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Home Sound Effects

Sound Effects

  • A comprehensive collection of 100 immersive wildlife and ambient sounds from the jungles, forests and national parks of Central and South Vietnam – 96k, 24bit and totalling over 2 hours/ 4GB, with a selection of isolated sounds at 192kHz for further manipulation. As well as the inimitable sounds of singing gibbons and some intense asian cicada chirps, over 20 bird species are identified, along with some raucous langur monkeys, rich jungle ambiences, busy dawn choruses, various boat sounds and white water rapids.

    Full metadata is included (via soundminer), with keywords and detailed markers embedded to quickly locate specific sounds/ regions.

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  • The 2020 update to Farm Equipment features modern and older tractors, smaller motors including gators and mowers, as well as farm atmos elements like parlor motors and pumps.
    All recorded on farms across Devon, uk.

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  • A Swedish 1967 Volvo 142 with a B20 2 liter, straight 4 cylinder gas engine modified for higher performance and built for rally.


    The Swedish 1967 Volvo 142 rally car sound collection includes 259 clips in 18.04 gigabytes of audio. It showcases the sound of a B20 2 liter, straight 4 cylinder gas engine modified for higher performance and built for rally.

    A total of 11 synchronized takes share both exterior and onboard driving in 35 channels. 7 exterior perspectives showcase slow, medium, and fast driving as the rally car departs, arrives, passes by, and reverses. 13 onboard perspectives share driving with ramps, steady RPMs, and gearshifts from microphones mounted in the interior (with an Ambisonic perspective), engine, and exhaust.

    Every file is embedded with complete professional metadata. The package includes mixing sessions in Pro Tools and Reaper formats, custom mixes of the onboard recordings, and metadata keyword import files in 7 languages.

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  • The Indy Cars race car sound effects library delivers an action-packed day at the races. Craft exciting and authentic racing scenes in your projects with immersive interior driving sequences, expansive racetrack ambiences, lively pit crew sounds, and roaring race car pass-bys.

    Recorded by iconic sound designer and composer Alan Howarth (Army of Darkness, Total Recall) at various indy car tracks including the Mid-Ohio Sports Car Course, the street circuit of Long Beach, and the Laguna Seca Raceway, these racecar recordings will transport your projects straight into the excitement of race day. Create a genuine racetrack atmosphere with the energetic crowd and booming PA announcements, and utilize the thrilling energy of indy car engine sounds for vehicles in your films and games.

    Each sound file is embedded with detailed metadata to help you find the exact sound you need with quick, intuitive search.

    Key Features:

    • 307 sound effects (12GB)
    • 16/24-bit/48kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free
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  • City Life Malta Play Track 32 sounds included, 81 mins total From: $80

    A collection of premium quality ambient recordings from the islands of Malta and Gozo.

    The third library from Fleeting Sound marks a detour into environments shaped and populated predominantly by a single species – homo sapiens, and featuring the sounds of its voices and machines.

    This is the sound of Malta and its inhabitants. From the markets of old fishing village Marsaxlokk to the hip, urban streets of Valletta, you’ll find plenty to give your project an authentic Maltese flavour.

    Key Features

    • 32 ambient recordings in a choice of stereo or surround
    • featuring Maltese walla and the iconic sounds of Maltese cars and sparrow roosts
    • detailed Soundminer and BWAV metadata

    Recording Characteristics

    • Ultra low-noise and high 96kHz resolution
    • Carefully mastered to remove any unwanted artefacts whilst preserving low-frequency energy
    • Spatially balanced to ensure a coherent and immersive stereo or surround image appropriate to the recording.

    All sounds recorded by Nicholas Allan, a BAFTA-nominated sound editor who has worked on the soundtracks for countless TV dramas and documentaries and feature films for National Geographic, BBC, Discovery, Animal Planet, Netflix and others.
     
    Special thanks to: Jolanta Brdej and Thomas Allan.

  • A fun, lighthearted collection of popular app game sounds is here! Kids Game, a must-have cartoon game sound effects library which features 500+ bubbly phone game ready SFX. Inspired by popular games like Two Dots, Animal Crossing, & Bloons TD 6.
    • 526 sound effects
    • 539.1 MB of audio samples
    • 16 minutes of game audio
    • Perfect for cartoon & kids games
    • A Game Developer Must Have
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  • Weather Cinematic Winds Play Track 98 sounds included, 180+ mins total $199

    Recorded and designed by film sound legends Ann Kroeber and Alan Splet (well known for their work with David Lynch), the Cinematic Winds sound effects library delivers diverse recordings from eerie, hollow wind sounds to whipping, stormy moodscapes.

