UI SOUNDS | ORGANIC is a well-organized collection of 425 selections ranging from simple and discreet to catchy and jolly sounds ready to use in any kind of electronic user interface (smartphone, tablet, desktop app, web-based app or site), smart tv app, wearable device app, UI demonstration videos, infographics, as well as in your games.
Suitable for: Buttons, Alarm, Notifications, Selections, Menus, Switches, Feedback, Navigation, as well as for other systems or game plays.
Over 100 stereo ambiences from across the UK, including city, countryside, beaches, interior and exterior – available for instant download. View the full list of sounds below.
Comes with comprehensive metadata – and in total, this library gives you more than 6 hours of pristine, authentic recordings from the UK!
A collection of ambiances and street sounds recorded in ukraine between 2015-2018. With these recordings I tried to grasp the unique character of Ukraine. The distinct traffic sounds, the wonderful nature and the lively language.
You will find recordings of airport and train station with p.a announcements, street sounds with Russian walla and voices, quiet residential ambiances, Ukrainian village ambiances, supermarkets and markets, schoolyard, school corridor, parade, street traffic, trains, conversations in Russian, prayers, street player talking, pedestrian areas, and more.
Need footstep sound effects? Get 5 Shoes, 25+ surfaces, 15+ variations – created by Foley Supervisor Joshua Reinhardt and professional Foley walker Lara Dale.
Deep heavy metal, crunchy snow, old boat wood, crisp grass, gritty dirt, clean tile – this library has it all. Not only does this library contain walking but it's got pretty much every performance you can think of, from scuffs to jumps and lands and scrapes. With this library you can cut Foley for pretty much any film or game that comes your way.
• 17 different Performances – From slow walk to RUN, 5 scrapes, bodyfall/land, stomps and more
• Every file is labeled with a description of the shoe, surface and performance type.
• Every folder has a picture of the shoe and surface plus a description of the distance of the mic from the Foley walker.
• Combine wood creak sweeteners with Ultimate Interiors wood for scary creaky wood or add grit to a clean interior to give character.
• Same recording studio mics and preamps used in over 50 major motion pictures
• Same boots that were used for Sylvester Stallone in The Expendable
• Mix and match shoes, surfaces and sweeteners to make your own custom characters
• Can be used as a stereo or separated and mixed/matched as a mono depending which mic works best for your project
Foot wear type:
Boots, Dress Shoes, Flats, Heels, Sneakers.
Extremely Slow Walk, Medium Slow Walk, Walk, Jog, Run, Stairs Slow, Stairs Fast, Stomp, Land, Scuff, Scrape 1, Scrape 2, Scrape 3, Scrape 4, Scrape 5.
Asphalt, Carpet 1, Carpet 2, Concrete, Hardwood, Hardwood house, Hardwood deep, Hardwood parquet, Hardwood boat wood, Hardwood Dock, Lino, Marble, Tile, Dirt, Grass, Metal grate, Diamond plate Metal, Metal Slab, Wood Creak 1 old, Wood Creak 2, Gravel, Rocks, SNOW!!, Puddle, Water shallow, Water Deep.
You get a huge amount of cloth and prop foley sounds in this one: 16 types of cloth and 15 surfaces with 15+ variations – captured by Foley Supervisor and sound designer Joshua Reinhardt, and professional Foley walker Lara Dale.
Crunchy leather, crisp gun movement, trendy purses, big chains, smooth cloth, great sounding bags, and coats, this library has it all. This is hands down the most extensive cloth and prop library anywhere. Note: Does not contain embedded metadata, but features descriptive file names.
Not only does this library contain walking but it’s pretty much every performance you can think of from scuffs to jumps and lands and scrapes. With this library you can cut foley for pretty much any film or game that comes your way. And EVERY PERFORMANCE SYNCS UP PERFECTLY TO ULTIMATE FOOTSTEPS! These recordings were recorded using the same tempo and performances as our first popular Ultimate Footsteps Library so this will add even more depth to your characters and project!
