Get the sounds of a moped with the Keeway TX50 Moped Sound Effects Library. This model is from 2011, and features 6 gears and electric start function. The Library contains 22 sound files (External, Foley, OnBoard). External sounds such as passbys and approaches are stereo files, and Foley recordings are in mono.
OnBoard recordings include 2 different channels: Engine and Exhaust. You can layer and mix these 2 channels of OnBoard sounds – they will line up nicely in your DAW or audio editor.
The Keys & Locks SFX library gets you a useful collection of several sets of keys and locks used in different combinations.
There are typical lock/key sounds, as well as so also non-typical usage, as a gnash and a scratches. The library features more than 550 sounds in 93 files, recorded in 24 bit/48 kHz. Gear Used: Oktava 012, Oktava 319, Tascam 16×08, Reaper.
There are a lot of door sound libraries but I was missing the key sounds with variations on a project two years ago. After that, I started specifically recording key and lock sounds whenever I heared an interesting door or lid. I tried to capture the four most common performances (put the key in, remove the key, open the lock and close the lock) each at different speed (slow, medium, fast). This is a selection from these recordings. Some are captured in 192kHz with Earthworks QTC 50 to capture high frequencies, waiting to be pitched down several octaves and still remaining crispy.
There are little locks from piggy banks and caskets, wooden cabinets, metal lockers, appartment doors with plastic keys, locks on regular homes and much more.
In addition I added a few key drops on different surfaces (mats, parquet flooring, tiles, concrete…) and jingles.
Khao Sok jungle is a unique collection of 30 sounds from Khao Sok national park in south Thailand.
This natural reserve is the oldest evergreen rainforest of the world, it contains more than 1,500 species of tree and plants and over five percent of the world's animal species.
All these sounds has been recorded and produced with high quality equipment and a lot of patience.
In addition to that, 2 bonus tracks from the Mekong delta are included to this library for free.
This library provides authentic and interesting sounds of wild nature, caught with DPA and MBHO mics powered by an Aeta 4minX at 24/96Khz in multichannel.
All Faunethic tracks includes metadata carefully edited, compatible with Soundminer, Soundly and Basehead.
This library is hilarious. In the best way possible.
Acquired from some very, very good people with the confidence to step in front of a TLM 107, this library encompasses all manners and methods of laughing. Smirks, snorts, puffs, chuckles, giggles, guffaws, hees, haws, roars, cries, and belly laughs. Some are playful, some are unenthusiastic, some are raucous, while others are uncomfortable. Detailed and precise, all of the tiniest nuances are captured from soft breaths to rapid mouth clicks to gravelly throat catches.
Voices are special. Voices are unique. While you may get lucky and be able to pin these joyful laughs nicely to a particular character or voice in your project, they are most powerful when used creatively as layers, one-off events, and definitive signatures in a product, scene, or design. All recordings are captured at 192 kHz to give you the utmost flexibility when stretching and modulating these assets, and we most definitely recommend that you do!
We understand. This is a specialized library that you may not need to frequently call upon in your everyday sound work. But suddenly, when you really can use a good laugh, it will be there, chock full of chuckles, ready to rock.
The KISS sound library gets you exactly what its name suggests: Kissing sounds, and lots of them! This is a collection of genuine, untreated recordings of all kind of kisses.
Feel free to use them in your sound design and be creative. Maybe they can serve to create a squealing monster or squeaking tires too, who knows!
The Airborne Sound Kitchen sound effects library includes over 150 culinary sounds.
The package includes appliances: blenders, toaster, fridges, and freezers. There are tools, too: glasses, knives, bottles, dishes, and cans. Also included is the work that ties it all together: cooking, cleaning, preparing, and chopping. Includes over 10 fields of Soundminer metadata.
Kitchen Foley is a collection of cookware, plates, glasses and kitchen appliances sounds.
It consist of 241 .wav files with baked-in Soundminer’s metadata
All sound have been recorded multiple times: Different microphone positions from extremely close to 1.5m away
and different microphones: DPA4060 and Sennheiser MKH8060.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060, DPA4060
EDITED WITH: iZotope RX, Pro Tools.
