Recording of a Extra 330LX aerobatic monoplane with a Lycoming AEIO-580-B1A, 315 hp, 6 cylinder engine.
The German Extra Flugzeugbau 330LX aerobatic monoplane sound fx collection includes 461 clips in 30.63 gigabytes of field recordings. It features the sound of its Lycoming AEIO-580-B1A, 315 hp, 6 cylinder engine, a Muehlbauer, MTV 9-B-C/C198-25, 3-blade propeller, and Gomolzig, 6-in-1 exhaust system.
Performing as an air show Red Bull acrobatic airplane, the sound library includes a total of 25 synchronized takes of onboard and exterior perspectives. The 7 onboard perspectives feature recordings from the cockpit, engine, and exhaust as the plane flies with steady RPMs, turns, cruising, acrobatic flying, race simulation, and more. The 7 exterior perspectives include recordings of flyovers passing by, taxiing, take offs, and touchdowns, as well as stationary idles from a variety of distances. Also included are a mixture of performed effects of switches, the canopy, pedals, and more.
The sound library downloads with Pro Tools and Reaper mixing sessions, custom mixes of the onboard perspectives, 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, and text files of translated search keywords in 7 languages, ready for import into your favourite metadata app.
The Black Hawk UH-60M sound fx collection features 1,145 sound clips in 44.39 GB from an American military helicopter performing during a military exercise. This bundle gathers 44 takes of tandem maneuvers from two General Electric T700-GE-701D engines with cowling.
This sound library includes both onboard and exterior field recordings. The onboard recordings include 3 perspectives of the vehicle idling with rotors and turbine at low, high, and medium speeds, including an Ambisonic take. The 22 exterior perspectives include 49 channels of the chopper starting, taking off, passing by, landing, and shutting off. There are also a wide selection of stationary idles from close, medium, and distant perspectives in front, behind, and to the side of the Black Hawk at high to low RPMs. Ambisonic, surround, and double MS perspectives join stereo and mono takes. The collection is complimented by a wide variety of cockpit instrument performed effects, doors, and more.
Bonus: Pro Tools and Reaper session files align each take for easy editing and mixing. Over 18 fields of professional metadata embedded in every clip.
A recording of a Polish Tankietka TKS Tankette mini tank from 1936 on tracks with a 6 cylinder, 2500cm3, 3 gear engine, made in the Ursus Factory.
The Polish Tankietka mini tank sound fx collection includes 194 clips in 20.31 gigabytes of audio. It showcases the sound of a 1936 TKS Tankette mini tank on tracks with a 6 cylinder, 2500cm3, 3 gear engine, made in the Ursus Factory.
The sound library shares 7 synchronized takes from 36 channels of field recordings. The 13 exterior perspectives captured driving at slow, medium, and fast speeds while departing, arriving, and passing by. The 12 onboard perspectives recorded the tank from the engine, interior, tracks, and exhaust. Dual perspectives gathered various performed effects of doors, levers, pedals, and more in MS and mono.
The collection is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. Also provided are 4 ready-to-use designed stereo mixes of the interior, exhaust, tracks and engine microphones. Each clip includes 19+ fields of Soundminer, BWAV, and MacOS Finder metadata, and the library is bundled with metadata keyword import files in 7 languages.
Recording of the British 1943-44 Valentine Mark IX DD tank with a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.
The British 1943-44 Valentine Mark IX DD tank sound effects collection gathers 171 clips in 12.31 gigabytes of audio. It shares the sound of a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.
The bundle includes 10 synchronized takes of onboard and exterior driving. The 9 onboard perspectives mount microphones in the interior, and at the exhaust, engine, and tracks to capture standard driving and with ramps. The 6 exterior perspectives document driving from slow to very fast as the tank approaches, reverses, departs, and passes by. Also provided are a variety of performed effects of levers, pedals, switches, and more.
The sound library includes 4 custom stereo mixes of the onboard recordings, Pro Tools and Reaper mixing sessions, complete professional embedded metadata, and metadata import files for English, Chinese, French, German, Japanese, Korean, and Spanish.
Recording of a 1944 British Comet Model B cruiser tank, also known as an A34, with a Rolls-Royce Meteor Mark III V12 petrol engine.
The British Comet tank sound collection includes 167 clips in 11.93 gigabytes of audio. Also known as an A34, it features the sound of a 1944 Model B version of the cruiser tank and its Rolls-Royce Meteor Mark III V12 petrol 600 hp (447 kW) engine.
