Get wild sound deals in the huge sale here
Buy 3 packs or more = get new SoundBits pack included free
Home Sound Effects
Flesh, Bones & Gore Bundle features three volumes of discomfiting gore and body horror sounds crafted to make your audiences cringe and recoil.
A collection of mutilating actions and impacts were created by manipulating fruit, vegetables, meat and other food in our dedicated Foley suite. These sounds include bone crunches and cracks, squeezing guts, zombie bites, a creature slurping down raw meat, flesh rips and tears, wet and dry skin peels, chopping into body parts with weapons, and more!
Ideal for making combat sequences pack a punch or intensifying slasher moments, this expansive selection of gut-churning sounds were designed with the aim of unsettling viewers and users in your horror-thriller Game, TV & Film projects.
Each library is delivered at 24Bit. Zombie Specimens Vol. 1 is delivered at 96kHz, while Vols. 2 and 3 are delivered at 192kHz. The entire bundle is tagged with extensive Metadata for ease of use.
Haunting Ambiences Bundle Vol. 2 includes three more libraries from our series of horror-genre atmospheres: Haunting Ambiences Vol. 4, 5 & 6.
The bundle comprises 19.99 GB worth of sounds recorded and designed by our Audio Craftsmen. Each of the 18 featured ambiences have been separated into individual stems, providing you with multi-layered kits for constructing your own horror backgrounds. Bangs on doors, swamp creature screeches, sewer screams, rattling chains, sacrificial chanting and many more can be endlessly mixed and matched in this customizable collection.
Use this bundle to experiment with layering, tone, and other sonic parameters when building atmosphere in your horror scenes. Sounds can be used for both digital and real-life projects, including Film, TV and Game productions, and live horror events and escape rooms.
The entire bundle is delivered at 24Bit 192kHz and tagged with extensive Metadata for ease of use.
Want the BUYOUT version instead? Find it here
A footstep library built from long walks in cold and snowy conditions. Recorded in a remote, deserted Swedish forest, miles away from the nearest road.
Different types of snow and boots were recorded as well as different paces:
• Crusty
• Thin/hard packed
• Deep
• Frozen stairs and porches
• Stomps/scuffs
• Sneakers
• Leather boots
• Kamiks
Each track is easy to edit into multiple single footsteps for sweetening your tracks with real snow.
Get the roaring sounds of a 1974 Ferrari Dino. This Daytona 246 GT edition Italian made exotic car is a 5 speed manual mid-engine v6, and it's known to be The Ferrari without an exterior Ferrari badge.
53 wave files were captured in 24 Bit, 96 kHz – and the combined recorded driving time is more than 28 minutes.
Onboard Settings:
Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine 1,
Channel 4 = Engine 2
External Passby Settings:
Stereo in Left and Right Channels
A massive electro-acoustic drone SFX library reft from a custom designed and hand-built instrument! These drones were coaxed from a unique instrument using the power of air. No harsh picking or plucking, just assorted techniques for moving air deftly across the strings.
The guitar, Yvaine, was recorded simultaneously via two tracks (one direct and another amped and mic’d) and was set to 23 different tunings to encompass the full spectrum of her voice, character, and soul. The tunings are as follows:
All5ths | B6th | Capo12th | CassianoPereiraViana | CrossnoteF | Cuba | DADGAD | DropB | Hawaiian | Koto | OpenA | OpenC | OpenD | OpenE | OpenF | OpenG | OpenPage | Orkney | Ostrich | Pentatonic | “Spira” | Standard | TheEdge
The files range from uber clean and harmonic to gritty, crackling, and distorted. For some of the overdriven amped recordings, we even experimented with creative NR settings for the modulation of artificial harmonics…and kept some of the more colorful results! Between the two different tracks, multiple takes were made per strength, per position, per recording. Depending on which takes were best, some of the DI and amped captures matched, while others were physically different. This offers unique layering capabilities for some sets while allowing for variety in others. Some of the sets are missing particular strength recordings at specific positions. But if a capture wasn’t appropriate, we didn’t include it.