A recording of a fantastic Koenigsegg Agera with a 4.7 litres twin supercharged V8 and about 900 hps. It consists of seven channels, exhaust left and right, three different engine channels and interior left and right. The recording contains start, stop, idle, blips, revving at constant rpms, door slam, accelerations, decelerations, driving and a surround drive by. The recording length is 32 min 33 s.
The city of Kolkata, India, is one of the sonically richest locations in the world. This library features over 25 locations and 276 files of both day and night time recordings in 5.1 and stereo formats. Feel the relentless energy of Bagbazar Street, the traffic rumble over Howrah Bridge, walk through the flower market along the Ganges river, and much more…
This Sound Effect Library features a hundred recordings of Kramer KL(11) Oldtimer Tractor. The tractor was built in 1955 in Germany. It is a four stroke single cylinder engine. No cabine and the Diesel motor delivers 11HP. On two bonus recordings a Lanz LK30 potato spinner was attached to the tractor.
Recording positions include Exterior (AB, M/S & mono), On Board (At the fan-belt [sch-sch], at the cylinder-head [tok-tok], at the exhaust [pop-pop] and in a little distance to the side – also stereo-mixdowns of all mic-positions for quick editing) as well as some SFX recordings with a contact mic. The tracor performed start, stop, on, off, idle, driving and various constant speeds / rpms as well as ramps, accelerating & gear shifts. All edited and mastered for quick browsing and easy matching of the different events.
This tractor is still being used, so if you are looking for authentic farming machinery sounds from today or from the past or want to create a unique sounding fantasy vehicle – this one is for you.
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.
The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.
The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.
The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).
Kyma Ambiences vol.2 follows the traces of the original collection dated back 2013, but this time it’s bigger and immersive. It contains 100 abstract and evolving ambiences created with our beloved Kyma sound design workstation. Due to the increasing demand of spatialized content for game and VR/AR project, this inspiring collection has been entirely designed as a spherical representation of sound natively in 3rd Order Ambisonics by generating all the Sounds in Kyma and mastering them in Pro Tools through a custom analog setup (Looptrotter Sa2Rate+Elysia xfilter 500+TK Audio BC501).
Ambisonics is a multi-channel technology that lets you spherically capture the sound arriving from all directions, at a single point in space. I used state of the art tools to forge these modern and cinematic soundscapes by blending many encoders to inject different colours into the design process. Each virtual 3D sound environment has been carefully constructed by layering and placing Kyma Sounds at different locations in a virtual three dimensional field using the Audio Ease 360 pan suite. I captured real spatial sound with the AMBEO VR Mic to be encoded-transformed-decoded using Kyma Ambisonic Tookit (1st Order) and then up-mixed to 3rd Order with Harpex-X and PerfectSurround Penteo 16 Pro to extract the maximum amount of spatial information.
“Kyma Ambiences – vol.2” is available in three variants:Stereo Edition:
2 channels interleaved files (100 items)
Size: 3.48 GB
1OA (first-order) B-Format AmbiX:
ACN channel order & SN3D weighting/normalisation: W/Y/Z/X
4 channels interleaved files – ready to use stereo versions are included as well (100 items)
Size: 6.94 GB
3OA (third-order) B-Format AmbiX:
ACN channel order & SN3D weighting/normalisation: W/Y/Z/X/V/T/R/S/U/Q/O/M/K/L/N/P
16 channels interleaved files – ready to use stereo versions are included as well (100 items)
Size: 27.82 GB
If you want to use the 1OA b-format file directly in your VR/AR project, simply keep only the first 4 channels (WYZX) dropping the other ones (TRSUQOMKLNP)
Audio Format: Interleaved Broadcast Wave Files (.wav)
Sample Rate: 96 kHz
Bit Depth: 24-bit
Los Angeles is well-known for having some of the largest and most traveled freeways in the United States.
The L.A. Freeways sound effects library captures the traffic ambience on the massive freeways that run through the Greater L.A. area – 3 hours of recordings in total!
