The 1960 British Narrowboat sound fx library of a Northwich trader-
class barge with a 4-cylinder Gardner 4LW engine producing 75 horsepower at 1500 RPM.
NDUSTRIAL TERROR – Textures is a third and the last installment of Industrial Terror series.
It is a collection of dark, industrial textures, evolving metallic whooshes and textural hits.
The collection consists of 66 carefully designed and rendered sound effects with baked-in Soundminer’s metadata.
All soundscapes/textures loop seamlessly for quick and painless game audio integration.
Unique processing of organic field recordings combined with modular processing makes it both grounded in reality and creepy.
This collection is a perfect choice for any kind of horror genre.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Eventide, iZotope, Discord4, Modular
Ethiopia is a unique collection of 62 sounds recorded through central and northern part of Ethiopia during a period of holly festivities.
All these sounds has been recorded and produced with high quality equipment.
This library provides authentic and interesting sounds, recorded with DPA, MBHO and Neumann mics powered by an Aeta 4minX.
All Faunethic tracks includes metadata carefully edited, compatible with Soundminer, Soundly and Basehead.
From the Moons of Saturn to the internal workings of a warp engine. These ambiances will set the tone for all types of futuristic soundscapes. These textures are blended phase modulations and distant radio waves that will drop right into your DAW and transport you to outer space!
The Volvo S60 Polestar sound library collects 309 sound fx totalling 18.39 gigabytes of audio. The 21 takes feature recordings of the 2015 Swedish vehicle and its 3.0 T6 AWD 6-cylinder, 350 horsepower with turbo.
10 onboard perspectives (14 channels) present the car driving at slow, medium, and fast speeds, as well as at constant RPMs, with gearshifts, and with ramps. The 8 exterior perspectives (23 channels) depict the “compact executive car” departing, arriving, starting, stopping, shutting off, and also passing with constant RPMs, gearshifts, and ramps. The 20 takes also include stationary idles, blips, and engine cooling ticks. Includes full metadata for Soundminer, BWAV, and MacOS Spotlight.
The Babies & Kids SFX Library contains a variety of recorded baby and kid vocalizations from children ages six months, three years, and five years old.
The recordings in this library include breathing, cooing, coughing, fussing, grunting, squealing, laughing, sneezing, animal impressions, babbling, growling, pouting, screaming, singing, spitting, whimpering, whining, yelling, and more.
In addition to a wide range of vocalizations appropriate to their ages, the older kids were asked to also perform like younger babies–giving you the superior performance of an older child but the feel of a baby. All sounds easily pitch up or down to be useful for a wider range of ages.
All performances are non-English. Talking, singing, babbling, etc. were performed with nonsense words so the files may be used for post-production without the need to replace in an M&E.
The Fokker Dr. 1 1917 World War 1 triplane sound fx library includes 200 clips in 8.09 gigabytes. The collection of the famous German aircraft features field recordings of maneuvers from a 9-cylinder Le Rhône 110 horsepower 9J rotary engine.
A combined twenty-two synchronized channels showcase all angles of the fighter plane. Nine exterior perspectives recorded the Fokker idling, taxiing, landing, and passing by both fast and slow. Five onboard perspectives from various locations around the cockpit and engine capture high, medium, and low RPMs while idling, and extended takes of flying at various speeds. Also includes prop spinning performed effects.
Every clip includes 18+ fields of embedded metadata.
The Car Destruction sound effects collection contains chassis scrapes, dragging, flipping, road rail scratching, multiple car chassis dropping takes include rolling down a slope, falling onto the ground, and impacting other cars.damaged engine idling and slow to fast driving with gearshifts, ramps, and steady RPMs from both onboard and exterior perspectives both on two cylinders and without oil and more.
You can never have enough whooshes in your collection, but MOTION is a great start! It’s a rich sound palette of movement samples for (explainer) animation, motion graphics, IoT devices and apps.
Just like every SONIC BOOST pack, each sample in MOTION has been mastered and tagged to fit seamlessly into your workflow.
The Cars In Motion II sound library was built from 551 WAV files, with total length of 268 minutes. It features exterior sounds of cars driving at different speeds, reverse sounds, accelerations, braking sounds and a lot of additional files. You’ll find different sounding engines, from a small Seat Ibiza through a powerful Porsche Cayenne, up to a fast Subaru Impreza WRX. In addition to cars there are also random cars folder, that contains everything from regular cars up to trucks and buses. Here’s a list of all the cars that are part of this library:
Get almost 5 hours of sounds of Sicily, Italy – captured at various locations during different times of the day. The library features sounds of both empty and crowded streets. Mornings and nights sounded different from siesta time, that’s why I’ve recorded streets during all those times.
Another location was a fish market recorded in the morning, during most intense moments.
Other files covers the traffic on the streets full of honking scooters, barking dogs and just cars passing by.
In addition to the recordings from Trapani, you’ll find sound of the airports, not only in Italy but also in Poland, which contains both Polish and Italian walla.
Walla sounds varies from ones with a lot of people talking from different directions, to more narrow ones, with small groups speaking from one place. Most of the recordings are not that easy to distinguish, but there are also files where you can hear very clearly every word.
Italy – Sicilian Ambients features 36 WAV files, recorded with two 8040s plugged into Sound Devices 702 and Sony PCM-M10 portable recorder. The total length of the files is 321 minutes.
A killer antique accordion full of paper crinkles, key clacks, sick sounding wheezes and old wood creaks. The antique accordion was rescued from a local antique shop. It has a hole in the bellows that creates a distinct wheezing sound, and it is loaded up with strange squeaks, pops and paper textures.
