This sound pack is dedicated to marbles rolling, jumping, falling, colliding & being handled.
Most of these sounds have been recorderd with the Barcus Berry Planar Wave System 4000 contact microphones and the Neumann KM184.
2 versions are included:
• Combined Version: versions of a sound are combined into one file (42 files total)
• Split Version: versions of a sound appear as individual files (156 files total)
Introducing BREAKDOWN ELEMENTS – a nifty collection of sound effects for visual effects breakdowns.
The majority of elements have originated from organic field recordings which have later been elegantly manipulated into a new form. This gives the sounds a natural, almost physical vibe to them – a style that we are especially fond of.
The collection is structured into eight categories:
BED, BUILD, IMPACT, INTERFERENCE, REWIND, RISER, TRANSITION and WHOOSH. Each element has been designed to work both by itself or used as building blocks for more complex sounds. Each element also has around 4-6 variations to maximise versatility.
• 96 kHz, 24 bit mono/stereo WAVs
• 433 individual SFX in 88 files
• 1 GB of data
• All WAVs include extensive embedded descriptive metadata
This is the first part of our Water Audio Libraries, featuring a variety of small movements captured in an open-air swimming pool.
99 clips (99 MONO and 99 STEREO) recorded in 192Khz and 24 bits HD Audio.
Splashes, swimming movements, small water movements, paddles, and more. Have a nice day with your friends and they will help you to record this great collection of useful sounds! How many times have you looked for great sounding natural water movements? Here you have them, in awesome 192 kHz, so you can stretch them as you want.
This audio library brings 29 crowd ambiences from several interesting places in Israel: the Jerusalem Western Wall and Holy Sepulcher, Tel Aviv’s traditional Carmel market, streets and parks, beaches and villages, and more. Recorded in May.
• 29 diverse Hebrew and international speaking crowd ambiences
• recorded with a Sony PCM-D100
• 96 kHz / 24 bit high resolution
• each track lasts for 3-6 minutes
• exclusively on A Sound Effect
Over two hours of birds, crickets, cicadas and frogs primarily from Southern Ontario, Canada, but also from Britain and Costa Rica. Specific calls and ambiences from the forest, the beach, the neighbourhood or on the dock of a quiet pond. Essential sounds to bring background tracks to life.
‘Carpet Footwork’ by Badlands Sound includes 40 high-quality footsteps, scrapes, scuffs, jumps audio files perfect for your projects. The library features two different types of shoes on two different surfaces both hard carpet and soft carpet.
FOREST summer edition of Japan is nature sounds and ambiances captured in different forests of Central Japan, from the Kanto region.
This library contains recordings of deep forest ambiances and direct close cicadas & birds and creeks, streams, and waterfalls in a Japanese forest.
All of these nature ambiances are recorded using different microphone set-ups. Ortf stereo set-up and xy & ortf combination set up brings variations to stereo images from the locations.
Breathe fear and awe into your work with Atmospheric Dread, carefully designed and ever-evolving drones, intertwined with swelling textures.
Inspired by the sound of films such as Arrival, Blade Runner 2049, Interstellar, Alien: Covenant, Prometheus, and more, I’ve created a new Drone library, all whilst listening to the feedback from Aberrant Drones users, and reviewers.
I’ve not only worked on improving the quality of the soundscapes further, but I’ve also broken down files into more manageable chunks, up to around 6 minutes long, and brutally cut out whatever did not feel like it should go in the library.
As a result, Atmospheric Dread is a smaller library, at least compared to the massive Aberrant Drones, whilst delivering 63 minutes of gut-wrenching, eye-widening, and fear-inducing soundscapes.
The library is comprised of 24bit/96kHz .WAV files, all stuffed to the brim with rich, and descriptive SoundMiner metadata, thus allowing you to find what you need immediately.
The Armour Pack 01: Humanoid contains over 45 minutes (250 files) of nothing but high quality medieval types of armour movement actions for an humanoid entity.
The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.
The included basic construction kit / original recordings enables further armour details to be created for more granular focus.
All assets have been recorded & produced at 96kHz/24bit.
