Ok, ok, before you hit the preview button…back in school a friend made a short film with lots of fighting and light sabres. Who doesn’t want to try their hand at making those? This was my valiant attempt as a fledgling sound designer. They ain't the real thing but perhaps useful nonetheless. Enjoy!
Liquidation is a liquid texture library covering everything from water to slime to fizzes and bubbles. Source material in this library includes wet slimy pasta, giant water balloons, large containers being submerged underwater, leather fizzing in a chemical bath, pool water splashes and more. Plus it was all recorded at 192kHz/24bit so you can really stretch and thrash these sounds – and the vast majority of the sound files are in stereo. Whether you're designing an underwater adventure or an alien autopsy, this library is full of complimentary textures to layer together.
The LiquidMetal – Waterphone SFX pack contains a lot of great material for your next deep impact horror project, when you need eerie, suspenseful and deep sounds that bring the fear out in you and your audience.
We hit, rattled, bowed, snaped and swashed the real Waterphone – a unique instrument – for really formidable sounds.
Lisbon is one of the oldest cities in the world, and the oldest city in Western Europe, predating other modern European capitals such as London, Paris and Rome by hundreds of years. Lisbon (Portuguese: Lisboa) has experienced a renaissance in recent years, with a contemporary culture that is alive and thriving and making its mark in today's Europe.
This small collection of sounds includes a variety of ambiences, feels, and classics Lisbon Sounds. They are part of my last travel to this amazing city!
They include sounds from Rossio Square, Comerce Square, Trains, Belem, Underground, Baixo Chiado Neighbourdhood, Sant George Castle, street and market ambiences.
Little Boxes is a curated collection of four unique sound sets designed to compliment one another sonically and texturally. These textures move from acoustic to electroacoustic to analog synthesis – all programmed into beautiful Kontakt 4 instruments (full NI Kontakt
4.2.3 or later required).
A small device meant to be hung flat on the wall, the balls will swing and strike the strings if the ground begins to move.
This box was shaken, plucked, strummed, performed and ebowed to produce a beautiful palette of acoustic string textures.
In Kontakt those sounds evolved into a group of instruments that ran from folksy, zither like patches to lush, shimmering pads.
69 human vocalizations processed to be smaller than human.
This library would be a great fit for an indie game in need of a character sound to enhance movements, actions and/or fighting.
Music is only heard on demo, downloads are high resolution and without background music.
What’s Included: 11x Crashing, Bumping, Falling / 14x Landing, Shifting, Sliding / 19x Jumping, Lifting, Pushing / 25x Punching, Kicking, Chopping / 6x Surprise / 3x Joy / 3x Haughty / 3x Angry
Lo-Fi Sci-Fi is a library packed full of characterful, authentic and gritty sounds. It was lovingly created by sound designers Barney Oram and Derek Brown, in homage to classic late 70’s and early 80’s sci-fi movies.
The collection is comprised of a wide range of sounds, including metal, organics, fire, mechanical, interfaces, creatures, foley and footsteps, abstract, ambience, and much more.
Lo-Fi Sci-Fi features 620 24bit / 48kHz WAV files in total, including 45 designed sounds and 575 source sounds.
Loading Sounds is a collection of various VCRs, CDs, Cassettes and Game console recordings focused on their mechanical requirements to play music or movies. There are even Printers loading paper and car CD players loading damaged CDs. The sounds are useful for the beginning of tracks, youtube video or sound effects for a movie, game or multimedia project.
Get a huge variety of simple or complex lockdown mechanism sounds with a wide array of different latches and impacts with Lockdown, a performable Kontakt instrument and sound effects library.
We brought in dozens of props big and small to generate a massive array of source material recorded at 24 bit 192kHz. These included cameras, carabiners, wrenches, rack cases, knives, can openers, tongs, crimpers, solder suckers, file cabinet doors, vehicle doors and servos and much more – all with multiple unique performances per set.
