Hvac Elements is a sound effects library to help you put some realistic ventilation sounds in your productions, recorded from a variety of sources at many different locations.
From table fans to large industrial vents, as well as a multitude of cooling units. Humming, droning, whooshing hvac machinery; some well-oiled, some rattling and worn. Bathroom vents, air conditioning units and a hot water pressure pump. Even the feeding mechanism of a pellet stove.
Recorded with a minimum of ambiance and background noises (location permitting) and many delivered as seamless loops. The perfect companion to Hvac Drones & Tones.
Hvac Elements is 1.65Gb / 61 minutes of fans, heaters, coolers and things that go WHOOSH, in 49 separate files, recorded in 24bits/96kHz quality.
• A variety of hvac elements
• Seamless loops
• Searchable file names
• BWF Metadata embedded, with more included in CSV and ODS (OpenOffice) formats
The Hybrid Electric Car SFX library features a collection of exterior and interior sounds from a 2007 Toyota Prius. A majority of the recording was conducted at El Mirage Lake, a six mile long dry lake bed in the Mojave Desert, 90 miles north of Los Angeles.
This barren landscape, unique for its miles of completely flat terrain, is a popular filming location for automobile commercials and feature films. The recording sessions took place late in the evening and early in the morning, when the surroundings were completely silent.
An ample collection of exterior pass bys, starts, and stop recordings on pavement, gravel, and dry lake bed are included. Speeds range from 5MPH to 80MPH from only running on the electric motor/battery pack, to pushing the Prius’ gas engine towards its max. Other sounds such as washer/wipers, electric motor and gas engine idling complete the collection.
Hybrid Game Sounds is the latest, greatest and most advanced crossbred collection from Epic Stock Media. Hybrid Game conveys a cutting-edge audio asset collection with more than 4400 sound files: over 2000 source and organic audio assets, over 2200 synthetics and designer sounds, plus 20 high fidelity music loops as a bonus to help you add a finishing touch to your project. + Includes embedded Soundminer meta data.
Hybrid Game Sounds has been produced and curated specifically for game producers and sound designers – but it’ll be a source of inspiration and excitement in any audio for video and motion graphics production and anywhere action, movement and gameplay are setting the scene.
All sound files are 24bit / 96 kHz resolution – and to speed your production and save you time, the complete set of pre-converted files in 44.1/16bit are included with every purchase too.
Hybrid Trailer is the all-new action packed, adrenaline spiking collection of game and movie trailer style sounds that will tip the scales to give your production an unfair advantage in the ears of your listeners.
Packed with post apocalyptic, Tokyo city cinematic sound effects to thrill your audience, Hybrid Trailer includes futuristic heavy bass cinematics, hardcore risers and hits, earth shattering trailer impacts, sinister BRAAAMS and screechers. This wide ranging collection will outfit almost any genre game or movie trailer, and sweeten any action scene or superhero musical theme.
Get the sounds of actual industrial robots – and more – in this special sound effects library. In addition to industrial robot SFX, it delivers hydraulic and pneumatic sounds from various machines at different speeds, such as lathes, plastic molding machines, tank turrets and other sources. Various microphones have been used such as lavs, shotguns, contact and induction microphones etc.
HYDRO CONTACT brings you 273 audio files recorded with a contact mic and a hydrophone over the course of a year, in order to get you covered for any kind of underwater scene, in the outer space, for pitch shifting, time stretching or to add a weird tone to your soundscape.
Recorded at 96 kHz and 24 bits, this collection provides underwater motion, waves, bubbles, impacts, hits, hums, buzzes, car foley, rumbles, bouncing, dripping water, dragging items, blasts, switches, engines, underwater screams, exotic musical instruments and many more sounds, ideal to take your sound design imagination a step further.
All files are metadata tagged and named.
The Hydrophone underwater sound effects library gets you a rich collection of water sound effects, captured with a DPA 8011 hydrophone.
