The Bag Foley Library offers you a nice palette of everyday bag sounds from: Four different backpacks, three kinds of shoulder bags, a duffel sports bag, two camera bags, a ukulele case, a canvas bag, a purse, a wallet, a rack case and the sound of an Imac unboxing.
All files contain variations of the performance. The sounds are recorded in a quiet room with a Neumann KM185 through a UA Apollo preamp.
Ok, ok, before you hit the preview button…back in school a friend made a short film with lots of fighting and light sabres. Who doesn’t want to try their hand at making those? This was my valiant attempt as a fledgling sound designer. They ain't the real thing but perhaps useful nonetheless. Enjoy!
This collection of sounds, include a variety of ambiences, gear drones, and room tones recorded during the last few years!
54 tracks recorded in different recording sessions during last few years. 48Khz and 24 bits HD Audio. Room Tones, Designed Ambiences and Gear Drones recorded and edited for audio atmos designers!
All the files have metadata embedded for Soundminer and similar programs. They both include Spanish and English description.
This library contains a number of guns, AK4, AK5, AK47, MP5, Walther PPK and Sig Sauer, being fired in a number of acoustically different indoor locations, a big stone hall, a cafeteria, a catacomb-like area, and a long corridor.
Whether your need to bring a lone rogue to life or a surge of arrows in an epic battle scene, Nocked will provide you with a plethora of flexible content.
Our largest library to date, this collection is a comprehensive focus on the sounds and functions of the archer and the act of archery. Included are eight recorded bows (2 crossbows, olympic recurve, traditional recurve, longbow, long compound, short compound, and Magyar bow) with 2 additional 'mythic' bows of our own design, each using 3 types of arrows (aluminum, carbon, and bamboo) on 3 varying surfaces (hard, soft, and dirt) from 4 simultaneous recording positions (at bow, at target, midflight mono, and midflight stereo). Each bow and each arrow type have a character all there own.
The content’s dynamic range is wide, from whispering bamboo arrows gliding on rests as they are drawn to firing position, to the powerful THWACK of crossbow bolts striking their target. All non-firing sounds were recorded in a controlled studio environment while all recordings of the bows being fired were taken on a plot of wide-open rural farmland, encompassed by forests. When needed, this ambient natural environment provided an ideal impulse response to be used in the design and editing of some of the sounds to create a heightened effect.
A multitude of takes are provided across each bow/arrow/surface/position combination for easy randomization and differentiation of sounds, or to track any number of unique archers at any given moment.
Go ahead, let them fight in the shade.
• In Wind Harp, get an expansive collection of musical winds from the mountains of the American Southwest. Hear singing wires brought to life by 30 mph gusts and desert winds meshing perfectly with musical drones. Hear blustery blasts whipping through mountain valleys and scrappy desert foliage rustling frantically. Hear dancing grasses strike fretboard strings, pinging rich melodies with each swaying stalk.
• To record this library an acoustic guitar was transformed into an aeolian harp. I hope this library gives you a chance to hear the wind in a way you haven’t heard it before. Enjoy listening to the natural music of the wind as it sings on long thin wires
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
This library features recordings of 3 different beaches along the California coast, including Malibu, Palos Verdes, and San Simeon. In these recordings you will hear Waves crashing, seagulls and other birds, Elephant Seals, light people chatter, light traffic, and distant Ambulance sirens.
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.
The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.
The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.
The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).
Variety 2 is our second bundle of popular, mixed sound clips. This collection packs 150 specific and ambient sound effects into just over 2 gigabytes of audio.
It features multiple categories of fx, ranging from alarms to horns, rain to voices, knives and fireworks. You'll find sirens and race cars, trains and thunder, and much more.
Need helicopter sounds? The Bell 407 and Bell 429 are *THE* helicopters used in police, news, rescue, military and private fleets. Over 1 hr and 45 minutes of beautiful recordings.
A collection of rural autumn atmospheres, recorded in the Wendland region of Germany. A total of more than 3 hours of ambiences included!
• Trees and bushes in the wind
• The forest
• Open fields and wetlands
• Shores of Jetzel river
• Open windows at farm house
• Tractors and farm machinery
• Rural garden: morning, day, and evening
• Outdoor restaurants
• Next to a goose shed
• Dannenberg Market
• Hitzacker Graveyard
• On board a small Elbe river ferry
• and others.
This is not your regular water sound effect library:
Water Rush gets you a multitude of recordings from a group of 30 swimmers doing dives, swims, runs, walks and other movement in the water – for unprecedented control of the water sounds.
Features both solo and group takes, and multiple mic positions, including underwater recordings.
Fantastic for sports, battle scenes and countless other situations where you want precise control of the water sounds.
Need the sounds of people in water?
