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Home Sound Effects

Sound Effects

  • Real-time Multi-pitch Modification

    reTune ScreenreTune gives you full access to the pitch content of your audio samples and enables you to map each input pitch to any other pitch of the chromatic scale – all in real-time.

    This allows you to re-tune your audio to any target key (e.g. from D major to C# minor), or to use it as a creative tool to modify the pitch content in any way you like. If you are unsure about the key of your input audio, you can let reTune estimate the key for you.

    In addition, reTune can act as a pitch correction tool that quantizes pitches to the nearest semitone. Additional controls include the sensitivity of the pitch corrections, the treatment of transients as well as a smoothing of the pitch contours.

    Key Features:

    • Real-time processing
    • Automatic input key detection using zplane’s TONART V2
    • Fully configurable input-to-output pitch mapping
    • Presets for major/minor scales, church modes, gypsy and chromatic scales
    • Controls for pitch detection sensitivity, transient levels and pitch contour smoothing
    • Automatic pitch correction to the nearest semitone
    • Plugin formats: AAX, AU & VST

    DOWNLOAD THE DEMO HERE
    WIN | MAC

  • Peak & Loudness Metering Plug-in

    PPMulator is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM). This plugin provides a precisely calibrated workspace for recording, editing, mixing and mastering.

    The plug-in is available in two versions: PPMulator+ and PPMulatorXL; the latter offers additional features such as EBU R128 loudness metering and batch audio file processing.


    Key Features

    • Customizable and resizable layouts and channel labeling
    • Automated peak logging with export
    • Mono gain trim to M3 (-3dB) or M6 (-6dB) standards
    • Phase correlation meter & Goniometer
    • Reference tone generator for meter alignment and calibration
    • Multi-channel support up to six channels

    Supported Standards:

    • IEC 268-10 Type I: Nordic N9
    • IEC 268-10 Type I: DIN 45406
    • IEC 268-10 Type IIa: BBC scale
    • IEC 268-10 Type IIb: EBU scale
    • ITU-R BS.1770-2: True Peak Meter

    Technical Specifications

    • Audio format: Mono/ Stereo/ Mid-Side/ 5.1, 32-192kHz sample rate
    • Min. system CPU: 1GHz
    • OS: Mac OS min 10.6
    • Windows min. XP
    • Host: Pro Tools >= V9
    • Plugin format: RTAS, AAX, AU, VST + Standalone application

  • Professional Peak and Loudness Metering

    PPMulatorXL is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM). PPMulatorXL has also included a EBU R.128 compliant loudness metering and a amazingly fast offline metering for audio files in standalone mode.
    By adding this plugin to the master output of your audio editing program, you can record, edit, mix and export your audio within a precisely-calibrated workspace – something which is often impossible to do when working in a non-studio environment.

    PPMulatorXL is designed to closely-follow the ballistics of mono, stereo, mid-side (MS) and surround (5.1) PPM meters (conforming to IEC 268-10/DIN 45406) and has a number of built-in additional features, including various display style options and a highly-useful Peak Logging process which logs all peaks/overloads against the time code in the host application where they occurred.


    Key Features:

    • Customizable and resizable layouts and channel labeling
    • Audio file batch processing (PPMulatorXL only)
    • Automated peak logging with export
    • Mono gain trim to M3 (-3dB) or M6 (-6dB) standards
    • Phase correlation meter & Goniometer
    • Reference tone generator for meter alignment and calibration
    • Multi-channel support up to six channels

    Supported Standards:

    • IEC 268-10 Type I: Nordic N9
    • IEC 268-10 Type I: DIN 45406
    • IEC 268-10 Type IIa: BBC scale
    • IEC 268-10 Type IIb: EBU scale
    • ITU-R BS.1770-2: True Peak Meter
    • EBU R128 (2011): Loudness Meter (PPMulatorXL only)

    Technical Specifications:

