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Sound Effects

  • This is a library containing what you need to create a home experience, whether is cleaning, dining or relaxing, we have you cover with this amazing pack of 392 sounds you experience at home.

    Recorded with

    • Sound Devices 633
    • Rode NTG3
    • Rode NT4
    • Seymour Duncan SCR-1
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  • Recording of a Polish/Russian 1964 BRDM-2 armoured personnel carrier from the Cold War-era with a 4-gear V8 gasoline 5500cm3 engine in a total of 28 synchronized channels.

    The 1964 BRDM-2 armoured personnel carrier sound library features 355 clips in 27.49 gigabytes of audio. It showcases the sound of a Cold War-era APC and its 4-gear V8 gasoline 5500cm3 engine in a total of 28 synchronized channels.

    The 14 onboard perspectives include microphones placed inside (including an Ambisonic track), on the engine, and at the exhaust to capture driving at steady RPMs, with gearshifts, and ramps. 12 exterior perspectives arrange multiple microphones to record departing, arriving, and passing by at slow, medium, and fast speeds. Also included are performed effects of levers, switches, the turret, and more, as well as 3 stereo mixes of the interior perspectives.

    The sound library is packaged with Pro Tools and Reaper mixing sessions, Waves, Altiverb, and starter pistol impulse responses of the interior, and full professional metadata in every clip.

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  • Cars Vehicles Pass-by Play Track 90 sounds included, 23 mins total $15

    Cars, trucks, motorcycles at different speeds on a rural road in the middle of nowhere during summer.
    From left, from right, from both sides, single vehicle or several at the same time.

    Recorded simultaneously with an ORTF and a AB microphone stereo pairs.

    Gear used:
    Sound Devices 788T
    MKH8020 stereo pair
    MKH8040 stereo pair
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  • Crisp, clean, crunchy and closely mic’d impacts with various types of pebble and dust debris.

    I recorded all these sounds with my brothers during a trip home to Ireland.
    Close to our home (out in the middle of nowhere), there is a little quarry with a lot of sand, dust, stones, rocks and some grass. There was also a broken plough there that gave some nice stone on metal impact sounds.

    Equipment:
    2 Line Audio OM1s
    2 Line Audio CM3s
    Røde NTG3
    Tascam DR100

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  • Recording of a BSA M20 WW2 motorcycle with a 1 cylinder 500cm3 engine with 4 gears.

    The BSA M20 WW2 motorcycle sound collection features 322 sounds in 12.02 gigabytes of audio. It showcases a British 1940 Birmingham Small Arms Company military bike and the sound of its 1 cylinder 500cm3 engine with 4 gears.

    The sound bundle offers 20 synchronized recordings of onboard, exterior, and performed sound fx. The 7 onboard perspectives record sounds from the engine, exhaust, and onboard locations such as the seat and frame, all of which are also mixed into three pre-rendered tracks with driving at steady RPM, ramps, and gearshifts. The 9 exterior perspectives include turning on and off, departing, arriving, and passing from multiple perspectives and distances from slow to fast speeds. These are paired with performed Foley of handlebar clutch and brake, kickstarting, and more.

    The package includes Pro Tools and Reaper mixing sessions, as well as full metadata embedded in every clip.

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  • Sci-fi Guns Sounds

    146 modern guns sound effects divided into more than 15 different types of guns:

    – Electric Revolver
    – Cannon Gun
    – Blaster Rifle
    – Low Gun
    – Alien Guns
    – Automatic Gun
    – Old Shotgun and Old Cannon Shots
    – Explosive Gun
    – Grenades
    – Compressed Air Gun
    – And many more… Check the Tracklist PDF to see the full list of sounds included in the pack

    Soundcloud Preview
    Tracklist PDF

    More about the pack:

    – Apart from shot sounds, there are reloading & handling sounds

    – There’s also the ”Stab” sound and the ”Hit Marker” sound.

    – There are single-shot sounds but also loops (Rotary cannon)

    – These SFX are suitable for Sci-Fi games but also for warfare, modern warfare ones.