Multiple perspectives were recorded, from close vehicle pass bys to distant traffic ambience captured from city parks, surrounding hillsides, tunnels and underpasses. Traffic types range from fast pass bys, to slow and congested traffic.
• US-101 (Hollywood Freeway)
• I-405 (San Diego Freeway)
• I-5 (Golden State Freeway)
• I-10 (Santa Monica Freeway)
• I-110 (Harbor Freeway)
• SR-134 (Ventura Freeway)
• (Glendale Freeway)
La Gomera’s Spirit is a sound effects library featuring authentic sounds of the small Canarian island’s life.
This collection contains sounds of Villages, Beaches and Nature Sounds.
It features typical Streets, Walla, Traffic Sounds, Beaches, Nature Sounds with Birds, Residential Village Sounds.
This library features recordings of 7 different parking garages in Los Angeles, including the Beverly Center, Glendale Galleria, a busy Hollywood Mall, a busy Burbank Mall, the Sherman Oaks Galleria, The Americana, and The Grove. In these recordings you will hear car by's, horns, people walking and chattering, car alarms, Ambulance sirens, and lots of nice low rumble.
Around 70 minutes of ambiences are included in total.
All sounds in this collection are in stereo 24bit 96khz Broadcast Wave format. Files are in a zip file, which includes a PDF with detailed metadata.
Lamps focuses on the buzzing/humming sound of light bulbs, lamps, fluorescent tubes, you name it… You can find a sound for any electricity driven device you can imagine.
These sounds can be used as pure effects or as a layer in your ambiances/atmos tracks to create a buzzing hallway or even to add tension in a basement scene with a fluorescent tube.
Low humming growls, aggressive and high pitched, glass resonant tubes, tiny filament lamp, fridge style hums,etc…
This library contains 44 designed textures and about 20 source material files with full and detailed metadata embedded ( Soundminer, Basehead, iXML ) , all at 96kHz / 24 bits.
This is a 4-channel recording of an old Toyota Land Cruiser driving on dirt roads. It was recorded by George Vlad and Daan Hendriks while attending the 2016 Sonic Mmabolela annual workshop in Limpopo Province, South Africa. 4 DPA 4060 mics were attached to the vehicle’s body to capture engine compartment, exhaust and wheel sounds.
The vehicle was used for game drives around the reserve and had no windshield, windows or roof as can be seen in the photos. It was powered by a 4 litre/155 hp Toyota 3F petrol engine that did an excellent job despite its age. It also sounded pretty wild for an untuned utility vehicle.
The recordings cover a couple of failed ignition attempts, a proper ignition with the car starting, some idling, constant driving, revving, some reversing and then the engine stopping. The 4 different perspectives cover the essential sources of sound and offer a lot of flexibility when designing vehicle sounds for any purpose.
'Land Rover Defender' by Flysound is a comprehensive sound catalogue for this best-of-British diesel beast. The suite of 290 recordings is a systematic compilation authored by a dedicated full service post-production team, deploying Neumann U87s, Sennheiser MKH416s, Sound Devices 788Ts, Aaton Cantar X-2s, and further top quality recording, editing, sound design, and mixing equipment.
The 4×4 and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, from the moment the doors close and a seatbelt fastens, right down the gamut of revs, take-offs, turns, passes-by, skids, pedal slams, handbraking, gearshifting, and panel buttoning galore with all the corresponding actions as this hardy off-roader peels away fast, chugs along slow, or just cruises an everyday commute. In short: Everything you'll need, all the maneuvers manifested by this 2.4 litre diesel icon, here in this suite.
The symphonic grace of a Defender in motion is captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 post-production. The 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. This catalogue constitutes the canon of sound for the Land Rover Defender all-terrain vehicle. The suite is parked here, ready to give you the exact audio you need.
A lite and mixed version of this suite is also available, comprising 41 authentic stereo files, designed, mixed, and studio packaged on best-of-breed equipment for simpler tasks which would have a preference for a package of ready made stock sounds of the Defender.
