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Home Sound Effects

Sound Effects

  • Bubbles Vol. 3 is our next underwater library featuring unique recordings captured with our dual-mic set-up. Our Audio Craftsman have used an overwater-underwater microphone configuration using the Sennheiser MKH50 for the overwater mic and the Aquarian H2a Hydrophone for the underwater recordings. With both mic options available as separate files, there are multiple options for layering up the sound effects.

    Bubbles Vol. 3 brings you our largest collection of bubble recordings: perfect for scuba diving gear, large animal bubbles and underwater movement.

    All files are named with detailed descriptions, along with the microphone that was used to capture them. All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Bundles Jump Scares Bundle Play Track 301+ sounds included $55

    The Jump Scares Bundle features over 300 blood-curdling, hair-raising and spine-tingling sounds to suit a huge variety of horror-impact moments.

    To yield this range of terrifying sounds, our Audio Craftsmen recorded and designed human voices, abstract instruments, metal and glass impacts, analogue synthesis, violins and electromagnetic waves. Each jump scare comprises an eclectic layering of manipulation processes and sound sources to ensure your next horror project has its own gruesome edge.

    Make the hair of your audiences, listeners or players stand on end with the Jump Scares Bundle!

    All sounds included were meticulously edited for maximum sonic quality, enabling you to drop each sample into your projects with no need for further enhancement or modification.

    Each library is delivered at 24Bit. Jump Scares Vol. 1 is delivered at 96kHz, while Vols. 2 and 3 are delivered at 192 kHz. The entire bundle is tagged with extensive Metadata for ease of use.

  • For Guitar Designed Vol. 3, our Audio Craftsmen bowed, plucked, tapped and played an acoustic guitar to yield a variety of sci-fi and abstract sounds, including eerie ambiences, distorted glitches and stuttering space engines.

    Build up your sci-fi scenes, embellish your transitions or enhance the mood of your drama projects with this varied library!

    Sounds have been separated into the following categories:

    Abstract: 8 stingers, phrases and hits suitable for embellishing a variety of genres.

    Ambiences: 5 designed ambiences for injecting tone your sci-fi or drama scenes.

    Glitches: 5 distorted, aggressive guitar glitches for unnerving audiences and characters.

    Sci Fi Engines: 8 spaceship engine sounds, including stutters, rotators and power ups.

    Sci Fi Pass Bys: 25 dopplers and pass bys, ideal for adding weight to your sci fi vehicles.

    Sci Fi Weapons: 16 laser and blaster impacts to complement your sci fi fight sequences.

    All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • including:

    – External recording

    – Internal recording

    – 3 Spots, 6 mics

    – Eng start, idle, maneuvers, drive, shtdwn, passby

    – Slow, medium and fast

    – 48 KHz, 24 bit

    – 6 x schoeps ccm4 (card and omni), sys AB, Zoom F8

    – RAW files only

  • Traffic Pass Bys Vol. 3 is the third in our series of versatile vehicle pass by recordings. This collection contains a mixture of single and continuous pass bys, stops, idles and pull offs at a busy junction and on main roads.

    A range of vehicles have been included to allow for maximum variation in your soundscapes or designed elements. Highlight specific vehicles, emphasise transitions, and turn buses, lorries, trucks, cars, vans and more into immersive atmospheres, sci-fi vehicles, dopplers and whooshes – all with Traffic Pass Bys Vol. 3!

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • UK Parks & Petting Zoos Vol. 1 features a variety of sounds from the animals and environments in rural North-East, England.

    Included are recordings of: grunting pigs; clucking hens; cawing crows; cheeping blackbirds and more!  The candid quality of these sounds makes them perfect for injecting a sense of rusticism into your Film, TV and Game projects.

    All sounds are delivered in 24Bit 96kHz format allowing for further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Travel & Transportation Italian Rails: Trams Trains & Subways Play Track 270 sounds included, 96 mins total $50

    A collection of rail sounds captured in Italy, including sounds of trams (cable cars), trains and subways.