This library is the one you need:
The Bars & Restaurants SFX library delivers 167 sounds including ice, kegs, kitchen pots, glass stacking, food preparation and more. Ambiences from places like bars, cafeterias, diners, restaurants, burger joints, and even a German beer hall are also included.
Get the sounds of a 1999 Porsche Carrera, captured by recording specialist Watson Wu. The German-made Porsche Carrera is a 6 speed manual, 3.4 liter, Flat 6, weighing in at only 2,900 pounds. The combined recorded driving time is more than 45 minutes long.
Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine, Channel 4 = Cab
Stereo in Left and Right Channels
Ready for some hard-hitting punch sounds? This combat sound library from The Sound Keeper is sure to leave a mark! When reviewed in The Audio Spotlight, the quality was described as staggering. The Punch library is available in available in three versions:
• Most Extensive Punch Library on the market
• 750+ Sounds
• Punches, Kicks, Hits, Grabs, Blocks and Whooshes
• Processed “Hollywood” Punches including:
– Classic Style (Indiana Jones, Bruce Lee, etc.)
– Matrix Style
– Modern Style (John Wick, Daredevil. etc.)
– And Much More!
• Processed Element Sounds
• The Processed “Hollywood” punches broken down into individual elements so you can mix and match for creative freedom!
• Raw Unprocessed Sounds
• New David Morgan Indy Whip Recordings
• All files at 96Khz, 24 bit
• Metadata included for programs like Soundminer
• Includes only designed sounds and designed elements
• 250+ Sounds
• Punches, Kicks, Blocks, Impacts, Grabs and Whooshes
• All files at 96Khz, 24 bit
• Metadata included for programs like Soundminer
• Includes only Raw Unprocessed Sounds
• 450+ Sounds
• Punches, Kicks, Blocks, Impacts, Grabs and Whooshes
• All files at 96Khz, 24 bit
• Metadata included for programs like Soundminer
After umbrella sound effects, but with no time to record them yourself? The Automatic Umbrella sound effects library gets you 159 umbrella sounds, including opening, closing, folding, tapping, squeezing, cleaning, catching, locking and unlocking clasp and much more. The library was recorded using a highly acclaimed Nevaton MC48 microphone and a Tascam DR-70d recorder, and comes with metadata.
If you're after fireworks sound effects, this collection gets you more than 300 explosions, one-shot fireworks blasts as well as longer sequences and whistling sounds. Great for, well, actual fireworks sounds – but can also be used for war soundscapes, distant explosions and more.
An underground parking is a place where you don't feel safe. A squeaky door, a car in approach or simply someone playing with keys. Once again you will have a lot of possibility with those surround sounds for creating space and depth.
An in-depth recording of a Dodge Challenger 426 Hemi from 1970. This engine is the all-time most-famous American V8.
It is a 426 cubic inch engine with hemispherical combustion chambers and it is rated 425 horsepower from the factory.
The recording consists of eight onboard channels, intake, two engine, three exhaust and interior, and eight exterior channels.
It contains startups, shutdowns, idle, driving at different speeds, accelerations and decelerations, kickdowns, burnouts, aways, approaches, stops, passbys, foley and much more. Total recording time is 25min 58s.
Get the sounds and ambiences of Ethiopia, Africa in this very special sound effects library, featuring 1.5 hours of authentic recordings.
SFX library includes walla sounds of Ethiopian Amharic chatting, urban and village ambiences, high mountain atmospheres. So if you're looking for the real sounds of Ethiopia, here they are:
The recordings of real race car – the Mitsubishi Lancer Evolution 8 with 2.0 Turbo Engine on a dynapack. It features ignitions, idles, low and hi accelerations, ramps, stops and a lot of revolution sweeps.
The library delivers 9-channel recordings:
• 3 engine channels: AudioTechnika 8015, Sennheiser 416, Sennheiser 840
• 4 exhaust channels: Sennheiser 418S (MS), Shure SM 58, Octava 015
– and interior 2 channels recorded with a Neumann 185 MT stereo pair
Get a wide range of versatile electric and mechanic motors, engines, tools and toys in the “Electro-Mechanics ToolKit” Sound Effects Collection features.
The SFX library features many different grinders, drills, screwdrivers, buzz saws, sanders, kitchen tools, electric and mechanic toys, CD-drives, doors, and much more. All waiting to be cut up, layered, edited and mangled with FX to become spaceship engines, robot movements, sci fi doors, weapon mechanics and anything that moves by electricity.
This library is not meant to be a comprehensive tools library, but rather a composite toolkit to bring life to futuristic electro-mechanic machines, devices, weapons, vehicles and more.
All sounds in this pack were recorded with up to 4 mics and mixed to give a full and rich sound. All cleaned and edited for direct use in your productions.
Urban Winds II gets you 65 minutes (2 GB) of medium and high-wind sounds in 29 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and alleys, office exteriors and a marina. You get steel wires that whistle and whip in the wind, pipes and cavities resonating in the gusts. You get ambiances and a few specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts. This collection picks off where Urban Winds left off.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas.