    • Audio format: Mono/ Stereo/ Mid-Side/ 5.1, 32-192kHz sample rate
    • Min. system CPU: 1GHz
    • OS: Mac OS min 10.6
    • Windows min. XP
    • Host: Pro Tools >= V9
    • Plugin format: RTAS, AAX, AU, VST + Standalone application

  • Get your Phase problems fixed in seconds
    faTimeAlign is a reliable workhorse, proven to work with any kind of multi microphone source material. Time Alignment is a delicate and often time consuming task, so you want nothing less than the best possible solution. Easily adjust your tracks, relative to the other tracks, with positive or negative delays and make A/B comparisons to absolutely nail the correct setting.

    But that’s not all! You can also arrange your tracks into different sub-groups and delay them relative to each other to align different instruments or instrument groups.

    Easy to use and flexible
    One of many great reasons you will love faTimeAlign is its unique user interface. The range of the delay knob can be set to any value narrow or wide, which lets you easily sweep through different delay spans. Furthermore, the feature that allows you to enter values in feet, samples, meters or milliseconds gives you all the flexibility you’ll ever need.

    DOWNLOAD faTimeAlign DEMO HERE:
    MAC | WINDOWS

  • Loudness Batch Processing
    ppmBatch allows you to analyze and normalize your audio files according to various broadcasting loudness standards. It batch processes files in multiple real time and provides intuitive user feedback about each file’s compliance status and processing progress. Measurement results are displayed in a clearly arranged, customizable user interface.

    ppmBatch comes with presets for the most common broadcasting standards. It enables you to modify these presets and to setup your own profiles. You can create summary report files for a selection of audio files, as well as more detailed reports for each individual file.

    ppmBatch is the perfect tool for post production, archive converting and automatic normalizing of every-day broadcast reports.


    Key Features

    • fast scan & normalize of multiple files
    • support for multi-channel and multi-mono files
    • default loudness presets for EBU R 128, ATSC A/85, ITU-R BS.1770, ARIB TR-B32, FreeTV OP-59
    • drag and drop
    • support for broadcast wav audio
    • single and overall status reports

    Technical Specifications

    • supported input formats: wav, aif, mp3, ogg, wma, flac
    • Min. system CPU: 2GHz
    • OSX min. 10.8, Windows min. 7
    • AAX native, AU, Mac, VST, Win

  • faGuitarAlign – Automatic Phase Alignment
    faGuitarAlign will radically reduce your workload when recording electric guitars, basses and basically everything with strings attached to it! Its revolutionary X/Y Pad lets you quickly find the right sweet spot between the correct phase and the mix of your different tracks, resulting in a perfect blend of both! To make this task progress even more smoothly there is also an automatic alignment feature, which accurately finds the right phase offset for you! With this reliable tool you’ll be able to save a huge amount of your valuable recording and mixing time, which you can then spend with much more exciting tasks!

    Suited for a wide range of recording situations
    Whether you want to make your phase alignment by ear or automatically, the integrated Phase Density Scope gives you reliable visual feedback in every conceivable situation. This exciting concept is derived from a Vectorscope, which would be used in a stereo tool, and carefully optimized and enhanced for phase alignment purposes. This tool is unrivalled by any other Plug-in on the market.

    Inspire your creativity
    faGuitarAlign is carefully optimized for every kind of recording, whether it involves one sound source and multiple microphones and/or DI tracks. There are a lot of people who use it creatively for recordings with the fiddle, cello, double bass, piano or even choir tracks. Its creative design will inspire you to go beyond the known possibilities of any other alignment tool.

    DOWNLOAD faGuitarAlign DEMO:
    MAC | WINDOWS

  • Car Sound Effects Citroen C4 2006 compact car Play Track 228 sounds included, 27:11 mins total $60

    All files are recorded 32bit, 192 kHz, with Rode NTG1, Rode Lavalier and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.

  • In this large bustling European city, transportation means are plentiful, with tramways, metro, bus, trains, boats, bicycles, … Emergency workers have to be heard distinctively above the city’s clamor.

