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Home Sound Effects

Sound Effects

  • Recording of a 1943 Metro Cammell Birmingham Cromwell cruiser tank from World War II with a Mk4 F-type hull and its 5-gear Rolls-Royce MK1A Meteor V12 engine.

    The 1943 Metro Cammell Birmingham Cromwell cruiser tank sound library includes 150 clips in 12.46 gigabytes of sound. It provides 9 tandem takes of field recordings from this World War II United Kingdom tank with a Mk4 F-type hull and its 5-gear Rolls-Royce MK1A Meteor V12 engine.

    Nine onboard perspectives gather sound from microphones placed at the tracks, engine, exhaust, and interior (with bonus designed stereo mixes of each perspective). Six exterior perspectives capture driving at slow, medium, and fast speeds as the cruiser departs, passes, reverses, arrives, as well as starts and stops and idles. Also provided are various performed effects of the brake, clutch, radio, levers and other fx.

    The package is complete with Pro Tools and Reaper mixing sessions, and full professional custom metadata embedded in every clip.

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  • Recording of a United Kingdom Leyland Motors FV4201 Chieftain battle tank from the late 1960s with a supercharged Leyland L60 multifuel 6 cylinder, 2-stroke opposed-piston compression-ignition engine.

    The United Kingdom Leyland Motors FV4201 Chieftain battle tank sound library includes 150 clips in 17.05 gigabytes. It features the sound of a late 1960s version of the tank and its supercharged Leyland L60 multifuel 6 cylinder, 2-stroke opposed-piston compression-ignition engine.

    A total of 22 channels present the tank in 10 synchronized takes. The onboard microphones (9 perspectives) were mounted at the tracks, engine, exhaust, and in the interior. Exterior microphones (6 perspectives) recorded departures, passes, and arrivals driving at slow, medium, and fast speeds from multiple locations using stereo, mono, and surround microphones.

    Also bundled with the package are stereo mixes of the onboard channels, performed effects of hatches and the turret, Pro Tools and Reaper mixing sessions, and complete professional metadata embedded in every clip.

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  • Recording of a German 1944 Jagdpanzer 38(t) “Hetzer” light tank destroyer with a Praga 6-cylinder petrol, 7.8 litres engine.


    The German 1944 Jagdpanzer 38(t) “Hetzer” light tank destroyer sound bundle features 218 sounds in 20.77 gigabytes. Also know as Sd.Kfz. 138/2, Panzerjäger 38(t), Tschechien, the collection showcases the sound of a Praga 6-cylinder petrol, 7.8 litres engine.

    A total of 11 synchronized takes present both onboard and exterior driving. The onboard perspectives share driving and reversing from the interior, engine, tracks, and exhaust. The exterior takes document driving away, passing by, and pulling up at slow, fast, and medium speeds from four exterior perspectives and multiple microphones.

    The package also includes custom mixes of the onboard tracks, Reaper and Pro Tools mixing sessions, complete professional metadata, and metadata import files in 7 languages.

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  • Recording of an American Stuart M5A1 Light Tank from World War II, equipped with two Cadillac V8 gasoline engines.

    The recording consists of ten onboard channels with interior, engine, intake, exhaust and tracks perspectives, as well as several exterior channels from various positions.

    It covers startup, idle, blips, steady rpms in neutral, various driving at different speeds, accelerations and decelerations, gearing, aways, approaches, stopping, passbys and much more. It also contains engine dying and gear grinding.

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  • Recording of a Centurion main battle tank from 1955 with a British Rolls Royce Meteor 27 litre V12 liquid-cooled gasoline engine with 650 HP.


    The Centurion main battle tank sound collection showcases 157 clips in 9.35 gigabytes of audio. It features the sound of a 1955 British Rolls Royce Meteor 27 litre V12 liquid-cooled gasoline engine with 650 HP.

    A combined total of 11 takes gather onboard and exterior perspectives. 9 onboard perspectives share driving with gearshifts, ramps, and steady RPMs from the exhaust, interior, and engine. The 6 exterior perspectives present departing, passing, and arriving at slow, medium, and fast speeds.

    The package includes Pro Tools and Reaper mixing sessions, stereo mixes of the onboard tracks, 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, and metadata keyword import files in 7 languages.