In some of the recordings, you will hear wind buffeting – more of the windscreen than the microphones – but there is some. In some cases, I opted to tame the most violent events, but others I left in. In many cases, wind noise reduction simply took away too much of the forcefulness, so I left it as is.
Some specifics appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. All sounds were captured in Aarhus, Denmark.
This Parrot SFX library was recorded by our sound recordists in Thailand in 192 khz, 24-bit WAV format. It includes a huge variety of sounds from calls, cries and vocal gestures. A great resource for post-production or game audio sound design.
Get the sound of honey bees – inside and outside their hive – with this 96kHz and 24bit Beehive sound library.
All files were recorded outside the town, far away from the roads to capture the clean sound of the hardworking bees.
I had a chance to record those insects before the feeding time, so they were hungry and really active.
My main goal was to capture different sounds, not only the ambiences but also some close ones, like the sound of the bees landing on their landing zone or just the interior sound of the hive.
14 stereo files were recorded with Sound Devices 702, Sony PCM-M10 recorder, two DPA 4061 microphones hidden inside a hive and two Sennheiser MKH 8040 to capture the ambience in front of the hive.
Every stereo AB interior recording can be split to mono to isolate the single buzzes, and the library features a total of 44 minutes of bee sound recordings.
This sound effects library is a collection of field recordings of freight trains in the San Francisco Bay area with a route along San Jose, Richmond, Oakland, Emeryville, and San Francisco. All the recorded freight trains were old, rusty, and covered in graffiti. When in motion they come alive with very unique sounds such as metal on metal scrapes, heavy thuds, clunking, and screeching noises. All trains were recorded within 15-20 feet from the mic setup of Schoeps 2 CMC 6 U mic bodies, a Schoeps MK4 and MK8 mic capsules, and a Rycote windjammer fed into a Sound Devices 744T.
The Inner ambience sound effects library is a collection of high definition sounds recorded inside various spaces using matched stereo contact microphones.
Each ambience has its own unique character and natural frequency modulation.
Some of them has constant velocity like an industrial hum, power block energy field, fans and compressors, while others have weird fluctuations like road columns affected by wind and passing-by cars, bridge columns, fences, water pipes: some of the mechanical and electrical sequences were recorded as well, such as water pump, lawn mowers, automatic window rollers, pool cover mechanism and others.
The audio files could be used, as they are – for dark, eerie, confusing atmospheres or elements in your game or film projects.
It is a good source for further manipulation and designing new sounds as it is recorded in 24/96. In addition to the pack there are designed sounds of these recordings to give you an idea of how you can push them in a different creative way and of course use it in your projects as well.
From deep growling and gargling vocals to nasal sounds, this unique collection provides a wide array of camel vocals and noises. These camels has been hunted in the arid deserts of Jordan and Morocco and captured with high-quality equipment.
Each track contain various variations of:
This collection provides original voice textures to design monsters and animals! All Faunethic tracks includes metadata carefully edited with Soundminer
The Blacksmith Sound Effects Library features 800 files with over 1000 sounds, recorded at a one-day visit to an old forge from the last millennium. You get tons of hammering metal on an anvil of course but also many other typical forge sounds, as well as more unusual sonic experiences. Mostly metallic sounds – from tools handling, metal hits, drops, clank of chains to vibrating metal poles, rattling cranks, wooden hatches and much more.
All sounds were recorded in MS using a Sennheiser MKH-8050 + Ambient ATE 208 going in a Sound Devices 788T in 192kHz and 24Bit. The sounds are cleaned and edited for direct use. All mastered and decoded to stereo for instant use.
“Thin Ice” is a handy collection of gripping ice sound effects.
It offers raw sound materials encompassing 315 sounds of cracklings, frictions, impacts, and squashes.
Want to design your own whoosh sound effects? Wave Warper is a revolutionary new way to create your own amazing custom whooshes, passbys, morphed sounds, and sample mayhem. It is a standalone app that combines and loops up to 6 sound file layers to create one new dynamic file using multiple real-time controllable effects and optional VST plugins.
For years sound designers and musicians alike have had to painstakingly layer sounds within DAWs and create time consuming midi controlling scenes to create whoosh, doppler, and passby effects.
Wave Warper takes advanced concepts and simplifies them into one quick, fun, and intuitive software. It is incredibly addictive to use, and produces sounds like you've never heard before.