• Every file is labeled with a description of the shoe, surface, performance type and microphone.
• Combine cloth with different props and footsteps to get great sounds.
• Same recording studio mics and preamps used in over 50 major motion pictures
• Same boots and army gear that was used in THE EXPENDABLES
• Mix and match shoes, surfaces and sweeteners to make your own custom characters.
• Can be used as a stereo or separated and mixed/matched as a mono depending which mic works best for your project
Props used: Rifle, hand gun, backpack school, backpack leather, heavy chains, dog tags, duffle bag, paper bags, plastic bags, keys, purse, purse cloth, small chains.
Cloth Used: Heavy coat, coat wool, Denim, heavy denim, fringe suade, fringe, leather heavy, leather crunch, leather biker, sequin, shirt, shirt light, shirt heavy, silk, tutu, wind breaker.
Performances: Extremely Slow Walk, Medium Slow Walk, Walk, Jog, Run, Stairs Slow, Stairs Fast, Stomp, Land, Scuff, Scrape 1, Scrape 2, Scrape 3, Scrape 4, Scrape 5.
Ultrasonic Dry Ice is a library containing over 600 sounds themed metal resonances, scrapes and all sorts of weird.
All the content has been recorded at 192KHz with a Sanken CO100K, a couple of Sennheiser MKH8040 and a MKH416.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
An underground parking is a place where you don't feel safe. A squeaky door, a car in approach or simply someone playing with keys. Once again you will have a lot of possibility with those surround sounds for creating space and depth.
Underwater is a collection of 185 individual sounds to get you started on your underwater adventure. These sounds work especially well in documentaries involving underwater photography, as well as films that need bullets penetrating water as the hero dives under and swims away from the villains.
This collection provides underwater motion, impacts, bubbles, objects penetrating the surface, tapping, bouncing, dripping water, and some miscellaneous sounds for when your sound design imagination goes off the deep end.
Looking for that ‘lost world’ outdoor adventure ambience? The Rupununi region has it all: Pristine landscapes, rich biodiversity, and local myths – and this sound effects library captures its ambience.
Virtually untouched by modern human activity, its nature combines a mixture of savannahs, shrubs, wetlands and forests located in South America. The amerindians inhabit the area for millennia and are in total osmose with their surroundings.
Local myths and legends
In fact the region is soaked with legends and myths, like the famed yet unfound El Dorado city claimed by many explorers like sir Walter Raleigh expeditions in 1592.
Rich Wildlife & Biodiversity
Rupununi bolsters evolving serenades of sounds throughout days and nights due to its incredibly lush eco-systems including thousands of bird species, insects, reptiles and mamals.
The library is available in stereo, and surround (Quad & 5.1).
unEarthly Ambience contains 27 designed background ambiences designed from original field and modular synthesiser recordings.
The result is a mixture of eerie organic textures, thick industrial machine rooms, and futuristic sci-fi atmospheres.
Welcome to the sonic world of electromagnetic fields – sounds that are everywhere but rarely heard!
This library consists of a collection of 82 sounds, with each sound ranging from 6 seconds in length up to almost 7 minutes, exploring the buzzing, clicking, and general weirdness that is found to be emitted in the electromagnetic fields of 21 devices. These include a washing machine, guitar effects pedal, Ford Focus, and a factory Security System.
These recordings range from a variety of straight buzzes and hums to sounds the morph and change over time. They are be great for something as simple as adding a hum to a refrigerator, to creating more complex soundscapes for your sci-fi projects, or to use as samples for music. This collection has been put together using little-to-no processing so as to give you sounds that can be manipulated however you may need.
The ‘Universal Emotes’ sound library is the largest collection of human voice reactions and emotions spanning across all ages and sexes.
This comprehensive bundle totalizes 8771 files, more than 2850 unique sounds, recorded by 20 actors through more than 40 various actions and emotions.
These sounds are meant to be as ubiquitous as possible, with no speech or actual wordings (only interjections and grunts).