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  • The Black Hawk UH-60M sound fx collection features 1,145 sound clips in 44.39 GB from an American military helicopter performing during a military exercise. This bundle gathers 44 takes of tandem maneuvers from two General Electric T700-GE-701D engines with cowling.

    This sound library includes both onboard and exterior field recordings. The onboard recordings include 3 perspectives of the vehicle idling with rotors and turbine at low, high, and medium speeds, including an Ambisonic take. The 22 exterior perspectives include 49 channels of the chopper starting, taking off, passing by, landing, and shutting off. There are also a wide selection of stationary idles from close, medium, and distant perspectives in front, behind, and to the side of the Black Hawk at high to low RPMs. Ambisonic, surround, and double MS perspectives join stereo and mono takes. The collection is complimented by a wide variety of cockpit instrument performed effects, doors, and more.

    Bonus: Pro Tools and Reaper session files align each take for easy editing and mixing. Over 18 fields of professional metadata embedded in every clip.

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  • Recording of a German Panther Ausf A. tank built in 1943 or 1944,  with a V-12 petrol Maybach HL230 P30 engine.


    The German Panther Ausf A. tank sound collection shares 252 clips in 19.93 gigabytes of field recordings. Also known as a Sd.Kfz. 171 or Panzerkampfwagen V Panther and built in 1943 or 1944, this medium tank is outfitted with a V-12 petrol Maybach HL230 P30 (690 hp, 515 kW) engine.

    A total of 25 synchronized channels capture the tank from both onboard and exterior perspectives in 10 takes. The 15 onboard perspectives feature microphones mounted at the engine, exhaust, cannon barrel, interior, and tracks. The 10 exterior perspectives arrange microphones at 5 positions to provide driving at slow, medium, and fast speeds as it departs, passes by, arrives, and reverses. Also included are 5 custom mixes of the onboard perspectives.

    The library downloads with Pro Tools and Reaper mixing sessions, 19+ fields of Soundminer, BWAV, and MacOS Finder metadata, and metadata keywords translations in 7 languages.

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  • Get the perfect bundle for trailer sound, featuring all 3 libraries in the Trailer Elements series – with modern sound design sounds inspired by the new trailers on Hollywood movies. The bundle includes Kontakt 5.6.6 instruments (full version required – not included) and WAV Versions.

    Trailer Elements 1:
    The Trailer Elements library delivers 136 cinematic sounds for movies, trailers, video gams and others. Includes files for Kontakt 5.6.6 (17 instruments in total – full Kontakt version required) and regular WAV Files.


    Sounds include:
    Big Metal Hits • Metal Sounds • Hits • Darkness Hits • Rises • Reverse • Braams • Drones • Booms • long and Percussive Pulsations and more.

    Trailer Elements 2:
    Cinematic Trailer Elements 2 is a cinematic toolkit library, packed with 84 minutes of heavy and powerful sounds. It features 53 instruments for Kontakt 5 (full version required – not included), as well as 354 wav files that can be used without Kontakt.


    Sounds include:
    Booms • Long Booms • Braams • Dark Hits • High Hits • Short Metal Hits • Mega Horns • Big Metal Whooshes • Metal Whooshes • Pads • Pianos • Pulsations • Pulse Clocks • Pulse Low • Pulse Mid • Rises • Reverse sounds • Soft Whooshes • Stutter Whooshes • Stutter FX + Epic Vocals by Bulgarian vocalist Vladislava Hristozov

    Trailer Elements 3:
    TH Studio Production presents you our new sample library, the ‘Trailer Elements 3’ Sound FX Toolkit Library. Fresh new sound design sounds for trailers , video games and movies. Inspired by the sound of the latest Hollywood trailers, the library delivers 3 GB Content of (712 sounds), custom-made for trailers. It also features a version for Kontakt 5.6.6 (with 38 Kontakt instruments), as well as a WAV version.


    Sounds include:
    Boom • Bass • Braams • Braams pulse • Clocks pulse • Downers • Guitars • Dark Hits • Hits • Short Hits • Kicks • Low pulse, Mid Pulse • Pads • Pianos • Pings, Rises • Synth Pulse + a Legato Vocal instrument, featuring the voice of Bulgarian singer Vladislava Hristozova

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  • The Gut-Wrenching Gore Library gathers 712 clips in 26.96 gigabytes. Recorded from 6 synchronized perspectives in 192 kHz, it shares horror sound design elements in two themes: male and female vocalizations and fruit destruction.

