One-shot impact hits with aggressive bass, angry and sudden booms, big heart-stopping whams, bone-chilling metallic textures, frantic clashes, glitchy futuristic hits, dramatic and disturbing explosions, and epic cinematic bangs.
Obscure cinematic ping elements perfect to add as top layers while crafting memorable hit sounds and hybrid trailer impacts with mystical undertones and terrifying stingers.
This file is from the personal library of trailer music composer Federico Soler Fernandez (“Valerian and the City of a Thousand Planets” – “The Food That Built America (History Channel)” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)
A strong set of pulsating elements and complex cinematic sequences featuring dynamic synth textures, evolving futuristic soundscapes, hybrid trailer pulses, and percussive sound design.
This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)
Over 100 cinematic riser effects and epic buildups featuring distorted synths, eerie whispers, sci-fi glitches, hardcore guitars, dramatic reverses, drilling leads, and profoundly evolving textures. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)
One-shot whooshing transitions with aggressive sweeps, angry and sudden drops, big heart-stopping bass, bone-chilling metallic textures, frantic reveals, glitchy futuristic flybys, dramatic and disturbing movements, and epic cinematic openings.
Realtime Pitchshifting PlugIn version 2!
Elastique Pitch is the real time pitch shifting solution for RTAS, VST, AU and AAX. Powered by zplane’s élastiquePro pitch shifting engine which is used by millions of end users around the world, the plugin ensures the highest, program independent pitch shifting quality.
Elastique Pitch focuses on the essential things: you won’t find any unnecessary or confusing controls or functionality. Instead, the plugin offers you quality, stability, and ease of use.
In the second edition we´ve added a feedback delay and the infiniSTRETCH function of the new élastiquePro v3 engine. Both make it easy to use Elastique Pitch in a more creative way.
The key features of Elastique Pitch V2 are:
• multi channel: support for synchronous pitching of up to 8 audio channels
• real time: no offline pre-analysis required
• feedback with delay for more creative usage
• Three different views
• Program-independent high quality with the highly-acclaimed élastiquePro v3 engine (speech, single-voiced, classical/popular music, etc.)
• phase coherence: absolute phase stability between all channels
• MIDI input: for pitch control
• formant shifting: shift formants independent from pitch
• factory presets: for typical film pull-ups/pull-downs
• AU, VST, AAX and RTAS support for Mac & PC
• audio format: 1-8 channels (I/O), 44.1-192kHz sample rate
• plugin format: AAX, RTAS, AU, VST
• pitch range: ± 12 semitones = 50-200%
• timbre range: ± 12 semitones = 50-200%
• plugin latency: 150ms @48kHz
• min. system CPU: 2GHz
• OS: MacOsX >10.6.8, Windows 2000/XP, Vista, Win7/8
• Host: Pro Tools > V8
Time and Pitch Manipulation for Pro Tools
élastiqueAAX is zplane’s time and pitch manipulation plugin for Pro Tools. It uses the élastiquePro V3 time-stretching and pitch shifting engine which is integrated in numerous DAWs and satisfies millions of users around the world. This ensures the highest, program independent time-stretching/pitch-shifting quality.
The plugin interface has been designed to allow quick and intuitive interaction with all parameters for maximum control. élastiqueAAX is an offline Audio Suite plugin, therefore allowing to apply time-stretching and pitch-shifting much faster than real-time.
Key Features and Technical Specifications:
• up to eight channels
• time stretching 25% – 400%
• pitch-shifting +/- 24 semitones or 25%-400%
• optional formant preserving
• presets for typical film pull-ups/pull-downs
• Audio format: 1-8 channels, 32-192kHz sample rate
• Plugin format: AAX32 / AAX64, Audio Suite offline
• OS: Mac OS min 10.7, Windows min. 7
• Host: Pro Tools ≥ V10
Electric Arcs and Energy is essentially two separate collections of sounds. The first, Electrical Arcs are more raw. These arc sounds can be manipulated and mangled to be used as design elements in your project. They are highly flexible and can easily be pitch-shifted -48 semitones or more. They remain remarkably useful and clean giving each sound multiple “dimensions”.