    Recorded from the 5th floor of a traditional building, but also at ground level in actual street of Budapest. Hear the natural acoustic of these famous street.

  • Military Sound Effects URAL 4320 Diesel Play Track 195 sounds included, 511 mins total $179

    Iconic military truck recorded from all sides and at various distances. There are slow, medium and fast drive-bys, departures and arrivals. The interior was recorded quadraphonically. The exhaust system was taped, as was the engine from under the hood. Microphones used were the Neumann U87, Sennheiser MKH 70, Sennheiser MKH 416, Violet Design’s ‘Amethyst’, and the Schoeps CMC MK4. Also recorded were the doors, gas pedal, wipers, gearbox and ventilation system of this general-purpose off-road beast.

    A lite and mixed version of this suite is also included, comprising 19 authentic stereo files, designed, mixed, and studio packaged on best-of-breed equipment for simpler tasks which would have a preference for a package of ready made stock sounds of Ural 4320

  • Bundles The Complete Collection | CCC Play Track 10,000+ sounds included, 3000+ mins total $500

    The Complete Craig Carter Collection comprises of the major sound libraries in addition to a wide range of additional, specialised sound libraries.

    • Apes, Chimpanzees & Gorrillas
    • Australia
    • Prisons
    • Wind
    • Hospitals
    • Insects
    • Industrial
    • Schools
    • Maritime
    • Trains

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

  • Bowling is a collection of sounds recorded at a private lane, completely devoid of extraneous human and HVAC sounds.  This exclusive access allowed for recording various perspectives, including deep in the guts of the machinery, up-close to the pins, bowler’s perspective, and side perspectives.  This library includes all of the mechanical sounds, machinery ambiences, ball “pass-by’s”, ball return, gutter balls, pins resetting, and even some bowling sounds without any machinery noise at all.

  • This library contains 130 high resolution 24 bits / 96 kHz elements perfect for radio imaging / radio production and much more.

    Those abstract but powerful sound effects give you infinite possibilities by using them forward or backward or by cutting and combining themselves together.

  • “The macaw” is a small library with close mic recordings of this majestic bird. All the sounds where recorded in South Mexico.

    Even though the library just contains 9  Macaw vocal sounds. These sounds are very specific but not limited to processing them for fictional creatures.

  • Bicycle Sound Effects Bicycle Essentials Play Track 37 sounds included, 10 mins total $29.99

    Field recording captures the sounds that are hard to get in the studio. “Bicycle essentials” SFX library was designed to record the essential sounds of a bicycle while riding in the city, suburbs and, the field.

  • Fresh on the heels of our successful Command Center 1 sound-set, we have released another imaginative environment from our Star Cruiser Environments Anthology Collection… Orbital Emitter is proud to present, Command Center 2!! – a comprehensive sci-fi sound-set featuring a rich arsenal of futuristic environment sounds for use in any multimedia project! Inside you will find rumbling room tones, retro-futuristic system displays, stellar scans, trans navigational sequences, tactical perimeter warnings, intricate processing sounds, a booming alert klaxon and much much more! And like the rest of our growing library, this environment sound-set can be customized to your liking allowing the creation of multiple environments -all from this one sound-set!
    Is Command Center 2 worth purchasing if you’ve already bought Command Center 1? -We think so! Command Center 2 compliments its predecessor because it was designed to be different in direction and focus. While similar in name and type of environment, the two sound-sets are utterly different from one another while still existing in the same sonic universe. Listen to our demo and let your ears decide!

    This sound-set is delivered industry ready at 24 bit/48kHz WAV and each sound file contains meta-data to make our sound files easy to organize & find. All of our sounds are 100% original, 100% royalty free,  created in our sound-labs and designed to boldly explore the universe of sci-fi sound!

  • The Sci-Fi Interface series returns once again with yet another packed library filled with fresh frequency modulated content, achieved with newly found techniques and approaches.