    – Intuitive file naming

    – All you’ll ever need regarding Sci-Fi Gun Sounds

    [Format]
    All files are in:

    WAV – Stereo  44.1 Khz, 16bit
    OGG – Stereo  44.1 Khz, 16bit

    [Use them again & again]

    Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.

    [Professional audio services]

    For custom music, sound design, sound engineering or any other game audio services, please send a mail to: audioalchemiststore@gmail.com

     

    Tags: sound effects, sounds, sci-fi, sci-fi weapons, sci fi weapons, sci-fi sound, sci-fi sfx, sci-fi, tech, science, guns, gun, gun sounds, guns sound, futuristic weapon, futuristic guns, futuristic sfx, futuristic, reload weapons, laser weapons, laser weapon, sound weapons, weapon sounds, weapons, sound pack, game sound, game sounds

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  • The 2017 Toyota C-HR Turbo SUV sound fx collection features 414 sound clips in 32.15 gigabytes of audio. The sound bundle shares the sound of a Japanese 1.2 litre turbo petrol engine with 4 cylinders and a 6 speed automatic transmission.

    A total of 19 synchronized field recordings showcase 34 channels of audio. 8 exterior perspectives depict the sports utility vehicle departing, passing by, and arriving and more at slow to fast speeds from 4 locations and two distances. The 12 onboard perspectives provide recordings of the engine, interior (including an Ambisonic perspective), and exhaust while the car drives at steady RPMs, with gearshifts, and ramps. Also included are mixes of the interior, engine, and exhaust, as well as performed fx of doors, windows, dashboard buttons, and more.

    The package is bundled with Reaper and Pro Tools mixing sessions and Altiverb and Waves impulse responses. Each clip is embedded with 18+ fields of professional metadata.

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  • The Pontiac GTO sound fx collection includes 606 sounds in 27.05 gigabytes of audio. It features the sound of a 400 c.i. 335 horsepower V8 engine from a 1967 model of the American car.

    A total of 26 takes depict both onboard and exterior perspectives. 14 onboard perspectives (15 channels) share exhaust, engine, and interior microphone recordings (including an Ambisonic POV) of steady RPMs, gearshifts, and ramps. The 8 exterior perspectives (18 channels) include departures, arrivals, and passes by at slow, medium, and fast speeds. The collection also showcases a variety of performed effects (doors, horns, etc).

    The sound bundle includes Pro Tools and Reaper sessions with all takes pre-aligned, raw impulse responses of the interior cabin, and 3 ready-to-use designed stereo mixes of the interior, exhaust, and engine microphones. Every clip is embedded with 18 fields of professional metadata.

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  • Recording of a 1943 German Volkswagen Kübelwagen type 82 from World War II, equipped with a 4-cylinder 1000 cubic centimetre air-cooled engine with a 4 gear transmission.

    The 1943 German Volkswagen Kübelwagen type 82 sound collection features 436 sound files in 19.6 gigabytes of audio. Also known as the Safari or Bucket/Tub Car, the sound library showcases the sound of the World War II vehicle’s 4-cylinder 1000 cubic centimetre air-cooled engine with a 4 gear transmission.

    A total of 18 synchronized takes depict both onboard and exterior perspectives. The onboard takes (14 perspectives) present recordings from the engine, interior (including an Ambisonic perspective), and exhaust as the vehicle drives with steady RPMs, gearshifts, and ramps. The exterior recordings (10 perspectives) position microphones at multiple locations and distances to capture departures, arrivals, passes, idles, and more at slow to fast speeds. Also included are performed Foley effects of doors, trunks, and more, as well as mixes of the interior, engine, and exhaust.

    The package includes Altiverb, Waves, and starter pistol impulse responses, Pro Tools and Reaper mixing sessions, and full professional metadata in every clip.

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  • Recording of a Swedish 2003 Volvo FM10 heavy truck with a D9A (9.4 litre) inline 6-cylinder turbo-charged and intercooled engine.

    The Swedish 2003 Volvo FM10 heavy truck sound library collects 332 sound clips in 43.03 gigabytes of field recordings. It features the sound of a D9A (9.4 litre) inline 6-cylinder turbo-charged and intercooled engine performing a wide variety of maneuvers in 14 synchronized takes.