    Cinematic Winds is an exclusive collection of sound effects selected from the venerable Kroeber-Splet private recording archive, Sound Mountain. “Of all the sounds from our library, the wind recordings are some of the most iconic and evocative,” says Ann Kroeber, having created an extensive sound catalog with her late partner Splet over decades of pioneering their craft.

    Wind is one of the most difficult elements to record. This is why Pro Sound Effects is proud to offer this carefully curated library from two artful sound designers and recordists we have tremendous respect for. Take your next sound design project to the next level by dragging and dropping the work of Kroeber and Splet into your scene.

    This special collection includes over 3 hours of 24-bit/48kHz WAV format wind effects and recordings perfect for inducing subtle, subconscious emotion, imposing a powerful presence, and creating earthy or surreal soundscapes in your production.

    Descriptive embedded metadata helps you find exactly the sound you need with practical, literal interpretations as well as emotional impressions of the sound effects. The wind sounds are grouped into five categories:

    • Moody Winds: Tonal, eerie, mournful, lonely
    • Interior Winds: Resonant staircases, barns, caves, pipes
    • Nature Winds: Through trees, over mountains, water, sand
    • Wild Winds: Gusting, whipping, whooshing, swirling
    • Storm Winds: Intense, howling, rumbling, shrieking

    Key Features:

    • 98 wind sound effects (3.3GB)
    • Over 3 hours of emotive, iconic wind recordings
      • Average file length: 1 minute 57 seconds
    • 24-bit/48kHz broadcast WAV files
    • Descriptive embedded metadata
    • 100% Royalty-Free for use in any project
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  • Engine start/stop/idle tracks. Foley of doors, windows, boot etc. Pass-bys at various speeds in 5-10 mph intervals.


    5 stationary engine tracks
    7 foley tracks
    16 pass bys
    1 ‘misc’ track

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  • Old answering machine voice messages.


    I have written and created these authentic sounding answerphone messages. There are male and female British accented messages, the content of which is typical for the period that people used answering machines. No mention of cellphones or social media here. Three voice actors, two male, one female are reading from the same script, with a few variations.
    Good for use in TV, film, theatre production, video games, animation and more.
    The messages are all recorded on a genuine old machine, so they will be lo-fi.

    There are also some sounds of answerphone beeps, tape inserting and ejecting and tape cueing.

    This is a work of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental

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  • On my travels around the UK, I always bring my sound recording gear.

    This collection of sounds focuses on nature, recordings of animals and atmos’ from down in Dartmoor, all the way up to Scotland.

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  • Ambisonics Spatial Shores Play Track 17 sounds included, 72 mins total $39

    Spatial Shores is an immersive collection of audio ambiences for cinema, VR, videogames and any audiovisual or creative purposes.

    The audios provided in this library are high quality recordings with Zoom H2n recorder in propietary Spatial Audio mode, horizontal-only ambisonic alike mic layout stored in an AmbiX format. W, X, Y channels of AmbiX provide immersive audio through the horizontal plane and they allow to decode the recording into Mono, Stereo, Binaural, Quad, 5.0, 5.1, 7.1 and more layouts with dedicated Ambisonic processors. Z channel is empty.

    The library comes with 5.0 and Stereo version of the AmbiX original recordings.

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  • CCMS offers an unsettling blend of ominous drones, mind-bending sound design overlays, and gruesome bass layers. Perfect for modern psychological mystery shows, dark suspenseful slow-burns, chilling cerebral narratives, and off-beat dystopian scenarios.

    All sample packs within the Complex Cinematic Series contain:

    • SCENES: Samples labeled “Full Mix”
    • ALT SCENES: Samples labeled “ALT”
    • STEMS: Samples labeled “STEM”

    FULL SCENES: The result of combining all three included STEMs (Drones, Overlay, and Bass) into one fully finished piece ready to be imported into your project.

    ALT SCENES: Stripped down versions of the main scene showcasing different ways of combining the included stems for a less complex result:

    • No Bass: No action on the low-end of the spectrum while still retaining the life and recognizable elements of the Drone+Overlay combo. Perfect for layering booms, subs, hits, and pulses underneath without any masking issues.
    • No Drone: A personal favorite. Offers a detailed representation of the nuances in the Overlay STEM with a full low-end provided by the Bass STEM.
    • No Overlay: A more static version of the full scene without the rhythmic movement provided by the Overlay STEM. Perfect for intros with instrumental and/or vocal layers on top.

