Recording of the Russian 1944 IMZ-Ural Dnepr M-72 motorcycle with a 2 cylinder boxer 750cm3 engine with a 3 gear transmission.
The IMZ-Ural Dnepr M-72 motorcycle sound fx library features 377 clips in 15.35 gigabytes of audio. Also related to the BMW R-71 and Chinese CJ750 Chang Jiang, it features a 1944 version of the World War 2 Red Army bike with a 2 cylinder boxer 750cm3 engine with a 3 gear transmission.
A total of 20 synchronized takes share onboard, exterior, and performed Foley effects. The 9 onboard perspectives place microphones on the headlight, seat, exhaust, engine, and in the sidecar to record driving with steady RPMs, ramps, and gearshifts. Three pre-rendered mixes of the engine, exhaust, and onboard microphones are also available. A total of 10 exterior perspectives share idling, starting, stopping, departures, passes by, and arrivals at slow to fast speeds.
The package also offers Pro Tools and Reaper mixing sessions with professional metadata embedded in every clip.
Recording of a Ferrari 488 from 2016 with a 3.9-litre twin-turbocharged V8 661 horsepower engine.
The Ferrari 488 exotic car sound collection features 302 clips in 19.39 gigabytes of audio. It features the sound of the 2016 Italian sports car’s 3.9-litre twin-turbocharged V8 661 horsepower engine performing in 17 takes.
The sound bundle includes 9 onboard and 10 exterior perspectives. The 21 exterior channels capture the car travelling at fast, slow, and medium speeds on straightaways and around corners at close and distant perspectives. The 10 onboard channels recorded engine, exhaust, and interior driving at steady RPMs, with gearshifts, and with ramps. Also included are starting, stopping, passing, and other exterior maneuvers.
Every sound effect is embedded with over 18 fields of Soundminer, BWAV, and MacOS Finder metadata. In addition, every take is provided aligned and ready for tandem-track mixing and editing in Reaper and Pro Tools session.
Recording of a McLaren 570S from 2016 with a V8 biturbo rear mid-engine with rear wheel drive and a 7-speed clutch.
The McLaren 570S sound effects collection gathers 235 clips in 19.73 gigabytes of audio. It features the sound of the 2016 model of the British sports car and its 8-cylinder biturbo and rear mid-engine with rear wheel drive and a 7-speed clutch.
A total of 12 synchronized takes showcase 11 onboard and 8 exterior perspectives. The exterior microphones capture driving at slow, medium, and fast speeds while the car departs, arrives, passes, as well as idles and starts and stops. The onboard microphones present driving at steady RPMs, with gearshifts, and with ramps from the interior, engine, and exhaust, with ready-to-use mixes of each perspective.
The collection includes Reaper and Pro Tools mixing sessions, full professional metadata embedded in every clip, and metadata import files for 7 languages.
Car Foley 2 sound effects library features foley recordings of different actions performed inside 10 different cars. It’s 130 files with a total length of 30 minutes covering actions like closing and opening regular doors, slide doors, hoods, trunks, interior buttons and switches, windows, seatbelts, brakes, gear levers, handbrakes and more.
Inside you’ll find foley recorded in cars like:
There’s nothing better than a nice long soak in a Jacuzzi hot tub… This library will instantly place you right in the middle of a beautiful oasis of warm bubbling water and massaging bubble jets. All sounds are cut into perfectly seamless loops and provided in both .wav and .mp3 to make your use of this library as easy as a trip to the spa!
These loops make it easy to drop the files into any game development software or to easily support props in a film/tv project.
Music is only heard in the demo, not in the actual footage.
Other libraries that pair well:
1000 Winds Project (Farts.) [The Original]
Everyone farts… and some people do it in the hot tub! CAUTION: This library contains the HIGHEST resolution fart winds that exist on this side of the internet… Well, let’s be real, all sides of the internet!
Chicago – Environmental & Transportation Ambiences
Depending on the needs of your project, you might just find that you need additional environmental ambiences, which are covered in this library! Recorded in high resolution, this library will put you right in the virtual seat of the city of neighborhoods!