The Electrical Energy collection is a series of more specified design elements that I created – Impacts and Powerups. Meant to be used in Weapon or UI design they should be flexible enough to be used as stand-alone effects or layers in more complex sounds.
This library was designed from scratch by recording highly unconventional metal sources with a cello bow and processing them (see one example in video). Great care was taken during the recording and editing process to ensure maximum flexibility of these sounds. The recording was done at 24/192kHz using the Sennheiser MKH 2050 mic which captures frequencies up to 50kHz. All processing and design was then performed at 192kHz.
If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map. The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.
We came across an old Sanyo Cash register which was still working – so we went all-in and recorded it. We used two Sennheiser MKH8040 and a DPA 4060 to get a variety of buttons, switches, and printing noises. They all cover different and unique perspectives.
257 sounds of electricity sorted in 8 main categories: Electronic data, Interference, Motor, Pass-by, Periodic Noise, Permanent Noise, Permanent Tone and Switch on/off.
From analog to digital, from low sub drone to high pitch pulse, from “warm” power-on of a generator to a harsh distortion interference, this library contains all you need for your realistic room machine ambience, your space gun, your robot motion, and all the strange things in your head.
Recorded with a magnetic coil microphone, this library unveils the hidden, rich sound-world of your household appliances and a 3D printer at work. It records the oscillations in the electric sound field that’s emitted from electrical devices. Also includes several longer sequences that can be used as building blocks for creating your now sci-fi sounds, and more…
No gas? No problem! This little 192 kHz library of raw electric power gives you everything you need for basic electric lawn mower sounds from moving the mower, mowing grass and debris, different angles of isolated motor sounds without mowing, mowing from close perspective and from a distance, and bagging up freshly mowed grass.
Get creative by using these sounds for other things besides mowing: The 192 kHz sample rate lets you play with octaves so you can turn this little mower into so much more – enjoy Electric Lawn Mower!
Electric Motors is a collection of 148 recordings of small and large motors performing various activities, including rotations, general movement, pulses, speed changes and more.
All sounds recorded and edited at 24-bit / 96kHz, with embedded meta data and accompanying spreadsheet.
When you need Electric Typewriters Sounds, this composite SFX collection of 4 and half (yes half, one machine was broken) (old) electric typewriters delivers. You will find sounds ranging from opening/closing covers, pressing keys, random typing, electric motor movements of the writing head, mechanic-hammering of the letters, small mechanical levers and more.
Of course the sounds can be used for interfaces (and, well, electric typewriters!) – but they could also easily be mangled and mutilated for some great robotic and futuristic stuff. Try it yourself. All sounds were recorded with a Sennheiser MKH8050 through a UA Apollo 8 and a RODE NTG-3 through a Sound Devices 744T. All sounds are royalty free.
• Panasonic R300
• Olivetti Lettera E501
• Sharp PA-4000
• Triumph+Adler Gabriele 100
• Erika 3006
Electric Vehicle is a special library that showcases a Mitsubishi Outlander PHEV (Plug-In Hybrid Electric Vehicle). For this release I wanted to focus on the EV mode of this vehicle even though it has a measly 45km of electric battery range! But no worries! Now you can drive endlessly on battery-power with “Electric Vehicle” by Sounds of Norway!
Looking for electric car sounds? This library delivers 111 files / 123 minutes of 96k recordings in mono and stereo of the Renault Fluence Dynamique electric vehicle.
The Reanult Fluence was one of the first medium sized electric vehicles in Europe, originally produced in 2012. The car is based on the Renault Megane conventional vehicle.
In these recordings, we have recorded the engine with contact mics, capturing the raw sound of the otherwise very quiet electric engine.
We also have a lot of tire sounds on different surfaces, gravel, asphalt and rumble strips on the highway, as well as passby sounds.
Looking for electric car sounds? This library delivers 211 files / 162 minutes of stereo recordings of the BMW i3 electric vehicle.
