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Home Sound Effects

Sound Effects

  • More than 400 diverse swipe and whoosh transitions and accents drawn from a variety of sonic textures including airy, chattering, choppy, thin, subsonic, thunder, granular, and many more.

    Each clip is trimmed and carefully organized in folders and with extensive metadata.

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  • An mix of almost 400 creative whooshes, swipes, and fly-ins from an assortment of categories: comedy, energy, watery, thin, crystalline, granular, and more.

    The package offers:

    • Each clip is trimmed into its own file.
    • Available in multiple pitches.
    • Meticulously named and organized in both metadata and folder classification.
    • Includes 18+ fields of professional Soundminer, BWAV, and MacOS Finder metadata.
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  • Environments Ecuador Play Track 100 sounds included, 505 mins total From: $79

    Ambiences recorded during the month of March 2017 throughout a 3 weeks trip dedicated to the sonic capture.

    Features diverse Ecuadorian geographical tropes, urban & rural:

    The library comprises all aspects of the mainland Ecuadorian life, with the 3 geographical tropes: the coast, the highlands (Sierra) and the jungle (Oriente), along with diverse urban settings (in the capital city Quito, and in diverse town size, coastal, Andean and Amazonian)

    Library highlights:

    • total 100 Ecuadorian ambiences (56 quad surround)
    • recorded full HD with SSS technique, ORTF and double ORTF
    • Urban, Rural, Nature, from coast, mountain, and forest
    • Amazon rainforest ambiences
    • Andean town ambiences
    • Fishermen village ambiences
    • Nature & frogs ambiences
    • Downtown capital city (Quito) ambiences
    • Airport ambiences
    • Gear used: Sennheiser MKH8090, Sound Devices 788T, Rode NT5

    The itinerary on Polar Steps:

  • The Expanded Household SFX Library contains all of the essential sound effect recordings of everyday household items included in the standard edition plus 238 additional recordings. These additional sound effects give you a greater variety of choices while editing.

    The library includes sound effects such as doors, room tones, chairs, windows, kitchen equipment, sinks, bathroom shower, clothing, and more.

    This highly curated and easy-to-use library is perfect for a video editor or sound effects editor working on a sitcom, family drama, or comedy. For a .pdf listing all sound files included, see the sound file list below.

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  • The Household SFX Library contains essential sound effect recordings of everyday household items. These include doors, room tones, chairs, windows, kitchen equipment, sinks, bathroom shower, clothing, and more.  This highly curated and easy-to-use library is perfect for a video editor or sound effects editor working on a sitcom, family drama, or comedy. For a .pdf listing all sound files included, see the sound file list below.

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  • EDV3RB is designed to be a complete toolbox to create a realistic sounding room atmosphere up to 5.0 surround.

    A full 5.0 Surround WAV-file of each room in different perspectives will give you the base and the real sound of the location.

    With the exact same room as an Impulse Response you’ll be able to add all types of different sounds to the ambience to get a perfect natural-sounding environment.

    EDV3RB’s Impulse Response Library is made for the IR-Reverb PlugIns Audio Ease Altiverb, Avid Space, Waves IR-1 and others supporting WAV impulses.

    Includes the following locations:

    Bunker 101 • Carlsberg No 19 • Carpark Big • Carpark Small • Der Saal • Factory Hall Big • Factory – Furnace • Factory Hall Huge • Factory Hall Small • Factory Tunnel • Kitchen • Living Room • Living Room II • Sleeping Room • Staircase

    Available in three variations:

    Variation
    • EdV3rb Stereo
    • EdV3rb 5.0 Surround
    • EdV3rb 5.0 Surround
    Resolution
    • 24 bit / 96 kHz
    • 24 bit / 48 kHz
    • 24 bit / 96kHz
    Size
    • 5.75GB
    • 6.33GB
    • 13.2GB

    All variations include an IR-Libray up to 5.0 Surround + documentation

  • Edward brings real recorded and natural randomized Foley Artist footsteps to every audio production studio – and offers high end quality and parameters to adjust distance and environment based on Native Instruments Kontakt engine.
    Edward Foleyart Instrument supports the free NI Kontakt 5 Player!

    This means you don't need to own a full version of Kontakt to run this instrument!

    Includes the following surfaces: Asphalt • Carpet • Concrete • Diamond • Dirt • Grass • Dry Grass • Gravel • Hardwood • Leaves • Metal • Rocks • Timber


    Includes the following shoes: Sneaker • Boot • Business • Heel • Slipper • Barefoot

    Key Features:
    • 35.600 real Foley sounds in HD quality @ 24Bit, 96 kHz
    • 43 combinations of shoes and surfaces
    • Unique recording setup to easily change footstep distance
    • FULL NKS support
    • Different walking speeds and behaviors
    • Automatic left/right-foot diversion
    • EdV3rb IRs inside the instrument
    • Requires the Free or Full Version of NI Kontakt Version 5.5.2 or higher.

