USED:
    •Sennheiser MKH 50 and 30 in Mid/Side
    •Sound Devices 702
    •Rycote MS Blimp
  • City Life Sound Effects Armenia Play Track 37+ sounds included, 118 mins total $35

    Armenia Faunethic sound library is a unique collection of 37 sounds recorded in this small country landlocked in the Caucasus mountain range, right in the middle of Orient, Middle-east and Asia.

    All these sounds has been recorded and produced with high quality equipment at 24 Bit / 96 kHz.


    This collection offers a wide diversity of soundscapes such as:
    • Villages and countryside
    • Church and catholic ceremony
    • City of Yerevan
    • Markets and many other public places

    This library provides authentic and interesting sounds, recorded with DPA, MBHO and Neumann mics powered by an Aeta 4minX.

    All Faunethic tracks include metadata carefully edited, compatible with Soundminer, Soundly and Basehead.

  • The Tommy Gun sound effects library features 42 recordings of the historic weapon, ready to electrify your projects with this iconic American firearm. While the Thompson Submachine Gun was used primarily in the 1920’s and ‘30’s, the firing, bullet pass-bys, and ricochet sounds from the ‘Chicago Typewriter’ can be used for guns of any time period.

    Recorded to tape by renowned sound artist Andy Aaron (Scarface, Apocalypse Now, Return of the Jedi), these characterful gunshot sounds feature both single shots, bursts of various lengths, and fully automatic gun fire. The collection was recorded in a secluded forest in Woodstock, NY, complete with firing targets including cans, broken furniture, a washing machine, and glass bottles of “shooting beer” (not to be confused with “”drinking beer””) The session came to an abrupt end when a stray bullet severed an audio cable near a target.

    Complemented by sounds of metal impacts, glass and dirt debris, bullet pass-bys, these gun recordings will add explosive energy to your scenes that feature old-school gangsters, mob/mafia members, World War II soldiers — as well as contemporary gun-wielders. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.

    Key Features:

    • 42 sound effects (86MB)
    • 16-bit/48kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    Andy Aaron

  • Cymbals From Hell is the seminal collection of bowed metal sound effects, crafted from recordings of both natural and broken cymbals. Bringing you the nastiest, gnarliest, and harshest set of design elements and raw recordings. Their dynamic range provides a palette that evolves and adapts over time.

    All of the sounds have been recorded in a controlled studio environment and played by a professional percussionist, with the intention of providing the most dynamic range and disturbing playing style. Our Audio Craftsmen then meticulously designed and edited every included sound from the bizarre to the downright horrifying.

    Cymbals From Hell contains a total of 197 files running at a huge 8.9GB. This library gives you everything you need to create compelling Horror and Sci-Fi soundscapes and add accents to your music, ideal for use in a wide range of projects. All sounds have been recorded in 24bit 96khz for further manipulation, and have been carefully edited so that you can easily drop them into your project timeline and get working right away.

    Here are the included folders:

    Bowed Cymbals: Harsh and dynamic bowed cymbals, perfect for musical or sound effects accenting.

    Time Bending Risers: Sharp risers that have a feeling of movement in time.

    Pulsating Dread Pads: The perfect Horror backdrops, built from organic elements.

    Mind Bender Stingers: Warped cymbal effects that are equally at home in a Sci-Fi or Horror tracklay.

    Metallic Oscillation Pads: The direct opposite of a Meditation Bowl, these sounds oscillate and move in an unnerving way.

    Head Shaker Drones: Grit your teeth and cover your ears, these sounds warn of impending doom.

    Gut Rumbler Subs: How low can we go? Very low. These sounds sit nicely under your tracklay and provide some serious sub frequencies.

    Disturbing Risers: Distorted and mangled, these cymbals are bound to accent any jump scare with a dose of disturbing!

    Bowed Alien Metals: Otherwordly vibes fused with a classic staple Horror sound.

  • Glass Bottle Percussion is a cinematic instrument built from 400+ sample recordings of antique glass bottles.

    Our Audio Craftsmen meticulously edited, balanced and programmed 4 round robins and 3 velocity layers for each bottle, before integrating them into our Kontakt interface, giving Film Composers and Music Producers a suite of unique textures to use in their tracks. These sounds are perfect for trailer percussion loops, rhythmic tension, electronic music and film score cues with an exotic tonality.

    The Main Articulations include: Drumstick Hits, Hand Taps, Bottle Top Hits, Drum Beater Hits, Nail Taps, Rolls, Scrapes and Wobbles.

    But we didn’t stop there… As always with our Kontakt library releases, our in-house Composers designed an eclectic array of designed patches. Pads, choirs, drones, oil drums, screams, plucks and even karate chops give the user both tonal and atonal material to layer with their percussion, and build a haunting, glassy texture into their sound.

    The 344 Audio Kontakt interface provides a variety of controls that encourage experimentation with the patches. The built in Arpeggiator is great for generating hundreds of percussion variations on the fly, while the Main View provides a set of parameters perfect for shaping the sounds your way.

    Kontakt 5.8.1 or higher is required.
    NOTE: This library does not run in the free ‘Kontakt Player’

  • Geophonic Design contains a wide variety of unique and abstract designed sounds which include infrasonic frequencies as low as 10Hz. The effects in this library have a science fiction/horror vibe, everything from alien spaceships to underwater ambiences. These are perfect for your films, video games, documentaries and other projects that require a mysterious and ominous soundscape.

    Our Audio Craftsmen used a ‘Geophone’ which is a seismic measurement device used to record seismic waves and vibrations of the earth, to record low heavy vibrations and rumbles of various surfaces and materials, often using metal resonators to enhance the sound. We captured sounds from window glass, busy roads with vehicle pass bys, metal posts and rails with football impacts, water passing through pipes, metal containers, plastic buckets and much, much more.