PWC – Jet Ski – Sea Doo | Volume 1 & 2
More sounds in the world of water! Ultra-high resolution Sea Doo recordings utilizing on-board microphone techniques, from multiple perspectives (driver perspective (mid-side, exhaust perspective & engine perspective).
This is a small collection of 180 easy-to-use futuristic interface sound effects.
All sounds categorized by the most popular cases in production, such as Alarm, Beep, Button, Confirm, Deny, Telemetry, Text, Noise, and others.
Also, it contains two main sub category: Simple (could be used as a layer in complex sound design) and Complex (which already consists of several layers).
This library is a fast, easy, effective and extremely affordable way to complete your production tasks.
• 180 ready-to-use sound effects with alterations
• Futuristic computer interface sounds
• Categorized as Simple and Complex
• Most popular types of effects: Alarm, Beep, Button, Confirm, Deny and others
• Contains metadata for search engines
Recording of a super rare Ferrari F40 LM (Le Mans) from 1991 with a V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
The Ferrari F40 LM (Le Mans) sound effects collection features 335 clips in 21.65 gigabytes of audio. The sound library showcases the sound of a 1991 version of the Italian luxury sports car’s V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
A total of 20 synchronized takes depict both onboard and exterior perspectives. The 9 exterior perspectives arrange microphones at multiple locations and distances to record departing, arriving, passing at slow to fast speeds, as well as starting and stopping, and backfire. The 12 interior perspectives arrange microphones at the exhaust, engine, and in the interior to share recordings of driving at steady RPMs, with gearshifts, and ramps. Three mixes of the interior perspectives are also available.
The package includes Soundminer, BWAV, and MacOS Finder metadata in every clip, as well as Reaper and Pro Tools mixing sessions.
Recording of a German Panzer III Ausf. M medium tank from World War II with a 12-cylinder Maybach HL 120 TRM engine with 296 hp.
The Panzer III Ausf. M medium tank sound library includes 283 clips in 11.9 gigabytes. The German World War II tank showcases field recordings from its 12-cylinder Maybach HL 120 TRM engine with 300 PS (296 hp, 220 kW).
The bundle gathers synchronized onboard and exterior recordings. The 10 onboard perspectives feature recordings from microphones placed in the interior, onboard, at the tracks, and around the engine and exhaust. The exterior recordings share departures, arrivals, passes, starting, and stopping from three locations and 5 perspectives, including a Holophone.
The package includes Pro Tools and Reaper sessions and full Soundminer, BWAV, and MacOS Finder metadata.
Recording of an American Jeep SRT8 sports utility vehicle from 2014 with a 6.4 litre SRT V8 Hemi engine.
The Jeep SRT8 sound clip collection features 328 sound files in 18.67 gigabytes. The bundle gathers 19 synchronized field recordings of a 2014 American sports utility vehicle and its 6.4 litre SRT Hemi engine.
The SUV package includes both onboard and exterior field recordings in a total of 35 channels of audio. 11 onboard perspectives capture takes from the exhaust, engine, and interior (including and Ambisonic perspective) while the jeep drives with steady RPMs, gearshifts, and ramps. 9 exterior perspectives depict departures, arrivals, starting, stopping, and passing by at slow, medium, and fast speeds.
The collection comes with 3 ready-to-use designed stereo mixes of the interior, exhaust, and engine microphones, Pro Tools and Reaper mixing sessions, and 18+ fields of Soundminer, BWAV, and MacOS Finder comments.
Recording of an Italian Lamborghini Huracan LP610-4 with a 610 horsepower 5.2 L V10 engine.
The Lamborghini Huracan LP610-4 sound library includes 17 takes from an exotic Italian sports car. The collection gathers the sound of its 610 horsepower 5.2 L V10 engine with 7-speed dual-clutch transmission with 340 sound fx in 21.98 gigabytes.
The bundle includes a total of 32 channels of synchronized audio. The 12 onboard perspectives (13 channels) feature microphones mounted at the exhaust, in the interior, and in the engine. They capture driving at slow, medium, and fast speeds with steady RPMs, gearshifts, and ramps. The 9 exterior perspectives (19 channels) showcase departures, approaches, passing by, starting, and turning off while driving on straightaways and around corners.