The BMW i3 is a B-class, high-roof hatchback manufactured and marketed by BMW with an electric powertrain using rear wheel drive via a single-speed transmission. Its underfloor Li-ion battery pack is offered in two capacities as well as with an optional range-extending gasoline engine. The i3 was BMW’s first mass-produced zero emissions vehicle and was launched as part of BMW’s electric vehicle sub-brand, BMW i.
As of December 2016, the i3 ranked as the world’s third best selling all-electric car in history with more than 65,000 units sold since its inception.
This very quiet car has been recorded using onboard DPA-4060 microphones, to capture the engine and tyre sounds. The different surfaces are gravel, asphalt and rumble strips on the highway. The interior sounds have been recorded using the Zoom H5 XY microphone. There are also contact mic recordings of the wheel housing using Schaller mics.
Passby sounds have been recorded using Line Audio CM3’s in an XY setup as well as the Zoom H5 XY microphone. There are passes on dry and wet asphalt as well as gravel at different speeds.
Finally the engine has been recorded using the Elektrosluch electromagnetic microphone, resulting in 33 minutes of electromagnetic madness in 96 kHz.
I sincerely hope you will find this sound archive useful!
Almost 640 clips of designed cracking electrical zaps and arcs and resonant magnetic fields in over 2 GB of accents, drones, and tones.
Each clip is trimmed and carefully organized in folders and with extensive metadata.
Electrical Awakening captures the hidden buzz, hum and EMF of everyday objects:
From the inner workings of a car engine starting up to dopplered garden lantern hums and servo movements, this library has a unique selection of electromagnetic sounds. It's an electrical symphony of sound. These sounds were recorded with a Lom Label Elektrosluch 2 (Stereo coil pick-up) into a Sony D100 at 192kHz/24bit.
Get the hums of a big electric station, a small buzz of an electrical substation’s transformer and also synthesized sounds. All synthesized sounds were re-recorded with the “Worldizing” technique initially conceived by legendary sound designer Walter Murch.
Electricity is a collection of various types of designed electricity sounds using various props and signal processing. No actual electricity was recorded in the creation of this library, its intent is for high intensity and combat electricity sounds that would be difficult to edit with acoustically recorded elements.
Need electrical sounds? Electricity-Sparks N Arcs delivers more than 200 files of 12,000 volt sparking electrical arcs, industrial welders, electrical shorts, Taser gun discharges, Van Der Graph Generator and custom-made Jacob’s Ladder for those classic sci-fi lab effects… even the sounds of the electrocution of an innocent pickle.
These hard-to-find sounds of massive power and electricity are perfect for adding sizzle to video games, movie projects and multimedia.
All sounds were recorded at 96k/24 bit with multiple microphones. Embedded with metadata (Soundminer, Broadcast Wav)
Electrify contains a wide variety of high quality electrical noises, sound effects, and ambiences. Perfect for film, game, music, and television.
Recordings taken from an enormous variety of devices and equipment, including: harddrives, motors, sockets, powertools, interfaces, amplifiers, printers, scanners, and many more.
Sounds consist of beeps, glitches, hums, fuzz, noises, processing, crackling and more.
All sounds are cut, and ready to use, for seamless integration in to your latest productions.
Get a wide range of versatile electric and mechanic motors, engines, tools and toys in the “Electro-Mechanics ToolKit” Sound Effects Collection features.
The SFX library features many different grinders, drills, screwdrivers, buzz saws, sanders, kitchen tools, electric and mechanic toys, CD-drives, doors, and much more. All waiting to be cut up, layered, edited and mangled with FX to become spaceship engines, robot movements, sci fi doors, weapon mechanics and anything that moves by electricity.
This library is not meant to be a comprehensive tools library, but rather a composite toolkit to bring life to futuristic electro-mechanic machines, devices, weapons, vehicles and more.
All sounds in this pack were recorded with up to 4 mics and mixed to give a full and rich sound. All cleaned and edited for direct use in your productions.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.