It delivers you everything from bubbly underwater sounds, fizzes, droplets, dragging sounds, crab walking (!), underwater footsteps, bathtub drains, waves, splashes – and even an underwater scream.
An electric car sound library with a range of FX from the Hyundai SUV, Kona.
The library includes numerous driving FX on both gravel and asphalt including pass-bys, take offs, corners, approaches and skids.
It also contains a large range of interior recordings from driving at highway speed all the way to buttons and switches.
Multiple FX on each track – recorded in Sydney, Australia
Over 5000 years in the making, I Had A Little Dreidel is the most extensive library of dreidels spinning on various surfaces. Surfaces include wood end table, snare drum top and bottom, various hand drums, steel drums, and more! These close up recordings include all the clicks, clanks, and drone line spins these spinning tops produce. This pack was recorded using the Sennheiser MKH8050, MKH30, Line Audio CM3, JRF Contact Mics, Audio Technica AT2022, and AT897. Included are recordings of two different dreidels close up, plastic and wood. All Files are metadata tagged using Basehead and Soundly.
Various handpicked and carefully recorded essential and familiar ice sounds. Recorded ice cubes and ice blocks of different sizes to make crackling, breaking, twisting, sizzling, swirling, chipping, smashing, and shaking sounds.
Several types of tools were used to chip and break the ice objects such as kitchen knives, hammers, rubber mallets, and ice picks. A hot iron was used to melt ice blocks, ice cubes were stepped on to make crushing and walking sounds, ice cubes in glass and plastic cups combined with water, plastic ice trays of freshly frozen ice that was twisted, turned, and recorded different ways.
These are just handful of examples of the many familiar sounds of ice that are included in this sound library.
Need crunchy, creaking, crackling sounds of ice cubes? This library delivers 98 sounds of ice creaking, ice cubes clinking and squeaking, ice moving, melting ice, and many other really cold sound effects in 24bit / 96 kHz quality.
“Ice Fury by Flysound” is a sound library of ice breaking to pieces in as full a variety of ways as possible. This is a thesaurus of the various ways ice gets undone, with blasts and crashes as well as scrapes and swishes and cracks and splinters too.
Ice Fury is recorded on two superb ultra low-noise Neumann D-01 digital mics at 96k/24bit in a fantastic foley studio. Our equipment and processing make it ideal for downpitching and other tweaking to match your project.
The full range of 348 sounds from the ice is thanks to a spread of massive and moderate ice blocks, that have been obliterated by a variety of implements such as a kettle bell, saws, picks, bars, drills, and a bat! If your project involves the sound of frozen water, allow us to break the ice…
‘Ice Skating’ is a very comprehensive library of 1000 audio files from the realm of ice skating.
It encompasses a broad variety of sounds using different skating techniques and features many ice skating activities such as hockey games, figure skating, free skating and more.
Most of the recordings have been made in an outdoor setting to reduce reverberations.
Almost all of the sounds were recorded using a M/S technique with AKG C-414 and Rode Nt5, and Sound Devices mixPre.
This library presents unique focused sounds that have been edited meticulously making them easier to integrate in any audiovisual project or interactive program.
The rare distinctive quality of these recordings also allows them to be a base for
any sound experimentation through a creative process; and can be layered with other sounds or treated in order to produce interesting sound design.
A couple of Ambiences are also included in the library. These are ORTF stereo recordings of outdoors/indoors skating.
Like every other sound library from Articulated Sounds, the files are embedded with metadatas (Soundminer/iXML/XMP/BWAV/ID3).
A collection of 206 ice tension, creaking, and breaking sounds, recorded in a dense pine tree forest in Sweden.
• Very long tension creaking sounds
• Multiple breaking sounds
• Ice impacts on ice
• Ice impacts into ice water
Icy Snow 2 HD is a followup to Icy Snow HD. This collection contains even more icy snow cracks, impacts, scrapes, debris and footsteps. The weather produced a foot of snow covered in a 1/2 inch of ice. Pretty unique sounds! And it comes in two formats: “Individual Clips” & “Consolidated Tracks”.