Also included is an Altiverb impulse response, embedded metadata in every clip, custom stereo mixes of the onboard perspectives, and Reaper and Pro Tools sessions with each take aligned for easy mixing and editing.
The Volvo 142 drag car recording showcases the sound of a 1971 version of the Swedish car and its custom Chevrolet 427 small block V8 with a Vortech supercharger.
The Volvo 142 drag car sound library bundles 129 clips from 6 tandem takes totalling 11.15 gigabytes of field recordings. The collection showcases the sound of a 1971 version of the Swedish car and its custom Chevrolet 427 small block V8 with a Vortech supercharger.
A total of 33 channels of audio detail the sound of this custom car from both onboard and exterior perspectives. Interior (including an Ambisonic microphone), exhaust, and engine perspectives – in addition to three custom mixes – detail onboard driving at medium and fast speeds from 11 perspectives. Exterior takes on straightaways and turns share departures, passes, and arrives across 8 perspectives.
The package also provides are Reaper and Pro Tools mixing sessions as well as full professional metadata in every clip.
Medieval Battle contains a wide variety of sounds taken straight from the battlefield. Unleash the full force of your army with effects from a diverse range of medieval weaponry, crowds, horses and battle charges. There are also battle cries, screams and shouts to make the audience feel like they are right there on the frontlines. To bring you the most organic and natural battle sounds, we recorded actors performing in a quiet exterior location. All sounds were recorded in 24Bit 96kHz, allowing for further sonic manipulation.
If you think your sound collection is in need of some reinforcements then this is the library for you! Medieval Battle is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.
Here are the included folders:
Crowds: Crowd rushes and static battle cries in a natural exterior location make these effects perfect for building the bed of a huge Medieval warzone.
Female Voices: 4 individual female actors perform multiple vocalisations including screams, grunts and efforts.
Sword & Shield Hits: A variety of sword and shield hits performed by weapons and combat experts.
Male Voices: 4 individual male actors perform multiple vocalisations including screams, grunts and efforts.
These group of sounds will help you colour your footage with sounds from the city and the countryside. Packed with 40 sounds to enhance your design
This is a library containing what you need to create a home experience, whether is cleaning, dining or relaxing, we have you cover with this amazing pack of 392 sounds you experience at home.
Recording of a Polish/Russian 1964 BRDM-2 armoured personnel carrier from the Cold War-era with a 4-gear V8 gasoline 5500cm3 engine in a total of 28 synchronized channels.
The 1964 BRDM-2 armoured personnel carrier sound library features 355 clips in 27.49 gigabytes of audio. It showcases the sound of a Cold War-era APC and its 4-gear V8 gasoline 5500cm3 engine in a total of 28 synchronized channels.
The 14 onboard perspectives include microphones placed inside (including an Ambisonic track), on the engine, and at the exhaust to capture driving at steady RPMs, with gearshifts, and ramps. 12 exterior perspectives arrange multiple microphones to record departing, arriving, and passing by at slow, medium, and fast speeds. Also included are performed effects of levers, switches, the turret, and more, as well as 3 stereo mixes of the interior perspectives.
The sound library is packaged with Pro Tools and Reaper mixing sessions, Waves, Altiverb, and starter pistol impulse responses of the interior, and full professional metadata in every clip.
Cars, trucks, motorcycles at different speeds on a rural road in the middle of nowhere during summer.
From left, from right, from both sides, single vehicle or several at the same time.
Recorded simultaneously with an ORTF and a AB microphone stereo pairs.
Crisp, clean, crunchy and closely mic’d impacts with various types of pebble and dust debris.
I recorded all these sounds with my brothers during a trip home to Ireland.
Close to our home (out in the middle of nowhere), there is a little quarry with a lot of sand, dust, stones, rocks and some grass. There was also a broken plough there that gave some nice stone on metal impact sounds.
2 Line Audio OM1s
2 Line Audio CM3s
Recording of a BSA M20 WW2 motorcycle with a 1 cylinder 500cm3 engine with 4 gears.