Great care was taken to record each performance with the highest sonic quality and detail. We chose a pair of MKH50s in XY as our primary setup, creating a big, clean stereo image on every sound.
This is a collection of 5 different metal lockers, opened, closed, banged and handled for all of those school hallway situations you’ll come across. They are super clean and were recorded with close and “roomy” perspectives for all but one.
Multi-channel, mono close, stereo room.
LOFI Terminal is a collection of 195 UI/HUD sound effects.
Create original sounding games, menus, UIs, apps and more. LT was designed to have that LOFI sound
with a bit of a twist. Perfect work indie games or any projects looking for different sounding UI/HUD sfx.
LOFI Terminal was created with game developers, sound designers and streamers in mind.
Collection was created using both hardware and software synths.
All SFX have baked-in Soundminer’s meta data
CREATED & EDITED WITH: Modular, Reaktor, Adaptiverb, TC Electronics, Pro Tools.
This is a collection of sounds recorded at various locations in London, UK. Recordings of landmarks such as Trafalgar Square and Elizabeth Tower (Big Ben), various London streets, and green spaces are all featured, totalling 127 minutes of ambisonic audio, with an average length of 6 mins 22 seconds.
The files have been decoded to AmbiX, but can be converted to FuMa with the free Ambi Converter from Noise Makers, or decoded to any format from mono to 7.1.2 Atmos using Harpex-X or the free Røde Soundfield plug-in.
No noise reduction has been used, apart from on the recording of Big Ben, and the unprocessed version is also included.
SSL11 London City Sounds is our first project recorded in London exclusively during a 4 days visit in the city. SURROUND SOUND LAB Team traveled to London just to record the main essence of this city!
Parks, Ambiences, Traffic, Wallas, indoors crowds, buses, trains, stations and touristic places, all available right now in this huge library.
More than 4:30 hours of original and actual recordings. 79 original field recordings (see map above for geo-localization) in Surround 5.1 , ST and Double MS RAW format (for custom editions).
Each ambience recorded in this library is at least 3-4 minutes long, so there is no need for looping ambience in your project!
This library was recorded in a Double MS mic configuration. This provides great post production possibilities.
London Crowds brings you 20 stereo crowd recordings featuring different situations and locations: Luton and Stansted airports; Liverpool Street, King’s Cross, Victoria and Marylebone stations; a pub, a classroom, a terrace bar, an auditorium, a campus university and a few networking events. Crowds go from 10 people up to a cocktail event with dozens of people.
19 out of 20 locations are interior, so traffic noise is either minimum or absent. English (with British accent) is obviously present in all the files.
Files come in 24 bit and 96/48 kHz. Total length of the library is 105 minutes.
We’ve spent many hours exploring London’s far corners, seeking out the darkest, dirtiest, dimly lit areas of the capital’s streets in search of evocative and truly authentic sounds.
On visiting a large range of locations across the city we embraced our surroundings to capture the city’s natural reverberation and unique sonic qualities.
London Edge is the result of our methodical and passionate search for moods, atmospheres and textures, inspired by our favourite London dramas.
All sounds have been recorded in high-quality 24bit, 96kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416, MKH30 and DPA4060 microphones. Each file has been tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower more focused stereo image whilst the ORTF provides a wider version.
This library is a bespoke collection of crowd recordings from all over foggy London Town. We hand picked the finest pubs based on the locals and acoustics, with each recording offering a unique sense of space and character. From the sweet and quaint to the darn right scary, we shot them all!
Enjoy cutting crowds of all flavours; The pissed and disorderly, jovial folk waxing lyrical, raucous football fans, relaxed pub garden chatter, through-the-wall conversations, Quiz Night whispers, and a f*ckload more! This library is diverse, rich, and comprehensive. Whether your scene is contemporary or period, we’ve got you covered.
Obviously not a musical note in sight and where you need it most, we’re offering up two perspectives with our binaural quad recordings. With a little panning you will be immersed in your choice of London local… Drink up!
