The Footstep Pack 01: Humanoid contains over 90 minutes (800 files) of high quality footsteps on multiple surface types and generic movement speed actions for an humanoid entity.
The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.
The included basic construction kit / original recordings enables further foot details to be created for more granular focus.
All assets have been recorded & produced at 96kHz/24bit.
Included in this pack:
Whether it’s for animation, live action production or a videogame – Blue Sugar Audio’s ‘Footsteps’ library will help you bring your characters to life!
This Footsteps library includes 5 types of footsteps: bare feet, heels, sneakers, work boots and dress shoes -each tied to their own little character- sneaking, walking and running on 5 different surfaces: concrete, laminate, dirt, metal and hollow wood. The great variety in high quality samples will help you create three very natural sounding paces.
As a courtesy the library also includes Kontakt files -compatible with the full version of kontakt 5 only- so you can Foley your way through your production in a flash!
The First edition of the Footsteps Outdoor Sessions!
Many different ground surfaces with some action footsteps. Slow walk, Walk, Jog, Run, Scuff, Jump and Land.
The library contains 121 files of various texture: Asphalt, Dirt, Grass, Gravel, Mud, Stone, Rock, Snow, Ice, Water and more. + 361 isolated files.
For the first edition. The bundle includes the Kontakt FootSteps Player for FREE!
18 Footsteps Texture Kit Preset
Just import it like a new library in Kontakt.
The full version is required.
A new update library will be available each time that a NEW Footsteps library is released!
Each sound has been meticulously edited individually, All files were recorded and are delivered in 24bit 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.
The Foleyart Collection | Footsteps & Movements brings high quality Foley Artist footsteps to every audio production studio: offers high end recordings in different distance to adjust perfectly to your scene. All sounds in WAV and tagged with Metadata.
Key footstep features:
Footsteps & Movements gets you thousands of high quality footsteps, including different walking speeds, behaviours & surfaces.
• High Heels
• Timber Floor
• Hardwood Fl.
Also available bundled with the Kontakt Instrument version here for a sweet 41% total discount
The ‘Footsteps Bundle’ combines ‘Footsteps One‘ and ‘Footsteps Two‘ libraries together and brings you over 3800+ high quality footstep sounds on 19 unique surfaces to enrich the audio of your next project.
Dirt • Dry Sand • Dry Swamp • Forest Plain • Forest Plain II • Frozen Stairs • Grass • Grass Long • Grass Short • Gravel • Pine Needle Ground • Snow Deep • Snow Packed • Snow Scrape • Water Deep • Water Shallow • Wet Swamp • Wood Scrap • Wooden Stairs
If you're after high quality footsteps sounds on unique surfaces, this library is for you: ‘Footsteps One’ is the first library of the series aimed at providing exciting and unique footstep sounds for your next project. All the sounds were recorded in quiet remote locations in Northern Finland.
Each surface comes with walk, scuff and stomp sounds with a lot of variations. Also included is bonus material like frozen stairs walk and snowscrapes recorded at various lengths.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Don’t forget to check out the ‘Footsteps Bundle’ which gives you both of the libraries with a special bundle discount price!
The SECOND edition of Footsteps Outdoor Sessions!
In addition to the first version, the bundle contain now 13 NEW textures of floors. Many different ground surfaces with some action footsteps, such as slow walk, Walk, Jog, Run, Scuff, Jump and Land.
The library contains 290 files on various surfaces: Asphalt, Carpet, Ceramic, Concrete, Dirt, Grass, Gravel, Metal, Mud, Sand, Stone, Rock, Snow, Ice, Water, Wood and more. It also contains 814 isolated foot files.
Like the last edition: The bundle includes the Kontakt FootSteps Player!
• A player that allows you to play all footsteps in real-time!
• 57 Footsteps Texture Kit Preset (NKI)
• Just import it like a new library in Kontakt.
• The full Kontakt 5.5 version is required (not included).
Each sound has been meticulously edited individually, All files were recorded and are delivered in 24 Bit / 96 kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.
A footstep library built from long walks in cold and snowy conditions. Recorded in a remote, deserted Swedish forest, miles away from the nearest road.
Different types of snow and boots were recorded as well as different paces:
• Thin/hard packed
• Frozen stairs and porches
• Leather boots
Each track is easy to edit into multiple single footsteps for sweetening your tracks with real snow.
The second library in the 'Footsteps' series brings you even more of those high quality footstep sounds on unique surfaces to enrich the audio of your next project.
'Footsteps Two' nicely compliments the 'Footsteps One' library by adding 10 new unique surfaces that were recorded in quiet rural locations in Northern Finland with a Sony D100 handheld recorder.