The BSA M20 WW2 motorcycle sound collection features 322 sounds in 12.02 gigabytes of audio. It showcases a British 1940 Birmingham Small Arms Company military bike and the sound of its 1 cylinder 500cm3 engine with 4 gears.
The sound bundle offers 20 synchronized recordings of onboard, exterior, and performed sound fx. The 7 onboard perspectives record sounds from the engine, exhaust, and onboard locations such as the seat and frame, all of which are also mixed into three pre-rendered tracks with driving at steady RPM, ramps, and gearshifts. The 9 exterior perspectives include turning on and off, departing, arriving, and passing from multiple perspectives and distances from slow to fast speeds. These are paired with performed Foley of handlebar clutch and brake, kickstarting, and more.
The package includes Pro Tools and Reaper mixing sessions, as well as full metadata embedded in every clip.
Sci-fi Guns Sounds
146 modern guns sound effects divided into more than 15 different types of guns:
– Electric Revolver
– Cannon Gun
– Blaster Rifle
– Low Gun
– Alien Guns
– Automatic Gun
– Old Shotgun and Old Cannon Shots
– Explosive Gun
– Compressed Air Gun
– And many more… Check the Tracklist PDF to see the full list of sounds included in the pack
More about the pack:
– Apart from shot sounds, there are reloading & handling sounds
– There’s also the ”Stab” sound and the ”Hit Marker” sound.
– There are single-shot sounds but also loops (Rotary cannon)
– These SFX are suitable for Sci-Fi games but also for warfare, modern warfare ones.
– Intuitive file naming
– All you’ll ever need regarding Sci-Fi Gun Sounds
All files are in:
WAV – Stereo 44.1 Khz, 16bit
OGG – Stereo 44.1 Khz, 16bit
[Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
[Professional audio services]
For custom music, sound design, sound engineering or any other game audio services, please send a mail to: email@example.com
Tags: sound effects, sounds, sci-fi, sci-fi weapons, sci fi weapons, sci-fi sound, sci-fi sfx, sci-fi, tech, science, guns, gun, gun sounds, guns sound, futuristic weapon, futuristic guns, futuristic sfx, futuristic, reload weapons, laser weapons, laser weapon, sound weapons, weapon sounds, weapons, sound pack, game sound, game sounds
The 2017 Toyota C-HR Turbo SUV sound fx collection features 414 sound clips in 32.15 gigabytes of audio. The sound bundle shares the sound of a Japanese 1.2 litre turbo petrol engine with 4 cylinders and a 6 speed automatic transmission.
A total of 19 synchronized field recordings showcase 34 channels of audio. 8 exterior perspectives depict the sports utility vehicle departing, passing by, and arriving and more at slow to fast speeds from 4 locations and two distances. The 12 onboard perspectives provide recordings of the engine, interior (including an Ambisonic perspective), and exhaust while the car drives at steady RPMs, with gearshifts, and ramps. Also included are mixes of the interior, engine, and exhaust, as well as performed fx of doors, windows, dashboard buttons, and more.
The package is bundled with Reaper and Pro Tools mixing sessions and Altiverb and Waves impulse responses. Each clip is embedded with 18+ fields of professional metadata.
The Pontiac GTO sound fx collection includes 606 sounds in 27.05 gigabytes of audio. It features the sound of a 400 c.i. 335 horsepower V8 engine from a 1967 model of the American car.
A total of 26 takes depict both onboard and exterior perspectives. 14 onboard perspectives (15 channels) share exhaust, engine, and interior microphone recordings (including an Ambisonic POV) of steady RPMs, gearshifts, and ramps. The 8 exterior perspectives (18 channels) include departures, arrivals, and passes by at slow, medium, and fast speeds. The collection also showcases a variety of performed effects (doors, horns, etc).
The sound bundle includes Pro Tools and Reaper sessions with all takes pre-aligned, raw impulse responses of the interior cabin, and 3 ready-to-use designed stereo mixes of the interior, exhaust, and engine microphones. Every clip is embedded with 18 fields of professional metadata.