    The library contains sounds like arrivals, departures, pass-bys and on-board recordings. Metallic wheel sounds, pneumatic doors opening and closing, crowds / passengers, and engine sounds are also captured.

    Both interior and exterior recordings are included, as well as PA announcements in Italian.

    Each sound file has been carefully named and tagged for easy search in Soundminer and is Universal Category System (UCS) compliant.
    (see the full track list below).

    Just updated with more sounds:
    111 new recordings have been added to this library, including high-speed train pass-bys, cable car sounds and more – bringing the total number of files in the library to 270

  • The Porsche 911 GT3 is not a typical race car.

    With engine, transmission, air intake and exhaust all situated in the rear of the vehicle under a large wing, this pure driving machine has sonic characteristics very different from many familiar racing vehicles. Its exhaust note is deep and throaty and the transmission is snappy at speed.

    The Porsche 911 GT3 library is a series of recordings that were made on a track just outside of Houston on media day for the Effort race team. These are 2014 Porsche 911 GT3 Rs that race on the Pirelli World Challenge series. Each car has a naturally aspirated, water cooled, four valve 4.0 liter flat six cylinder Porsche engine. These cars create 500 horse power from the factory and race with E10 fuel. The transmission is a Porsche six gear racing box with sequential shift mechanism.

    With full access to the vehicles and the track, we recorded up to 13 channels on every movement.

    The recording setup was as follows:

    • Onboards including Sanken CUB01, Crown PZM and Sanken COS11 mics
    • Interiors captured with a Sure VP-88
    • An ORTF array of Line Audio CM3s at pit row
    • An array of MKH60s and a Shoeps MS rig at another straightaway on a balcony
    • An ORTF array of Line Audio CM3s at a long slow turn
    • A roving handheld MKH70 rig

    After a full day of recording we had material ranging from idles and slow starts to whip bys and burnouts. We also got a wide variety of foley and ambient recordings that happened organically throughout the day.

  • Roomtones Sounds of the Modern Hospital Play Track 31 sounds included, 41 mins total $35

    Get the sounds of a real, modern-day hospital – the equipment as well as various locations. These are recordings that are not easy to access and took a lot of negotiation to capture.

    Features recordings of hospital equipment / instruments such as:

    Anaesthetic Machine • Automated Instrument Rinse System • Beckman Coulter Access 2 Analyzer • CT Scanner • Cardiac Monitor • Coagulation Analyzer • Dialysis Machine • Dialysis Machine • Draeger Oxylog 3000 Plus • Full Blood Count Analyzer • Geiger Counter (Berthold LB 124) • Haemoglobin A1C Analyzer • Heater Fan • Helium Cooler For MRI Scanner • Infusion Pump (Alaris Plus) • Lee Silverman Voice Treatment • METI HPS Mannequin • METI Human Patient Simulator • METI Human Patient Simulator • MRI Scanner • Ophthalmology • Orthopantomograph OP 2000 • Phacoemulsifier • Pharmacy Label Printer • SimMan Essential Mannequin • Sysmex SP1000i Automated Slide Maker • Ultrasound Scanner • Wall Mounted Suction Unit

    As well as location recordings from the Robotic Pharmacy, an AGV (Automatic Guided Vehicle), the Operating Theatre and the Automated Mailroom (OPEX Mail Matrix).

  • Nature & Countryside Ambiences Forest Reverb – Outdoor Impulse Responses Play Track 134 sounds included, 6:41 mins total $25

    Get a collection of 134 impulse responses – recorded in the forest.

    What if, instead of going to the forest to record the sound, we can find a way to bring the characteristics of the forest to us? Say, for example, we have recorded a sound in the studio like the sound of chopping wood or foley footsteps, but we want them to sound like they are in the forest?

    There is a way to emulate this. To make our source sound like it is, in fact, in a forest. The answer is to use the impulse response of the forest and one of the convolution reverb plugins for your DAW.