Icy Snow HD is a unique collection of ice debris, stress, cracks, and impacts, as well as snow impacts and footsteps. The local weather produced a foot of snow covered in less than an inch of ice. Very unique sounds!
Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.
Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 614 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.
Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease and at unbeatable value. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.
Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 1,943 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.
For vehicle fanatics, Igniter Full Tank comes with 75GB of additional library content including onboard recordings, ramps & static rev bands, Foley sounds, skids, slides and much more!
This collection encompasses the foundations of a blacksmith audio library. Hits, grinds, machinery, tools, and squelches are all included.
50 immersive sound effects (250 mins total) that flow and swell in an organic nature. Designed for composers and sound designers and ideal for surround sound placement.
A pack of forty 5.1 high-definition surround effects with a L,R,C,LFe,Ls,Rs track layout.
Over two hours of Water, Crowds, Trains, Boats, Aircraft, Birds, Bees and Fireworks all in glorious surround, captured with high-end equipment at a range of locations.
Full Soundminer metadata embedded and a Excel spreadsheet included. Recording equipment includes Soundfield ST250 and ST450 microphones, DPA 5100 microphone, Metric Halo 2882 and ULN-8 interfaces and Sound Devices 788 & 744 recorders.
Impact is a 100 sound collection of light and heavy abstract hits sourced from lo-fi recordings of the destruction of laptops, mobile phones and a handheld games console. The sounds have been manipulated with extreme editing and digital processing – leaving little to no trace of the original recordings behind – to bring a series of production elements ready to drop into your latest trailer, environment or Industrial/EDM music production. Featuring huge sonic eruptions, metal on metal collisions, robotic movement, found sound snare drums, tech debris and more, this versatile array of sound effects may be just what you need to give your latest production that extra bit of Impact.
Exclusive to A Sound Effect, this library comes with 100 bonus source material sounds featuring hammer hits, drops and debris scrapes!
The Impact Collection is a library of 304 impacts, whooshes, swells, static, rises and zaps all designed with Trailers and Promos in mind.
These sounds were designed using anything I could hit, bang, rumble and smash. In the process I destroyed a couple tools and put a healthy dent in a spare refrigerator, not to mention the smashing of dozens of plates as well as my neighbor’s leftover ceramic tiles.
After recording all of my source material I got to work on building pre-made impacts in various ways as well as adding a healthy dose of plug-in abuse. My Genelecs may never be the same! Thanks for listening.
This collection delivers a vast variety of Impacts, Hits & Whooshes that are commonly used in contemporary trailers and big screen productions.
Refine your scene with Impacts, Hits & Whooshes to give it that extra oomph.
Impacts, Hits & Whooshes – Air, Transition, Bass, Dark, Explosion, Fire, Flutter, Glass, Magic, Metal, Percussion, Synthesized, Transition, Water, Wood
A massive collection of 423 impacts, smashes, hits and explosions.
24-bit impacts, recorded and designed with ice, glass, metal, water, wood and other sources. Clean and processed, from small wood knocks to massive designed bomb blasts and deep pulses.
All sounds were recorded or designed at 24-bit 96kHz, with embedded meta data.
This Muscle car was hoisted up on jacks and run up to 40 miles per hour, recorded from the hood, underbelly, interiors and tail pipes you’ll get full coverage of the car running, getting up to speed, and slowing to a stop. Included in the library is through car foley covering doors, glove box, seat belts, and seat adjustments.
Implosion is a sound effects collection of buildings being destroyed with explosives. It features 10 unique building implosions recorded across the country.
Each implosion was recorded with 4 to 14 channels of audio. To offer multiple perspectives, mics were placed as close as 150ft (~50m) and as far away as 2000ft (~600m) from the various explosive demolitions.