Recording of a 1943 German Volkswagen Kübelwagen type 82 from World War II, equipped with a 4-cylinder 1000 cubic centimetre air-cooled engine with a 4 gear transmission.
The 1943 German Volkswagen Kübelwagen type 82 sound collection features 436 sound files in 19.6 gigabytes of audio. Also known as the Safari or Bucket/Tub Car, the sound library showcases the sound of the World War II vehicle’s 4-cylinder 1000 cubic centimetre air-cooled engine with a 4 gear transmission.
A total of 18 synchronized takes depict both onboard and exterior perspectives. The onboard takes (14 perspectives) present recordings from the engine, interior (including an Ambisonic perspective), and exhaust as the vehicle drives with steady RPMs, gearshifts, and ramps. The exterior recordings (10 perspectives) position microphones at multiple locations and distances to capture departures, arrivals, passes, idles, and more at slow to fast speeds. Also included are performed Foley effects of doors, trunks, and more, as well as mixes of the interior, engine, and exhaust.
The package includes Altiverb, Waves, and starter pistol impulse responses, Pro Tools and Reaper mixing sessions, and full professional metadata in every clip.
Recording of a Swedish 2003 Volvo FM10 heavy truck with a D9A (9.4 litre) inline 6-cylinder turbo-charged and intercooled engine.
The Swedish 2003 Volvo FM10 heavy truck sound library collects 332 sound clips in 43.03 gigabytes of field recordings. It features the sound of a D9A (9.4 litre) inline 6-cylinder turbo-charged and intercooled engine performing a wide variety of maneuvers in 14 synchronized takes.
14 onboard perspectives showcase recordings from the flatbed, interior, engine, and exhaust while driving with gearshifts, ramps, and steady RPMs, together with stereo mixes of each location. 5 exterior perspectives capture departures, arrivals, and passes at slow, medium, and fast speeds from 4 locations. Several takes of performed effects contribute doors, gearshifts, wipers and more.
The collection is provided with Pro Tools and Reaper mixing sessions as well as 18 fields of Soundminer, BWAV, and MacOS Finder metadata.
Recording of a Polish/Czechoslovakian SKOT OT-64 armored personnel carrier from 1968 with a V8 diesel engine.
The SKOT OT-64 armored personnel carrier features 713 clips and 36.83 gigabytes from a 1968 wheeled 14-tonne version of the Polish/Czechoslovakian military vehicle. It showcases the sound of its V8 diesel 12000 cubic centimetre engine with a 5 gear transmission.
A total of 23 synchronized takes depict onboard, exterior, and rendered mixes. The exterior takes (13 perspectives) feature driving at slow, medium, and fast speeds from multiple locations while departing, passing, and arriving. The 13 onboard perspectives share driving with gearshifts and ramps from the engine, exhaust, and interior, including an Ambisonic perspective. Also featured are mixes of the exhaust, passenger compartment, interior, engine, and gearbox. Additionally, the collection gathers multiple takes of doors, buttons, switches, hatches, and other performed effects.
The sound library is packaged with Altiverb, Waves, and starter pistol impulse responses, pre-arranged Pro Tools and Reaper mixing sessions, and full professional metadata embedded into every clip.
Recording of an American 1995 Ford Probe with a 2.0 litre 118 horsepower (88 kW) I4 4 cylinder engine with a 5-speed manual gearbox performing a variety of maneuvers in 12 synchronized takes.
The 1995 Ford Probe sound effects library includes 304 clips in 20.35 gigabytes of audio. It showcases the classic car’s 2.0 litre 118 horsepower (88 kW) I4 four-cylinder engine with with a 5-speed manual gearbox performing a variety of maneuvers in 12 synchronized takes.
9 exterior perspectives arranged at four locations capture departures, arrivals, and passes at slow, medium, and fast speeds. The 10 onboard perspectives and three mixes tracks capture recordings from the interior (including an Ambisonic perspective), exhaust, and engine while the car drives with gearshifts, ramps, and at steady RPMs. The package also includes a handful of door, turn indicator, and other performed fx. Each track is recorded to professional recorders using microphones from DPA, Sennheiser, Neumann, and others.