    An impulse response of the forest (or “forest IR”), is the sum of reflections from trees, foliage and the ground by very short signal at high volume. For this sound library, I recorded different impulses in a stereo at different locations of the forest with perfect conditions. Also, the library includes alternate versions of these impulses for use in the processing of the sounds that are far away from the listener.

    Note: Requires a convolution reverb plugin
    – here are some free options:

    For using these impulse responses, you need a convolution reverb plugin (not included). The library can be used with the built-in convolution plugins in many DAWs like ProTools, FL Studio amd Sony Vegas, and there are other commercial options on the market, but costs can be high. For starters, you can use a free convolution reverb from the following

    LiquidSonics’ Reverberate LE (Win)
    SIR by Christian Knufinke (Win)

    A wide choice of IR’s will allow you to choose the most appropriate nuanced impulse response for your material. As you gain more experience with this forest IR, you will find that you can quickly adjust the ratio and volume level for wet and dry channels and effectively use other options of convolution reverb. This powerful forest reverb emulation will be incredibly effective for your sounds.

  • This is a large foley library with almost 700 recordings of every day props that can be applied to the types of scenes we design all the time. Sounds included are movements like writing, impacts, handling and sliding; surfaces such as wood, cloth, water, metal and skin; and props like cigarettes, glasses, vacuums, doors, flask, mattresses, car doors and more! All sounds were professionally recorded by a Foley artist on a Foley stage, and the recordings are kept raw. Enjoy!

  • Get ready for Christmas with this X-Mas audio package featuring sleighbell loops, bells, swoosh, oneshots, twinkle and christmas ornament sound effects. With different mix-outs in a total of 175 sound files.

    Includes sounds like:

    04 Oneshots FX
    21 Sleighbell Loops
    14 Swoosh Sounds
    10 X-Mas Bell Theme Sounds (81 total)
    09 X-Mas Oneshots
    10 X-Mas Ornament Bell Sounds
    10 X-Mas Ornament FX Sounds
    05 Sleighbell Sounds
    04 X-Mas Swoosh
    17 X-Mas Twinkle Sounds

  • Want weapon sounds that stand out? With Steampunk Weapons, we mixed the old with the new to make this uniquely diversified collection of weapons. Combining modern recording techniques with metal, rusted objects, and synthesis, if you need some more weapons that break the mold of traditional weapons, this is the collection for you!

    The library includes more than 40 weapons, such as:
    Angry Daddy • B Eva • Back from the Past • Big Fuckin Gun • Bio Machine • Bolt Gun • Bucket Gun • Bulb Presser Gun • Cash Machine Gun • Clack Gun • Clicker Gun • Destroyer • Destructor • Drivetrain Rifle • Electro Gun • Electrocutor Gun • Eviscerator • Firestorm Flamer • Grenade Launcher and Shells • Handgun Foley • Impulse Gun • Magnet Gun • Metal Chunker Gun • Metal Daddy • Mine Machine • Mini Bolt • Pulse Gun • Rail Gun • Rebel Bio • Rocket Launcher • Rocket Launcher semi-auto • Screamer • Shotgun • Shotgun NL • Steam Gun • Steamer • Thorn • Tube Gun • Uber God Gun
  • Drones & Mood Sound Effects No Input Feedbacks Play Track 56 sounds included, 72 mins total $17

    No Input Feedbacks is a library of tones, drones, noises, and oddities generated with a matrix mixer and a series of guitar and bass stomp effects.

    Gear Used:
    Xiwi Electronics Passive Matrix Mixer, Electro-Harmonix Bass Big Muff Pi and Holy Stain, TC Electronic Flashback Mini Delay, Tech 21 SansAmp Bass Driver DI, Jim Dunlop MXR Auto Q, Moog Minifooger MF Ring, BBE Sonic Stomp Sonic Maximizer, TASCAM DR100-MKII.
  • Wind, birds, the occasional chattering squirrel and more. A focus on daytime, with some sections covering the entire progression of first light through late morning in ever louder bird sounds. A variety of thrushes, jays, woodpeckers, etc in isolated clips and long ambiances of minutes or more.