The bundle shares 25 synchronized channels of exterior and onboard recordings. The 9 onboard perspectives include recordings from the tracks, engine, exhaust, and the interior while driving with steady RPMs. Also included are 4 stereo mixes of the onboard perspectives. 7 exterior perspectives share driving at slow, fast, and medium speeds while departing, arriving, and passing by.
The collection downloads with Reaper and Pro Tools mixing sessions, full professional metadata, and metadata keyword import files in 7 languages.
Recording of a 1945 Boeing B-17G Flying Fortress from World War II, an American heavy bomber with four Wright R-1820 Cyclone engines.
The Boeing B-17G Flying Fortress sound fx collection includes 190 clips in 10.81 gigabytes of audio. It showcases the sound of the Sally B, a 1945 American heavy bomber with four Wright R-1820 Cyclone engines.
A total of 26 synchronized field recordings share 9 onboard and 9 exterior perspectives. The onboard microphones were placed in the cockpit, the bomb bay, nose, and engine to capture multiple steady RPMs and engine swells. Exterior microphones were arranged around the bomber and airstrip to record flyovers, takeoffs, landings, and taxiing. Also included are performed effects of switches, cawl flaps, alarms, switches and more.
The collection includes Reaper and Pro Tools sessions for easy mixing, as well as full Soundminer, BWAV, and MacOS Finder metadata in every clip.
The StuG 40 assault gun tank sound library includes 241 clips in 10.1 gigabytes of audio. Also known as the Sturmgeschütz 40 Ausf.G or StuG III, this 1943 German tank features the sound of a Maybach HL 120 TRM V-12 gasoline engine with 300 PS (296 hp or 221 kW) with a six-speed transmission.
The collection includes synchronized recordings from both onboard and exterior perspectives in 16 takes. The 9 onboard perspectives share recordings from the tracks, engine, interior, onboard, and exhaust as the tank drives at slow, medium, and fast speeds, and with gearshifts. The 7 exterior perspectives showcase microphone placed on straightaways and at corners as the tank departs, arrives, passes, idles, and more.
Each clip is embedded with 18 fields of professional Soundminer, BWAV, and MacOS Finder metadata. The library is packaged with Pro Tools and Reaper sessions for easy mixing.
Recording of a German Panzer III Ausf. M medium tank from World War II with a 12-cylinder Maybach HL 120 TRM engine with 296 hp.
The Panzer III Ausf. M medium tank sound library includes 283 clips in 11.9 gigabytes. The German World War II tank showcases field recordings from its 12-cylinder Maybach HL 120 TRM engine with 300 PS (296 hp, 220 kW).
The bundle gathers synchronized onboard and exterior recordings. The 10 onboard perspectives feature recordings from microphones placed in the interior, onboard, at the tracks, and around the engine and exhaust. The exterior recordings share departures, arrivals, passes, starting, and stopping from three locations and 5 perspectives, including a Holophone.
The package includes Pro Tools and Reaper sessions and full Soundminer, BWAV, and MacOS Finder metadata.
Recording of a 1942 M10 tank destroyer, also known as the Wolverine and the TD, with two GM 6046 two-stroke inline six Detroit Diesel engines.
The American 1942 M10 tank destroyer sound library gathers 303 clips in 20.19 gigabytes of field recordings. Also known as the Wolverine and the TD, it showcases the sound of two GM 6046 two-stroke inline six Detroit Diesel engines performing a wide variety of maneuvers.
The collection shares 12 synchronized takes exterior and onboard maneuvers. The 10 exterior takes document departing, passing, arriving, and reversing at slow, medium, and fast speeds. The 14 onboard perspectives share microphone perspectives from the engine, exhaust, interior, and tracks as the tank drives forward and reverse.
The bundle includes custom mixes of the onboard perspectives, Pro Tools and Reaper mixing sessions, 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, and metadata import files for 7 languages.
An American Zivko Edge 540 acrobatic plane with a Lycoming AEIO-540-EXP (modified) 6-cylinder air-cooled horizontally-opposed piston engine.
The American Zivko Edge 540 acrobatic plane sound bundle includes 404 clips in 30.15 gigabytes of audio. It shares the sound of a Lycoming AEIO-540-EXP (modified) 6-cylinder air-cooled horizontally-opposed piston engine, 310 hp (230 kW) at 2700 rpm and a 3-bladed Hartzell HC-C3YR-4AX composite constant-speed propeller.
