Introducing the Sherman M4A3 World War II American medium tank sound library, equipped with a Ford GAA V8 engine. This sound bundle includes 183 96 kHz/24-bit recordings in a variety of mono and stereo perspectives totalling over 25 gigabytes of audio. The vintage military vehicle is detailed in 16 exterior and 12 interior channels with coverage of starting, passing by, approaching, departing, stopping, and onboard driving at various speeds.
The package includes extensive synchronized elements needed to recreate the sound of this medium tank for feature films and game audio projects. An Altiverb IR preset created from a sweep inside the tank is also included.
The Panzer IV Ausf. G medium tank sound fx collection of a Maybach HL 120 TRM 12-cylinder gasoline engine with 296 hp.
Recording of an American Stuart M5A1 Light Tank from World War II, equipped with two Cadillac V8 gasoline engines.
The recording consists of ten onboard channels with interior, engine, intake, exhaust and tracks perspectives, as well as several exterior channels from various positions.
It covers startup, idle, blips, steady rpms in neutral, various driving at different speeds, accelerations and decelerations, gearing, aways, approaches, stopping, passbys and much more. It also contains engine dying and gear grinding.
The NSL Complete Bundle includes all 15 New Sound Lab sound libraries. 1821 high resolution WAV files – 831 minutes – 32 GB
The Complete Audio Hero Sound Packs bundle features all 35 of our popular sound packs. In total this collection features an astounding 6,314 professionally recorded sound effects from a wide variety of categories. This bundle consists of the following packs:
Animals Volume 1
Animals Volume 2
Animals Volume 3
Animals Volume 4
Cartoon Volume 1
Cartoon Volume 2
Cartoon Volume 3
Cartoon Volume 4
Horses & More
Rodents & Reptiles
Space Whooshes & Winds
Abbot FV433 Tank
Chieftain FV4201 Tank
FV432 APC Tank
M4 Sherman Easy 8 Tank
Soviet T-54 Tank
Military Hummer H1 (Humvee)
Walla Volume 1
Walla Volume 2
Walla Volume 3
Wolves & Coyotes
In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.
Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.
The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.
It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.
Recording of a Volkswagen Polo from 2003 with a 1.4L straight 4 cylinder, 16-valve petrol (79 horsepower) engine.
The GAZ-69 military truck sound library includes 701 clips in 22.8 gigabytes of audio. It features the sound of a 1965 version of the light truck and its 2.1L (130 cu in) GAZ-69 I4 4 cylinder engine with 3-speed manual transmission at 55 hp.
The collection includes 27 synchronized takes of onboard and exterior performances. The exterior takes showcase departing, arriving, and passing at fast, medium, and slow speeds on straightaways and around corners. The onboard takes gather recordings from interior, engine, exhaust, and onboard with driving at steady RPMs and with gearshifts. A four-channel Ambisonic AMBEO recording is provided of the interior vehicle cabin. Also included are various performed effects of pedals, doors, handles, sirens, and more, as well as ready-to-use designed mixes of the interior, exhaust, and engine.
The package also includes Pro Tools and Reaper sound library mixing sessions, Altiverb and Waves impulse response, and full professional metadata embedded in every clip.
An in-depth recording of a Dodge Challenger 426 Hemi from 1970. This engine is the all-time most-famous American V8.
It is a 426 cubic inch engine with hemispherical combustion chambers and it is rated 425 horsepower from the factory.
The recording consists of eight onboard channels, intake, two engine, three exhaust and interior, and eight exterior channels.
It contains startups, shutdowns, idle, driving at different speeds, accelerations and decelerations, kickdowns, burnouts, aways, approaches, stops, passbys, foley and much more. Total recording time is 25min 58s.
The Chevrolet Silverado Tow Truck fx collection features 25 takes of a 2012 American heavy-duty pickup truck. Also known as the GMC Sierra and Chevrolet Cheyenne, the sound library includes 556 sound effects and 18.65 gigabytes of varied perspectives from its 6.6 litre V8 Duramax diesel engine.