Each of the 8771 files included are thoroughly edited, named and metatagged, making them easy to retrieve and ready to use!
The meticulous categorization of the emotions follows the work of the professor/psychologist Robert Plutchik on the theory of emotions and its famous wheel helping us to distinguish and classify the variety of human being emotions.
Thanks to “The Audioville” and “Vincent Fliniaux” for their support on the Edit and Metadata.
This library comes with 2 download options included : the simple version 96KHz (1 simple file per sound), and the full version 192 Khz with 2 mics variations (2 files) per sound.
This library delivers 70 recordings, each 5 minutes in length and recorded at 96khz at 5 different universities.
You’ll find find a range of distinctive locations from exterior walkways to interior study spaces, stairwells and many more. Each sound file is contains useful metadata describing the location and distinct sounds present in the recording.
All sounds were recorded using the Sound Devices Mix Pre 6 and a stereo pair of Sennheiser MKH 8020s.
Get the pass-by sounds of unclassifiable objects, with a natural aspect and texture. They can be easily added into a natural, sci-fi, historical or fantasy world setting.
The source objects are items like toasters, gloves, paper, pipes, small motors, voices, an iron bowl, a garden hose, plastic sheets, air pumps, sticks, trolleys, ratchets. The elements are wind, water, underwater. The textures are plastic, metal and wood.
Unknown Pass-By contains fast, med, slow pass bys (from left to right). Both small and large objects are included, and the library is excellent for setting your sound design imagination free.
This sound collection contains 115 abstract ambiences, most of them as seamless loopable files. Their moods range from deep mysterious over science-fiction to chaotic glitches and weird noise.
Additionally, the Shepard Ambiences‘ 2×44 files are included.
Unremarkable Ambiences delivers a lot of useful ambiences like traffic, crowds, birds, drones, weather, stations and more.
Over 50 long-form HD recordings for your delight – more than 4 1/2 hours total!
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can't hear them, but they're everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
This Sound Effects library contains 633 files that feature over 1000 sounds of unsettling and unpleasant squeaking and creaking elements. It's a great starting point for designing a vast number of different soundscapes in various genres – from just using the sounds as general Hard Effects, to Science Fiction and Horror.
All sounds are production ready: Cleaned, Edited, levelled, and come with embedded BWF Metadata.
You get heavy doors and furniture creaks, screaming dry ice, creaking leather, rubber and balloons, forks on ceramic tablets, disturbing metal squeaks and much more.
Unsettling Creaks and Squeaks – Extension I is the first extension to the very popular “Unsettling Creaks and Squeaks” sound library.
It delivers door and furniture creaks and squeaks, creaking leather, rubber and balloons, door handles, disturbing metal on metal squeaks and much more.
This sound effects library is a composite collection of 345 files with even more single sounds of unsettling and and unpleasant squeaking and creaking elements. It’s a great starting point for designing a vast number of different soundscapes in various genres – from just using the sounds as general Hard Effects, through Science Fiction to Horror. All sounds are production ready: Cleaned, edited and leveled, and all with with embedded BWF Metadata.
Need to create suspense, tension and mystery in your production? “UNSOLVED” is great for you.
Inspired by crime/investigation movies and series, this pack contains 141 Sound Effects (Wav, 24 Bit / 96 kHz) aimed to enhance the tension and drama of movies, games, series and trailers.
You will find atmospheric and musical elements with a powerful cinematic feel that can be used in musical context too, making this library a great addition to your collection.
A collection of footsteps and movements not usually found in sound libraries: Featuring stagger, struggle, fighting, drunken steps, sudden quick movements on unusual surfaces like plastic sheet, plastic floor mat and other surfaces.