    The vocalization showcase screams, choking, gurgling, gobbling, teeth and biting, and breathing, each with a variety of takes and performances. Body blows, stabs, hits, and gore were provided by tearing, breaking, and squeezing fruit, vegetables, and other food such as watermelons, leeks, porridge, yogurt, tomatoes and others.

    The package includes Pro Tools and Reaper mixing sessions, and embedded metadata in every clip.

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  • Recording of an Italian Ferrari 458 from 2013 with a 4.5 L F136 F V8i engine with 7-speed dual clutch.

    The Ferrari 458 sound effects collection gathers 197 clips in 14.2 gigabytes of audio. It features a 2013 version of the Italian sports car with a 4.5 L Ferrari F136 F V8i with a 7-speed dual-clutch.

    A combined total of 29 channels of audio and 10 synchronized takes capture onboard and exterior perspectives of the luxury car. Microphones placed at the engine, exhaust, and in the interior capture 9 perspectives onboard to capture driving at fast, medium, and slow speeds with ramps, steady RPMs, and gearshifts. Nine further perspectives arrange microphones at four positions to gather starting, stopping, departing, passing by, and arriving.

    Packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. In addition, each clip is embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata, with keyword translation import files available in 7 languages.

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  • Recording of a Swedish 1979 Volvo F609 Tow Truck with a straight 6 cylinder diesel engine with 118 horsepower and a 5 gear manual transmission.

    The Swedish 1979 Volvo F609 Tow Truck sound bundle collects 239 clips in 31.03 gigabytes of audio. It features the sound of a straight 6 cylinder diesel engine with 118 horsepower and a 5 gear manual transmission.

    A total of 13 synchronized takes share both onboard and exterior perspectives. The 10 onboard perspectives capture audio from the engine, interior (with an Ambisonic perspective), chassis, and exhaust while driving with steady RPMs, gearshifts, and ramps. 7 exterior perspectives arranged at four positions showcase departures, arrivals, and passes at slow, medium, and fast speeds. The package gathers performed effects of doors, switches, gearsticks, and more.

    Also included in the collection are Waves and Altiverb impulse responses of the interior cabin, Pro Tools and Reaper mixing sessions, custom mixes of the onboard perspectives, 18+ fields of embedded metadata, and metadata import files for keywords in seven languages: English, Chinese, French, German, Japanese, Korean, and Spanish.

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  • Recording of a 2009 German Mercedes AMG C 63 with an m156, 6.2 litre, V8 gas engine with performance exhaust.


    The German 2009 Mercedes AMG C63 sound bundle gathers 241 sound clips in 24.37 gigabytes of audio. It shares the sound of an m156, 6.2 litre, V8 gas engine with performance exhaust.

    The bundle includes 30 synchronized channels of onboard and exterior recordings. 8 exterior perspectives provide driving at slow, medium, and fast speeds while passing by, arriving, and departing. The 11 onboard perspectives include recordings from the interior, engine, and the exhaust while driving with gearshifts, ramps, and steady RPMs, with 3 bonus stereo mixes of the onboard perspectives.

    The collection includes Soundminer, MacOS Finder and BWAV metadata, keyword import files for 7 languages, and Reaper and Pro Tools mixing sessions.

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  • An Italian 1985 Ferrari 308 GTB with a 240 horsepower, 2.9 liter, V8 gas engine.


    The Italian 1985 Ferrari 308 GTB sound library shares 290 clips in 18.04 gigabytes of sound. It features the sound of a 240 horsepower, 2.9 liter, V8 gas engine.

    11 synchronized takes include both onboard and exterior driving in 34 channels. 13 onboard perspectives detail driving with ramps, steady RPMs, and gearshifts from microphones places in the engine, at the exhaust, and in the interior (including an Ambisonic perspective). The 7 exterior perspectives share arriving, departing, passing, and reversing at fast, medium, and slow speeds.

