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Home Sound Effects

Sound Effects

  • Rumbles and rattles from lighthouse motor recorded at every floor, from bottom to top of the tower.

    Recorded in Atlantic Maritimes PEI province in Canada. The lighthouse has an electric motorized engine that makes the light rotate at 360 degree, so that the boat can be guided.

  • Go for a ride on one of Japanese engineering’s finest motorcycles! The Honda Rebel 300 has a classic sound, classic look, and at 192 kHz sounds surprisingly heavy for a 300 cc engine. In this library you get all the options with onboard mic recordings ranging from 0 to 50 mph, engine breaking, gear shifting, slowing down, hitting turns and curves, accelerating, decelerating, and idling. You get isolated key turns, kickstand, and gear shifting. On board files are mono and pass bys and “drive aways” from 0 to 40 mph are in stereo recorded using mid-side technique for a great realistic stereo spread. You get separate left to right and right to left pass bys and drive bys at 10, 20, 30, and 40 MPH. Isolated stationary revs and idling recorded at different angles of the bike give you all the perspective you need whether you need up close and personal detail or sounds from a distance. This library gives you everything you need to recreate a good ride on this fine motorcycle! Enjoy the Honda Rebel 300 Motorcycle sound library!

  • ‘Buttons & Menus’ by Cinematic Sound Design delivers a collection of sounds designed for developers of Apps, Multimedia, Infographics and more.

    This collection features a wide-range of Interface accepts, denies, chimes, clicks, buttons, clings, hints, keys, notifications, ringtones, request sounds, readouts and more. With more than 200 files in pristine 24Bit rate, there is plenty of material ready to complement your projects. Recorded using some of the best outboard equipment available nowadays, all files have been processed using an Apogee Symphony AD/DA for maximum clarity, depth & punch.

    Product Details:
     
    • 214 Interface SFX
    • 24-Bit/96kHz
    • 100% Royalty-Free
    • Compatible with all DAWs

  • The Urban Elements sound effects library delivers all of the sonic ingredients you need to seamlessly customize your city environments. Fill out your metropolitan soundscape with over 300 city recordings captured by sound designer Eric A. Norris (Ford v Ferrari, Spider-Man: Homecoming), including vehicles like cars, buses, and motorcycles, plus tire squeals, isolated horn honks, pedestrian vocalizations, emergency sirens, and more.

    Recorded above the constant sonic energy of the iconic Hollywood & Vine intersection in Los Angeles, these pristine, indirect city sound effects were captured with a natural reverb that blends perfectly into any city background. Build your urban environment with the sounds of helicopter flyovers, street drummers, trash can clatters, car alarms, and more. Create sonically rich and realistic downtown cityscapes with the flexibility of clean, individual elements of urban life.

    Descriptive embedded metadata helps you find exactly the sound you need to quickly find the components you need to start creating your bustling boroughs and active city-centers.

    Urban Elements is also included in Pro Sound Effects’ CORE: Standard.

    Key Features:

    • 344 sound effects (1.71GB)
    • 24-bit/48kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • Practical Doors contains a range of interior and exterior door sound effects with common uses: open, close, creak, slam, keys, locks, latches, knocks and many more! They fit right into your tracklay, recorded at different perspectives to capture their natural reverb. Our award-winning Sound Designers recorded all sorts of doors in a variety of locations, some of which include: residential, office buildings, apartments, Victorian buildings, prisons and industrial units.

    This library is your one stop solution to sound editing for doors. All effects were recorded in 24Bit 96kHz, allowing for further sonic manipulation.

    If you need door effects with a natural, unprocessed tone, this library is for you! Practical Doors is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.

    Here are the included folders:

    Open, Close, Creak: Warm and full sounding doors, captured at different perspectives, gleaming with character.

    Locks, Latches, Keys, Bolts and More!: A huge variety of ornaments to your door sounds, different keys, alarms and locks to fit different doors.

    Door Knocks: Foley sounds of different knocks, rhythmic, aggressive, anxious and more.