This pack includes a four-channel onboard recording of a real long-tail Asian boat captured in Thailand.
With one microphone on a handheld pole and the other three capturing its diesel engine, the boat goes through a series of maneuvers which it repeats three times. This library covers these maneuvers from different positions every time for sounds of starting, stopping, idling, driving, and constant RPM, which are just as unmistakeable as the boat's characteristic body.
Do you need an inspiring collection of carefully edited expressive engine sound fx loops?
Loopable Motors 1: Small Engines is a huge collection seamlessly looping engine sounds from ten different engines. The package includes steady engine loops with multiple RPMs, recorded in 96 kHz, 24-bit for creative sound design. Matching start and end clips are included for many loops for easy drag & drop game implementation or sound editing.
Finding high quality, steady engine recordings and editing them to usable, looping clips can be a really time-consuming task. This sound library is designed to give you plenty of creative material to work with in your next project.
Special Edition includes all the steady engine loops plus 25 accelerations for LeSound Audiomotors plugin.
Library highlights:- 10 combustion engines
– 444 sound files (148 sound with 3 pitch versions)
– Power generators, ATV, compressors, lawnmowers, water pumps.
– Multiple RPM speeds (see datasheet)
– Start & end clips for many loops
– Special Edition includes 25 accelerations compatible with LeSound Audiomotors plugin
– 96 kHz, 24-bit stereo WAV files
– 2.23 GB
– Carefully edited, seamless loops
– Soundminer & BWAV metadata
Los Angeles Skylines is the first release of the Series 2000 collection from Kai Paquin. This library features understated traffic beds to build Los Angeles city ambiances. Covering a variety of different locations from the coast of Santa Monica to the Mountains of Pasadena, this library contains over 4 hours of rooftop and overlook recordings.
Each location was recorded for 15-20 minutes so you can find a variety of interesting moments like sirens, street walla, and trucks while having the flexibility to cut around those moments or be able to reuse the same recording on multiple scenes without it repeating.
Additionally, the library was carefully tagged with metadata, including flags in the recording pointing out where moments that pop out of the bed are making it easier to find specifics to cut in or around.
Lost Transmissions is a collection of electromagnetic and radio recordings with an emphasis on communications gone wrong. Malfunctioning static, radio recordings, analog hums, designed passbys, & tonal/fluctuating noise. Lost Transmissions is another essential set of utilitarian libraries to add to your tool box. Recorded and designed by Jason Cushing (co-founder of SoundMorph).
Not only that, as a bonus we've also teamed up with and included Echo Collective's kontakt instrument “Squelch” and accompanying sample library, giving you an additional 100+ real radio samples to work with and playable radio instrument.
Low Frequency Elements is a sound effects library that layers seamlessly into your tracklay, reinforcing your mix with thunderous low end.
Layer with impacts, design ambiences, music or a full mix to strengthen your sound.
We sourced and designed sounds from analogue & digital synthesizers, contact microphones, coil pickups, field recordings.
Get ready for your next project with this unique combo! Grab SPACE DIVERS together with DIVE DEEP for a special price:
Exclusively on A Sound Effect!
Offer a massive value to players of your Irish Themed Casino Game with LUCK OF THE LEPRECHAUN, a truly unique collection of Highest Quality Music and Sound Effects, handcrafted and optimised to be the perfect addition to your slot game!
STEP UP YOUR SLOTS
Transform your project with this staggering collection of meretriciously designed sounds, including ROLLUPS, SYMBOL Sounds, NOTIFICATIONS, TRIGGERS, REVEALS, BACKGROUND LOOPS, FEATURE MUSIC LOOPS, SUMMARIES, TRANSITIONS, ANTICIPATIONS and much more – PLUS incredibly versatile additional sounds and voice-over, such as LEPRECHAUN VOICE, POT OF GOLD COINS, NATURE AMBIENCE LOOP, CARD DEALING, and all other sounds your games will ever need!
