Introducing the ultimate roller coaster sound library: Roller Coaster Sound Builder includes high-quality recordings from 5 different roller coasters, from classic steel coasters to aggressive impulse coaster. This huge collection includes clean roller coaster passbys, onboard recordings, and classic roller coaster screams.
Roller coaster pass by sounds were recorded without background noise in an amusement park that was closed to the public. A great amount of natural screams with different intensities is also included, recorded during a regular summer day in the amusement park.
This collection provides unique, hard-to-access source material in high-quality, with a large amount of takes for creative sound design. We worked hard to capture as much useful material as we could when we had full access to the rides. All sounds were recorded in Särkänniemi amusement park, Tampere, Finland. Also available in the special Complete Amusement Park Sound Bundle.
The Mopeds SFX library delivers the sounds of no less than 7 different mopeds. Created in a collaboration between Sonicsalute, sound designer Rune Palving (The Girl with the Dragon Tattoo, 1864, and Tordenskjold), and sound designer Peter Albrechtsen (Antichrist, The Queen of Versailles, and The Idealist).
The included mopeds range from new and non-modified models, to many characteristic-sounding (old and wrecked) models – as well as one heavily-tuned moped.
Onboard driving and maneuvering (long onboard drives) • Ambiences • Passbys • Circles • Incoming/aways • Start/stop • Revs • Horns • Fuel covers
This Double Bass & Violin sound effects library not only includes weird low double bass bow strokes, stabs, vibrating strings, drones, harsh harmonics, string scrapes, bow stroke voices, and bright violin tones and screams. It also includes the opportunity to open up a whole new set of sonic adventures.
Why? All double bass sounds have been recorded at 192K/24 bit, with an amazing stereo set of close up Sanken CO100K microphones, and a stereo set of Sennheiser Mkh 8020 microphones, capturing low end and room. All violin sounds have been recorded with a single Sanken CO100K microphone.
Common for all Sanken files is that you're able to either extreme time stretch/time compress, or pitch up and down the files, and by this discover a whole new world of sounds – without adding nasty degenerating artifacts or muffling the sound. The ultra-high frequency range of the Sanken microphones does really make a great difference!
Recordings these sounds was a pure blast. The amount of versatile organic material in the set is great. The bass instrument has been played in a very innovative way, using both regular bow on strings and bass body, but also finger cymbals attached to specific places for a vibrating ring or rattle noise, creating some really other-worldly sound effects, and almost vocal-like patterns.
While the double bass material produces a massive low end without any further processing, the violin recordings really benefit from being stretched and pitched. This makes all the non-audible bright sounds captured by the Sanken microphones come through.
• Harmonic Series Drones is an extension of several of my music compositions. Over the past few years, I've been very interested in data sonification, writing several pieces that turn real-time weather data into music. This library was created using a drone generator that turns weather data into sound. I built this drone generator for my piece Sitka for piano and seasonal electronics.
• Instead of pulling weather data from Sitka, Alaska, as I did in the piece, I used 2016 daily temperature data from the Arctic National Wildlife Refuge, a fragile place wrapped up in current political drama and now open to drilling. This library is a sonification of 2016 temperature data in ANWR. The highest global temperature on record was recorded in 2016 (2016 Global Climate Report). It is even worse in the Arctic where temperatures are warming at twice the rate of lower latitudes (2016 Arctic Report Card). With this library, you'll be able to hear the warming, and I hope this library helps to draw attention to the rapidly changing environment of the Arctic.
• Each of the forty-eight drones corresponds to the average temperature of a day in 2016, with twelve drones from each of the four seasons. The drones are built from pure tones made from tightly filtered pink noise. These pure tones are then stacked in harmonic series relationships. For instance, a winter drone might consist of the fundamental and four lowest partials. A summer drone could have the fundamental and partials seven, fourteen, and thirty-two.
• The drones stand on their own without the story. If you never knew they started with weather data, you would still find a variety of pure, rich, microtonal drones with enough variety to fit the mood of any project.