    Designed: Our team of Audio Craftsmen built castle drawbridges, bunker doors, battering rams and more from the original recordings.

  • Here is a collection of car sounds recorded from the interior and the exterior.

    The Nissan Versa Note is a subcompact four-door hatchback car. We focused on capturing all the functions other than driving as aeration, windows, doors, knobs, hood, light, windshield, …

  • This collection presents a wide range of crowd sounds. There is applause, shouting, cheers, rhythmic clapping, disappointment, whistling and more. Audiences also differ in the number of people and, accordingly, the saturation of the atmosphere.

    This library will help you a lot in working with films, TV shows and concerts. Add the genuine emotions of the crowd to your project, they will undoubtedly complement the composition.

  • The Sonomar Collection: Trains is a collection of 53 train recordings that is sure to embolden your projects with the raw power of a 200-ton diesel locomotive. Explore the vast array of steam hisses, metal clanks, and squeals that this library has to offer. Use this versatile collection to provide your scenes with train arrivals, departures, and idles, or enhance them with crossing bells, air valve releases, and passenger walla.

    This library features a wide variety of trains including a 1907 steam train, modern electric commuter trains, diesel freight trains and more. From simple pass bys and horn blasts to the unique rattles of wagon couplings connecting, supply your project with the specific train sound your scene requires. Lengthy onboard recordings and train station ambiences allow you to supplement your scenes with an authentic backdrop.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 53 sound effects (2GB)
    • 24-bit/48kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • The Sonomar Collection: Pianos sound effects library began with a curious question: What new and unconventional sounds can be made with a piano for use in sound design?

    The result is 652 enigmatic sounds exploring the sonic properties of various pianos to create suspense and tension in your audio projects. Created by sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the Sonomar team, the Pianos library blurs the line between music and sound design – captured at 192kHz using contact mics and an MKH-8040 for endless possibilities in pitching and processing.

    Available in three unique collections, this expressive library combines the resonant nature of pianos with experimental approaches to recording, performing, and preparing this classic instrument:

    Pianos – Broken contains 63 rusty, grinding, rhythmic growling piano hits for eerie roars and anxiety-inducing resonances. Includes percussive performance by Thomas Brodeur from the Sonomar team.

    Pianos – Prepared features 539 textured punches, decays, chords and notes – ripe with complex harmonics, string rattles and vibrations. Created by placing objects on the strings of a piano with performance by Mingan Sauriol.

    Pianos – Designed expresses the limitless possibilities of the raw recordings with pitched and processed sounds ready to drag-and-drop directly into your designs.

    Each sound file is embedded with rich metadata to help you find the sounds you need with a fast and precise search. Unique descriptions of each recording encompass both literal sonic qualities as well as the images they invoke to enhance your creative workflow. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 652 sound effects (16GB)
    • The full bundle includes:
      • Pianos – Broken: 63 sound effects
      • Pianos – Prepared: 539 sound effects
      • Pianos – Designed: 51 sound effects
    • 24-bit/192kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • Experience the power of magnetic force with Sonomar Collection: Magnetic, featuring over 1,600 designed impacts, rattles and scrapes as well as the 200+ raw recordings used to create them. With deep tonal resonances, subtle debris rattles and sharp impacts, Magnetic offers a wide variety of high quality recordings for your sound design needs that showcase all aspects of magnetic attraction. Use it as a toolkit to design pulses, subs, punches and beyond.

    To capture these sounds, sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the team at Sonomar amassed a collection of magnets – ranging from small watch batteries to large speaker magnets and a variety of metal objects. Using MKH-8040 microphones in an XY setup, Sonomar recorded numerous vibrations, collisions and resonances resulting from a wide range of magnetic intensity. The high sample rate of 192kHz opens up limitless potential for pitching and processing, a feature that is masterfully exemplified by the designed sounds within the collection that are ready to use in your audio projects.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Sonomar Collection: Magnetic is also included in Pro Sound Effects’ CORE: Pro.