    14 onboard perspectives showcase recordings from the flatbed, interior, engine, and exhaust while driving with gearshifts, ramps, and steady RPMs, together with stereo mixes of each location. 5 exterior perspectives capture departures, arrivals, and passes at slow, medium, and fast speeds from 4 locations. Several takes of performed effects contribute doors, gearshifts, wipers and more.

    The collection is provided with Pro Tools and Reaper mixing sessions as well as 18 fields of Soundminer, BWAV, and MacOS Finder metadata.

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  • Recording of a Polish/Czechoslovakian SKOT OT-64 armored personnel carrier from 1968 with a V8 diesel engine.

    The SKOT OT-64 armored personnel carrier features 713 clips and 36.83 gigabytes from a 1968 wheeled 14-tonne version of the Polish/Czechoslovakian military vehicle. It showcases the sound of its V8 diesel 12000 cubic centimetre engine with a 5 gear transmission.

    A total of 23 synchronized takes depict onboard, exterior, and rendered mixes. The exterior takes (13 perspectives) feature driving at slow, medium, and fast speeds from multiple locations while departing, passing, and arriving. The 13 onboard perspectives share driving with gearshifts and ramps from the engine, exhaust, and interior, including an Ambisonic perspective. Also featured are mixes of the exhaust, passenger compartment, interior, engine, and gearbox. Additionally, the collection gathers multiple takes of doors, buttons, switches, hatches, and other performed effects.

    The sound library is packaged with Altiverb, Waves, and starter pistol impulse responses, pre-arranged Pro Tools and Reaper mixing sessions, and full professional metadata embedded into every clip.

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  • Recording of an American 1995 Ford Probe with a 2.0 litre 118 horsepower (88 kW) I4 4 cylinder engine with a 5-speed manual gearbox performing a variety of maneuvers in 12 synchronized takes.

    The 1995 Ford Probe sound effects library includes 304 clips in 20.35 gigabytes of audio. It showcases the classic car’s 2.0 litre 118 horsepower (88 kW) I4 four-cylinder engine with with a 5-speed manual gearbox performing a variety of maneuvers in 12 synchronized takes.

    9 exterior perspectives arranged at four locations capture departures, arrivals, and passes at slow, medium, and fast speeds. The 10 onboard perspectives and three mixes tracks capture recordings from the interior (including an Ambisonic perspective), exhaust, and engine while the car drives with gearshifts, ramps, and at steady RPMs. The package also includes a handful of door, turn indicator, and other performed fx. Each track is recorded to professional recorders using microphones from DPA, Sennheiser, Neumann, and others.

    The bundle is delivered with Reaper and Pro Tools mixing sessions, and 18+ fields of professional Soundminer, BWAV, and MacOS Finder metadata.

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  • Recording of a Japanese Mazda RX-7 from 1990 with a 2-rotor, twin turbo 13B bridgeport Wankel rotary engine.

    The Mazda RX-7 sound fx collection bundles 208 clips in 17.83 gigabytes of audio. It showcases the sound of a 1990 version of the Japanese car with its 2-rotor, twin turbo 13B bridgeport Wankel rotary engine.

    The collection includes 12 synchronized takes from both onboard and exterior perspectives. The 12 onboard perspectives mount microphones at the exhaust, in the engine, and inside the cabin to depict driving with steady RPMs, ramps, and gearshifts. The 7 exterior perspectives arrange microphones at 4 perspectives around the track to document departures, arrivals, and passes by at slow, medium, and fast speeds. Also included are bonus drifting takes, as well as custom mixes of the onboard perspectives.

    The package includes Pro Tools and Reaper mixing sessions, as well as full professional Soundminer, BWAV, and MacOS Finder metadata.

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  • What sounds can you get out of a £5,000 sewing machine?

    This library brings you 800 mechanical sounds created entirely from an electronic sewing machine, including: 20 different rhythmic seams all recorded at up to 5 different speeds with 2 microphone positions; over 200 seamless loops; various gradual revvings, ramping up and down, clicks, ticks, movements and warm-up checks – all recorded at the standard 96kHz 24-bit stereo.

    An excellent enhancer for mechanical and industrial sounds, or (obviously), for a sewing machine!