24 synchronized takes present both onboard and exterior perspectives in 23 channels. Microphones were arranged in the cockpit, at the engine, onboard, and at the exhaust to capture recordings of idling, taking off, flying, landing. These are supplemented by 7 more perspectives from the exterior at various positions around the airfield.
The package downloads with Pro Tools and Reaper mixing sessions, 2 custom mixes of the onboard microphones, full professional metadata, at metadata import files in 7 languages.
Recording of a French 1938 Char B1 Bis medium tank with a Renault inline 6 cylinder 16.5 liter petrol engine.
The French 1938 Char B1 Bis medium tank sound library includes 294 sounds in 25.83 gigabytes of audio. It showcases the sound of a Renault inline 6 cylinder 16.5 liter petrol engine.
A total of 11 synchronized takes share both onboard and exterior driving. The onboard perspectives document steady RPMs, ramps, and gearshifts recorded from the engine, exhaust, tracks, and interior perspectives. The exterior perspectives arrange microphones and 4 positions and 2 handheld perspectives to capture departures, arrivals, passing by, and reversing at slow, medium, and fast speeds.
The sound library includes Pro Tools and Reaper mixing sessions, custom mixes of the onboard perspectives, 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, and text files of translated search keywords in 7 languages, ready for import into your favourite metadata app.
The American M5 High Speed Tractor includes over 20 gigabytes of recordings of a WWII US military vehicle with a Continental 6572 six-cylinder petrol engine with 207 horsepower. 188 sound fx document a full suite of performances from M5, also known as versions M5A1, M5A2, M5A3 and M5A4.
The performances include starting, idling, departing, arriving, and passing by from 6 exterior perspectives at slow, medium, and fast speeds. 10 additional perspectives feature motor, interior, exhaust, tracks, and other locations that capture idles, driving, and steady RPMs from onboard the tractor.
Includes extensive Soundminer metadata.
Recording of a French 1942 SOMUA S35 cavalry tank from World War 2. It is powered by a SOMUA V-8 petrol engine, running on a malfunctioning engine with 6 out of 8 pistons.
The French 1942 SOMUA S35 cavalry tank sound collection gathers 276 clips in 14.73 gigabytes of sound. Also known as the S40, this tank was used by the Allies and later the Axis forces in World War 2. It is powered by a SOMUA V-8 petrol engine, running on a malfunctioning engine with 6 out of 8 pistons.
11 synchronized takes of driving are shared from both onboard and exterior perspectives. The onboard perspectives mount microphones in the engine, interior, and at the exhaust. A variety of exterior perspectives capture the tank approaching, departing, passing, reversing, and more at slow, medium, and fast speeds. Bundled with the sound library are custom mixes of the onboard tracks.
Every clip is embedded with professional metadata. Also included are Pro Tools and Reaper mixing sessions, and metadata import files for keywords in seven languages: English, Chinese, French, German, Japanese, Korean, and Spanish.
The World War II American M16 Halftrack anti-aircraft sound library features 313 sound effects in 18.86 gigabytes of audio. Based on the M3 Halftrack, this “multiple gun motor carriage” showcases 20 takes of up to 42 channels of performances from a White 160AX, 6-cylinder, 128 horsepower engine.
Twelve onboard perspectives present the vintage vehicle in slow, medium, and fast speeds with steady idles and ramps. The twelve exterior perspectives include 26 channels of the halftrack starting, departing, passing, reversing, and arriving. Includes over 18 fields of Soundminer, BWAV, and MacOS spotlight metadata.
The Panzer IV Ausf. G medium tank sound fx collection of a Maybach HL 120 TRM 12-cylinder gasoline engine with 296 hp.
We enter the next round of absolutely striking new SFX! CINEMATIC DARKNESS is the fourth release in our grand CINEMATIC series and is absolutely no less exciting than its predecessors: dirty BLASTS, scary DRONES, digital GLITCHES, synthetic SCREAMS, disturbing STUTTERS, creepy NOISE – the list continues as we have packed more than 15 GB of high-quality SFX into this collection.