This is a bountiful collection of droning goodness. Use it for good.
Get the movement noise and handling sounds of a wide range of dresses and clothes, bags, necklaces, hats and footwear. Most items include photos too, to make the items easier to identify.
Footwear includes:
Japanese clogs • training shoes • mens' and womens' sandals • leather and canvas • turkish slippers • riding boots • military boots • canvas sneakers
Necklaces include:
Bijou Wooden copper balls • wood cubes • bijou plastic pearl • classified links • metal death head • fiber micro pearl • big plastic pearl and more
Bags include:
Small women's handbag • Grandmother handbag • Mini handbag • Cane handbag • Cane shoulder bag • Braided handbag • Indian shoulder bag • Military canvas bag
Hats:
Woolen hat • summer straw panama hat • basketball cap
Belts & more:
Canvas belt • plastic belt • leather belt • classic leather belt • ties • silk sheets • leather holster
Get the authentic sounds of Lisbon, Portugal in this SFX library by Ana Monte. It includes recordings from various Lisbon neighborhoods, places such as a bakery, big market, bus ride, coffee house, construction site, airport, pub, museum bookstore, busy and quiet restaurants and more. It also features a 5.1 recording of a train ride in the world-famous Train 28 Lisboa Street Train.
Shards is a sound library that's all about that (breaking) glass.
It contains glass and porcelain being smashed, rustled, trickled and dropped from two different microphone perspectives! Shard's intended use is for anything icy, glassy and porcelain-y.
This sound library has a variety of sounds and activities that come from most household bathrooms. It includes sounds of showers, sinks filling and draining, medicine cabinet items, bottles of pills, brushing hair, spraying hairspray, clipping nails, toilets flushing, lotion, cloth towels, washing hands, etc. Each track is a 2-channel stereo recording from a Mid-side mic setup from two Schoeps CMC 5Us with MK8 and MK4 capsules fed into a Sound Devices 744T.
The Yamaha YZ250 Dirt Bike SFX library from Watson Wu delivers the sounds of this 2004 motorcycle with a 250cc 2 stroke engine. Files are divided into external static sounds, external following sounds, foley sounds, and onboard sounds. Captured Onboard – from the driver's point of view. External recordings: External Static is from a fixed stereo microphone. External Following is from an MS Stereo Shotgun mic following the traveling dirt bike.
Amusement Rides & Ambiences is a unique collection of hard to access amusement park sound effects. Package includes high-quality multichannel recordings captured with a full access to the amusement rides – and a total of 8 rides are included!
Some recordings were made in an amusement park that was closed from the public. This enabled us to capture the sound effects as clean as possible without background music or people.
Ambience recordings are authentic amusement park ambiences with people and amusement rides. They include children and adults, cheering and screaming, chatter in different languages, amusement rides loading and operating, and more. All sounds were recorded in Särkänniemi amusement park, Tampere, Finland. Also available in the special Complete Amusement Park Sound Bundle.
‘Concrete Foot Work’ by Badlands Sound includes 274 high-quality footsteps perfect for your projects.
The library features five different types of shoes; Boots, Heels or Dress Shoes, Leather Smart Shoes, Old Shoes, and Trainers on three different surfaces – Concrete, Gritty Concrete, and Wet Concrete.
A larger focus on wind – with trees, brush, crickets, and other sounds often included. There are also plain wind sounds recorded on exceptionally quiet wilderness winter nights that can be layered over most every project for several minutes or longer. Additionally includes some branches breaking in high winds and rain patter.
STUTTER MATTER delivers a fresh sound set of syncopated hi-tech stutters and ultra-triggered sound effects. Whether you work as movie trailer or game sound designer, editor, soundtrack composer or experimental musician STUTTER MATTER will add a touch of sound dementia to create a more diverse listening experience.