Langa – Township Ambiences is a collection of everyday sounds recorded within a vibrant township community in the heart of Cape Town. The townships are always a busy place with a lot of different soundscapes to offer – from the chaotic market street in the town centre to the quieter houses/shacks on the outskirts. This collection has both interior and exterior ambiences and wallas to set the scene for any project set in a lively city environment. This pack consists of 25 Ambiences.
Photo Credits: Matthias v.d Neut
'Laos' is a unique collection of 49 sounds recorded and produced with high-quality equipment. From north to south, this collection includes:
This collection provides authentic and interesting sounds recorded through all the country using DPA, Neumann and Audio technica mics powered by an Aeta Mixy Recorder. All Faunethic tracks include Soundminer metadata tags.
Jungles, walla, rivers, crickets, waterfalls, streets and rural villages all unique to Laos.
All sounds were recorded using the Sound Devices Mix Pre 6 and a stereo pair of Sennheiser MKH 8020s.
To read about my field recording trip to Laos and to download the free sample pack simply click here.
Sometimes emotion comes when you feel together as one. This is happening in stadiums, arenas, demonstrations when people are as one voice. This collection gets you the power of the crowd. People will go through various feelings, sometimes silent or very noisy, you will be able to cover a lot of situations with it. Moreover ambisonic format-B 3D recordings are great to enhance those kind of situations.
Often majestic, big interior spaces are beautiful sets. We created this collection to help you bring some life into them. To take full advantage of those sets, there’s nothing quite like Ambisonic and its faithful sound reproduction of its acoustics in 3D.
You can never have too many laser blast sounds! And just when you thought you'd heard every type of Laser Blast SFX out there, here comes an all-new gut punching Laser Blast Collection that will.. well, blast you into smithereens. Recorded and designed from scratch at 24bit, 96kHz – and also includes a few bonus kid-friendly zap sounds. Enjoy, if you survive the blast.
The CyberTroops 2040 sound library features 500+ high quality sci-fi weapons sound effects perfect for video games, film and tv, but also very useful for many other applications! If you’re looking to expand your sound collection with different types of cutting edge sci-fi shots, bursts and blasts, this is the sound library for you. With this collection of futuristic sonic ammo at your disposal you’ll have a powerful audio arsenal for immersing your audience in a cybernetic combat experience!
CyberTroops 2040 contains 520MB of high definition 24bit/96khz sounds, embedded with metadata to speed up your workflow and separated into twelve categories.
1. Sniper Rifles
2. Assault Rifles
3. Electric Guns
4. Plasma Guns
5. Bio Guns
6. Heavy Pistols
7. Light Pistols
9. Machine Guns
10. Submachine Guns
12. Source Sound Accessories
What’s so funny? This library is!
Featuring 380 files, including a large group of more than 200 people laughing, cheering, applauding and generally having a great time, as well as several smaller groups and individuals laughing.
Fantastic for comedy shows, sitcoms – and anywhere where you need to add the sound of people having some real fun:
Laundry Mangles is a library full of sounds from vintage machines that once where used in many public washhouses. In some locations they are in use even today.
Basically, the weight of a huge box filled with stones was used to press big pieces of linen, bed sheets or towels wound on rollers below. Early models were operated by hand which was very exhausting and soon the machines were equipped with electric motors and belt drives.
This library delivers sounds from 5 different models of various ages that are operated with a crank shaft or electrical belt drive. All machines have been extensively recorded so that any imaginable perspective and operational state is covered. This includes full runs with belt drive and crank shaft, protective grating handlings, idling motors and much more.
This library features recordings made from a Laurin Koster 32ft 4 cylinder engine Sailboat.
This library contains docked harbor ambiences while windy and calm, water movements, sail foley, engine ignition starts and cut offs, multiple different RPMs while taxiing out of the harbor, sailing, on-deck atmospheres from different perspectives and contact mic recordings of different unique sounds of the sailboat. Contains everything you need to construct a film, game or commercial from a sailboat’s perspective.
Need high-quality volcanic audio from a film featured by National Geographic? You can hear it pop and snap, and occasionally rocks forming, shearing, and breaking apart. Thankfully – I didn’t melt the recorder!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.