    10 %
    OFF
    Ends 1580511599
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  • Suburbs of Chicago: Night is the 8th in the Suburbs of Chicago Series. Included in this pack are recordings from all four weather seasons, and recorded for over a year. All recordings are within the times of 6PM- 6AM.

    Recordings include:

    Fall
    – Front Porch During Rain, Hitting Roof
    – Traffic Rumble, Rustling Leaves

    Winter
    – Snow Against Cars, Windshield Interior
    – Snowing Parking Lot

    Spring
    – Subdivision, Park
    – Bedroom Room Tone, Thunder Crack

    Summer
    – High School Baseball Game
    – Raining Outside, Open Window

    All tracks are recorded using the Sony D100 Portable Recorder, recorded at 192kHz, 24 bit. Over 5 hours of recordings, metadata tagged using Basehead and Soundly. As in all the other packs in this series, you will hear distant traffic and planes throughout.

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  • The Creepy Cello SFXs Instrument: A Big collection of Creepy SFXs live Cello, recorded from 3 mic positions with a Neumann U87. This is the best cello collection for your horror trailer tracks, recorded by Vesislava Todorova.

    Features 1.61 GB uncompressed content, 720 sounds in 24 bit / 96 Khz. Includes 11 instruments for the FULL Kontakt version 5.6.0 and the AIFF Version .

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  • Get Recordings from the amazing Monza Rally Show, a motoring event at the Autodromo di Monza where some of the most famous rally drivers and track racing experts compete in different races:

    • The R5 class rally cars
    • The WRC 1.6 T.Trophy for WRC 1.6 Turbo rally cars from 2011-2016
    • The Historic section for historic rally cars from 1972 to 1990.

    The cars are recorded in different track locations to have the best chances to capture the right sound: Corners, straights, chicanes, as well distant and trackside perspectives. There also include pit ambiences with cars revving.

    The sounds are recorded with a steady stereo XY setup (2 Sennheiser 8040), together with a Shotgun microphone (Sennheiser 8060), following the cars to capture more focused sounds.

    Each file has the suffix “LR” for the XY stereo files and “SG” for the shotgun mono files.

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  • Destruction & Impact Sound Design Play Track 392 sounds included, 47 mins total $89.99 $69.99

    This is a library containing what you need to create a home experience, whether is cleaning, dining or relaxing, we have you cover with this amazing pack of 392 sounds you experience at home.

    Recorded with

    • Sound Devices 633
    • Rode NTG3
    • Rode NT4
    • Seymour Duncan SCR-1
    22 %
    OFF
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  • Environments Alaska: Wind Play Track 39+ sounds included, 148 mins total From: $59

    DESCRIPTION:
    • In Alaska: Wind, get an expansive collection of forest winds from the pristine wilderness of Alaska. Hear the power of the Alaskan Range as gusts whip down from the high mountains. Hear blustery blasts whipping through the birch and cottonwood canopy and scrappy tundra spruces straining to stay vertical.
    • This library offers you a large collection of arctic wind. I hope you enjoy listening to the natural music of the wind as it sings through the boreal forests of Alaska. 

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased to offset my field recording travel for this library.

    KEY FEATURES:
    • Spring foliage from June 2019
    • Cottonwood, birch, and spruce
    • Canopy winds
    • Swirling gusts
    • Squeaky trees and creaking branches
    • Close deciduous leaves fluttering
    BLOG POST:
    • Read the full story in my blog post The Sounds of the Alaskan Arctic.
    • Hear an interview about my Alaskan Expedition on Episode 121 of the Tonebenders Podcast
    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
    • Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    FILE LIST & METADATA:
    • View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo to enlarge.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
    GEAR USED:
    • Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
    • DPA 4060s in AB
    • Sound Devices 702
    • Sound Devices MixPre-6
    • Cinela Pianissimo Double Mid/Side Blimp
    STEREO AND QUAD FILES:
    • Stereo: front mid/side decoded to left and right.
    • Quad: double mid/side decoded to quad.
    STEREO ONLY FILES:
    These recording were made with two DPA 4060s and do not include a quad version.
    The “stereo only” files are included in the specs for the “Stereo Specs” below.
  • Environments Alaska: Rain Play Track 24+ sounds included, 141 mins total From: $59

    DESCRIPTION:
    Alaska: Rain has the vast, beautiful crackling of arctic thunderstorms. Hear soothing rain deep in the boreal forest. Hear massive post-rain drips plopping and the musical call of Swainson’s Thrushes singing in the rain. Hear thunderclaps that ripple across glacial valleys and the soothing noise of a million raindrops on cottonwood leaves.
    • This library offers you a large collection of arctic rain. I hope you enjoy listening to the natural music of the weather as it sings through the boreal forests of Alaska.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased to offset my field recording travel for this library.

