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Home Sound Effects

Sound Effects

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    Foley Sound Effects 1000 Game Sounds Play Track 1000 sounds included $50

    Elevate your game design with 1000 Game Sounds, a meticulously crafted sound-effects library designed to suit every game on the market. Whether you’re building an epic adventure, a quirky cartoon world, or a gripping sci-fi thriller, this versatile collection has you covered.

    Featuring 1000 carefully selected and expertly produced sounds, this library includes everything from the massive, cinematic power of Orchestral FX to the enchanting and mysterious charm of Musical Stingers. Feel the tension rise with the endlessly ascending Shepard Tone, or add texture with everyday effects like Footsteps, Metal, Water, and Wood. Dive into immersive atmospheres with Dark Atmospheres and Ambient Nature, or bring playful energy with Dazzling Cartoon Sounds, Fart Sounds, and Funny Effects.

    From the subtle clicks of a Mouse & Keyboard to the explosive crackle of Fire and the futuristic hum of Retro Sci-Fi, 1000 Game Sounds offers a rich palette of audio to enhance every moment of gameplay. Perfect for developers, sound designers, and creators looking to make their projects stand out, this library is your one-stop solution for unforgettable audio experiences.

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  • Formats Human Play Track 44 sounds included $29

    Explore the Human sound effects pack, featuring pristine recordings of male and female breathing, sighs, coughing and more at 24-bit / 96kHz.
    From tranquil inhales to deep exhales, this collection captures the subtle nuances of human respiration.
    Ideal for enhancing realism in film, animation, and games, these high-quality sounds bring authentic human presence to your projects.

    Visit our full range of SFX packs at www.amplar.io

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  • Funny / Comedy / Cartoon Cartoon Play Track 514 sounds included $59

    Discover a world of whimsy and charm with this captivating collection! Dive into a treasure trove of vibrant vocal and prop sounds, perfect for adding character to any animation or game project. From playful wobbles to quirky squeaks, and even the iconic twang of a nylon string, this library is a must-have for creators looking to infuse their creations with fun and personality.

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  • Game Audio Packs - Game Sound Effects Libraries Aural Odyssey Play Track 497 sounds included $59

    Introducing AURAL ODYSSEY a mesmerizing collection of abstract sounds that will transport you to uncharted realms of imagination and creativity. Delve into the depths of sci-fi soundscapes, glitchy electronics, and electrifying electromagnetic buzzes. Explore the enigmatic realm of metallic squeaks, resonant whooshes, and captivating abstract drones. Perfect for sound designers, filmmakers, and musicians seeking to push the boundaries of auditory expression, “Aural Odyssey” offers a diverse palette of otherworldly and abstract sounds to inspire and captivate listeners.

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  • Game Audio Packs - Game Sound Effects Libraries Board Games Play Track 508 sounds included $59

    Enter the captivating world of BOARD GAMES with this comprehensive collection of sounds that bring your tabletop adventures to life. From the satisfying shuffle of cards and the rhythmic clatter of dice being rolled to the suspenseful rattle of a dice bag being filled and shaken, each sound adds depth and immersion to your gaming experience. Whether it’s the distinctive click of poker chips being stacked and placed or the anticipation of rolling different dice types like D20s, D4s, and D6s, this library offers a diverse array of auditory elements to enhance any tabletop adventure.

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  • Bundles MASTERGUN – IWI Galil ACE Gen II 7.62×39 Play Track 1518 sounds included $90

    The Master Gun IWI Galil ACE Gen II 7.62×39 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the IWI Galil ACE GEN II 7.62 with a suppressor attachment and subsonic ammo. Both the suppressed IWI Galil ACE GEN II 7.62 and subsonic ammo was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed & subsonic recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – Reds RPK Play Track 1450 sounds included $90

    The Master Gun Reds RPK Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the Reds RPK with a suppressor attachment. The suppressed Reds RPK was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – L85A1 Play Track 1486 sounds included $90

    The Master Gun L85A1 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the L85A1 with a suppressor attachment. The suppressed L85A1 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – IWI Tavor TAR21 Play Track 1250 sounds included $90

    The Master IWI Tavor TAR21 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the IWI Tavor TAR21 with a suppressor attachment. The suppressed IWI Tavor TAR21 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Environments & Ambiences Fire & Lava Vol. 1 Play Track 76 sounds included $50

    Work from a safe distance. Our new Fire and Lava SFX collection will heat up your projects to extreme levels! Boasting thick flowing rivers of lava, ground shaking volcano rumbles, frenzied flame sounds varying from large, aggressive infernos, to soul soothing campfires and more.