The bundle is delivered with Reaper and Pro Tools mixing sessions, and 18+ fields of professional Soundminer, BWAV, and MacOS Finder metadata.
Recording of a Japanese Mazda RX-7 from 1990 with a 2-rotor, twin turbo 13B bridgeport Wankel rotary engine.
The Mazda RX-7 sound fx collection bundles 208 clips in 17.83 gigabytes of audio. It showcases the sound of a 1990 version of the Japanese car with its 2-rotor, twin turbo 13B bridgeport Wankel rotary engine.
The collection includes 12 synchronized takes from both onboard and exterior perspectives. The 12 onboard perspectives mount microphones at the exhaust, in the engine, and inside the cabin to depict driving with steady RPMs, ramps, and gearshifts. The 7 exterior perspectives arrange microphones at 4 perspectives around the track to document departures, arrivals, and passes by at slow, medium, and fast speeds. Also included are bonus drifting takes, as well as custom mixes of the onboard perspectives.
The package includes Pro Tools and Reaper mixing sessions, as well as full professional Soundminer, BWAV, and MacOS Finder metadata.
What sounds can you get out of a £5,000 sewing machine?
This library brings you 800 mechanical sounds created entirely from an electronic sewing machine, including: 20 different rhythmic seams all recorded at up to 5 different speeds with 2 microphone positions; over 200 seamless loops; various gradual revvings, ramping up and down, clicks, ticks, movements and warm-up checks – all recorded at the standard 96kHz 24-bit stereo.
An excellent enhancer for mechanical and industrial sounds, or (obviously), for a sewing machine!
Suburbs of Chicago: Night is the 8th in the Suburbs of Chicago Series. Included in this pack are recordings from all four weather seasons, and recorded for over a year. All recordings are within the times of 6PM- 6AM.
– Front Porch During Rain, Hitting Roof
– Traffic Rumble, Rustling Leaves
– Snow Against Cars, Windshield Interior
– Snowing Parking Lot
– Subdivision, Park
– Bedroom Room Tone, Thunder Crack
– High School Baseball Game
– Raining Outside, Open Window
All tracks are recorded using the Sony D100 Portable Recorder, recorded at 192kHz, 24 bit. Over 5 hours of recordings, metadata tagged using Basehead and Soundly. As in all the other packs in this series, you will hear distant traffic and planes throughout.
The Creepy Cello SFXs Instrument: A Big collection of Creepy SFXs live Cello, recorded from 3 mic positions with a Neumann U87. This is the best cello collection for your horror trailer tracks, recorded by Vesislava Todorova.
Features 1.61 GB uncompressed content, 720 sounds in 24 bit / 96 Khz. Includes 11 instruments for the FULL Kontakt version 5.6.0 and the AIFF Version .
Get Recordings from the amazing Monza Rally Show, a motoring event at the Autodromo di Monza where some of the most famous rally drivers and track racing experts compete in different races:
• The R5 class rally cars
• The WRC 1.6 T.Trophy for WRC 1.6 Turbo rally cars from 2011-2016
• The Historic section for historic rally cars from 1972 to 1990.
The cars are recorded in different track locations to have the best chances to capture the right sound: Corners, straights, chicanes, as well distant and trackside perspectives. There also include pit ambiences with cars revving.
The sounds are recorded with a steady stereo XY setup (2 Sennheiser 8040), together with a Shotgun microphone (Sennheiser 8060), following the cars to capture more focused sounds.
Each file has the suffix “LR” for the XY stereo files and “SG” for the shotgun mono files.
This is a library containing what you need to create a home experience, whether is cleaning, dining or relaxing, we have you cover with this amazing pack of 392 sounds you experience at home.
• In Alaska: Wind, get an expansive collection of forest winds from the pristine wilderness of Alaska. Hear the power of the Alaskan Range as gusts whip down from the high mountains. Hear blustery blasts whipping through the birch and cottonwood canopy and scrappy tundra spruces straining to stay vertical.
• This library offers you a large collection of arctic wind. I hope you enjoy listening to the natural music of the wind as it sings through the boreal forests of Alaska.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.