    KEY FEATURES:
    • A Cinela Kelly Rain Cover was used. So, all recordings were captured deep in the forest.
    • Rain in the boreal forest of cottonwood, birch, and spruce
    • Light, moderate, and heavy rain
    • Post-rain canopy drips broken loose by the wind
    • Rippling thunderclaps
    • All recordings include birds
    BLOG POST:
    • Read the full story in my blog post The Sounds of the Alaskan Arctic.
    • Hear an interview about my Alaskan Expedition on Episode 121 of the Tonebenders Podcast

    RECORDING TIPS – HOW TO RECORD RAIN:
    • Use microphones known to perform well in high humidity. I use Sennheiser microphones. View my full gear list – here.
    • Use cables made with Neutrik X-HD Series waterproof connectors. This keeps water from getting into your cable connection points.
    • Use a dry bag for your recorder. I like the Sea to Summit 65L bags because they have a wide mouth and can easily fit a recording bag through the opening.
    • Put your dry bag at least 25 feet away and cover it with local foliage. Otherwise you’ll just record the sound of rain hitting a dry bag.
    • Use a Cinela Pianissimo Double Mid/Side blimp with a Kelly Rain Cover.
    • Coat the inner cover of the Cinela Pianissimo with NixWax as Cinela directs on their website. This is a water repellant molecule that is also acoustically transparent. The water repellant causes the water to bead up and roll off while also letting the air through. Read more about how NixWax works – here.
    • The honeycomb of the Kelly Rain cover disperses drops as they hit the blimp which minimizes thumps. However, don’t use the Kelly Rain cover in areas with lots of insects because they tend to get stuck in the honeycomb, buzz for hours, and ruin recordings. The honeycomb cover also doubles as excellent protection for the blimp if a bear/moose/elk decides to chew on it.
    • Find a section of forest with low and dense deciduous leaves. These leaves catch the rain so drips don’t thump on the blimp. Occasional thumps during heavy rain are okay because they are easy to edit out in post.
    • Waterproofing a microphone blimp is totally game changing. I can now leave my rig out in the elements for 24 hours without fear of rain. Waterproof blimps and 32-bit float recorders have opened up a whole new world of recording for me  and I couldn’t be more excited.
    • Build a platform of local foliage to cover the blimp for extra protection. George Vlad has an excellent video on how to build a natural rain canopy – here.
    • I learned many of these rain recording techniques from George Vlad, so make sure you check out his work at Mindful Audio.

    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
    • Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    FILE LIST & METADATA:
    • View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo to enlarge.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
    GEAR USED:
    • Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
    • Sound Devices MixPre-6
    • Cinela Pianissimo Double Mid/Side Blimp
    • Cinela Kelly Rain Cover
    STEREO AND QUAD FILES:
    • Stereo: front mid/side decoded to left and right.
    • Quad: double mid/side decoded to quad.
  • Animals & Creatures Forest Play Track 43 sounds included, 174 mins total $35

    There are sounds of forests, swamps and meadows recorded in Ukraine, mostly in spring and summer. Recordings consist of coniferous and deciduous forests, different swamps and few meadows.

    Recording gear: Sounddevices 744t, Oktava MC-012

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  • The Mini Vocal Pack 05: Minotaur contains over 11 minutes (68 files) of high quality Minotaur styled vocalisation exertions using 1 human actor type & a German Sheppard Mix dog type.

    The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.

    The included basic construction kit / original recordings enables further vocal details to be created for extra granular focus.