GRAB ATTENTION, BUILD CONNECTION
Whether you slot game is land-based or online, each asset has been professionally optimised to cut through the background chatter and immerse your players in the beauties of Ireland and festive celebratory feel of St. Patrick’s Day like never before. Keep them coming back for more with inviting sounds and catchy music that reward play and build long lasting connection!
LUCK OF THE LEPRECHAUN at a Glance:
The World War II American M16 Halftrack anti-aircraft sound library features 313 sound effects in 18.86 gigabytes of audio. Based on the M3 Halftrack, this “multiple gun motor carriage” showcases 20 takes of up to 42 channels of performances from a White 160AX, 6-cylinder, 128 horsepower engine.
Twelve onboard perspectives present the vintage vehicle in slow, medium, and fast speeds with steady idles and ramps. The twelve exterior perspectives include 26 channels of the halftrack starting, departing, passing, reversing, and arriving. Includes over 18 fields of Soundminer, BWAV, and MacOS spotlight metadata.
Recording of a .45cal M1928A1 Thompson submachine gun from World War II, consists of about 20 channels and distances from 0 to 300 meters. Firing includes single shots, double shots, bursts of various lengths and wild foley.
This collection features 98 interior and exterior stereo recordings of the M4 Sherman Easy 8 Tank as it is put through its paces. These effects have hand picked from the Sound Ideas Military Tanks library.
The American M5 High Speed Tractor includes over 20 gigabytes of recordings of a WWII US military vehicle with a Continental 6572 six-cylinder petrol engine with 207 horsepower. 188 sound fx document a full suite of performances from M5, also known as versions M5A1, M5A2, M5A3 and M5A4.
The performances include starting, idling, departing, arriving, and passing by from 6 exterior perspectives at slow, medium, and fast speeds. 10 additional perspectives feature motor, interior, exhaust, tracks, and other locations that capture idles, driving, and steady RPMs from onboard the tractor.
Includes extensive Soundminer metadata.
Machine Emanation is a contact microphone and drone sound effects library focused on machines. It contains multiple recordings and designed drones sourced from band saw to ceiling fan; table saw to dishwasher, thickness planer to paper shredder; bench grinder to refrigerator. Machines were recorded turning on and off, running, and at any available speeds.
Also included are drones designed from each machine. Power tools and appliances are re-imagined as dark rumbling drones and unique atmospheres. A small glimpse of what can be created with Machine Emanation.
The Machine Factory library delivers 265 unique impact & foley sounds with over 26 minutes of playtime – including sounds such as metal doors, stairway, wood impacts and many other like metal impacts or thundering metal. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.
The EFX Machine Gun collections get you sounds of Heavy Machine Guns, Light Machine Guns and Submachine Guns:
Machine Gun Pack 01: Heavy Machine Guns
187 sounds, 210 MB
Machine Gun Pack 02: Light Machine Guns
380 sounds, 329 MB
Machine Gun Pack 03: Submachine Guns
396 sounds, 330 MB
Get all three together in the Machine Guns Bundle – and save 20%!
Machine Hall delivers all the right sounds for designing sounds for robots, industrial environments and other machines.
This pack was recorded in a car building factory and therefore has a lot of industrial robots, air compressors, small rotors and motors, servos and general heavy industry ambiances. Perfect for creating robots, giant mechanical stuff with loads of moving gears and parts and little tinkering bots. Every machine is counted for, big and small!
Be it steampunk or modern sci-fi, this pack is sure to be a great fit for anything mechanical and robot-y!
All sounds included are meta data tagged(keywords+description) for use in soundminer/basehead etc.
We recorded Madrid last winter, capturing 40 beautiful tracks in ambisonic format, 48Khz and 24 bits HD. As always, top quality recordings specially designed for film audio projects. The library was decoded and mixed in Dolby ATMOS.
Included Ambix Ambisonic, 7.1.2 Atmos Bed, 5.1 and ST versions.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.