The package synchronizes 34 channels from exterior (22 channels) and onboard (12 channels) perspectives. The onboard microphones (8 perspectives) at the interior, exhaust, and engine capture driving at slow, medium, and fast speeds. The exterior microphones (10 perspectives) are located in four distinct positions to record passes, departures, arrivals, and idles. Also included are driving at steady RPMs and ramps, as well as idles with blips and steadies in neutral. Additionally included are a variety of performed effects of doors, windows, and more. The sound library includes an Ambisonic AMBEO recording of the car interior performance, as well as 18+ fields of metadata (Soundminer, BWAV, MacOS Finder).
The 2015 German MAN Lion’s Coach tourist bus includes 760 clips in 41.05 gigabytes of audio. It features the sound of a 6-cylinder 460 hp Euro 6 diesel engine.
The collection includes a total of 29 synchronized takes from exterior and onboard microphones. The exterior microphones captured departures, passes, arrivals, ignition, shutting off, idles, and doppler horns from 9 microphones at 4 positions. The onboard microphones were placed inside, at the exhaust, in the engine, the luggage hold, and in the washroom in 15 perspectives (including an Ambisonic perspective) as the coach drives at steady RPMs, with gearshifts, and ramps. Also provided are 4 designed mixes of the interior, exhaust, engine, and luggage compartment.
The package comes complete with performed effects of doors, wipers, fans, and more, Pro Tools and Reaper mixing sessions, impulse responses, and full Soundminer, BWAV, and MacOS metadata embedded in every clip.
The Fiat 500 sound fx collection features 263 clips and 17.73 gigabytes of the 2016 Abarth 595 version of the Italian vehicle. The collection gathers 18 synchronized takes of the car’s 1.368 L l4 turbo engine with 158 horsepower and a 5750 Akrapovic exhaust system.
The sound library includes both onboard and exterior perspectives. 10 channels from microphones mounted in the engine, interior, and at the exhaust depict driving at slow, medium, and fast speeds. Performances include steady RPMs, gearshifts, and ramps. The 18 exterior channels share 9 perspectives of the small car starting, stoping, departing, passing, and approaching on straightaways and around corners.
Each track is embedded with Soundminer, BWAV, and MacOS Finder metadata, with bonus metadata import files for Chinese, French, German, Japanese, Korean, and Spanish. The collection also includes carefully mixed quick-access, all-in-one blended stereo versions of the interior, exhaust, and engine stems. The Fiat 500 library is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
This library has an extensive collection of sounds from a well-used 1990 Ford Ltd Crown Victoria with a 4-speed AOC automatic transmission. With its 302 cubic inch, 5 liter, V8 engine, rated 152 horsepower, you'll get thick beefy growls from this Ford. The library includes all kinds of driving at various speeds, cruising, startups, shutdowns, reversing, driving at constant RPMs, gearing, various accelerations and decelerations, and long and short ramps.
Some foley is also included: doors, hood functions, parking brake and gear shifter, and IR sweeps. With 12 onboard channels covering several interior, engine and exhaust perspectives, and 13 exterior channels with microphones positioned at different spots around the recording location, you'll get up-close approaches, aways, passbys and more at different speeds.
Recording of a Yamaha RS Venture snowmobile from 2006 with a carbureted 3-cylinder horizontal in-line 4-stroke engine.
The 1960 British Narrowboat sound fx library of a Northwich trader-
class barge with a 4-cylinder Gardner 4LW engine producing 75 horsepower at 1500 RPM.
The Volvo XC70 III features 473 clips in 20.89 gigabytes of a 2008 model of the car. Twenty-one field recordings capture the Swedish car’s AWD Diesel D5 2.4 litre engine.
The collection includes a combined 36 channels of synchronized recordings. The onboard takes highlight 11 perspectives of driving at fast to slow speeds at steady RPMs, with gearshifts, and ramps. Exterior microphones are positioned at 9 close and distant positions to capture arrivals, departures, and passes on straightaways and corners. The library is complemented with Ambisonic recordings, 18+ field of metadata, and Waves and Altiverb impulse responses.
The Terrängbil SKP m/42D APC sound fx collection includes 684 clips in 20.18 gigabytes of audio. It features the sound of a 1942 Swedish armoured personnel carrier and its Scania-Vabis 4-cylinder petrol, 115 horsepower engine at 2300 RPM performing in 42 synchronized takes.