    All assets have been recorded & produced at 96kHz/24bit.
    Included in this pack:

    • 1 Human actor set: Attack, Death, Pain, Breath, Scream (Long & Short versions available for Attacks and Pains)
    • 1 set of German Sheppard Mix Dog type: Growls, Grunts, Panting, Barks, Sniffs / Sneezes (Close, Medium & Far Distant version available for Barks only)
    • Minotaur Individual vocal designed assets created from the construction kit for quick drag and drop access.
    • Sets of individual vocal designed assets (e.g. 4+ individual designed assets in one file)
    • Exertion Types included: Attack, Breath, Scream/Taunt,  Death, Grunt, Pain, Idle, Sniff
    • Basic construction kits of the original recordings with 2 microphone versions for all human content. 1 microphone version for dog related content.
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  • Weather Rain Designer Play Track 396 sounds included, 182 mins total $49.99

    RAIN DESIGNER is all about (you guessed it) rain. It’s a library like no other and here’s why:
    RD allows you to design high quality, dynamic rain sfx/ambiences that won’t end up sounding like a wall of noise.
    It gives you full control over the sound – control wetness, drippiness, background noisiness, proximity, surfaces and more.
    It’s perfect for adding more detail, sense of proximity to close up or ground level shots, enhancing rain field recordings, design complex rain soundscapes, implementing dynamic rain in FMOD/WWISE and more.

    Collection consists of three main categories:

    CONSTRUCTION-KIT 96/24 (104 SFX)
    Heart of the library. 104 high quality sound beds to design and tailor rain sounds that you need for your project
    Construction Kit consists of:
    14 carefully extracted from real world recordings rain backgrounds and noises
    4 synthesized white-noisy sweeps and beds
    86 surfaces: rain drops on metal, plastic, water, iron plates, skylight windows, glass, between glass panels, fabrics, tarps,
    muffled drops, drizzle drops, fine drops, water movements and more.

    DESIGNED LOOPS 96/24 (24 SFX)
    24 high quality, seamlessly looping, designed ambiences perfect for quick spotting.

    SOURCE CONSTRUCTION-KIT 192/24 (268 SFX)
    268 high quality source files recorded with DPA4060 and MKH8040.
    Single drips, multiple drips, water trickles and more.

    DOWNLOAD INCLUDES:
    96-192KHZ 24BIT version (396 SFX/7.09 GB)
    44.1KHZ 16BIT version for Unreal Engine (396 SFX/2.07 GB)
    RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH8060 + ATE208 + DPA4060, PCM D100
    EDITED AND MASTERED WITH: RX, Pro Tools, Brufri, DMGAudio, Sound Particles

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  • This library consists of 80 recordings from the beautiful Italian island of Sicily. Centered around the Eastern coastal city of Catania and surrounding areas, this library includes everything you need to get a real feel of this historical island.  It includes everything from town ambiences to beaches, traffic, harbor sounds, markets, church bells, transport and much more.

    Over 4.5 hours of audio, with most ambiences over 3 minutes in length.

    Perfect for filmmakers, theatre sound designers and anyone who needs that authentic, everyday sound of Sicily and Sicilian life.

    All recordings are at 24Bit/96KHz with Soundminer & RIFF metadata embedded.

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  • “Collected Ambiences“ – Series description:

    Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.
    All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
    All files were cleaned, edited and most of the files loop seamlessly.

    Collected Ambiences – Volume XII
    Countryside, Heavy Duty Gardening, Riverside, Rain, Zeppelin, Garden, Trainstations

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  • This is Part 01 of the “GlitchFX Percussion Sounds 02” Sample collection: It contains over hundreds of dirty, glitchy percussive sounds to spice up your tracks.

    Noisy hats, dirty percussion sounds, devestated kicks and mutilated snare drums. Everything far from clean.
    Fits perfectly for electronic music like GlitchHop, EDM, Trap, Dubstep, HipHop and many others. And of course for any kind of sound design.

    • 102 x Claps & Snares
    • 80 x Kicks
    • 45 x Hats & Noise
    • 104 x Percussions
    • 180 Glitch, Dirty & SFX
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  • “Collected Ambiences“ – Series description:

    Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.

    All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
    All files were cleaned, edited and most of the files loop seamlessly.