  • Let’s continue our scientific journey into experimental-impulse-response research. This time around, we have developed a technique to produce outstanding rhythmic reverb spaces; utilizing intense frequency and amplitude modulation synthesis with the touch of granularity.

    Some of them resulting in the most vivid and lush ambiences you could imagine, other with glitchy stuttery twists. Sounds that are truly out of this world, that can yet be tamed to fit your reality. Our impulses will reverberate clearly in your convolution reverb engine, without any harsh resonances or struggles with equalisation.

    They are like pieces of glass, beautiful and clean with outstanding shapes and textures, yet coloured if need be. Trust your ears, these spatial shapes can be what it takes to transform your tracks into cinematic wonders or completely reinvent them as spatial masterpieces.

    Details:

    • 64 impulse response samples
    • 48khz / 24bit wav files
    • Compatible with any convolution-reverb software
    • WAV + ReFill version (for Propellerhead Reason 8.3+ with 64 Combinator & RV7000mk2 patches)
  • It’s been 5 years since the release of our Robotic Lifeforms 1 library, and we just felt we could do more! So we teamed up with an epic team of Sound Designers to create an ultimate follow up to it all with Robotic Lifeforms 2. This is no joke, a library of love and over 4,100 files and 12.5GB!

    Using some of the most advanced microphones, Kyma, and synths, we really went all out to bring what we think is the most advanced and modern Robot library ever created. Not only do you get over 2,700 designed sounds, but you also get over 1,300 source audio files recorded in 192 kHz 24Bit with the Sanken c1000 mic, so you can pitch the sounds to infinity to create some stellar new sounds of your own.

    In our opinion, this is THE robot library to have in your tool box. We aren’t just saying that because we made it, we are saying it because we believe it to be a fact.
    Take Robotic Lifeforms 2 for a ride, and you will be happy to own the most advanced robot library ever made so far!

    Library highlights:

    • 2,700+ designed sound effects
    • 1,300+ source audio files recorded in 192 kHz 24Bit with a Sanken c1000
    • Transforms, Mechanisms, Movements
    • Power
    • Servos
    • Air Hydraulics
    • Energy
    • Footsteps
    • Impacts
    • Computer
    • Devices
    • Attack Defense
    • Textures
    • Engines
    • Synth
    • Whooshes
    • Drills
    • Air Pneumatics
    • Motors
    • Bonus Recordings
  • This library is a collection of balls bouncing off different surfaces, inside and outside. We can generally find sports being played but not the clean sound of the ball used. We have included unique sounding balls such as a toddlers play ball and a Yoga ball for that really specific sound.

    Ball types included:
    Soccer ball / football • Yoga Ball • Beach Ball • Tennis Ball • Kids ball
  • Need playing card sound effects? Welcome to the most thorough and comprehensive playing card library in existence. Not only does this library provide an incredible array of card actions with many diverse variations, but it's also provided with 2 Mic perspectives.

    Close Perspective: For that “in your face” sound often used in games or scenes where you want to focus and create an impact.
    Mixed perspective: For scenes where the sound needs to sit naturally without drawing too much attention, yet still sound articulate.

    The library was recorded with the most commonly used card deck used by casinos, magicians and hobbyists alike.

    It was recorded with 2 matched Neumann TLM 103's selected for their outstanding transient response and ultra high SNR, and contains 410 Sounds (205 sounds x 2 perspectives).

