We recorded in the districts: Kreuzberg, Friedrichshain. This Library contains roomtones of a Hospital, a Playground, Trainstations and other crowded places. For further details about the locations, please read the spread-sheet and take a look on the location photos.
Urban Crows is a library full of interesting sounds of single crows and swarms.
These proud birds deserve a lot more attention than they usually get. They are amazingly intelligent, social and by no means aggressive or monotonous when it comes to their communication capabilities.
The library evolved throughout winter 2015/16 and was taken from the attic of a house surrounded by trees were the crows frequently stayed overnight. So it was a great pleasure to record them arriving in the evenings as well as hearing them chatting during the dawn. They have a huge arsenal of clearly distinguishable single caws, funny sighs or nervous screams that often evolved to a huge cluster of noises that became stronger when the church bells began to ring and the sun came up.
All takes are recorded in Mid-Side stereo, with Sennheiser MKH-70 shotgun for a strong mid-signal and AKG-C394B for the ambience. The total playing time of the library is approx. 1h 30min.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It's always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
More than just roomtones, this collection is about living in town. Changing an appartment's common sounds into simple poetry. This collection was recorded in a big city such as Paris and London but also more quiet places.
This is the second part of Urban Housing ambisonics series. Those atmospheres are the most helpful to create an immersive sensation of living in town. Mostly recorded in upper class hotel room from New York, Paris, Amsterdam and Bangkok. Sounds are deep and comfortable – and with an open window, it's a totally different story.
Urban Rain is a sound library that delivers 50 city rain sounds recorded in 96 kHz/24 bit, with Soundminer and BWAV embedded metadata. The library contains various types of rain at different intensities, from very light to downpour. Several thunder claps and rumbles are present as well. Locations are as follows: a terrace, a balcony, a backyard, several streets, a rooftop, a garage, inside a car, a loft (from inside), Chelsea FC Stadium and two patios (interior). All files have been recorded at night so human activity is minimum, although you will hear a tiny bit of traffic rumble in the background.
The library also includes 8 Ambisonics files (B-Format, both in FuMa and ambiX, along with a downmix in stereo) and other sounds related to water in the citylife, such as pipes, a drain and a gutter, which are loopable. By using the free SoundField SurroundZone 2 plugin you can convert the B-format files into your preferred format (stereo, 5.0, 5.1, 7.1).
Descriptive markers have been added to several files to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
The total length of the library is 200 minutes.
Gear used: Zoom F8, Sennheiser Ambeo, Sony D100.
Urban Russia is a unique sound effects library that captures the atmospheric sound of modern-day Russia.
Ambiences are recorded in places like the streets, parks, the subway, a museum, bank, airport, bookstore, mall, hotel, restaurant, elevators, train stations etc.
It comes with 171 sound clips recorded in Moscow and Saint-Petersburg, Russia – a total of 8 hours of recordings are included!
Urban Winds is 49 minutes / 1.33 GB of medium and high-wind sounds in 38 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and construction sites, office exteriors and the port of Aarhus. You get plastic that flutters or thrashes, metal fences that clatter and vibrate, pipes and cavities resonating in the gusts. You get ambiances and specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas – and on one occasion in the aftermath of a violent storm (the kind that rips the tiles off the roofs). Had a good time standing in the relative safety of my doorway, recording stuff getting blasted down the street! All sounds were captured in Aarhus, Denmark.
• Howling, moaning, whistling wind sounds
• Wind-battered city ambiances
• X/Y Stereo and Mono sounds (decoded from M/S)
• Metadata included in CSV and ODS (OpenOffice) formats
Urban Winds II gets you 65 minutes (2 GB) of medium and high-wind sounds in 29 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and alleys, office exteriors and a marina. You get steel wires that whistle and whip in the wind, pipes and cavities resonating in the gusts. You get ambiances and a few specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts. This collection picks off where Urban Winds left off.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas.