    STEMS: Each of the individual samples used in the creation of Full Mix and ALT scenes with simple yet effective labeling for identification purposes.

    Number of Files: 189 High-Quality WAVS (01:35:19)
    Number of Scenes: 27
    Number of Alt Scenes: 81
    Number of Stems: 81
    Size Unpacked: 1.53 GB
    Sample Rate: 48kHz/24bit
    Other Info: Meta-Tagged (Soundly)

    PRO TIP: I encourage you to experiment with different combinations of STEM and ALT files other than the ones suggested by default. The pack has been intentionally designed as a playground for the creative professional, offering solutions for quick use in an “as is” basis as well as endless explorational capabilities for composers in search of customizable content.

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  • An American Zivko Edge 540 acrobatic plane with a Lycoming AEIO-540-EXP (modified) 6-cylinder air-cooled horizontally-opposed piston engine.


    The American Zivko Edge 540 acrobatic plane sound bundle includes 404 clips in 30.15 gigabytes of audio. It shares the sound of a Lycoming AEIO-540-EXP (modified) 6-cylinder air-cooled horizontally-opposed piston engine, 310 hp (230 kW) at 2700 rpm and a 3-bladed Hartzell HC-C3YR-4AX composite constant-speed propeller.

    24 synchronized takes present both onboard and exterior perspectives in 23 channels. Microphones were arranged in the cockpit, at the engine, onboard, and at the exhaust to capture recordings of idling, taking off, flying, landing. These are supplemented by 7 more perspectives from the exterior at various positions around the airfield.

    The package downloads with Pro Tools and Reaper mixing sessions, 2 custom mixes of the onboard microphones, full professional metadata, at metadata import files in 7 languages.

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  • A Japanese 2015 Honda CRF450R motorbike with a 449 cc liquid-cooled, SOHC four-stroke, 1 cylinder engine


    The Japanese 2015 Honda CRF450R motorbike sound effects library gathers 166 clips in 15.64 gigabytes of audio. It shares the sound of a 449 cc liquid-cooled, SOHC four-stroke, 1 cylinder engine in 11 synchronized takes.

    Both exterior and onboard perspectives total 25 channels of audio. The 8 onboard perspectives include microphones located at the engine, exhaust, as well as onboard as the motorbike drives with steady RPMs, ramps, and gearshifts. The 7 exterior perspectives share driving at slow, medium, and fast speeds as the bike departs, passes, and arrives. Also provided are three custom mixes of the onboard recordings.

    The collection includes 18 fields of professional embedded metadata, metadata keyword import files in 7 languages, and Reaper and Pro Tools mixing sessions.

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  • CLICK, SWIPE, and SCROLL your way through this mini pack of eerie interface sound files, carefully constructed for any project of mild fright! Extracted from the ONLY AAA-Quality scary user interface sound effects library of its kind on the market, each and every CHIME, RING, TICK, SQUEAK, HIT, CLINK, CLANK, SPIN, PLUCK, CLICK, SNAP, SWIPE, DING, ZIP and more in this pack has been carefully constructed to instill spooky anticipation. Mild in intensity, these sounds are an ideal “fright factor” for any users, while also being eerie for all ages.

    Say goodbye to dull and boring UI effects, and say hello to a new dimension creepy user interface sounds. Perfect for VIDEO GAMES, CASINO SLOT GAMES, APPS, PRESENTATIONS, YOUTUBE VIDEOS, INFOGRAPHIC VIDEOS, and more!

    GET IT NOW to scare your users!

    ADDITIONAL FEATURES:

    • Easy to use, drag and drop ready
    • AAA mixing and mastering
    • High Definition, Standard Quality WAV and High Quality MP3 formats
    • Meticulously labeled and easily searchable files, including keywords/tags
    • FREE Updates to higher versions, FOREVER!
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  • Stockpile your arsenal of ESSENTIALS of INTERGALACTIC BATTLE with this mini pack of cutting edge sounds of FUTURISTIC science fiction WARFARE, designed by our team of AAA-industry veterans and huge fans of games like Doom, Halo, BioShock, Half-Life, Crysis, StarCraft, Mass Effect and movies like Star Wars, Terminator, Guardians of the Galaxy, Star Trek and many more.