    Existing Edward user?
    • Send a message here with info about what version you currently have for a special upgrade price

     

     

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  • Save as Bundle! Edward Foleyart Instrument and both meta tagged WAV Libraries (The Foleyart Collection + AddOn: Extended Footsteps).

    Edward brings real recorded and natural randomized Foley Artist footsteps to every audio production studio – and offers high end quality and parameters to adjust distance and environment based on Native Instruments Kontakt engine.
    Edward Foleyart Instrument supports the free NI Kontakt 5 Player!

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  • Edward Ultimate SUITE is the Next Level of our live playable Foley Artist Instrument. It supports the free NI Kontakt 5 Player.

    This means you don't need to own a full version of Kontakt to run this instrument!

    The Edward Ultimate SUITE includes the complete contents of both Edward Ultimate and Clothes & Props.

    Foley Artist: Lara Dale
    Foley Recordist: Josh Reinhardt

    The Edward Ultimate SUITE demos:

    Edward Ultimate:

    Clothes & Props:


    Key Features:

    • 72.600 real Foley sounds in high quality @ 24Bit, 48 kHz
    • 90 combinations of shoes and surfaces
    • 30 setups of clothes and props
    Kontakt Player Compatible
    Full NKS support
    • One-Window Mixing (Use the Mod Wheel to mix/add or switch any two patches)
    • Pitch Wheel Performance (Use the Pitch Wheel to change key commands on the fly)
    • EdV3rb IRs inside the instrument
    • Lock-Mode (Select and lock the type of randomization)


    Surface Types
    Asphalt • Carpet1 • Carpet2 • Concrete • Creak1 • Creak2 • Diamond • Dirt • Grass • Grate • Gravel • Rectangle Wood • Creaky Wood • Parquet • Cut Wood • Swiss Dock • Boat Wood • Linoleum • Marble • Puddle • Snow • Tile • Metal • Rocks • Water • Deep Water

    Footwear type
    Sneaker • Boot • Dress • Heel • Flat

    Props used
    Rifle • Hand Gun • Army Gear • Backpack School • Backpack Leather • Heavy Chains • Dog tags • Duffle Bag • Paper Bags • Plastic Bags • Keys • Purse • Purse Cloth

    Clothes Used
    Heavy Coat • Coat Wool • Denim • Heavy Denim • Fringe Suade • Fringe • Leather Heavy • Leather Crunch • Leather Biker • Sequin • Shirt • Shirt Light • Shirt Heavy • Silk • Tutu • Wind Breaker

    Performances
    Extremely Slow Walk • Medium Slow Walk • Walk • Jog • Run • Stairs Slow • Stairs Fast • Stomp • Land • Scuff • Scrape 1 • Scrape 2 • Scrape 3

    Recording Equipment:
    Sennheiser MKH 416
    Neumann KMR 81i

    Existing Edward user?

    • Send a message here with info about what version you currently have for a special upgrade price

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  • Roomtones & Ext. Ambiences Eerie Forest Play Track 30+ sounds included, 154 mins total From: $85

    Eerie Forest is a collection of subtle ambiences recorded at night in dense forests in the regions of Transylvania and Moldova, Romania over two trips in Spring and Autumn 2017. The library features soft wind, distant hum, vegetation rustles, dogs barking at various distances, church bells tolling, a variety of owl species and other birds like ravens and woodcocks. All these elements are not foreground, but rather washed-out, echoey and atmospheric.

    Eerie Forest is not suitable for foreground sound elements as the recordings are very soft and subtle. Make sure you check out the demos before you purchase.

  • Industrial, heart-stopping and threatening loops featuring evacuation alarms, hazard alerts, big heart-stopping whams, military threat sirens, security breach warnings, emergency calls, and distress signals. Each piece of sound design features five different variations (A, B, C, D, and E) each with its own unique flavor and stylistic approach which allows the user to cover a wider range of professional work by adapting his/her favorite samples to the needs of a particular project.

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  • One-shot sub booms and low-end impacts with dramatic bass, angry and sudden downfalls, big whams, bone-chilling metallic textures, frantic clashes, glitchy futuristic hits, dramatic and disturbing explosions, and epic cinematic bangs.

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  • Carefully designed signature trailer sounds and rich cinematic elements featuring strong impactful braams, enormous horns, nerve-racking jumpscares, and cutting edge hybrid trailer sound design.

    This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)

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  • Vintage, cinematic, mechanical trailer loops featuring evil ticking clocks, dramatic timing clicks, suspenseful bomb ticks, intense chronometers, mysterious clockworks, old timepieces, scary watch timers, and very dark and creepy alarm clocks. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War The Mobile Game” – “Halloween (2018)” – “The Predator (2018)”.

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  • Selection of immersive downers and powerful dramatic sub falls featuring slow-motion bass, low-frequency drops, futuristic glitches, and epic cinematic booms. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)

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  • A curated selection of deep cinematic drones and complex atmospheres featuring ghostly ambiances, profound textures, futuristic soundscapes, ambient sound design, and hybrid trailer pads.