In some of the recordings, you will hear wind buffeting – more of the windscreen than the microphones – but there is some. In some cases, I opted to tame the most violent events, but others I left in. In many cases, wind noise reduction simply took away too much of the forcefulness, so I left it as is.
Some specifics appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. All sounds were captured in Aarhus, Denmark.
Useful Winds contains 17 decoded ms recordings of various types of wind, both interior and exterior. From a mild breeze through an Irish field to a storm gale atop of a Spanish hill, the library delivers a vast array of windy goodness. Recorded with Schoeps mk4/mk8 & SoundDevices MixPre-D.
A versatile collection of interactive audio elements exploring both the abstract and the traditional side of User Interface sound design. From familiar notification tones and subtle alerts through to future computer processing sequences and manic glitch outbursts, these sonic assets were designed to fit a multitude of scenarios and will add a unique identity to a variety of interface types.
You get 1,074 individual sounds, in 14 separate soundpacks containing variations on all the sounds.
Included are all commonly required sounds needed for a comprehensive UI experience.
The Users of Tomorrow library is the next level of futuristic and high-tech interface sounds, containing 2.2GB and more than 1,800 sounds designed to be used as final assets or layers.
Users of Tomorrow features more than 2.2GB of 1,800 24bit/96khz files, all embedded with Soundminer metadata.
Need helicopter sounds? The Bell 407 and Bell 429 are *THE* helicopters used in police, news, rescue, military and private fleets. Over 1 hr and 45 minutes of beautiful recordings.
This is a special assortment of design fragments from Eiravaein Works. Libraries in the Vaeyan series will be produced over time as new assorted concepts are explored and designed. A welcome addition of flavor for any sound designer's archive!
The second volume of assorted recording sessions and design fragments from Eiravaein Works.
Libraries in the Vaeyan series will be produced over time as new library concepts are explored and researched.
A second helping of intriguing sonic flavor for any sound designer's archive!
A collection of sounds gathered from conceptual designs and audio experiments. While not centered around a specific theme or topic, Vaeyan III will surely add unique and dynamic flavors to your sound vault.
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
Variety 1 is a selection of our favourite, most popular sound clips. It includes 150 sound effects from babies to burps, crowds to computers, subways to switches.
It is a mix between vehicles, household, office, human sound effects and more in both specific sound effects, and lush stereo ambiences, weighing in just under 2 gigabytes of audio. Includes 18 fields of bonus Soundminer metadata.
Variety 2 is our second bundle of popular, mixed sound clips. This collection packs 150 specific and ambient sound effects into just over 2 gigabytes of audio.
It features multiple categories of fx, ranging from alarms to horns, rain to voices, knives and fireworks. You'll find sirens and race cars, trains and thunder, and much more.
Announcing VARIETY01 – a grab-bag of useful, high-quality sound effects that are often required in FX lays for modern-day film and television projects. From interesting room sweeteners and essential domestic doors, to overhead aircraft and residential atmos elements, this collection has been crafted to bolster the most-used areas of your library.
This collection focuses on modern-day domestic sounds and rural/residential environment elements. We take pride in assuring that whilst there is a high level of variety, we make sure that each sound is as versatile to use as possible.
For a list of all sounds within the collection please take a look at our data sheet below.
A new mini library featuring some raw vegetable murder & carnage sound effects, effective for designing gore and bone effects for your video game or movie.
Air conditioning is almost everywhere – and this collection will give you different sounds of ventilation systems, from from outside and inside units. Smooth hotel room AC, industrial computer room or bathroom, all those kind of rooms need ventilation systems – and here's what they sound like.
The Vibrant Game library delivers sounds are inspired by hit app games like Bejeweled and Color Switch. You’ll immediately find a bank of lovable game sounds that users will recognize, enjoy and connect with. From colorful comedic sounds, musical cues hits and loops, to item pick-ups high energy alerts and notifications, awards, level-ups and treasure unlocks.