Each surface comes at least with walk, scuff and stomp sounds with a lot of variations.
These sounds are very useful in more ways than just using them as footstep sounds. For example the wet swamp sounds are full of gurgles and squishes that will definitely add that special flavour to your gore and horror sounds.
You get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Don’t forget to check out the ‘Footsteps Bundle’ which gives you both of the libraries with a special bundle discount price!
Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
Get the sounds of a Ford F-150 2013 truck, captured by Watson Wu. Metadata is included with over 52 minutes of combined recording time split into 85 ready to use wave files. There are onboard, external, and foley sounds, all in high quality 24 bit resolution, 96khz sample rate. This is the right library when you need truck sounds for your film, TV, or game projects. Note that are no interior cab recordings in this package.
Onboard multi-track recordings are in 4 separate mono wave files. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo wave files. The download is a 1.5gb compressed .rar file (3.45gb Uncompressed).
Channel 1 = Engine, Channel 2 = Near Air Intake, Channel 3 = Exhaust 1, Channel 4 = Exhaust 2
Stereo in Left and Right Channels
A full library of recordings from a 2009 Ford Fusion Plus with a 1.6 litre Duratec petrol engine. Includes door opens and closes, windows up and down, seatbelts, switches, buttons, engine turn key, start and idle, revs and more. Recordings made using Sennheiser MKH416, 8050 and Rode NT5 mics into a Zoom F8 and F4, plus some additional recordings using a JRF contact mic.
Also includes three 7+ minute continuous driving interior ambisonics (Ambix B format) recordings with synced mono engine bay recordings. Covering turn key and start, driving through the countryside up to 60mph on dual carriageway, into the city and stopping. Made with Sennheiser Ambeo and ME2 mics.
If you need a no-nonsense, great quality library of an ordinary car, not a fancy flashy sports car as I often do, then this is the library for you! Everything is delivered in 24 Bit / 192 kHz making it useful for sound design purposes too. Need a massive metal impact? Pitch down one of those doors!
All files contain extensive metadata in both Soundminer and BWAV formats.
This library has an extensive collection of sounds from a well-used 1990 Ford Ltd Crown Victoria with a 4-speed AOC automatic transmission. With its 302 cubic inch, 5 liter, V8 engine, rated 152 horsepower, you'll get thick beefy growls from this Ford. The library includes all kinds of driving at various speeds, cruising, startups, shutdowns, reversing, driving at constant RPMs, gearing, various accelerations and decelerations, and long and short ramps.
Some foley is also included: doors, hood functions, parking brake and gear shifter, and IR sweeps. With 12 onboard channels covering several interior, engine and exhaust perspectives, and 13 exterior channels with microphones positioned at different spots around the recording location, you'll get up-close approaches, aways, passbys and more at different speeds.
Extensive recording session of a 1970 Ford Mustang ” Mach 1 ” . The Mach 1 is a performance-oriented model of the Ford Mustang, its 351 cu in (5.8 L) Cleveland V8 produces 300 HP.
This library contains onboard ( up to 8 mics ) , exterior and all the spot effects and foley you’ll need ( doors, windows, seatbelt, trunk, indicators… )
For greater edit possibilities, the exterior tracks were recorded with various microphones setups :
– static wide AB array
– static Cinela LCR array ( ORTF + Center )
– Neumann KMR81 shotgun mic following the car
For the onboard setup, here’s what you’ll find:
– 2 mics in the engine ( static omni + dynamic cardioïd )
– 3 mics on the exhaust ( lavalier + static cardioïd + dynamic omni )
– MKH 8040 ORTF + a hidden lavalier inside the cabin
Foley and spot FX were recorded with the Neumann KMR81 and Sennheiser 80XX LCR setup
All the sounds are 96 kHz / 24 bits and most importantly embedded with exhaustive metadata for improved search results, including a detailed description, microphone names/setup, etc…
Metadata compatible with Soundminer, Basehead, etc…
A selection of recordings of a 1960 Ford Prefect, including starts, stops, passes and ride.
The first mini-library from Immersive FX – all you need for a nice old UK car scenario:
Recording of an American 1995 Ford Probe with a 2.0 litre 118 horsepower (88 kW) I4 4 cylinder engine with a 5-speed manual gearbox performing a variety of maneuvers in 12 synchronized takes.
The 1995 Ford Probe sound effects library includes 304 clips in 20.35 gigabytes of audio. It showcases the classic car’s 2.0 litre 118 horsepower (88 kW) I4 four-cylinder engine with with a 5-speed manual gearbox performing a variety of maneuvers in 12 synchronized takes.