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
This collection of sounds include a variety of ambiences, drones, and room tones recorded during a relaxing SPA day in Zamora, Spain. 17 tracks recorded in different spaces (Dressing Rooms, Jacuzzi, Sauna, etc) . Room Tones, Drones and Ambiences recorded and edited for audio atmos designers. SURROUND, DMS and ST VERSIONS INCLUDED, and all the files have metadata embedded for Soundminer and similar programs. They both include Spanish and English descriptions.
Immerse yourself in a lavish bathroom ritual to your heart’s content with this collection of 128 high definition sound effect and ambiences, including 2 impulse response files to capture your sultry shower singing! Includes all the scrubbing sounds you need to make your bathroom sound sparkling clean!
Cinenergy is the first installment of CINE series.
It is a collection of dark, dirty, analog, synthetic impacts and whooshes, designed to energize your projects.
Cinenergy (Cinematic Energy) is a library created with sound designers in mind.
Add dark, synthetic impacts and drops to you trailers, enhance existing sound design with extra transitions and modern cinematic drops.
Collection consists of 100 carefully designed and rendered sound effects with baked-in Soundminer’s metadata.
All sounds have been created and processed using top tier gear in order to deliver crisp, modern, error free sound.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060
CREATED AND EDITED WITH: Modular, DBX 120A, TC Finalizer 96k, Reaktor, Serum, Live
CINE series explained:
Cinenergy: Dark, energetic, Impacts, whooshes and transitions
CineDrop: Slow-motion impacts, downers and bass drops
Cinescapes: Seamlessly looping, modern cinematic soundscapes
Binaural and Ambisonic ambiences from Bishopstone Beach on England’s south coast. No people, stony beach, lovely crisp ambiences. Variety of distances will make this very useful for anyone working with VR work.
All recorded with the Sennheiser AMBEO VR and a Zoom F8.
Very rough seas but no wind noise.
B-Format Ambisonics and Binaural Stereo Files.
• In Great Lakes: Sandhill Cranes, get a collection of ambiences from some of the largest freshwater lakes in the world. Hear the calming openness of still water and the magical echoes of regal waterbirds. Hear the startled alarm cries of Ospreys and the prehistoric calls of Sandhill Cranes so visceral you’ll think pterodactyls are still alive.
• This library offers you an extensive collection of Sandhill Crane ambiences from the pristine lakes of the Upper Peninsula of Michigan. Hear these majestic birds and feel the power of their intense calls as they sing across the Great Lakes of North America.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
We’ve spent many hours exploring London’s far corners, seeking out the darkest, dirtiest, dimly lit areas of the capital’s streets in search of evocative and truly authentic sounds.
On visiting a large range of locations across the city we embraced our surroundings to capture the city’s natural reverberation and unique sonic qualities.
London Edge is the result of our methodical and passionate search for moods, atmospheres and textures, inspired by our favourite London dramas.
All sounds have been recorded in high-quality 24bit, 96kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416, MKH30 and DPA4060 microphones. Each file has been tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower more focused stereo image whilst the ORTF provides a wider version.
Get up close and personal with British engineering in this superb motorcycle sound library!
This library is sampled from a brand new 2017 Triumph Street Twin 900 cc motorcycle. It combines classic motorcycle engineering with modern technology to create a truly unique sound.
In this library you get a large variety and perspectives of revs, idles, drive bys up to 50 mph, drive ups, drive aways, engine breaking, onboard driving, accelerating and more! Enjoy feeling like you’re riding this brand new modern vintage motorcycle!
British Stately Home is a collaboration between two award-winning sound designers, Stefan Henrix (Chernobyl, Batman Begins) and Steve Fanagan (Room, Frank). It is a collection of 256 files recorded at 24bit/96kHz, totalling 18.6GB. The recordings are a mixture of mono, stereo, LCR and 5.0 files. In some cases there are multiple perspectives on the same recording (close, mid and wide). There are also Impulse Responses from several of the building's more characterfully reverberant rooms, which have been recorded from different perspectives and edited for use with Altiverb.