Comes with 500+ files in 96 kHz, 24bit resolution (as well as 44.1 kHz, 16 bit resolution for convenience), and includes Soundminer metadata. Speed up your workflow by an x-factor when you use these ready-to-use sound effects and loops.
Game award items, collects • Alerts and notifications • Background and lobby loops • Musical cues, musical hits • Cartoon movements • Clicks and button sounds • Taps, tabs, and slides • Funny chirps, dings and doinks • Object hits and bumps • Opens and treasure unlocks • Positive pick-ups, wrong moves • Specials and power-ups
Vibration is 40 minutes/676 MB of vibrating, rattling and resonating metal and plastic panels in 96 separate files – recorded in 24bit/96kHz using contact microphones.
This is a collection of sounds that rattle, clatter, vibrate, buzz, hum and oscillate. Think huge cargo vehicles, passenger ferries or mechanical installations with loose metal panels, resonating generators and such. The vibrating was done with a 100 watt tactile transducer (like a bass speaker with no cone) hooked up to an amplifier, and getting it’s signal from a modular synth. Frequencies from LFO’s and VCO’s were mixed, to get interesting vibrations in both sub-audio and audio range.
Holding the transducer by hand allowed me to move it around and find the sweet spots on the various objects (a steel filing cabinet, a steel suitcase and a spring reverb tank come to mind). Depending on the amplitude of the input signal, different sounds would emerge from the same waveforms. Now and again, the transducer would get too hot to handle, and on one or two occasions, the thermo-relay on the amp would kick in. Excitement in the studio!
This sound library is entirely based on the Victor adding machine, made in the 1920s. This machine was purely mechanical and non-electric. In this sound library you'll get individual recordings of the machine's hand crank, printer, paper, and button/keys tracks as well as six complete recordings of the adding machine in full action. The library also contains five different mic positions with two different mic techniques used.
A mixture of field recordings from the characteristic Vegas model from Victory motorcycles.
Includes onboard riding takes, as well as exterior passes by, approaches, and departures. Onboard takes are provided in a split left-right configuration as well as a mixed version.
Take an acoustical tour through Vienna, Austria with this sound effects library recorded by Ana Monte. It features recordings from the downtown area, churches, touristic areas and busy restaurants, subway stations and more!
20 read-to-use stereo and surround (5.0) tracks with all the appropriate metadata ready to be used on your next production.
Vienna City Ambiences – Stereo:
– 20 ready-to-use ambiences in stereo
– 1.31 GB
Vienna City Ambiences – Surround:
– 20 ready-to-use ambiences in 5.0 surround(split mono)
– 100 split mono files
– 3.34 GB
Vienna City Ambiences – COMPLETE Pack:
– Surround + Stereo downmix bundle for maximum savings!
– 120 files
– 4.66 GB
The Dot Matrix sound effects library is made up of two parts: A full 3-minute recording of an Epson LQ 570 dot matrix printer at work and 511 short files meticulously edited to isolate each movement that the device makes whilst printing. These movements have been categorised into 5 different folders:
1) Short bursts, with 295 different variations
2) Double bursts, with 25 different variations
3) Triple bursts, with 98 different variations
4) Long bursts, with 45 different variations
5) Servo sounds, with 48 different variations
The recordings have not been manipulated in any way other than being edited into smaller files, as to not limit your options when using the sounds creatively.
In total, you will receive 512 .wav files, each containing SoundMiner metadata, recorded at 96k/24bit in order to allow for a high level of manipulation.
'Vintage Tape Machine' by resonant, features sounds from a Nagra 3 open reel tape recorder (1963 model.) Includes all switches, buttons, dials and running sounds both dry and with tapes playing, analogue hiss, winding and rewinding blank tapes and tapes with voices and tones, etc. Plus some fun DJ style 'scratching'.
Switches can be slowed down to make bigger sounds, for example levers, or can be used as they are for organic user interface sounds.
All sounds were recorded and mastered at 96k/24 bit and, of course, MONO!!