    From ENERGY SHIELDS, to sci-fi computer INTERFACE SOUNDS, futuristic WEAPONS CHARGING noises, DISPLAY noises like BLEEPS, CLICKS, SWISHES, ZOOMS, and ZAPS, as well as LIGHTSABER-inspired LASER SWORD sounds (hums, whooshes, and impact hits), and much more, this mini pack of sounds will give you everything you need for any army, battalion, or space fleet of the future!

    With 210 audio files and 70 original cinematic-quality sounds, we went the extra mile by creating multiple variations for each sound. All files are meticulously labeled, categorized and organized for maximum efficiency and ease of use, requiring absolutely no editing, labeling or splicing! And as always, we have included HD WAV, SD WAV and HQ MP3 versions of each sound for your convenience!

    KEY FEATURES:

    • Huge variety of big and small weapons, futuristic industrial and sci-fi clean sounds, different type and intensity variants
    • Ready to use – requires no editing, labelling or splicing
    • Categorized, organized and individually labelled files for maximum use efficiency
    • All files are included in Hi-Rez WAV, SD WAV and HQ MP3 formats
    • FREE Updates to higher versions, FOREVER!
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  • A German 2008 Porsche 997.1 GT3 RS with a 4.0 liter, flat-6 cylinder, gas engine.


    The German 2008 Porsche 997.1 GT3 RS sound collection features 146 clips in 15.31 gigabytes of field recordings. It presents the sound of a 4.0 liter, flat-6 cylinder, gas engine in 9 synchronized takes.

    Both onboard and exterior perspectives total 25 channels of audio. The 8 exterior perspectives share recordings at 4 track positions as the departs, reverses, approaches, and passes at slow, medium, and fast speeds. The 7 onboard perspectives provide recordings of the interior, engine, and exhaust as the luxury car drives with gearshifts, ramps, and steady RPMs. Also included are 3 custom mixes of the onboard recordings.

    The collection is embedded with 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments and Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

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  • An Italian 1985 Ferrari 308 GTB with a 240 horsepower, 2.9 liter, V8 gas engine.


    The Italian 1985 Ferrari 308 GTB sound library shares 290 clips in 18.04 gigabytes of sound. It features the sound of a 240 horsepower, 2.9 liter, V8 gas engine.

    11 synchronized takes include both onboard and exterior driving in 34 channels. 13 onboard perspectives detail driving with ramps, steady RPMs, and gearshifts from microphones places in the engine, at the exhaust, and in the interior (including an Ambisonic perspective). The 7 exterior perspectives share arriving, departing, passing, and reversing at fast, medium, and slow speeds.

    The field recordings are packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. Also included are 3 custom mixes of the onboard microphones, 18+ fields of professional embedded metadata, and metadata keyword import files in 7 languages.

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  • Performed on a experimental, custom-built rig with intense manipulation of objects and tools on a bass guitar string, the Sonomar Collection: Bass Machine sound library features 720 abstract sound design elements to serve as your go-to solution for mysterious designs. Add an otherworldly layer of depth and emotion to your projects with swirling metallic feedback, tensions, eerie engine drones, and gritty metallic vibrations.

    At over 15GB, Bass Machine delivers 70 raw sound files and 650 designed sound effects. Recorded with contact mics and guitar pickups at 192kHz, the raw sounds provide uniquely organic building blocks for processing and manipulation. The acoustic isolation and high resolution of each file makes these sounds incredibly flexible for editing and ripe for imaginative sound design. The collection’s designed sounds have been expertly sculpted, pitched, and processed at 96kHz using parts of the raw files. Use these as inspiration for your own design potential, or drop straight into your projects to instantly add expressive tension, harmonic activity, and compelling dimension.

    As the first exclusive Sonomar Collection release from Pro Sound Effects, Bass Machine demonstrates the sonic curiosity of sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the Sonomar team. Together they created the contraption, recorded and performed sounds over many hours of experimentation with the instrument, and then meticulously trimmed, designed, and organized the results for a truly generous and limitless sound library.

    Each sound file is embedded with rich metadata to help you find the exact sound effect you need with fast, pinpoint search. Sustain creativity with characteristic descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 720 sound effects (15GB)
      • 70 raw recordings at 192kHz
      • 650 designed sounds at 96kHz
    • 24-bit broadcast .wav files
    • Precise, imaginative, and comprehensive embedded metadata descriptions
    • 100% Royalty-Free
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  • A 2018 Volvo XC90 T8 plug-in hybrid electric with a rear axel 85kw electric motor.