    INCLUDES:

    • Bends and Flicks
    • Bridging
    • Cutting
    • Natural and Hard Deals
    • Table Placements
    • Flipping onto a card
    • Flipping onto a table
    • Flourishes
    • Hindu Shuffles
    • Overhand Shuffles
    • Riffle Shuffles
    • Smushing Shuffles
    • Table tapping
    • Card Tapping
    • Thumb Riffles
    • And more…
  • This library contains a wide variety of modern day food packaging and wrappers. It is a variation of opening, closing, handling and tearing. This library is perfect for those close up shots of food products that require that very specific material to make it authentic. The library was recorded using the Avedis MA5 Pre, along with the Shoeps CMIT5 microphone at 96Khz 24Bit.

  • Human Sound Effects The Mouth Play Track 1200+ sounds included, 51 minutes 13 seconds mins total $25

    Experience The Mouth like never before in this highly dynamic and creatively adventurous sound library! In this library we explore the many varieties of sounds the human mouth is capable of making. Jam packed full of whistles, yawns, throat singing, gargles, licks, slurps, grunts, throat croaks, beat boxing, monster breaths, deep breathing, consonants, experimental throat sounds, kisses, pops, clicks, teeth biting, teeth grinding, alien howls, explosions, weapons and so much more! Each sound file comes with multiple variations so you can pick the perfect take.

    This library is perfect for organic humanoid creations or organic otherworldly sound design. The Mouth gives you the full dynamic experience from carefully recorded loud vocal exclamations to quiet mouth/throat movements. Use the consonants for speech editing or combine many sounds to create natural movement and depth. Add a beat box to your new track for that unique human element or create a natural and creative sound design landscape.

    The sounds were created from one male voice actor in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.

  • Environments & Ambiences Sports Crowd Cheer! Play Track 41 sounds included, 15 mins total $14.95

    Welcome sports fans to Sports Crowd Cheer sound library.

    Be in the crowd up close with this mini-pack of over 40 crowd reactions including cheers, boos, your ups, your downs, down to the buzzer, score and more!  Short crowd bursts to longer reactions with sirens and horns.  With sounds from the arena, ballpark, stadium, and court, it’s a score from Carma Studio!

  • Harness the unique sonic properties of water in your next project! Create otherworldly sound design with bubble streams, air bursts, immersive perspectives and more.

    Submerged is a boutique sound effects library of swirling, bubbling, whooshing sounds recorded using a hydrophone (underwater microphone).

    The variety of sounds featured in Submerged include scuba inhale/exhale/hiss, ice impacts and cracking, air release whooshing and bubbling, dry ice, pool pump hum, underwater fireworks explosions, cannon bursts, underwater movement, rushing water, dripping water, and an assortment of underwater vocalizations both male and female. Submerged is also included in Pro Sound Effects’ CORE: Pro.

    Key Features:

    • 230 hydrophonic recordings in mono & stereo (1.3GB)
    • 24-bit/96kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

     

     

    Credits:

    Created in collaboration with Big Tree Media
    Colin Hart: Recordist, Editor
    Joseph DiMarco: Editor, Librarian
    Álvaro Aparicio: Recordist
    Sarah Swan: Performance, Vocals
    Benny Maus: Performance, Vocals
    Robb Nichols: Consultation (Aquarian Audio)

  • Dynamic Debris features 425 junk sounds that range from shattered glass scrapes and crashing wooden bangs to small plastic rattles and subtle twig snaps. Use the sounds as is, or take advantage of their high-resolution potential to pitch and process robust layers that are sure take your sound design to the next level.

    Expertly recorded on-site at actual junkyards, this sound library contains a vast array of rattles, crashes, clunks and scrapes that satisfy your project’s rubble and junk needs. Recorded and edited with extreme precision, Dynamic Debris is ideal for adding rich, malleable layers to your design free of artifacts or unwanted noise. With sample rates reaching 192kHz, construct your designs with these immaculate sounds to go beyond their raw potential. Pitch down metal squeaks and moans to reveal unforeseen sonic treasures.

    Each sound file is embedded with descriptive metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 425 sound effects (1.2GB)
    • 24-bit/48kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free

    Credits:

    • Saro Sahihi

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