Impulse is a collection of “designed” impulse responses to expand your design palate, featuring a wide variety of metallic, wooden, glass, and icy reverbs, as well as some delays and effects. The IR included in this collection are unique “spaces” to help you take your sound design to different realms and planes of being. Why settle for just practical, real-world spaces, when you can explore the blurred lines between reality and fiction? Film, tv, and internet productions are exploring realms between conscious reality and the unknown – this library seeks to help you on those journeys.
Whether you’re looking for metallic, wooden, glassy, icy or even watery spaces – look no further. There are small, claustrophobic, metallic spaces; huge, thunderous spaces fit for a Greek god; icy castles only Superman could live in; strange delays that will have you bouncing around the room in a straight jacket; and crazy effects that will make you question your sanity.
The included track list gives short descriptions to help you find something to suite your needs. For example “Short Verb – Box Trap” is described as “Like you’re in a very reverberant, but small, bassy, wooden box.”
Impulse responses included:
• Short Reverbs
• Medium Reverbs
• Long Reverbs
A perfect tone. It’s the thing that you always wonder about when you play with your guitar. We know your needs. This collection of impulse responses, will finally unlock the character of your electric guitar.
It’s a unique collection of accurately sculpted cabinet tones for electric guitars and bass, made with a truly scientific approach focused on precision.
We physically reconstructed the impulse responses of the very best studio equipment, as well as the mic coloration from mathematically-modeled high grade dynamic, condenser and ribbon microphones. It’s a great companion for your convolution engine and amp sim, for the extra vintage feel and mighty character that you as a musician require.
The NRS quest for the perfect guitar tone continues. This time we have covered the grounds that are wild and hard to reach, for most. Our unique team of sound designers have, spent the last 6 months developing a brand new set of cabinet and mic impulse responses for you. Thanks to our custom mathematical equations and processing algorithms that aid us in accurate hardware modeling, we have reached a much wider than usual variety of sound possible.
The final result closes the gap between our previous release and adds an inspiring selection of new tones which will fit both acoustic guitarist and aggressive rock-roll head or pure bass guitar virtuoso. We can guarantee that you will be very positively surprised. Try our mic-coloring IRs for gentle character or creative use, or dive deeper into guitar and bass cabs, to enjoy an experience full of wonderful tones and possibilities. Buckle up, it will be a wild ride.
Make room for our groundbreaking Impulse Responses library! Yes, we are serious, it’s the high quality collection of experimental convolution samples that could easily, if unchecked, contradict the laws of physics and nature. These impulses were recorded and deeply-processed to create reverb tails with unique characteristics as well as creative effects that are not accessible or easily simulated in any other way. Prepare yourself for an immersive experience of sonic trickery applied throughout the included material.
We dive right into additive synthesis, to generate chord and tonal effects, then we throw away the rulebook for pitch-shifting and time-stretching, then we go even further with glitch-like effects; finally, we manipulated the timbres in combination with custom rhythmic-noise generation tools to create the extraterrestrial atmospheres that will let you turn any material into a completely unique experience.
These samples, are designed to be user-friendly, no unwanted resonances; but in the hands of the professionals, these deep impulses can be the new edge for mixing and sound design. Creating Hollywood-style cinematic-effects, futuristic-glitches and ambience goodness, was never so easy. Just drag, drop and feel the air shake.
Let’s continue our scientific journey into experimental-impulse-response research. This time around, we have developed a technique to produce outstanding rhythmic reverb spaces; utilizing intense frequency and amplitude modulation synthesis with the touch of granularity.
Some of them resulting in the most vivid and lush ambiences you could imagine, other with glitchy stuttery twists. Sounds that are truly out of this world, that can yet be tamed to fit your reality. Our impulses will reverberate clearly in your convolution reverb engine, without any harsh resonances or struggles with equalisation.
They are like pieces of glass, beautiful and clean with outstanding shapes and textures, yet coloured if need be. Trust your ears, these spatial shapes can be what it takes to transform your tracks into cinematic wonders or completely reinvent them as spatial masterpieces.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.