    The field recordings are packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. Also included are 3 custom mixes of the onboard microphones, 18+ fields of professional embedded metadata, and metadata keyword import files in 7 languages.

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  • Cars Plymouth Road Runner 440 Sixpack 1970 Play Track 100+ sounds included, 32 mins total $249 $174.30

    A very in-depth multitrack recording of a Plymouth Road Runner 440 Sixpack from 1970.

    The car has the 440cubic inches engine with the famous 3 x 2 barrel setup. The rating from factory was 390 horsepower. This car has the three geared automatic transmission.

    The recording has eight onboard microphones, L+R interior, two engine, intake, L+R exhausts and finally a back center exhausts microphone. Exterior recording consists of four different stereo pairs, all in sync with the onboards.

    The recording includes startup, idle, shutdown, blips, standing steady rpms, cruising, driving at steady rpms, various accelerations & decelerations, ramps, passbys, approaches, stops, aways and more.

    It also contains foley recording of doors, hoods, gear shifter, switches and horn. Total recording time is 32min 7s.

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  • The 2015 German MAN Lion’s Coach tourist bus includes 760 clips in 41.05 gigabytes of audio. It features the sound of a 6-cylinder 460 hp Euro 6 diesel engine.

    The collection includes a total of 29 synchronized takes from exterior and onboard microphones. The exterior microphones captured departures, passes, arrivals, ignition, shutting off, idles, and doppler horns from 9 microphones at 4 positions. The onboard microphones were placed inside, at the exhaust, in the engine, the luggage hold, and in the washroom in 15 perspectives (including an Ambisonic perspective) as the coach drives at steady RPMs, with gearshifts, and ramps. Also provided are 4 designed mixes of the interior, exhaust, engine, and luggage compartment.

    The package comes complete with performed effects of doors, wipers, fans, and more, Pro Tools and Reaper mixing sessions, impulse responses, and full Soundminer, BWAV, and MacOS metadata embedded in every clip.

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  • Recording of a German 2001 Volkswagen Golf Sportscombi with a 1.6 litre engine with 5 speed transmission in a total of 14 synchronized takes.

    The German 2001 Volkswagen Golf Sportscombi sound fx collection features 358 clips in 29.21 gigabytes of field recordings. It showcases the sound of its 1.6-litre engine with 5-speed transmission in a total of 14 synchronized takes.

    The 11 onboard takes feature microphones mounted in the engine, at the exhaust, and the interior (with an Ambisonic perspective) to record driving with gearshifts, steady RPMs, and ramps. In addition, three stereo rendered mixes of each position are included for easy editing. The 8 exterior microphones were positioned at 5 locations to record starting and shutting down, departures and arrivals, and passes (including doppler horn bys) at slow to fast speeds. Also included are performed sound effects of doors, windshield wipers, horns, and more.

    The package is complete with Reaper and Pro Tools editing sessions, Altiverb and Waves impulse responses of the cabin interior, and full professional metadata embedded in every clip.

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  • Recording of a Polaris RZR all-terrain vehicle from 2017 with a XP 1000 EPS engine with a ProStar 1000 HO 2-cylinder 4-rate DOHC 999cc with EFI fuel system and automatic variable transmission.

    The Polaris RZR sound fx collection includes 195 clips in 16.9 gigabytes of audio from a 2017 American all-terrain vehicle. It showcases the sound of its XP 1000 EPS engine with a ProStar 1000 HO 2-cylinder 4-rate DOHC 999cc with EFI fuel system and automatic variable transmission.

    The bundle collects 9 synchronized takes from 30 channels of audio. The 11 onboard perspectives mount microphones at the engine, exhaust, and in various positions on the frame as the car drives with throttling, steady RPMs, and ramps. Three custom stereo mixes of the onboard channels allow for easy editing. The 8 exterior perspectives document departing, passing by, and arriving at slow, medium, and fast speeds.

    The package includes Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. Also included are 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments.

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  • Recording of an Italian 2016 Ferrari F12 with a 140 FC V12, 6.3 litre, gas engine with performance exhaust.


    The 2016 Italian Ferrari F12 sound bundle includes 278 clips in 16.87 gigabytes of audio. It showcases the sound of its 140 FC V12, 6.3 litre, V12, gas engine with performance exhaust.