Vinyl Record Noise is the first sound library from Oddball Audio. The library features eleven 10” blank records recorded from start to finish at 45rpm. The records were cut and pressed by Lathecuts in Arizona using a myriad of techniques to get the most surface noise, pops, crackles, and hiss for your sound design pleasure. In the cutting process they used four different lathes with varying noise floors and records made from many types of materials.
The library is perfect for use in any project that may need vinyl records to give it that vintage feel! Additionally these samples are great to use in granular processing, music, or to add subtle layers to a burning fire.
At a glance:
FOOTSTEPS is practically a whole rack of shoes compiled into one single outstanding playable KONTAKT 5 instrument: it comprises boots, dress shoes, high heels, leather shoes and sneakers. We got accurate recordings of paces on all sorts of different grounds: wood, concrete, gravel, metal, sand and parquet. In addition, we added a lot of generic sound layers that can be easily added to the mix. Those layers include sounds of cloth, leather, metal, grass, water and snow.
Virtual UI is a library of over 500 high-tech user interface sounds. Using a combination of digital and analogue gear, sound designer Daniel Mumford has created super-usable wipes, beeps, notifications, menus, power-ups and downs, errors, buttons, data, malfunctions, switches, alarms, atmospheres and drones.
This soundpack is created for use primarily in video games and simulators to simulate the sonic characteristics of an Enviro400 double-deck bus built by Alexander-Dennis in the United Kingdom between 2010 and 2015.
This soundpack is created for use primarily in video games and simulators to simulate the sonic characteristics of a Volvo B7TL double-deck bus with Wright Gemini Eclipse bodywork in the United Kingdom from 2002.
This soundpack contains all you need to recreate the sonic environment of the ERF E14 tractor unit.
This particular vehicle is owned by John Mayle, who has preserved it following its withdrawal from the UK Mines Rescue Service. John's father has restored a number of heritage trucks at his workshop near Newark, Nottinghamshire.
Viva North of Spain is a massive sound effects library featuring authentic sounds of the northern part of Spain, along the route of the Camino de Santiago.
This collection contains sounds of Cities, Villages, Beaches, Nature, Cathedral of Santiago, Highway Bridges and the basque country’s national sport Pelota.
It features typical Streets, Walla, Traffic Sounds, Beaches, Nature Sounds with Birds, Residential Village Sounds.
Faunethic's Volcanic Geyser sound library is a unique collection of 21 sounds from the bowels of the earth. Steaming, splashing and muddy textures, these sounds has been recorded at San Pedro de Atacama, in northern Chile. The third most important geothermal spot on earth, San Pedro de Atacama is located between 4500 to 5200 meters above sea level offering a wide and beautiful sonic diversity to its visitors.
This collection provides authentic sound recordings, captured with high-quality equipment: DPA, Neumann and 4minX. All Faunethic tracks includes metadata carefully edited with Soundminer. All these sounds are delivered at 24/96Khz .wav files. This collection come in easily downloadable zip file.
Get the authentic sounds of a Volkswagen Golf II 1.6 Diesel – around 2.5 hours in total!
It comes with engine recordings from both the outside and inside, passby sounds, foley and interior sounds. The engine sounds were recorded during regular driving for film usage, and it was driven in a more demanding way – with steady RPMs and slow accelerations – for game implementation. All files are tagged with Soundminer metadata, for quick and easy access. So when you need the sounds of an everyday car, this library gets you 152 minutes of exactly that. As a bonus, there are sounds of tyres during sudden braking at very high speeds.
Volkswagen Golf V 1.6 FSI is a small sound effects library featuring the engine recorded onboard (engine/exhaust/drivers cabin in sync) and exterior passes. Regular driving, accelerations, reverse, engine on/idle/off, rpm ramps (recorded with microphones onboard), and exterior perspective covering passes with different speeds, stopping and reverse sound effects. Recorded with a Sound Devices 702, Zoom F8, Rode NTG3, two Sennheisers 8040 and two DPAs 4061 microphones.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.