If you are looking for brutal syncopated bursts, head spinning dynamics shifts and industrial dyslexia this sound pack deserves a listen for anyone seeking out interesting sound design.
Categories:• Stutter Chopper
• Stutter Filter
• Stutter Reverse
• Stutter Woosh
• Stutter Sequences and Glitches
• Unprocessed/Raw Stutter elements
+ Bonus folder – 40 Hi-Tech Hits
The Seagulls sfx library includes 28 tracks of both single, isolated seagull screams, and bigger flocks of nesting seagulls, calling out to each other and their chicks. There are plenty of classic call sounds, but also some weird throaty and raspy screaming, and what could sound like seagull laughing sounds.
All tracks are recorded with the very useful zoom function of the Telinga microphone and dish.
Library includes both untreated tracks, and noise reduction processed tracks in two separate folders. Noise reduction processed tracks have carefully been cleaned up with a CEDAR NR system.
Though these birds are in an abundance around most harbours and industry around here, they are not always easy to record. You mostly hear them from a distance, or from places not easy to access. When you try to get close to them, they will usually fly away.
Many hours have been spent on rooftops, gardens, backyards, a junkyard, and different harbours to get this material.
Our Gore library was recorded in the weeks preceding Halloween 2017. We decided to have some fun because we generally only have access to pumpkins this time of year and thought why not create something fun for us, and our friends and colleagues to use. Please enjoy the use of these recording in all your spooky movies and sound design.
Provided are 750 MB of LR and MS Recordings. LR is decoded from the MS and has the approximate stereo width as an XY recording. On the MS tracks the mid mic is on the left and the side mic on the right.
The LR can be encoded back into MS or if panned center, cancels out the side mics to just play the mid mic. Alternately in the provided MS file, the right side channel can be dropped so you can use the mono center. The 2 files are mastered the same. Occasionally the levels vary on the MS track as these are the levels set to keep the the tracks phase coherent. All tracks are edited to be M&E friendly, and monitored through a phase scope to again, keep the tracks phase coherent.
All recordings were recorded In a foley studio at 192kHz with a Fostex FR-2 recorder, Project Studio C4 mic, and Ambient Emesser ATE-208 bi-directional mic and mastered in Pro Tools.
All recordings are recorded in Toronto, Ontario Canada, by Ryan Macneill and Steven Ejbick of Textures Sound.
This library is designed for instances when chewing rocks is not what you are looking for. There are various types of food being chewed with open and closed mouth. From soft and squishy, to hard and crunchy.
This library was recorded using the Shoeps CMIT5 and the Avedis MA5 pre.
This sound library is a carefully recorded collection of various tape(masking, duct, shipping, Scotch tape). Each type of tape were recorded in many ways like pulling fresh tape from a roll, short rips, peeling off from various objects, tearing tape lengthwise, wrapping, unraveling, crumbling and more.
Dakota Wetlands by Badlands Sound features 11 three to four minute seamless loopable ambiences making these a breeze to work with. Recorded over the span of a couple months this collection of ambiences were recorded in 96k 24bit with the Sound Devices 702t and a pair of Sennheiser MKH 8040's.
In the Audio Demo for this product you will be able to hear all the sounds that are in this library. If you are looking for marsh, prairie sounds next to a lake, or specifically wetlands for a great price this library is for you.
Beef up your creature sound design with the deep intensity of the Wildlife Collection: Grizzly Bear sound effects library. With 146 expressive bear sound effects and vocalizations, these high-quality recordings contain a wide variety of grunts, roars, sniffs, mouth smacks, and purrs that are ready for naturalistic use or manipulation for sound design applications.
Recorded at 24-bit/192kHz using multiple microphones including the Sanken CO-100K, which captures and maintains up to 100kHz (rather than 20kHz from other microphones), field recordist and sound designer Chris Diebold (Spider-Man: Homecoming, Transformers: The Last Knight) captured the unique vocalizations and slimy mouth-noises of an old aged male Grizzly bear. Use the natural and characteristic recordings of deep groans, slimy chews, and heavy breaths for pitch processing and control over your sound design, to design your beasts, creatures, monsters and more.