    Aimed at complementing Vol. I of this series, Vol. II shifted its focus towards more unconventional sounds, on the noisier spectrum of science fiction User Interfaces. You’ll find a lot of robotic conversations, raspy glitches, insectoid clicking, amongst other oddities, created with experimental software pieces and semi-modular synthesizers. All of these sounds have been finely cut, edited and mixed, created with little to no use of external effects, ready to be dropped onto any given audiovisual project.

    165 minutes of varied atmospheres and textures are also present, ranging from simple resonant ambiences, to digital sounding engines, to just plain harsh data processing sounds. Combined with over 900 one-shot sound effects, you’ll quickly settle behind the joysticks of your newly built space-ship, ready for an intergalactic journey beyond the sonic realms.

  • – Glitchy and Organic Textures and Gestures


    This pack contains a selection of a series of recordings we made while journeying freely through our studio, using a custom microphone we created. We chopped a bunch of single ”motions” and ”gestures” from the recordings, but the main course is the collection of long, evolving and unpredictable takes we got.
    Even though everything in this pack can stand on the stage as it is, it also fits every kind of electronic application and manipulation.

    40 %
    OFF
  • From a large hotel, with lobby, halls, hallways, parking, bedroom

    Available as Quad Surround and Stereo version.

  • Squeaky Character Toys. These are Speaking Plastic Rubber Ducks and Chickens

    Recently popularized for their army power sounds. Fun and malleable

  • Recording of the British 1943-44 Valentine Mark IX DD tank with a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.


    The British 1943-44 Valentine Mark IX DD tank sound effects collection gathers 171 clips in 12.31 gigabytes of audio. It shares the sound of a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.

    The bundle includes 10 synchronized takes of onboard and exterior driving. The 9 onboard perspectives mount microphones in the interior, and at the exhaust, engine, and tracks to capture standard driving and with ramps. The 6 exterior perspectives document driving from slow to very fast as the tank approaches, reverses, departs, and passes by. Also provided are a variety of performed effects of levers, pedals, switches, and more.

    The sound library includes 4 custom stereo mixes of the onboard recordings, Pro Tools and Reaper mixing sessions, complete professional embedded metadata, and metadata import files for English, Chinese, French, German, Japanese, Korean, and Spanish.

  • Horror Sound Effects Horror Soundscapes Play Track 45 sounds included, 131 mins total $149.99

    Plunge your audience into nightmarish DOOM with your very own collection of SCARY, HORRIFYING, and FEAR-inducing synthetic SOUNDSCAPES.  From subtle, quiet, and eerie soundscapes, to DARK industrial pounding background environments, push your listeners into a depth-less abyss of eternal darkness with no escape. With select tracks also including musical elements, pulsating basses, percussive instrumentals, and other cinematic additions, this amazing product is not only a crucial part of any horror project’s sound design but can also stand-alone as a true high-quality soundtrack.

    HORROR SOUNDSCAPES is the perfect choice to transport your players or users to new dimensions of terror in any scene you require!

    GET IT NOW to 100% immerse your users into perfect scenes and settings!

    ALL NEEDS COVERED
    With every aspect of the horror genre as a foreground or background audio, multiple versions and levels of intensity for the sounds, seamless transitions, and formats from Hi-Res WAV to High-Quality MP3, you’ll be spoiled for choice! Includes EXTRA tracks perfect for a PANDEMIC, CORONAVIRUS, or COVID-19 theme. What’s more, HORROR SOUNDSCAPES includes easy contact with our expert team for any additional, custom requests.

    A NIGHTMARE THEY WON’T FORGET
    Our expert team of sound designers have meticulously crafted each soundscape into CONTINUOUS, NON-REPETITIVE, DRAG AND DROP-READY LOOPS that will serve as perfect background audio for your game, film, animation, or live event! We have even included FULL and SIMPLIFIED MIXES, SHORT and LONG non-repetitive variants, multiple choices for INTENSITIES, and numerous other options for your convenience!