CINEMATIC DARKNESS has been co-produced with sound designer Sebastian Johnson who left his footprints in the world of sound design starting in the 90s with the first commercial library for the Waldorf Microwave and sound design for Ensoniq, Clavia, DSI, and recently for more than 40 blockbuster trailers in the last 4 years such as Gravity, World War Z, Godzilla, Maleficient, The Hobbit, Transcendence, The Dark Knight Rises, Prometheus, Pacific Rim, Resident Evil 5, Star Trek & much more!
Our new library comes all nasty, disturbing & unsettling. It’ll shake you to the core & without a doubt it will power your next project. Evil, murky, harsh, synthetic and edgy are only a few characteristics of CINEMATIC DARKNESS. You have the possibility to customize this collection to your very own needs: the CONSTRUCTION KIT offers you high-quality source recordings to be creatively processed, while the DESIGNED version comes in handy with pre-designed, “ready-to-use” sounds, ideal for time-scarce projects. CINEMATIC DARKNESS is the next generation of evil SFX – add a wicked new tone to your sound pool!
The TRAINS SFX library gets you a massive selection of clean, HD train sound effects. Sources include trains such as heavy freight trains, old and modern passenger trains with electric, steam and diesel engines.
The interior recordings were made on different locations such as the cockpit, the wagons, engine rooms, cabins, and even the restrooms. SFX from the outside contain drive-bys, departing and arriving trains, wheels, horns, grinding, rattling, squeaking, clacking, coupling, braking, air releases, and much more! To give you the full package, you get a mass of great interior and exterior handling sounds on top. Simply any sound you need for a realistic train environment, as always, delivered in high quality with 96kHz / 24-bit.
FOOTSTEPS is practically a whole rack of shoes compiled into one single outstanding playable KONTAKT 5 instrument: it comprises boots, dress shoes, high heels, leather shoes and sneakers. We got accurate recordings of paces on all sorts of different grounds: wood, concrete, gravel, metal, sand and parquet. In addition, we added a lot of generic sound layers that can be easily added to the mix. Those layers include sounds of cloth, leather, metal, grass, water and snow.
PIONEERING USER INTERFACE SOUND EFFECTS
Fully loaded with over 8 GB of sound material in a single package, this library brings you all you need to dive into the digital, virtual and interactive world. Whether you are looking for futuristic Sci-Fi sounds, high-tech sonifications, casual game UI elements or simple device / system user feedback, this versatile, ready-to-use collection has you covered.
LARGE, MEDIUM, SMALL
In many applications of any kind, users encounter various levels or stages of interaction. MODERN UI features different sound sizes / priorities to meaningfully set apart sounds within the same category, giving you an immense head start in terms of flexibility.
VERSATILE & READY TO USE
Due to their modern and clean characteristics, MODERN UI sounds come with the added benefit of being both formidable in their own right as well as good starting points for your own design. All sounds are neatly tied into 13 unique categories; one-shots come with the established six variations while all textures are looped.
The possible uses and applications of this library extend far beyond the game and film domain. Whether you are an app or interactive media developer, working in the automobile or high-tech industry, a product designer or shaping user experiences in any other way – get inspired by and equipped abundantly with MODERN UI.
WHAT WE RECORDED
As opposed to Cinematic Elements: Fire & Water, no microphones were harmed in the production of this library. In fact, it has been crafted almost entirely using synthesis and elaborate effect chains through which any resemblance of the original recording was transformed into the edgy, unique and identifiable sounds that made it into the package.
WHAT'S SO SPECIAL ABOUT THIS LIBRARY?
A new BOOM library usually is born when we feel that the current supply on the market falls short of our own needs and quality standards. Especially game sound designers require a large pool of available intensities, moods, stages and variations when working on anything UI-related. Focusing purely on the virtual / artificial world, MODERN UI perfectly complements the first, more organic library The Interface.
Want some excellent cartoony sound effects? BOOM to the rescue!
We sought out and recorded the most obscure toys, instruments and, uhm – for the lack of a better word – “objects” to give you more than 3.000 boings, bleeps, farts, thwacks, squishes and squeaks in over 500 files, in short: we recorded any sound your animated-character-loving-heart could ever desire. All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Each file contains multiple variations of a sound to guarantee you and your audience a non-repetitive SFX experience.
Want to have an old-timer car honk its horn sternly at passers-by, before the tires screech off into the horizon? Your protagonist jumps off of a cliff by the sea and – suddenly in the air – we hear the tide roll back and she smacks on to the ground? Or your hero slips on a banana, swoops into a kitchen, metal crashes, bins rattle bins and, epic climax-style, the stove explodes! Don't worry about how that sounds. BOOM TOONS! SFX are here. We've got you covered.