Sounds for this library were recorded over two days in a beautifully maintained rural British Stately Home; a late-18th-century neo-classical mansion. We set out to record any and all aspects of the building and its surroundings. The collection includes doors, windows, fireplaces, clocks, drips, keys and various unusual, period specific props we came across.
The interior of the building was one of the quietest places either of us have ever recorded and the Roomtones we've captured here are some of the most still and neutral recordings we've both made.
All of the sounds are authentic and the spaces we recorded in are reverberant, have their own ambience, and have coloured each of the recordings with the natural acoustic of this magnificent building.
We often set-up with multiple mics to capture different perspectives of the same recordings and these will hopefully offer the user interesting options as they work with these sounds.
At times we have left our own movements at the beginning and end of recordings, as they captured something of the building's unique acoustic and have proven useful to both of us in our own film work with this library. This is a diverse and versatile library and the recordings take well to pitch and time shifting, and to other plugin manipulation.
Equipment Used: Sanken CMS-7S, DPA4060, Sennheiser MKH60, Rode NT4, Sound Devices 702T, Sound Devices USB Pre-2, Roland R26
The StuG 40 assault gun tank sound library includes 241 clips in 10.1 gigabytes of audio. Also known as the Sturmgeschütz 40 Ausf.G or StuG III, this 1943 German tank features the sound of a Maybach HL 120 TRM V-12 gasoline engine with 300 PS (296 hp or 221 kW) with a six-speed transmission.
The collection includes synchronized recordings from both onboard and exterior perspectives in 16 takes. The 9 onboard perspectives share recordings from the tracks, engine, interior, onboard, and exhaust as the tank drives at slow, medium, and fast speeds, and with gearshifts. The 7 exterior perspectives showcase microphone placed on straightaways and at corners as the tank departs, arrives, passes, idles, and more.
Each clip is embedded with 18 fields of professional Soundminer, BWAV, and MacOS Finder metadata. The library is packaged with Pro Tools and Reaper sessions for easy mixing.
You can never have enough whooshes in your collection, but MOTION is a great start! It’s a rich sound palette of movement samples for (explainer) animation, motion graphics, IoT devices and apps.
Just like every SONIC BOOST pack, each sample in MOTION has been mastered and tagged to fit seamlessly into your workflow.
This library features recordings of a metal shelf being shaken, slammed, scraped, and other torturous things.
In this library, you’ll find metal slams, moans, squeals, shakes, taps, and sounds of rocks being poured over it.
There are lots of nice resonant sounds filled clangorous textures. Great for creating creepy tones for suspense and tension.
This library was recorded with a Barcus Berry Contact Mic going into a Barcus Berry 4000 preamp and a Sound Devices 702.
Meet the Tasmanian devil! Recorded in the Copenhagen Zoo, this library features huffs, sniffs, growls, barks, bite and chewing – and those eerie and weird critter screams.
If you need strange animal or monster sounds, do check out this library:
This is a special assortment of design fragments from Eiravaein Works. Libraries in the Vaeyan series will be produced over time as new assorted concepts are explored and designed. A welcome addition of flavor for any sound designer's archive!
The EFX Gun Foley collections feature gun handling, munitions handling, shell case drops, clip insertions and removals, cocking/uncocking, weapon drop and slide sounds – and much more. Great for actual gun handling sounds, but also highly useful for designing other mechanical sounds!
Gun Foley Pack 01:
387 sounds, 181 MB
Gun Foley Pack 02:
Shells, Clip and Weapon Drops, slides and more
571 sounds, 365 MB
Buy Gun Foley Pack 01 and 02 together in the Gun Foley Bundle – and save 20%!
The Cloth sound effects library is dedicated to cloth and textile movement sound effects.
It features a wide range of different materials being handled, such as backpacks, pillows, sheets, leather belts and jackets, table cloths, shirts, canvases, gloves, rain jackets, chinos, jeans, pullovers and much more.