    All of the included sounds were then precisely edited and designed by our dedicated in-house team to build ambiences such as: outer space, underground bunkers, submarines, weather stations and other abstract ambiences. Moreover, all the files are available in 24Bit 96kHz and extensively tagged with metadata and are UCS compliant to simplify your workflow.

    The subsonic sounds in this library will also make a great addition to your library as layered effects, to build an enigmatic mood in your projects, and will be perfect as drones and backgrounds for futuristic, sci-fi and horror scenes.

  • Electromagnetic Design Vol. 3 is brought to you as a successor to one of our best selling sound effects libraries. This collection contains a vast array of experimental and designed sounds captured using electromagnetic coil pickups and receivers. Perfect for building a futuristic atmosphere for your sci-fi/thriller projects as well as a great addition for sound designers to their general audio collection.

    Our Audio Craftsmen captured a varied assortment of electromagnetic signals, electrical malfunctions and disconnections from various devices like computers, speakers, plug sockets, switches, TVs and phones. All of these sounds were then meticulously edited and designed to make a wide variety of glitches, a mix of ambiences with positive, negative and neutral tonalities, disconnection impacts with glitchy thuds, and electricity infused risers.

    All of the sounds are extensively meta-tagged and UCS compliant so that you can easily find the sound you need. In addition, all of the files are provided dry in 192kHz/24bit allowing for further sonic manipulation.

  • Meet your new best friend: our Dog Vocalisations library!

    This sound effects library features unique recordings of a dog with a medical condition. Bizarre and strange vocalisations have been faithfully recorded to enhance your animal soundscape. This collection also comprises an array of adorably authentic canine sounds, including playing, drinking, eating, breathing, sighing and running.

    Inside this library you will find sounds recorded from a variety of perspectives for added versatility. Perfect for realistic moments and abstract design in film, TV and games.

    Our Audio Craftsmen have precisely edited each sound so that they are ready to be dropped straight into your projects.

    All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • The Medieval Battle Bundle is the ultimate construction kit for building up Medieval scenes and backgrounds. It includes our best-selling library, Medieval Battle – used in TV and Film productions all over the world – as well as Medieval Battle Vol. 2 and Historical Battle Voices.

    Together these libraries provide a huge selection of voices, crowds, lines, characters and weapons ideal for drama and fantasy alike. Whether your film scene requires more ‘epic-ness’, or your game sequences are in need of some historically-accurate flair, this useful toolkit will allow you to craft a sense of fullness and immersion in your Medieval and historical projects.

    All sounds included were carefully captured and meticulously edited for maximum sonic quality, enabling to you drop each sample into your projects with no need for further enhancement or modification.

    The entire bundle is delivered at 24Bit (Medieval Battle is delivered at 96kHz, and Medieval Battle Vol. 2 and Historical Battle Voices are delivered at 192kHz) and tagged with extensive Metadata for ease of use.

  • City Life Sound Effects Gloucester Vol. 1 Play Track 11+ sounds included, 29 mins total $15

    Gloucester Vol. 1 is a succinct ambient library featuring field recordings captured by our Audio Craftsmen in Gloucester, England. This collection encapsulates the sounds of natural, candid activity in a small English cathedral city. It features the bustle and walla of denizens, a church choir, traffic and vehicles, clock tower bell rings, train station barriers, the hubbub of a busy pub, a child on a scooter, and a huge variety of background movement and distant goings-on.

    Use this library for building authentic interior and exterior environments, or design your own custom backgrounds through further manipulation.

    All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • including:

    – External recording

    – Internal recording

    – Road covered with concrete slabs

    – 2 Spots, 4 mics

    – Eng start, idle, maneuvers, drive, shtdwn, passby, door, windows, hood e t c

    – Slow, medium and fast

    – 48 KHz, 24 bit

    – 4 x schoeps ccm (card and omni), sys AB, Zoom F8

    – RAW files only

  • The Foley Vault is home to an ever-growing collection of original Foley recordings.

    Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.

    These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.

  • The Squelch sound library is a collection of 6 radios, walkie talkies, and CBs recorded both through the speakers and in some cases through the line outs.  Each device served up a broad palette of static, beeps,  clicks, squelches, and random idle chatter.

    Comes with 93 recordings with hundreds of individual sounds + one Kontakt instrument (instrument requires the full version of NI Kontakt 4 or higher).

    The Kontakt instrument is a unique performable radio device designed for experimentation and discovery of the broad palette of sounds. It also includes a classic spring reverb unit with a custom interface created from a Pioneer SR202W. See the Kontakt interface here.

    These authentic radio recordings are useful in sound design/film applications and can be twisted out into musical and sound design effects.

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

  • Dog Sound Effects Epona Play Track 568+ sounds included $38

    More than your average beast sound set, this library brings you a large selection of dog vocalizations, howls, growls, cries, whines, huffs, puffs, sighs, and more.

  • The EFX BLACK POWDER Weapons pack is a collection of 19th Century pistol, revolver and rifle weapon sounds.

    The collection includes recordings of 1777 AN IX & Lepage pistols, REMINGTON 1858 & RUGER OLD ARMY revolver, 1777 AN IX, 1822 TBIS, GIBBS, LEE ENFELD, PARKER HALE rifles – as well as a number of salvos from black powder rifles.

    Travel back in time and recreate classic gunfights and shootouts with this collection of vintage weapon sounds.

  • Explosion Sound Effects Fireworks Play Track 300+ sounds included, 11+ mins total $29

    If you're after fireworks sound effects, this collection gets you more than 300 explosions, one-shot fireworks blasts as well as longer sequences and whistling sounds. Great for, well, actual fireworks sounds – but can also be used for war soundscapes, distant explosions and more.

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