    The Swedish 2018 Volvo XC90 T8 plug-in hybrid electric vehicle sound library includes 855 sounds in 54.71 gigabytes of field recordings. It features electric-mode only recordings of a rear axel 85kw electric motor.

    A total of 11 synchronized takes document both onboard and exterior driving. The 11 onboard perspectives arrange microphones inside the car (with an Ambisonic perspective), around the engine, and at the wheels to capture steady driving, ramps, hard braking, slalom turns, and more. The 8 exterior perspectives capture departing, arriving, passing by, and reversing at slow, medium, and fast speeds. Also included are extensive performed sound effects, custom mixes of the onboard microphones, and impulse responses of the interior cabin.

    The sound bundle is delivered with Pro Tools and Reaper mixing sessions, full professional metadata, and keyword import files in 7 languages.

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  • Including sounds of driving off-road, road, macadam road, interior/exterior of the vehicle… near, mid, far-field, rough terrain, snow, gravel…

    Land Rover Defender FX sound library. In this library, you can find numerous sounds of tdi 300 (2.4 litre, 113 HP) diesel engine of this iconic 4×4 vehicle. Apart from engine sounds, there are sounds of the interior of the vehicle like: switches, vents, ventilators, door opening, hand/parking brake, window opening, etc. Recorded in two positions, near field and midfield. These sounds are in sync so you can mix them together if needed. There are recorded “room tones” of vehicle: in drive, stationary-engine off, while raining, on a windy day, etc.

    Sounds of the exterior like: doors, windows opening/close, engine start, engine running, engine off, etc. are also here.

    Furthermore, sounds of driving on the road, macadam road, off-road, in woods with branches scratching the vehicle, sounds of gravel under the tires (external mic., recorded in motion) are here too. You can also find sounds of the vehicle driving (with mics placed on the roof rack) on asphalt road and macadam road. Just listen to library preview.

    Every file is metadata tagged with a description of action recorded, mic used, and placement.

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  • Ambisonics Spatial Towns Play Track 22 sounds included, 83 mins total $39

    Spatial Towns is an immersive collection of audio ambiences for cinema, VR, videogames and any audiovisual or creative purposes.

    The audios provided in this library are high quality recordings with Zoom H2n recorder in propietary Spatial Audio mode, horizontal-only ambisonic alike mic layout stored in an AmbiX format. W, X, Y channels of AmbiX provide immersive audio through the horizontal plane and they allow to decode the recording into Mono, Stereo, Binaural, Quad, 5.0, 5.1, 7.1 and more layouts with dedicated Ambisonic processors. Z channel is empty.

    The library comes with 5.0 and Stereo version of the AmbiX original recordings.

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  • “Conduct Disorder” is a collection of 215 intense sounds.

    Thanks to the distorted and heavy feel of the pack this sounds effects are suitable for horror and sci-fi productions. If your project needs an “in your face” approach this library is perfect for you.

    You will find: Alarms, pings, atmospheric elements, hits, noises, energy bursts, stutters and cinematic movements.

    Get “Conduct Disorder” and grab people’s attention to provoke fear and tension in them.

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  • A 1968 American Peterbilt 359 tractor trailer with a 1968 Detroit V8, 2 stroke, diesel engine.


    The US Peterbilt 359 tractor trailer sound collection includes 322 sounds in 45.66 gigabytes of audio. It shares the sound of a 1968 Detroit 8V82, V8, 2 stroke, diesel engine with a total of 40 channels of field recordings.

    The sound library includes 10 synchronized takes of exterior and onboard driving. The 17 onboard perspectives mount microphones in the interior (including an Ambisonic perspective), at the engine, the exhaust, and onboard the body to capture steady RPMs and ramps. 8 exterior microphone perspectives provide departures, reversing, passing, and arrivals at slow, medium, and fast speeds, as well as idles, blips, and more. There are also performed effects of doors, pedals, dashboard switches and other clips.

    This commercial truck package includes custom mixes of the onboard perspectives, Pro Tools and Reaper mixing sessions, 18+ fields of professional metadata, and metadata import files for keywords in seven languages: English, Chinese, French, German, Japanese, Korean, and Spanish.

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