The Cloth SFX library was recorded using a highly sensitive Sennheiser MKH8040 microphone and a Sounddevices 702t recorder with ultra low noise preamps, to capture the sometimes subtle nuances these materials produce.
The Porsche 911 GT3 is not a typical race car.
With engine, transmission, air intake and exhaust all situated in the rear of the vehicle under a large wing, this pure driving machine has sonic characteristics very different from many familiar racing vehicles. Its exhaust note is deep and throaty and the transmission is snappy at speed.
The Porsche 911 GT3 library is a series of recordings that were made on a track just outside of Houston on media day for the Effort race team. These are 2014 Porsche 911 GT3 Rs that race on the Pirelli World Challenge series. Each car has a naturally aspirated, water cooled, four valve 4.0 liter flat six cylinder Porsche engine. These cars create 500 horse power from the factory and race with E10 fuel. The transmission is a Porsche six gear racing box with sequential shift mechanism.
With full access to the vehicles and the track, we recorded up to 13 channels on every movement.
• Onboards including Sanken CUB01, Crown PZM and Sanken COS11 mics
• Interiors captured with a Sure VP-88
• An ORTF array of Line Audio CM3s at pit row
• An array of MKH60s and a Shoeps MS rig at another straightaway on a balcony
• An ORTF array of Line Audio CM3s at a long slow turn
• A roving handheld MKH70 rig
After a full day of recording we had material ranging from idles and slow starts to whip bys and burnouts. We also got a wide variety of foley and ambient recordings that happened organically throughout the day.
Get the true sounds of Italy in this authentic collection.
The Italian Ambiences sound effects library features recordings from places such as an Italian airport, bar, beach, city ambiences, crowd, countryside, market, pub, school, residential area, supermarket, train station, marina, museum, office, restaurant, tavern, village and many more.
Also includes a great collection of recordings from the historic city of Venice, Italy – excellent for old-city atmospheres. In total, more than 4.5 hours of atmospheric Italian recordings and ambiences are included.
Dreamscapes is a collection of versatile, carefully crafted drones and textures, that would take you away into the deep unknown realms. The pack includes all kinds of moods: from low-rumbling environmental ambiences and spacey drones, to the divine and transparent textures. All sounds are seamless loops, thus will fit perfectly in any project including games, with no additional tailoring required.
The recordings of real race car – the Mitsubishi Lancer Evolution 8 with 2.0 Turbo Engine on a dynapack. It features ignitions, idles, low and hi accelerations, ramps, stops and a lot of revolution sweeps.
The library delivers 9-channel recordings:
• 3 engine channels: AudioTechnika 8015, Sennheiser 416, Sennheiser 840
• 4 exhaust channels: Sennheiser 418S (MS), Shure SM 58, Octava 015
– and interior 2 channels recorded with a Neumann 185 MT stereo pair
Normal, everyday door sounds? Yes – and lots (and lots) of them!
A door opening or closing in a film/tv show/video game can absolutely take you out of the experience if done incorrectly.
At the end of working on Uncharted 4, the last sound I created was a door opening and closing. It was just a normal household door. I couldn't find any good door opening and closing sounds (and creaks…don't get me started). I also didn't have time to go out and record my own source. I was extremely frustrated.
There are a LOT of different types of doors in this world. Most sound libraries try to record ALL varieties of doors. The problem is that you might have a lot of different and unique doors, but only a couple of NORMAL house doors. Or, they just have a couple of NORMAL industrial doors. A sound designer's worst nightmare is lack of variety and choice.
With that in mind, I went on a personal journey to record all the normal doors I could find. I recorded door openings, closings, squeaks and creaks. That's it! I wanted the largest variety of normal house and industrial door openings/closings/creaks/squeaks on the market. For my next projects, I didn't want a door sound getting me frustrated!
• Normal Household Door sound effects
• Normal Industrial Door sound effects
• 1400+ Sounds
• 120+ Doors
• Opening, Closing, Squeaking and Creaking
• Stereo 96Khz, 24 bit – 2.48 GB
• Metadata included for programs like Soundminer
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.