    This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)

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  • One-shot impact hits with aggressive bass, angry and sudden booms, big heart-stopping whams, bone-chilling metallic textures, frantic clashes, glitchy futuristic hits, dramatic and disturbing explosions, and epic cinematic bangs.

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  • Obscure cinematic ping elements perfect to add as top layers while crafting memorable hit sounds and hybrid trailer impacts with mystical undertones and terrifying stingers.

    This file is from the personal library of trailer music composer Federico Soler Fernandez (“Valerian and the City of a Thousand Planets” – “The Food That Built America (History Channel)” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)

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  • A strong set of pulsating elements and complex cinematic sequences featuring dynamic synth textures, evolving futuristic soundscapes, hybrid trailer pulses, and percussive sound design.

    This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)

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  • Whooshes Effective Trailer Risers Play Track 106 sounds included, 26 mins total $34.99

    Over 100 cinematic riser effects and epic buildups featuring distorted synths, eerie whispers, sci-fi glitches, hardcore guitars, dramatic reverses, drilling leads, and profoundly evolving textures. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)

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  • One-shot whooshing transitions with aggressive sweeps, angry and sudden drops, big heart-stopping bass, bone-chilling metallic textures, frantic reveals, glitchy futuristic flybys, dramatic and disturbing movements, and epic cinematic openings.

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  • Realtime Pitchshifting PlugIn version 2!

    Elastique Pitch is the real time pitch shifting solution for RTAS, VST, AU and AAX. Powered by zplane’s élastiquePro pitch shifting engine which is used by millions of end users around the world, the plugin ensures the highest, program independent pitch shifting quality.

    Elastique Pitch focuses on the essential things: you won’t find any unnecessary or confusing controls or functionality. Instead, the plugin offers you quality, stability, and ease of use.

    In the second edition we´ve added a feedback delay and the infiniSTRETCH function of the new élastiquePro v3 engine. Both make it easy to use Elastique Pitch in a more creative way.

    The key features of Elastique Pitch V2 are:

    • multi channel: support for synchronous pitching of up to 8 audio channels
    • real time: no offline pre-analysis required
    • feedback with delay for more creative usage
    • Three different views
    • Program-independent high quality with the highly-acclaimed élastiquePro v3 engine (speech, single-voiced, classical/popular music, etc.)
    • phase coherence: absolute phase stability between all channels
    • MIDI input: for pitch control
    • formant shifting: shift formants independent from pitch
    • factory presets: for typical film pull-ups/pull-downs
    • AU, VST, AAX and RTAS support for Mac & PC

    technical specifications

    • audio format: 1-8 channels (I/O), 44.1-192kHz sample rate
    • plugin format: AAX, RTAS, AU, VST
    • pitch range: ± 12 semitones = 50-200%
    • timbre range: ± 12 semitones = 50-200%
    • plugin latency: 150ms @48kHz
    • min. system CPU: 2GHz
    • OS: MacOsX >10.6.8, Windows 2000/XP, Vista, Win7/8
    • Host: Pro Tools > V8

    DOWNLOAD THE DEMO HERE
    WIN | MAC

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  • Time and Pitch Manipulation for Pro Tools

    élastiqueAAX is zplane’s time and pitch manipulation plugin for Pro Tools. It uses the élastiquePro V3 time-stretching and pitch shifting engine which is integrated in numerous DAWs and satisfies millions of users around the world. This ensures the highest, program independent time-stretching/pitch-shifting quality.

    The plugin interface has been designed to allow quick and intuitive interaction with all parameters for maximum control. élastiqueAAX is an offline Audio Suite plugin, therefore allowing to apply time-stretching and pitch-shifting much faster than real-time.

    Key Features and Technical Specifications:

    • up to eight channels
    • time stretching 25% – 400%
    • pitch-shifting +/- 24 semitones or 25%-400%
    • optional formant preserving
    • presets for typical film pull-ups/pull-downs
    • Audio format: 1-8 channels, 32-192kHz sample rate
    • Plugin format: AAX32 / AAX64, Audio Suite offline
    • OS: Mac OS min 10.7, Windows min. 7
    • Host: Pro Tools ≥ V10

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  • Electric Arcs and Energy is essentially two separate collections of sounds.  The first, Electrical Arcs are more raw.  These arc sounds can be manipulated and mangled to be used as design elements in your project.  They are highly flexible and can easily be pitch-shifted -48 semitones or more.  They remain remarkably useful and clean giving each sound multiple “dimensions”.

    The Electrical Energy collection is a series of more specified design elements that I created – Impacts and Powerups.  Meant to be used in Weapon or UI design they should be flexible enough to be used as stand-alone effects or layers in more complex sounds.

    Recording and Editing

    This library was designed from scratch by recording highly unconventional metal sources with a cello bow and processing them (see one example in video). Great care was taken during the recording and editing process to ensure maximum flexibility of these sounds.  The recording was done at 24/192kHz using the Sennheiser MKH 2050 mic which captures frequencies up to 50kHz.  All processing and design was then performed at 192kHz.

    Bonus – Forge Sound Design Tool Sample Map

    If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map.  The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.

     

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