In addition to these raw bear recordings, this collection also contains 41 designed and “hyped” sounds, ready to drag-and-drop directly into your monstrous designs and animalistic scenes. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.
Orbital Emitter is proud to present Star Fighter Cobalt – the second release in our Star Fighter Flight Series!
This comprehensive sound-set provides a rich arsenal of futuristic space fighter sounds for you to use in all of your creative sci-fi productions! Building off our first release, this new and unique star fighter sound-set features powerful engine blasts, interior cockpit perspectives, sync’d interior and exterior flight perspectives, an epic launch and landing sequence, robust fly-bys and two types of powerful weapon blasts presented with varying perspectives! You can use parts of this sound-set to create your own spaceship sounds or simply drag & drop our audio-scenes and audio-stems into your productions as-is! It’s up to you how you want to enjoy our sounds!
What we hope sets this sound-set apart from other space craft sounds from other companies is that our space ship sounds are meant to sound complete– like an actual field recording of a futuristic space fighter taking off, flying around, engaging in battle and landing… All in ONE Sound-Set!!
The Star Fighter Cobalt sound-set contains 32 individual sounds spread over 20 audio files and times out to over 12.5 minutes in total length. It features 24bit/96khz stereo WAV files – embedded with meta-data to help keep the sound files organized.
All of our sounds are 100% original – 100% royalty free – designed for believability, creativity and cinematic impact. We hope you enjoy our sci-fi sounds!
A MASSIVE COLLECTION FROM THE FUTURE. EVERYTHING YOU NEED TO GET STARTED IN THE WORLD OF SCI-FI SOUND.
Sound…that’s beyond this world.
Over 5,000 files – 30GB of samples – 7 libraries – 2 software
Add a massive collection of some of the most cutting edge sci-fi sounds and software to your collection.
We spent over 2 years creating the “Sci-Fi Bundle” with former senior sound designers from Electronic Arts and Ubisoft. Extreme attention to detail and quality was our highest priority.
Included Libraries:
+ Robotic Lifeforms
+ Users of Tomorrow
+ Galactic Assistant
+ Solar Sky
+ Future Weapons
+ TimeFlux
+ Lost Transmissions
+ Future Weapons 2
+ Spaces
Cinematic Trailer Hits is our latest Kontakt library with 400+ samples, covering everything from heavy low and mid impacts all the way to high percussion sounds, perfect for creating epic trailer music and effects for your film, tv and video game projects.
Our Audio Craftsmen recorded sounds ranging from explosive drums, metallic hits and impact sounds using sledge hammers, bricks, drums, scrap metal and smaller percussion instruments. We took a variety of recorded samples and layered them with other newly and carefully crafted sounds to give you that larger than life, end of world vibe to your music with a jaw dropping collection of sounds.
Our in house Composers also built a variety of patches which include heavy ‘braams’ and bass, low impacts, reverse fx, risers, pads and several other patches covering low, mid and high frequency spectrums. This gives film composers, music producers ,sound designers and game developers a vast array of options to create epic cinematic rhythms that cover all your needs.
Like our other Kontakt instruments, the 344 Audio user interface includes a variety of controls so that you can manipulate the sounds as needed and the inbuilt Arpeggiator and Step Sequencer allow you to create variations of cinematic rhythms and melodies on the fly.
We have kept the recorded sounds natural and created huge sounds by layering up different recordings maintaining a natural feel to samples. This library contains all impact, percussion and tonal sounds you need to create an epic, mind blowing cinematic trailer, and works especially well when combined with orchestral music.
Kontakt 5.8.1 or higher is required.
NOTE: This library does not run in the free ‘Kontakt Player’.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.