    Alongside pre-designed sounds ready to drag and drop straight into your projects, also included are raw stems to bring you a construction kit that gifts you creative powers that emulate the scorching sonic reality of fire and lava. Our team combined high-quality field recordings, synthesis, and beautifully performed Foley to meticulously crafted a huge variety of sounds such as isolated fire cracks and lava pops, earth cracks, rumbles and much more.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

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  • Firearms Sound Effects HD Lock And Mechanism Sound Design Kit Play Track 3597 sounds included $79.20

    Perfect for game developers, sound designers, and sound effects editors, HD Lock & Mechanism Sound Design Kit provides an essential arsenal of sounds for crafting intricate UI/UX interactions, immersive mechanisms, and dynamic mechanical/industrial soundscapes. Explore a wide variety of rotating gears, screeching metals, barrel bolt snaps, clatters, and button presses and switch toggles, meticulously recorded and designed in 192k 24bit resolution for next-level audio production. From subtle wobbles and light on/off switches and buttons to heavy mechanical impacts and complex lock and chain interactions, this sound library ensures you have every layer needed to build compelling, high-quality mechanical worlds. 192k 24bit .wav audio file format plus 96k and 44.1k resolution files.

    • 3597 sound effects in total
    • All in 192k 24bit .wav, 96k and 44.1k
    • 9+ GB of sound
    • 370 sound sets / glued files
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  • Destruction & Impact Sounds Tower Defense Game – Strategy Sound Sets Play Track 678 sounds included, 90 mins total $39.20

    Defend, strategize, and conquer with sound. The Tower Defense Game Sound FX Pack is a high-powered collection of 678 meticulously crafted sound effects designed to bring your tower defense, strategy, and action-packed games to life. Whether you’re setting up powerful turrets, deploying reinforcements, or launching devastating enemy attacks, this collection provides the essential audio cues needed to create engaging, immersive gameplay.

    • 678 sound effects in total
    • All in 96k 24bit .wav
    • 3+ GB of samples
    • 182 sound sets / glued files
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  • Cinematic & Trailer Sound Effects Futuristics Weapons Vol. 2 Play Track 695 sounds included, 15 mins total $17

    Futuristic Weapons Vol. 2 – Modular Sound System

    This collection offers you 695 sounds in 192 kHz / 24-bit, designed for complete flexibility. With a modular approach, you can break down and personalize each weapon to create unique and dynamic shots.

    In this version, we have included two types of weapons:
    🔹 Pulse Rifle (438 sounds)
    🔹 Trace Rifle (257 sounds)

    Each weapon features multiple versions:
    ✔️ Pre-designed, ready-to-use versions (just drag and drop).
    ✔️ Variations to avoid repetitive and monotonous shots (organized numerically: 01, 02, 03, etc.).
    ✔️ Completely different alternative versions (labeled as V1, V2, etc.).

    Maximum flexibility with individual layers

    In addition to full weapon sounds, we’ve included hundreds of individual layers used in the design process. This allows you to mix, combine, and modify each sound element, giving you a fully customizable sound design toolkit.

    🎯 Included layers for each weapon:
    🔸 Pulse Rifle: Muzzle, long & short tail, thump, discharge, reload, equip, and more.
    🔸 Trace Rifle: Reload part 1, reload part 2, reload without tech, reload tech layer, tail only, discharge, and others.

    Unmatched quality and versatility
    All sounds were recorded and edited in 192kHz – 96kHz / 32-24 bit, delivered in 192 kHz / 24-bit. This high resolution allows you to stretch, attenuate, distort, or manipulate them without losing clarity or detail.
    Our goal is not just to provide a sound library, but to offer a complete creative sound design kit with unlimited possibilities.

    More about the pack
    – Intuitive file naming
    – All you’ll ever need regarding katana, Pulse Rifle & Trace Rifle[Use them again & again]
    – Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
    – Totally mono compatibility
    – All sounds have several variations.
    – Use your imagination and feel free to use any sound for a other than the one described, remember that the world of sound is totally subjective.
    – For any questions or problems: [email protected]

    Features
    – 695 sounds
    – Number of Audio Waves: 695
    – Format: 192KHz / 24 bits
    – Do Sound FX loop: Yes
    – Win/Mac: Yes
    – Minutes of audio provided: 15 minutes and 45 seconds

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  • Foley Sound Effects Glasses Play Track 518 sounds included $17

    Glasses is a collection of 7 eyeglass sounds, including 3 types of ‘On & Off’ movement sounds, as well as close and mid-range ‘Put on’, ‘Pick up’, and ‘Drop’ sounds on both wooden and glass tables.

    The types of eyeglasses are as follows:

    1 pair of metal and plastic glasses
    2 pairs of metal glasses
    2 pairs of thick plastic glasses
    2 pairs of thin plastic glasses

    Additionally, there are 6 tracks featuring the opening and closing of eyeglass cases.