• Load up to 6 sound files
• Load up to 10 VST plugins within Wave Warper
• Real-time user controlled XY pad allows you to 'perform' Wave Warper
• Pitch, volume, panning, and filtering defined envelopes follow along in real-time
• Randomizes your sound library folders to quickly generate new sounds
• Sine, triangle and square LFOs
• Wind and whistle generators
• 2 compressors
• 9 filter settings that follow along in real-time
• Volume fluctuation on each file for creating dynamic sounds per layer
• Leap Motion control option. Leap Motion sold separately here
• Compatible with Mac and PC (32 bit and 64 bit)
An Intel® Mac with Mac OS X 10.7 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
Magnetic Balls consists of 283 beautifully recorded and edited sounds, tagged with rich metadata. From whizzes and sparks, to impacts and more.
The Machine Factory library delivers 265 unique impact & foley sounds with over 26 minutes of playtime – including sounds such as metal doors, stairway, wood impacts and many other like metal impacts or thundering metal. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.
Looking for regular phone sounds? The Plain Phone Library is available as two collections (and a bundle):
It's A Plain Phone_Pack 01 is what it says it is… a single phone; many different buttons, switches, sliders, and pick up and hang ups. There are slams and aggressive button pushing for when you need to forget you were ever on the phone. Can't forget to squeeze the plastic body on the phone and base. Over 2208 sounds are in this pack over two different microphones, or 1104 per microphone. Wrapped up in a nice digital bow as 112 files recorded at 96 kHz, 24 Bit using the Sennheiser MKH60 and Sennheiser MKH8050 microphones. Exported mono .wav files.
All are meta-data tagged using Soundly and Basehead. You can also get both libraries in a bundle for some nice savings.
It took a lot of sunscreen to record this collection of ocean waves, gentle currents, and life on the Boardwalk. From Venice Beach, to Santa Monica and Malibu, Southern California boasts some of the world's greatest resources for coastal recording. This is a terrific library that features a variety of beachside sounds, including huge wave crashes on rocks, calm estuaries, and even amusement parks on the Pier. Recorded with the stunning Sennheiser Ambeo microphone, each ambience is delivered in both AmbiX and FuMa formats, as well as Stereo, 5.1, and 7.1.
What’s more- a 360 video reference is provided to offer a fully immersive image of the sound effect being captured!
Explore a large collection of beautiful, tranquil sounds from remote desert locations across the American southwest and enjoy listening to the morning sun awaken desert wildlife. This serene collection features sounds that will make you fall in love with the harmonious desert dawn. Sounds include doves cooing, woodpeckers hammering, White-throated Swifts in swirling flocks, and much more. Featured like never before are recordings of Swainson’s hawks so close you can hear the whoosh as their powerful wings cut through the air. For the second installment of my extensive nature sounds from the heart of the American Southwest, here is High Desert Ambiences 2: Active Nature.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• This library is filled with the “Active Nature” sounds of desert mornings.
• Swainson’s Hawks – a male and female recorded near their nest in a 200-foot cliff. Recordings are from below the nest and include close, distant, circling, diving, and soaring perspectives.
• White-throated Swifts – flocks of small barn swallow-like birds circling, darting, and whooshing in front of a desert cliff.
• Other Birds/Wildlife Included: Canyon Wrens, Bewick’s Wrens, Montezuma Quail, White-winged Doves, Western Screech-Owls, Aoudad Sheep, Rufous-crowned Sparrows, Eastern Meadowlarks, and many more labeled as “songbirds” if not identified by species.
• Tracks starting with the filename “Quiet Desert” have low wildlife activity and are perfect “natural roomtones” to use as the foundation of a designed environment. If you need more “Quiet Nature” tracks check out High Desert Ambiences 3: Quiet Nature or the miniature pack of desert sounds in High Desert Ambiences 1: miNiATURE.
• Most files are 3-6 minutes in length
• Named markers included in each file to help find interesting events in an otherwise uniform waveform. Starting in Soundminer 4.5Pro_v252 you can now read text markers from within Soundminer!
• Marker text included in the Soundminer Description and BWAV description fields.
• Recording Location – Davis Mountains, Texas
• *Note – Birds were self-identified using several iOS apps and bird identification websites, so I cannot guarantee 100% accuracy of species identification.
An epic collection of dog sounds, recorded in Ultra-HD 24bit 192k resolution. This library features a variety of vocal sounds from 14 trained animals. Included are barks, whines, yelps, growls, snarls, and sounds that can’t even be defined.
Have you ever dreamt of attacking a piano with a metal mallet? Dream no more! This library is available in two versions (and a bundle):
This library is full of watery sounds to give your urban and residential soundscapes detail and character. This collection has 29 recordings of these troughs after various storms, offering everything from water lightly dripping into a sewer to heavy flowing drains. All sounds were recorded using the Sound Devices Mix Pre 6 and a stereo pair of Sennheiser MKH 8020s.
Badlands Sound went to the future to recorded 42 room tones of various spaces like computer rooms, engine rooms, bathrooms, and much more all in 24bit / 96k. We also recorded electrical buzzes and distorted sci-fi winds. More than 2 hours of futuristic room tones and ambiences included in total.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.