We rolled on this instrument for about an hour, and did everything from flicking the keys to dropping and pounding it. The accordion took some abuse, but in the end what it gave back was a wealth of old sounding textures you can’t fake.
This instrument was recorded at 24 bit 96k, in dual mono – with an AT4050 for a wide perspective and a Schoeps CMC6.MK4 for a close perspective. Comes with 57 .wav files and 19 Kontakt .nki files (the .nki files require the full retail version of NI Kontakt 4.2.3 or later)
This unique library contains atmospheres from Cologne and its surroundings. If you're looking for that certain Germany city sound, you'll find lots of it right here, captured in the city centre, parks, churches, the Rhine shore, the trains, the subway – and the beer garden.
A collection of ambulance, police and fire truck sirens, captured in Italy. Features both cars, fire trucks and motorcycles – and comes with doppler pass-bys, stationary, close, distant and in-car siren recordings. A bonus selection of car/house alarms is also included, for a total of 15 minutes of howling siren recordings!
Get the sounds of 12 authentic weapons from both World War 1 and World War 2, captured by recording specialist Watson Wu. A total of 587 files are included – 107 foley sounds and 480 firing sounds.
Enfield • M1 Carbine • M1 Garand • Mauser • Mosin Nagant – long • Mosin Nagant – short
Pistols & revolvers:
British Webley Revolver • Colt 1911 Pistol • German Luger Pistol • Smith & Wesson 1915 Revolver • Smith & Wesson 1917 Revolver • Walther PKK Pistol
All the weapons are authentic, the gunpowder is real and 100s of rounds were sent downrange to get you these powerful weapon sounds from the World Wars.
A massive electro-acoustic drone SFX library reft from a custom designed and hand-built instrument! These drones were coaxed from a unique instrument using the power of air. No harsh picking or plucking, just assorted techniques for moving air deftly across the strings.
The guitar, Yvaine, was recorded simultaneously via two tracks (one direct and another amped and mic'd) and was set to 23 different tunings to encompass the full spectrum of her voice, character, and soul. The tunings are as follows:
All5ths | B6th | Capo12th | CassianoPereiraViana | CrossnoteF | Cuba | DADGAD | DropB | Hawaiian | Koto | OpenA | OpenC | OpenD | OpenE | OpenF | OpenG | OpenPage | Orkney | Ostrich | Pentatonic | “Spira” | Standard | TheEdge
The files range from uber clean and harmonic to gritty, crackling, and distorted. For some of the overdriven amped recordings, we even experimented with creative NR settings for the modulation of artificial harmonics…and kept some of the more colorful results! Between the two different tracks, multiple takes were made per strength, per position, per recording. Depending on which takes were best, some of the DI and amped captures matched, while others were physically different. This offers unique layering capabilities for some sets while allowing for variety in others. Some of the sets are missing particular strength recordings at specific positions. But if a capture wasn't appropriate, we didn't include it.
This is a bountiful collection of droning goodness. Use it for good.
Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.
Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.
Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.
Get the sounds and ambiences of Hockenheimring Baden-Württemberg, a German motor racing circuit, recorded by Ana Monte. It features recordings from events such as pitstops, engine tests and mechanics working.
An assortment of writing utensils + a variety of paper mediums = endless paper SFX combinations.
Features 7 writing utensils:Pencil • pen • paintbrush stump • marker • eraser • chalk
12 Paper Mediums:
Canvas • notebook • shoji • sketch • cel • blackboard • parchment • cardboard • linen • mulberry • cotton • scrapbook
Get authentic military-grade blasts with these recordings of the 76mm M18 Hellcat cannon from the World War II era. This beast fires five blanks that are captured with 20 channels of varying distances, perspectives ranging from 0 to 150 meters, and microphones, such as Sound Devices and Zaxcom. This library also features foley from the hatch. Don't miss out on some 76mm power!
Get the sounds of an authentic WW2 bomber plane: This library delivers a recording of the historic twin-engine World War II bomber, the B-25 Mitchell with the air-cooled 14 cylinder Wright R-2600 Cyclone radial engines. The recording cover two stationary ground runs and a flying session.
The stationary runs cover startup, idle, steady rpms, throttle movement and shutdown, with 22 exterior tracks and 6 onboard tracks. The flying session covers startup, taxiing, takeoff, several flybys, landing and shutdown, with 15 exterior tracks and 8 onboard tracks.
The library also includes some foley, such as bomb door opening and closing, flaps, horn, breaks and switches, and engine maintenance with mechanics pumping oil and electrically turning the propellers. Finally it includes the plane being towed.
This collection started as a mic test and turned into a library. What is unique about the collection is that the phone was taken apart so you get each individual element as clean as possible. It was recorded with shotgun mics, a TLM 103 to see how it sounded with something other than dialogue, and a Cold Gold contact mic at 96 khz, which was the biggest surprise as it sounds like a high definition retro mic when placed on the back of the phone's rotary dial. Skip the antique hunt and listen to these vintage sounds.
This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.
The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.
This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!
Ya su, Kalós órises, and welcome to Athens & Crete!
From the ancient bustling markets to the untouched natural beauty of the Mediterranean coast, this library epitomises the notion of two sonic worlds colliding. We set out with the goal of capturing this historical part of the world and quickly learned this could only be done by fully embracing this polarity. So here we are, two libraries in one and boy is it a cracker!!
We captured street buskers, back alley murmurs, bustling city squares, markets, heavy traffic, skylines and even a religious sermon!
So whether it's Game of Thrones or the next Bourne film, this beast will help bring your locations to life!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.