BOOM TOONS! SFX is the complete package so that you can focus on your stories and characters. You have all the sounds you could possibly need at your fingertips, ready for you to use whenever you want that spark, that glitter or that long arm fart which transforms your visually appealing cartoon into a complete and fun experience.
AUTOMATED BIRD NOISE REMOVAL
DEBIRD automatically recognizes bird noises in your recordings and removes them with surgical precision.
Meet the involuntary #1 enemy of recordists and editors alike: Birds.
While their lively and delightful song is a true asset in nature ambiences, it ruins just about everything else.
As a result, countless hours are spent on the rather tedious task of cleaning recordings before one can get back to the fun part and focus on the creative process.
Meet DEBIRD – your simple but powerful tool that utilizes Deep Learning to do all the cleaning work for you.
Sit back and relax while DEBIRD effortlessly extracts all the unwanted chatter from your audio file within seconds!
1. Drag any sound into DEBIRD. It is analyzed automatically.
2. Hit Play. Enjoy your de-birded recording! You can see the removed bird sounds in the lower spectrum display.
3. Simply export the cleaned sound.
Yes! It is really that simple. You need some more features? You can also do the following:
Would you like to keep certain sounds that would otherwise be removed? No problem! Grab a boundary box or brush and show DEBIRD what to keep.
Solo and export the extracted bird sounds if needed. DEBIRD can be used in the exact opposite way it was designed for.
No matter how fast you remove bird sounds, DEBIRD is faster.
CUT THE SLACK
No more need to plan recording sessions at night or use invasive methods such as scaring off birds.
DEBIRD‘s Machine Learning capabilities help the tool to improve over time.
HELP US TO IMPROVE DEBIRD
DEBIRD works with a neural network that further improves the more input it gets. We will continuously feed the deep learning algorithm with recordings of birds to improve the results and to better handle edge-cases.
WHAT YOU CAN DO
You have a file and DEBIRD struggles to properly remove the bird sounds? Contact us via firstname.lastname@example.org and send us your audio file. We will include it into the machine learning routine and DEBIRD will handle such cases better over time.
DEBIRD works as a standalone application without a host DAW or NLE.
Windows Windows 7 (64-bit), 8 GB RAM, Intel® Core i5
Mac Mac OS X 10.11, 8 GB RAM, Intel® Core i5
Available licensing options:
Machine License activation and USB Dongle
The Complete Audio Hero Sound Packs bundle features all 35 of our popular sound packs. In total this collection features an astounding 6,314 professionally recorded sound effects from a wide variety of categories. This bundle consists of the following packs:
Animals Volume 1
Animals Volume 2
Animals Volume 3
Animals Volume 4
Cartoon Volume 1
Cartoon Volume 2
Cartoon Volume 3
Cartoon Volume 4
Horses & More
Rodents & Reptiles
Space Whooshes & Winds
Abbot FV433 Tank
Chieftain FV4201 Tank
FV432 APC Tank
M4 Sherman Easy 8 Tank
Soviet T-54 Tank
Military Hummer H1 (Humvee)
Walla Volume 1
Walla Volume 2
Walla Volume 3
Wolves & Coyotes
OVER 5 HOURS OF UNIQUE BIOME RECORDINGS
This library includes 40 species vocalizations (including the Hawaiian Crow, now extinct in the wild) and 105 ambiences which are conveniently divided into coastal and Up-Island, as well as day and night, to simplify workflow.
VIVID AND INCREDIBLY MULTI-FACETED
Use this comprehensive SFX toolbox to design stunning nature scenarios with extremely manifold and vivid exotic wildlife. No matter if you’re searching for thundering, wave-swept boulder beaches, birdsong-rich tropical forests, a fascinating symphony of thousands of animals during the day or some super-interesting and exotic “conversations” at night, it’s all available in this pack.
This Library is also part of The Complete Quiet Planet Bundle.Libraries from Quiet Planet are covered by a special EULA - read it here.
Designing vehicle sounds for motion picture? Done with the engine? Let’s tackle the other 50% – tire, wheel and chassis interactions.
Create highly dynamic and authentic skids, bumps, friction, rolling noise and much more with a high variety of wheel configurations, ground materials and perspectives. Customize and automate everything in real-time!
GRIP requires a free iLok account
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.