The sound library includes 14 combined onboard and exterior perspectives in 23 channels. The 9 onboard perspectives feature microphones mounted in the interior, at the exhaust, and in the engine recording the vehicle travelling at slow, medium, and fast speeds with ramps and steady RPMs. The exterior microphones capture passes by, starts, stops, departures, and arrivals, captured in a rainy environment. There is also an extensive amount of performed fx such as hatches, doors, moving inside, shell drops and instruments.
The package also includes Pro Tools and Reaper pre-arranged mixing sessions, Altiverb and starter pistol impulse responses, and almost 20 fields of professional metadata.
The Car Destruction sound effects collection contains chassis scrapes, dragging, flipping, road rail scratching, multiple car chassis dropping takes include rolling down a slope, falling onto the ground, and impacting other cars.damaged engine idling and slow to fast driving with gearshifts, ramps, and steady RPMs from both onboard and exterior perspectives both on two cylinders and without oil and more.
Recording of an Iveco Daily van from 2012 with a 2.3 l diesel engine. The recording consists of eight onboard channels and 10 exterior channels covering startups, shutdowns, idle, blips, steady rpms in neutral, driving at steady rpms, accelerations and decelerations, ramps, pass-bys, approaches, aways and much more.
Recording of a 1927 tugboat with a Deutz VM 145 4-cylinder engine with 200 horsepower at 300 RPM in 30 synchronized takes.
The German Opel Blitz 3600 3.5 tonne medium truck sound fx collection includes 567 sound clips in 32.86 gigabytes of audio. It showcases the sound of a 1939 3.6 litre petrol engine with straight 6 cylinders.
The sound bundle gathers 19 synchronized takes of onboard and exterior perspectives. The 13 onboard perspectives depict driving at fast, medium, and slow speeds from the interior (including an Ambisonic perspective), engine, exhaust, and flatbed. A mix of each perspective is provided with steady RPMs, gearshifts, ramps, and more. The 11 exterior perspectives include approaches, departures, passes, and idles from 6 locations, as well as doppler horn passes. Also included are a variety of performed effects of doors, hood, tailgate, and more.
The collection is complete with three types of impulse responses, Pro Tools and Reaper mix sessions, and 18 fields of Soundminer metadata, plus BWAV metadata and MacOS spotlight comments.
The Audi S6 sound effects library features 240 clips in 16.41 gigabytes. The aspirated 5.2 liter V10 435 horsepower engine and a distinctive Milltek exhaust system combine to portray an extensive snapshot of this 2007 European hatchback. The engine is similar to a Lamborghini Gallardo, Huracan, and an Audi R8.
Slow, medium, and fast performances are catalogued in 19 onboard and exterior perspectives, covering approaches, aways, passbys and more. The collection also includes engine recordings at steady RPMs, ramps, and gear shifts, and is complimented with bonus takes of idles and horns.
The Junkyard Metal sound library includes 3183 clips in 98.49 GB. It collects the sound of metal hits, drops, pick ups, rattles and clatters, rumbles and rummaging, rocking, rolling, and scraping.
Featuring diverse props ranging from large metal storage containers, diesel tanks, shopping carts, and tractor buckets to to smaller propane tanks, crates, shopping carts, and bolts, nails, and ammunition, the collection provides multiple performances in each clip.
The sounds were performed from light to heavy intensities and captured at 192 kHz, 24-bit resolution with Sanken, Sennheiser, Neumann, and Schoeps microphones.
The bundle is delivered with Pro Tools and Reaper mixing sessions, full professional embedded metadata, and metadata keyword import files in 7 languages.
Recording of a 12-meter trawler fishing boat with a Hundestedt Hotbulb 2-cylinder, 78 horsepower engine with a range of 80-480 RPM per minute.
This library features the original Hummer with the model name H1. The Hummer was originally designed for military use, the Humvee M998, but became popular also on the civilian market. This vehicle has the bigger V8 turbo diesel engine with 195 horsepower. The recordings consist of eight onboard channels, four engine, two exhaust, interior left & right and twelve exterior channels. It contains startups, idle, shutdowns, blips, steady RPMs, accelerations and decelerations, passbys, approaches, aways, and more.
The Peugeot 307 SW sound fx library features 463 clips in 17.98 gigabytes of a 2004 French model. A total of 27 takes depict the sound of the car’s 2.0 litre 134 horsepower petrol straight 4 cylinder engine.