    Collected Ambiences – Volume XIV
    Harvester Cabin, Home Improvement, Busy Exhibition Hallway, Kids Crowds, Farm, Coutryside

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  • “Collected Ambiences“ – Series description:

    Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.
    All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
    All files were cleaned, edited and most of the files loop seamlessly.

    Collected Ambiences – Volume XIII

    As volume X this volume also contains 50 various Stereo Ambiences.
    City, Traffic, Car-Horn Chorus, Howling Wind, Roomtones, Train Control Room

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  • This is Part 01 of the “GlitchFX Percussion Sounds 01” Sample collection It contains over hundreds of dirty, glitchy percussive sounds to spice up your tracks.
    Noisy hats, dirty percussion sounds, devestated kicks and mutilated snare drums. Everything far from clean.
    Fits perfectly for electronic music like GlitchHop, EDM, Trap, Dubstep, HipHop and many others. And of course for any kind of sound design.

    • 102 x Claps & Snares
    • 80 x Kicks
    • 45 x Hats & Noise
    • 104 x Percussions
    • 180 Glitch, Dirty & SFX
    Add to cart
  • Recording of a German 2001 Volkswagen Golf Sportscombi with a 1.6 litre engine with 5 speed transmission in a total of 14 synchronized takes.

    The German 2001 Volkswagen Golf Sportscombi sound fx collection features 358 clips in 29.21 gigabytes of field recordings. It showcases the sound of its 1.6-litre engine with 5-speed transmission in a total of 14 synchronized takes.

    The 11 onboard takes feature microphones mounted in the engine, at the exhaust, and the interior (with an Ambisonic perspective) to record driving with gearshifts, steady RPMs, and ramps. In addition, three stereo rendered mixes of each position are included for easy editing. The 8 exterior microphones were positioned at 5 locations to record starting and shutting down, departures and arrivals, and passes (including doppler horn bys) at slow to fast speeds. Also included are performed sound effects of doors, windshield wipers, horns, and more.

    The package is complete with Reaper and Pro Tools editing sessions, Altiverb and Waves impulse responses of the cabin interior, and full professional metadata embedded in every clip.

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  • Recording of a Lancia Delta Integrale HF 16v rally car from 1989 with a turbocharged 2-litre Lancia 16v 4 cylinder engine and Garrett T3 turbocharger producing 200 bhp (149 kW) at 5500 RPM and a maximum speed of 137 mph (220 km/h).

    The Lancia Delta Integrale HF 16v rally car sound fx collection includes 198 clips in 16.03 gigabytes. It showcases the sound of a 1989 version of the Italian car and its turbocharged 2-litre Lancia 16v 4 cylinder engine and Garrett T3 turbocharger producing 200 bhp (149 kW) at 5500 RPM and a maximum speed of 137 mph (220 km/h).

    A total of 11 synchronized takes gather both onboard and exterior recordings. 9 onboard perspectives from the interior, engine, and exhaust share driving with steady RPMs, gearshifts, and ramps. The 9 exterior perspectives present driving away, approaching, passing by, idling, and more from multiple microphone locations. Also included are stereo mixes of the interior perspectives, Pro Tools and Reaper mixing sessions, 18+ fields of Soundminer, BWAV, and MacOS Finder metadata in every clip, and keyword translation import files in 7 languages.

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  • Recording of a Volvo PV4 from 1929 with a 1.9 litre, 4-cylinder side-valve, 28 horsepower engine.

    The Volvo PV4 sound fx collection features 280 clips and 10.42 gigabytes of an antique 1929 Swedish car. Also known as the Jakob or ÖV4, the library shares a total of 22 takes of its 1.9 litre, 4-cylinder side-valve, 28 horsepower engine.

    A total of 25 synchronized channels capture onboard and exterior recordings. Microphones placed at three exterior locations (7 perspectives) depict starting, shutting off, departing, passing, and arriving. The onboard microphones (6 perspectives) were placed inside the cab, around the engine, and at the exhaust to capture driving at steady RPMs and with ramps. Also included is an interior Ambisonic perspective, a number of false starts, and performed effects.

    Every clip is embedded with Soundminer, BWAV, and MacOS Finder metadata comments.

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