    Mics & Recording Equipment:
    Close Mic: Neumann KM184
    Mid Mic (for ‘Put on’, ‘Pick up’, and ‘Drop’ recordings): Sennheiser MKH 60
    All recorded at 96kHz/32bit using Sound Devices Mix-Pre 10 II

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  • Game Audio Packs - Game Sound Effects Libraries Quute UI – Modern & Cute User Interface Sounds Play Track 506 sounds included $29

    Quute UI - Modern & Cute User Interface Sound Effects

    Add playful charm and polished precision to your apps, games, devices, and everything in between with Quute UI. This carefully crafted collection of sonic treats strikes a great balance between vibrant and sophisticated, with over 500 carefully curated and ready-to-use sound effects. From crisp button clicks and snappy pops to smooth swipes, delightful selects, and charming notifications, each sound is fine tuned for intuitive feedback. Whether you’re building a sleek app, developing a vibrant game, or working with dynamic motion graphics, Quute UI gives you the sounds to bring your User Interface to life.

    Perfect For
    · Mobile & Desktop Apps
    · Video Games
    · Animation & Motion Graphics
    · Smart Devices & Wearable Tech
    · Film, TV & Commercials
    · Interactive Kiosks & Installations
    · Websites & Social Media
    · Kids’ Media & Edutainment
    · Product Demos & Walkthroughs

    Features

    • Over 500 tastefully designed sound effects.
    • Edited with precision to ensure minimal latency & optimal responsiveness for seamless integration directly into apps, games, and devices.
    • UCS-compliant with fully embedded metadata, making it easy to search and organize.
    • High Quality – 96kHz, 24-bit WAV files.
    • Robust Mono Compatibility, helping the sounds translate excellently across all devices, big or small.
    • 100% Royalty-Free – Use in unlimited projects, no extra fees.

    Keywords
    Click, Tap, Button, Press, Touch, Toggle, Push, Select, Confirm, Notification, Message, Text, Achievement, Accept, Tactile, Activate, Verify, Tick, Scroll, Type, Adjust, Pop, Bubble, Plip Plop, Like, Sparkle, Magical, Crystal, Chime, Shimmer, Anime, Twinkle, Interact, Interface, Navigation, Alert, Response, New, Unlock, Success, Level Up, Upgrade, Victory, Complete, Reward, Trophy, Celebration, Prize, Win, Goal, Correct, Approved, Positive, Finished, Back, Undo, Discovery, Haptic, Motion, Swipe, Slide, Swish, Virtual Assistant, Droid, Communication, Data, Telemetry, Signal, Beep, Emergency, Computing, Scanning, Emote, Calculating, Loading, Transmission, Delete, Cancel, Deactivate, Remove, Decline, Deny, Error, Refuse, Reject, Incorrect, Mistake, Wrong, Invalid, Block, Failed, Hi-Tech, Futuristic, Menu, Console, UI, Keypad.

    Additional Download Information
    This download includes two types of file structures to suit different workflows:
    – Individually edited files for ready-to-go direct integration into your games, apps, and devices.
     – Grouped/Glued files containing 4–10 sounds per WAV, ideal for Sound Designers who prefer this type of file management.

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  • Mechanical Sound Effects Pinball Play Track 830 sounds included $30

    The Pinball SFX Library features 830+ custom sound effects recorded from a vintage pinball machine such as bumpers, pistons, coin return, bonus balls, game play, flippers, metal doors, jackpot, plungers, scoreboard ticker, power on, power off, startup sequence and more.

    • 24 bit / 96 kHz
    • embedded meta-data
    • mono audio files
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  • Bundles MASTERGUN – Honey Badger SD Play Track 1168 sounds included $90

    The Master Gun Honey Badger SD Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – HK416 Play Track 1418 sounds included $90

    The Master Gun HK416 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the HK416 with a suppressor attachment. The suppressed HK416 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – HK G36K Play Track 1479 sounds included $90

    The Master Gun HK G36K Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the HK G36K with a suppressor attachment. The suppressed HK G36K was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – HK G3 Play Track 686 sounds included $40

    The Master Gun East HK G3 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – FN SCAR 17 CQC Play Track 1112 sounds included $60

    The Master Gun FN SCAR 17 CQC Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the FN SCAR 17 CQC with a suppressor attachment. The suppressed FN SCAR 17 CQC was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – FN SCAR 16 CQC Play Track 1072 sounds included $60

    The Master Gun FN SCAR 16 CQC Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the FN SCAR 16 CQC with a suppressor attachment. The suppressed FN SCAR 16 CQC was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – MK48 Play Track 1673 sounds included $90

    The Master Gun MK14 Mod 0 EBR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the MK48 with a suppressor attachment. The suppressed MK48 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – HK MG4 Play Track 1391 sounds included $60

    The Master Gun HK MG4 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart

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