    INCREDIBLE EASE-OF-USE
    Each audio file is drag-and-drop ready, presented in high-quality MP3 and WAV formats with meticulously labeled keywords, so you can create the perfect gaming experience for your players in a matter of moments! Enrich your title in seconds with beautifully mixed, AAA quality sounds brought to you by our team of industry veterans, whose 600+ games worth of experience have culminated in this extraordinary pack of soundscapes.

    Look no further than blockbuster films to see how crucial incredible audio is for a truly immersive horror experience.  With this in mind, we have meticulously designed HORROR SOUNDSCAPES for you to immerse your audience in maximum tension.

    KEY FEATURES:

    • Huge variety of quiet and loud dynamics, background and foreground, simplified or fully-layered, all with different length and intensity variants
    • Ready to use – requires no editing, labelling or splicing
    • Categorized, organized and individually labeled files for maximum use efficiency
    • All files are included in Hi-Rez WAV, SD WAV and HQ MP3 formats
    • FREE Updates to higher versions, FOREVER!
  • Here a library of one of the most active volcano in Europe: The Stromboli.

    The actual sound library contains 73 sound recordings for a size of 2.6 GB.

    Eruptions were recording mainly from three distances:

    • at 200m of altitude and 1,3km distance from cratere

    • at 400m of altitude and 1km distance from cratere

    • at 850m of altitude and 500m distance from cratere

    I stayed here one month to manage to have the most diversified eruptions that offer Iddu the volcano. A friend who accompanied me did beautiful shoots with cameras and drone. You can have a look to the video. This project brought us to another one, that’s coming up in the next months, a type of documentary about the whole island and his inhabitants.

    So in the future I will add more sounds of Stromboli, the city, the people, the sea, the animals, the ambient etc… that you could listen and download for free on my website.

    I wanted this sound library focused on the eruptions, but I put also a few recording of the waves and water because they sound particularly strong and they suggest the volcano’s sound: All the island is little made of “fresh” lava’s rock, that make every impact very resonant in the bass frequencies.

    This library contains also a few ambient of the island, his city and his surrounding nature. And some roomtone corresponding to the place where I recorded the eruptions.

    All recording made with the Nagra VI. Neumann mics, audio technica MS and Micromix amp for some specifics recording.

  • Game Audio Packs Battle Royale Game Play Track 929 sounds included, 53 mins total $59

    Don’t miss your drop zone. Escape domination by your opponent. Be the first to rank up and experience military-grade gameplay audio. Introducing our newest and most exciting sound library yet, Battle Royale Game, a first-person shooter game sound effects library that features over 900+ battle-tested and game ready SFX.

    Inspired by hit PC & console games like Apex, Fortnite, PUBG. Battle Royale Game is an expertly crafted and thoughtfully imagined military sound base of natural and minimally processed source sounds plus a significant cache of hybrid & highly designed game audio assets. This storehouse of sound will outfit any project where FPS styled sound effects are needed.

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  • From 24/96 Sound Effects. Immersive Parks and Forests features 28 HD 24bit/96khz Surround Sound Effects with a large selection of Parks, Forests and Residential Areas. Most of the tracks were captured in Los Angeles during the 2020 Corona Virus shutdown, so the ambiences are quieter with less human activity. Recorded with a Voyage Audio 2nd Order Spatial Microphone. Mastered with ProTools Ultimate in 3 configurations: Ambisonic (Ambix 2nd Order (Wyzxrstuv), Atmos™ 7.1.2 Surround Sound (LRCLfeLssRssLrsRrsLtsRts) and Stereo (L-R) Most tracks are 2-3 Minutes in length with embedded metadata. All new, original recordings. From veteran Hollywood Sound Designer Lenny Jones. Want a taste of what’s included? Download the O2A and 7.1.2 Surround Demo files here: https://tinyurl.com/ImmersiveParks and try it out on your own system!

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