9 exterior perspectives arranged at four locations capture departures, arrivals, and passes at slow, medium, and fast speeds. The 10 onboard perspectives and three mixes tracks capture recordings from the interior (including an Ambisonic perspective), exhaust, and engine while the car drives with gearshifts, ramps, and at steady RPMs. The package also includes a handful of door, turn indicator, and other performed fx. Each track is recorded to professional recorders using microphones from DPA, Sennheiser, Neumann, and others.
The bundle is delivered with Reaper and Pro Tools mixing sessions, and 18+ fields of professional Soundminer, BWAV, and MacOS Finder metadata.
If you are looking for some specific minivan sounds or just some good allround truck/minivan sound, look no further !!
This soundpack contains everything from car foley (windscreen sounds, seatbelts, gears, … …) to driving sounds on different surfaces, at different speeds and from different angles.
The driving sounds each have an interior perspective as well as motor and wheel perspective.
Recording gear: Sound Devices 633 / DPA 4017B/ Schoeps CMC5MK41 / Nevaton MC403 / Tram TR50 / DPA 4060 .
There are sounds of forests, swamps and meadows recorded in Ukraine, mostly in spring and summer. Recordings consist of coniferous and deciduous forests, different swamps and few meadows.
Recording gear: Sounddevices 744t, Oktava MC-012
With this second forest opus, you will add details to your forest atmosphere. Various foliage, cracking branches, night animals and other great elements that will enhance the surrounding nature. From pine, to deciduous trees and exotic foliage this collection will help you to cover many type of forest ambiances.
The Forest Ambience 1 library focuses on the ambient sounds of Central Florida’s forest ecology. The focus of this library is a collection of as much general background ambience as possible with minimal focus on any one individual element. It also focuses on a Mid Day – Early Dusk time frame.
The range of ambiences include windy gusts through thick canopies, forests alive with birds and bugs, and erie dead silences void of any life recorded near one of the nation’s largest active bombing ranges. Also included are a few plane flyovers and some outdoor trail ambience near an apartment complex as a bonus.
Captured in environments such as:
• Bottomland hardwoods
• Pine Flatwoods
• Upland hardwoods
• Urban nature trail
'Forest Ambience One' is the first library in my nature ambience series where I intend to record the vast and unique forests of Finland and their changing sound between the four seasons.
This library consists of 21 unique pine and birch forest ambiences recorded in Northern Finland during summer. Most of the ambiences have occasional birds in them but I was lucky to capture the sound of the forests without the birds too.
Due to the varying weather during the summer I also decided to record some of the locations when it was raining lightly and also when the rain had passed to get that after rain dribble.
The average length of each ambience is between 3-5 minutes so you can easily create your own ambience loops for e.g. video games.
Forest Ambience One is recorded with Sound Devices 702 and a stereo pair of Sennheiser 8040's in ORTF – and you get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media.
A varied collection of forest atmospheres – from very quiet places like “Sequoia” National park to more lively woods, this library gives you great material with nice acoustics. Ambisonic recordings are particularly great for those sounds.
Get a collection of 134 impulse responses – recorded in the forest.
What if, instead of going to the forest to record the sound, we can find a way to bring the characteristics of the forest to us? Say, for example, we have recorded a sound in the studio like the sound of chopping wood or foley footsteps, but we want them to sound like they are in the forest?
There is a way to emulate this. To make our source sound like it is, in fact, in a forest. The answer is to use the impulse response of the forest and one of the convolution reverb plugins for your DAW.
An impulse response of the forest (or “forest IR”), is the sum of reflections from trees, foliage and the ground by very short signal at high volume. For this sound library, I recorded different impulses in a stereo at different locations of the forest with perfect conditions. Also, the library includes alternate versions of these impulses for use in the processing of the sounds that are far away from the listener.
For using these impulse responses, you need a convolution reverb plugin (not included). The library can be used with the built-in convolution plugins in many DAWs like ProTools, FL Studio amd Sony Vegas, and there are other commercial options on the market, but costs can be high. For starters, you can use a free convolution reverb from the following
A wide choice of IR’s will allow you to choose the most appropriate nuanced impulse response for your material. As you gain more experience with this forest IR, you will find that you can quickly adjust the ratio and volume level for wet and dry channels and effectively use other options of convolution reverb. This powerful forest reverb emulation will be incredibly effective for your sounds.
FOREST summer edition of Japan is nature sounds and ambiances captured in different forests of Central Japan, from the Kanto region.
This library contains recordings of deep forest ambiances and direct close cicadas & birds and creeks, streams, and waterfalls in a Japanese forest.
All of these nature ambiances are recorded using different microphone set-ups. Ortf stereo set-up and xy & ortf combination set up brings variations to stereo images from the locations.
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