This library features a Ural 4320, a Russian 6×6 off-road military truck equipped with a 14.9 litres diesel V8 engine. The recordings consist of 10 onboard channels (interior left and right, three engine, two exhaust, intake, airfilter and air pipes) and 8 exterior tracks covering various perspectives. The library contains startups, idling, blips, shutdowns, steady RPMs in neutral, driving at various speeds, accelerations, decelerations, gearing, reversing, aways, approaches, passbys, foley and more.
The Ural M72 1943 is 750 cc Soviet WWII motorcycle that is bleeding with class. This sound pack captures this hog with a 4-channel that is nearly six minutes in length. With two mics on its exhaust, one on the engine and one onboard, you get the engine starting, stopping, revving, driving and a surround pass by. This motorcycle sounds just as it looks—beefy!
If you're after city ambiences, URBAN & SUBURBAN provides a solid foundation for any sound designer to create a believable acoustic backdrop right out of the gate with common ambiences in varying intensities, daytimes and configurations. Easily accessible public places are captured in excellent quality, yet enough balance and distance to support the scene in the background and embed more prominent sounds into the mix.
COMMON VS UNUSUAL
While URBAN & SUBURBAN provides all the necessary basics, it also goes the extra mile by providing more isolated environments as well as recordings of special events that will come in handy when a change of scenery or dramaturgy is required. Various forms of traffic, groups of people, buildings, animals, wind and many more sound sources that make an appearance in this library ensure that you are able to craft an experience complete with the necessary components.
Urban Berlin Vol. 1 is the first release from a set of different Sound Librarys from Germany’s Capitol City Berlin. This first Volume contains Sounds like Citylife, Leisure, Traffic and Train Stations, Pleasure Boat, Flea Market, Trade Fair, Shopping and Crowds in different public Situations. Indoor and Outdoor.
Urban Berlin Volume 2 is the brand new library in addition to volume 1, capturing the many sounds of the German capital.
We recorded in the districts: Kreuzberg, Mitte, Charlottenburg and Tiergarten. This Library contains the most-visited places, as well as quiet streets and backyards. Most of these recordings were made during the spring of 2016. For further details about the locations, please read the spread-sheet and take a look on the location photos.
It was completely recorded in MS-Stereo (mid/side Signal) which gives you the great opportunity to handle the stereo-spread in post production. For those of you, who want fast results, we offer you a converted version in full Stereo-spread or take both as a bundle. The excellent Neumann Shotgun MS-Microphone RSM 190i was used in this session.
We recorded in the districts: Kreuzberg, Friedrichshain. This Library contains roomtones of a Hospital, a Playground, Trainstations and other crowded places. For further details about the locations, please read the spread-sheet and take a look on the location photos.
Urban Crows is a library full of interesting sounds of single crows and swarms.
These proud birds deserve a lot more attention than they usually get. They are amazingly intelligent, social and by no means aggressive or monotonous when it comes to their communication capabilities.
The library evolved throughout winter 2015/16 and was taken from the attic of a house surrounded by trees were the crows frequently stayed overnight. So it was a great pleasure to record them arriving in the evenings as well as hearing them chatting during the dawn. They have a huge arsenal of clearly distinguishable single caws, funny sighs or nervous screams that often evolved to a huge cluster of noises that became stronger when the church bells began to ring and the sun came up.
All takes are recorded in Mid-Side stereo, with Sennheiser MKH-70 shotgun for a strong mid-signal and AKG-C394B for the ambience. The total playing time of the library is approx. 1h 30min.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It's always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
More than just roomtones, this collection is about living in town. Changing an appartment's common sounds into simple poetry. This collection was recorded in a big city such as Paris and London but also more quiet places.
This is the second part of Urban Housing ambisonics series. Those atmospheres are the most helpful to create an immersive sensation of living in town. Mostly recorded in upper class hotel room from New York, Paris, Amsterdam and Bangkok. Sounds are deep and comfortable – and with an open window, it's a totally different story.