The collection includes 19 perspectives of the car. 11 onboard perspectives arrange 16 channels of microphones on the engine, at the exhaust, and in the interior (including an Ambisonic perspective). They capture driving at fast, medium, and slow speeds with constant RPMs, ramps, and gearshifts. The exterior perspectives (18 channels) include recordings on straightaways, corners, and at various distances with the car starting, turning off, departing, arriving, and passing by. The collection includes discrete performed effects of doors, dashboard instruments, horns, and more. There are also Altiverb and Waves impulse responses.
Every clip is embedded with 18+ fields of professional metadata.
The Volvo XC90 2017 sound fx collection features 407 clips in 34.68 gigabytes from a Swedish hybrid SUV. The bundle gathers 24 synchronized takes recording the sound of a T8 4-cylinder petrol/electric hybrid twin-engine.
The onboard takes (12 perspectives, 16 channels) showcase a wide selection of microphones mounted in the engine, at the exhaust, and inside the cabin. The recordings depict driving at slow, medium, and fast speeds with steady RPMs, gearshifts, and ramps. The 8 exterior perspectives (18 channels) recorded the car starting, idling, departing, passing, reversing, arriving, and shutting off from 4 locations and two distances. There is a variety of performed effects such as doors, hoods, horns, and much more. Also included are an Ambisonic recording of the interior cabin, and an Altiverb impulse response.
Every take is embedded with Soundminer, BWAV, and macOS metadata.
You get the sounds of a real semi truck with this SFX library, featuring a 1992 Volvo F12 truck with a straight 6-cylinder diesel engine. The recording contains of both onboard and exterior material, and covers startup, idle, shutdown, accelerating and decelerating through gears, driving at steady rpms, blips, approach, passbys at different speeds and more.
The Gut-Wrenching Gore Library gathers 712 clips in 26.96 gigabytes. Recorded from 6 synchronized perspectives in 192 kHz, it shares horror sound design elements in two themes: male and female vocalizations and fruit destruction.
The vocalization showcase screams, choking, gurgling, gobbling, teeth and biting, and breathing, each with a variety of takes and performances. Body blows, stabs, hits, and gore were provided by tearing, breaking, and squeezing fruit, vegetables, and other food such as watermelons, leeks, porridge, yogurt, tomatoes and others.
The package includes Pro Tools and Reaper mixing sessions, and embedded metadata in every clip.
The Peugeot P4 sound fx collection includes 26 takes from a French military unarmored off-road jeep. It includes a total of 276 sound clips and 9.52 gigabytes of recordings from the jeep’s 2.5 L XD3 diesel I4 engine in 25 channels.
The bundle includes both onboard and exterior clips at slow, medium, and fast speeds. The onboard seven perspectives includes takes from the interior, the engine, and exhaust at steady RPM and with ramps. The eight exterior perspectives include departures, passes, arrivals, and 3 point turns from microphones arranged at 3 locations. Also included are various performed effects of doors, switches, and so on. Each clip includes 18 fields of Soundminer metadata, plus BWAV metadata and MacOS spotlight comments.
The Volvo 850 SE 2.5 sound fx library features 25 takes of recordings from a classic 1996 Swedish car. The bundle collects 596 sound fx that total 21.53 gigabytes of audio from a straight 5-cylinder, 10-valve, 2.5 litre manual drive 144 horsepower engine.
The 9 exterior perspectives (20 channels) present the vehicle travelling on straightaways and around corners from multiple distances at fast, medium, and slow speeds performing approaches, departures, and passes. The onboard takes (11 perspectives from 16 channels, out of which 4 are AMBEO) capture synchronized driving performances from the engine, interior, exhaust, and trunk at steady RPMs, ramps, and gearshifts. Also included in the library are performed sound effects of doors, horns, etc, and idles, blips, and steadies in neutral. Both Altiverb and Waves impulse responses are provided of the interior car cabin.
All takes are embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata.
This plane sound effects library features the American World War II transport aircraft Curtiss C-46 Commando, equipped with two Pratt & Whitney R-2800 Double Wasp engines.
The library contains two stationary ground runs, and covers startup, idle, steady rpms ranging from low to high, ramps, throttle movement to simulate broken engine and shutdown, recorded to more than 24 channels from different perspectives, both onboard and exterior.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.