Included in this pack:
Need playing card sound effects? Welcome to the most thorough and comprehensive playing card library in existence. Not only does this library provide an incredible array of card actions with many diverse variations, but it's also provided with 2 Mic perspectives.
Close Perspective: For that “in your face” sound often used in games or scenes where you want to focus and create an impact.
Mixed perspective: For scenes where the sound needs to sit naturally without drawing too much attention, yet still sound articulate.
The library was recorded with the most commonly used card deck used by casinos, magicians and hobbyists alike.
It was recorded with 2 matched Neumann TLM 103's selected for their outstanding transient response and ultra high SNR, and contains 410 Sounds (205 sounds x 2 perspectives).
Moscow, Russia in winter and spring time
Streets, covered with melting snow; people, hurrying with their business; street, cleaning from ice; whistling wet traffic; quiet and loud residential neighborhoods; children playing in the snow; windy parks; cold nights and, then, saving spring; water, dropping from the roofs; singing birds and babbling brooks.
How to convey these things without violating their nature?
One of the ways is a stealth binaural recording using miniature microphones DPA 4060. It gave the sense of naturalness and created a presence effect, that you wouldn’t find in any other library about Russia.
Vintage, cinematic, mechanical trailer loops featuring evil ticking clocks, dramatic timing clicks, suspenseful bomb ticks, intense chronometers, mysterious clockworks, old timepieces, scary watch timers, and very dark and creepy alarm clocks. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War The Mobile Game” – “Halloween (2018)” – “The Predator (2018)”.
Cars In Motion Wet Asphalt sound library is a go to pack for any scene with vehicles driving on snowy / wet roads – featuring a total of 126 files & 150 minutes of audio.
Inside you’ll find single sound effects with different passes on wet and snowy / slushy asphalt roads.
In addition to that there are stereo ambience recordings from different high speed roads with intense and low traffic recorded from normal perspective, and from the ground to capture more tyres friction sound.
Additionally there are recordings of the roads from car interior perspective. Most of the files are stereo recordings.
Terrifying squeals, grunts, barks, and sneeze from adult pigs weighing up to 400 lbs, and ambiences from the stables. The second part is recordings of smaller pigs (80 lbs) on the day they were picked up by truck to go you know where! The pigs knew exactly what was going on, which is represented in the sounds recorded.
Needless to say, this library has been ear wrecking to put together, but the reward is 246 single files of pure pigs.
800+ sounds from one of the most complex and varied sounding instruments that we’ve come across in our junk shop travels. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
This is a fretless German harp zither, which differs in quality significantly from concert zithers, which have several strings with fretted necks beneath them. This version was manufactured by Friederich Menzenhauer, the father of the zither in the US. Zithers of this kind are notoriously difficult to identify because they contain no distinguishing marks on the bodies themselves, and the only branding is on the paper label deteriorating inside the soundhole.
Our version had been worn beyond all repair through decades of age and neglect. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
We did much more than just throw a couple of mics up and pluck – this instrument was recorded with a stethoscope mic, a lav inside the cavity, overhead xy, room mics, and more. We banged, scraped, bowed, ebowed, and thumped every last noise out of this one in three separate sessions. The end result was a collection of about 5 Gb of edited stereo 24 bit 96k sound.
The Kontakt instruments are where the real magic happens with this instrument. There are presets for horror string hits, angelic and demonic pads, old creaks and more. The zither barely survived, but it gave us an array of sounds that are very different from what you’ll get from a properly tuned and maintained instrument. It is the uniqueness of the decay that gives our zither its character.
Indecent Machines is a sci-fi sample pack inspired by a concept of mechanical disrepair and emergent AI consciousness. It features 1.7 gigabytes of 24-bit/96khz samples and bundled Kontakt kits, created by producer/sound designer Chad Glenn.
These sounds originated from field and studio recordings of various machines which were then processed through custom DSP algorithms using Kyma and other sound design tools.
The result is a unique set of mutant robotics, mechanical snippets, evolving textures, rhythmic artifacts and menacing atmospheres appropriate for music and sound design projects of all kinds. Features 347 .wav files and 5 Kontakt kits (full version of NI Kontakt required for the Kontakt files).
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.