Urban Rain is a sound library that delivers 50 city rain sounds recorded in 96 kHz/24 bit, with Soundminer and BWAV embedded metadata. The library contains various types of rain at different intensities, from very light to downpour. Several thunder claps and rumbles are present as well. Locations are as follows: a terrace, a balcony, a backyard, several streets, a rooftop, a garage, inside a car, a loft (from inside), Chelsea FC Stadium and two patios (interior). All files have been recorded at night so human activity is minimum, although you will hear a tiny bit of traffic rumble in the background.
The library also includes 8 Ambisonics files (B-Format, both in FuMa and ambiX, along with a downmix in stereo) and other sounds related to water in the citylife, such as pipes, a drain and a gutter, which are loopable. By using the free SoundField SurroundZone 2 plugin you can convert the B-format files into your preferred format (stereo, 5.0, 5.1, 7.1).
Descriptive markers have been added to several files to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
The total length of the library is 200 minutes.
Gear used: Zoom F8, Sennheiser Ambeo, Sony D100.
Urban Russia is a unique sound effects library that captures the atmospheric sound of modern-day Russia.
Ambiences are recorded in places like the streets, parks, the subway, a museum, bank, airport, bookstore, mall, hotel, restaurant, elevators, train stations etc.
It comes with 171 sound clips recorded in Moscow and Saint-Petersburg, Russia – a total of 8 hours of recordings are included!
Urban Winds is 49 minutes / 1.33 GB of medium and high-wind sounds in 38 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and construction sites, office exteriors and the port of Aarhus. You get plastic that flutters or thrashes, metal fences that clatter and vibrate, pipes and cavities resonating in the gusts. You get ambiances and specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas – and on one occasion in the aftermath of a violent storm (the kind that rips the tiles off the roofs). Had a good time standing in the relative safety of my doorway, recording stuff getting blasted down the street! All sounds were captured in Aarhus, Denmark.
• Howling, moaning, whistling wind sounds
• Wind-battered city ambiances
• X/Y Stereo and Mono sounds (decoded from M/S)
• Metadata included in CSV and ODS (OpenOffice) formats
Urban Winds II gets you 65 minutes (2 GB) of medium and high-wind sounds in 29 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and alleys, office exteriors and a marina. You get steel wires that whistle and whip in the wind, pipes and cavities resonating in the gusts. You get ambiances and a few specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts. This collection picks off where Urban Winds left off.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas.
In some of the recordings, you will hear wind buffeting – more of the windscreen than the microphones – but there is some. In some cases, I opted to tame the most violent events, but others I left in. In many cases, wind noise reduction simply took away too much of the forcefulness, so I left it as is.
Some specifics appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. All sounds were captured in Aarhus, Denmark.
SSL16 USA CONTRASTS is a great collection of American Ambiences. Recorded in Summer 2015, I traveled to some of the most beautiful cities of the country to explore the American way of Life.
From San Francisco to New York, visiting:
Room tones from the quietness of a Las Vengas Hotel vs the Wild Nature of California & Crowd and traffic of the big cities…. This is the real contrast of USA! As always, recorded in full 5.1 Surround format.
Useful Winds contains 17 decoded ms recordings of various types of wind, both interior and exterior. From a mild breeze through an Irish field to a storm gale atop of a Spanish hill, the library delivers a vast array of windy goodness. Recorded with Schoeps mk4/mk8 & SoundDevices MixPre-D.
A versatile collection of interactive audio elements exploring both the abstract and the traditional side of User Interface sound design. From familiar notification tones and subtle alerts through to future computer processing sequences and manic glitch outbursts, these sonic assets were designed to fit a multitude of scenarios and will add a unique identity to a variety of interface types.
You get 1,074 individual sounds, in 14 separate soundpacks containing variations on all the sounds.
Included are all commonly required sounds needed for a comprehensive UI experience.
The Users of Tomorrow library is the next level of futuristic and high-tech interface sounds, containing 2.2GB and more than 1,800 sounds designed to be used as final assets or layers.
Users of Tomorrow features more than 2.2GB of 1,800 24bit/96khz files, all embedded with Soundminer metadata.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.