    The collection includes 34 synchronized channels of exterior and onboard recordings. 8 exterior perspectives provide driving at slow, medium, and fast speeds while passing by, arriving, and departing. The 12 onboard perspectives include recordings from the interior (with an Ambisonic perspective), engine, and the interior while driving with gearshifts, ramps, and steady RPMs. Also bundled are 3 stereo mixes of the onboard perspectives.

    The collection includes Soundminer, BWAV, and MacOS Finder metadata, keyword import files for 7 languages, and Reaper and Pro Tools mixing sessions.

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  • Recording of an Italian Lamborghini Huracan LP610-4 with a 610 horsepower 5.2 L V10 engine.

    The Lamborghini Huracan LP610-4 sound library includes 17 takes from an exotic Italian sports car. The collection gathers the sound of its 610 horsepower 5.2 L V10 engine with 7-speed dual-clutch transmission with 340 sound fx in 21.98 gigabytes.

    The bundle includes a total of 32 channels of synchronized audio. The 12 onboard perspectives (13 channels) feature microphones mounted at the exhaust, in the interior, and in the engine. They capture driving at slow, medium, and fast speeds with steady RPMs, gearshifts, and ramps. The 9 exterior perspectives (19 channels) showcase departures, approaches, passing by, starting, and turning off while driving on straightaways and around corners.

    Also included is an Altiverb impulse response, embedded metadata in every clip, custom stereo mixes of the onboard perspectives, and Reaper and Pro Tools sessions with each take aligned for easy mixing and editing.

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  • Recording of a Nissan GT-R (R35) from 2012 with a 3.8 litre V6  gas engine with twin turbo and modified with a performance exhaust system.


    The Nissan GT-R (R35) sound fx collection includes 275 sounds from 20.14 gigabytes of audio. It shares the sound of a 3.8-litre V6 gas engine with twin turbo and a modified performance exhaust from a 2012 version of the Japanese car.

    The collection catalogs various performances in 13 synchronized takes from both exterior and onboard perspectives. The 9 exterior perspectives share departures, passes by, and arrivals at slow, medium, and fast speeds from four positions around a track. An additional 14 onboard perspectives and three custom stereo mixes gather recordings from the exhaust, engine, and interior as the car maneuvers with steady RPMs, ramps, and gearshifts.

    The sound library includes bonus Pro Tools and Reaper mixing sessions, professional embedded metadata, and metadata keyword import files in 7 languages.

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  • Recording of an American 1969 Pontiac Firebird with a 7.4 liter Chevy 454  V8, with cam and long tube headers mods.


    The American 1969 Pontiac Firebird sound fx collection includes 422 clips in 28.16 gigabytes of field recordings. It presents the sound of 7.4 liter Chevy 454  V8, with cam and long tube headers mods in 12 synchronized takes.

    Both exterior and onboard perspectives total 35 channels of audio. The 13 onboard perspectives include recordings from the interior (including an Ambisonic perspective), the engine, and exhaust as the muscle car drives with ramps, gearshifts, and steady RPMs. The 9 exterior perspectives feature passes, reversing, departures, and arrivals at slow, medium, and fast speeds from four track positions. The collection provides bonus Altiverb and Waves impulse responses, custom mixes of the onboard perspectives, and performed effects.

    The package downloads with complete professional embedded metadata, metadata translations in 7 languages, and Pro Tools and Reaper mixing sessions.

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  • This library features a French armoured personnel carrier VAB manufactured by Renault, equipped with a 320 hp Renault MIDR engine. The recording consists of 15 onboard channels covering the engine, exhaust, fans, interior front and rear, and 17 exterior channels positioned around the recording location. It also contains startups, idling, blips, steady RPMs in neutral, driving and reversing at slow, medium and fast speeds, aways, approaches, passbys, stops, shutdown, horn and more.

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  • This plane sound effects library features the American World War II transport aircraft Curtiss C-46 Commando, equipped with two Pratt & Whitney R-2800 Double Wasp engines.

    The library contains two stationary ground runs, and covers startup, idle, steady rpms ranging from low to high, ramps, throttle movement to simulate broken engine and shutdown, recorded to more than 24 channels from different perspectives, both onboard and exterior.

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