    Key Features:

    • 1,841 sound effects (15GB)
    • 24-bit/192kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • Skillfully performed using glasses as instruments, Sonomar Collection: Crystal Sing features 46 clean, high quality recordings of ringing vibrations perfectly suited for your harmonic tonal needs. This unique collection contains sonorous ringing tones at various pitches as well as sharp squeaks and rubs. Use the raw recordings to add hypnotic resonant layers to your projects, or alter them to experience the depth of Crystal Sing’s harmonic range.

    To capture these sounds, sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the Sonomar team used six different types of glasses including Ricard, cognac and champagne flute glasses. The tonal vibrations created by rubbing a wet finger along the rim of the glass were recorded in 192kHz with MKH-8040 microphones in ORTF setup. Each glass produced its own pitch and tone dependent on its size, shape, and the amount of water added. The rich high frequency response and minimal noise make these clean harmonic tones ideal for pitching and processing.

    Each sound file is embedded with comprehensive metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording and their specific sonic qualities. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Sonomar Collection: Crystal Sing is also included in Pro Sound Effects’ CORE: Standard.

    Key Features:

    • 46 sound effects (790MB)
    • 24-bit/192kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • The Sonomar Collection: Blacksmith sound effects library features 155 recordings from a blacksmith’s workshop that are sure to strengthen your scenes with an authentic, ironclad edge. Use the pristine sounds of metal clanks, sizzles, and scrapes as building blocks for creative sound design or as a backdrop for industrial or medieval settings.

    Ringing clanks of hammers striking anvils. Sharp sizzles of hot iron submerged in water. Subtle scrapes of shoveling metal files and coal. This collection is sure to supply your project with the detailed, high-quality smithing sounds you require. With a sample rate of 96kHz, utilize this diverse selection of impacts and hisses for creative pitching and processing. In addition to isolated actions, Blacksmith contains a number of Ambience recordings that can be used to add a hardy backdrop to your scenes for period pieces and beyond. This library was recorded using three different microphones, including the Sennheiser MKH 8040, which records up to 50kHz and allows for more sound design options.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 155 sound effects (6.6GB)
    • 24-bit/96kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • Shanghai Ambisonics is a sound effects library of 33 immersive urban ambience recordings, provided in both B-format and stereo, along with “”virtual mic”” software.

    Adjust perspective of these city atmospheres in real-time with included software for utmost flexibility, realism, and creativity. Point “virtual microphones” in any direction with the polar pattern of your choice to match the specific setting of a scene.

    The Ambisonics recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond, allowing for versatile use of the library. Pre-rendered stereo versions are included as well.

    Recorded in 24-bit/96kHz with a SoundField SPS200 mic by Masato Ushijima, Shanghai Ambisonics was captured at diverse locations throughout the city including Maglev & Metro Train Stations, Century Park, Nanjing Road, Huangpu River Ferry, The Shanghai IFC and more. The library contains sounds that are unique to Shanghai as well as more general purpose urban ambiences.

    This library is perfect for use in immersive audio for VR and 360 video projects. Prepare your personal sound library for the future of media!

    Key Features:

    • 33 immersive recordings in B-Format (FuMa) & Stereo (18.5GB)
    • Nearly 3 hours of pristine Shanghai atmospheres
    • Average recording length of 5 minutes 24 seconds
    • Diverse Shanghai ambiences: Traffic, trains, parks & more
    • 24-bit/96kHz Broadcast Wave Files: Download or flash drive delivery (+$40)
    • SurroundZone2 software by TSL Products: Control “virtual microphone” position and polar patterns
    • 100% Royalty-Free

    Notes:

    • Your DAW must support Quad (4-channel) tracks in order to use SurroundZone2 plug-in.
    • Make use of the diverse mechanized noises from a standard office printer, scanner, and copier in your audio projects!

      Print is a boutique sound effects library of automated clicking, beeping, and whirring sounds all captured from a single Ricoh® laser printer. Every action, setting, and component of the machine was pristinely recorded to give you high-quality printer sound effects including the paper feed, scanner bed, duplexer and more.

      These printer recordings are perfect for office backgrounds. And they are equally useful in the sound design of retro-futuristic devices, robotic creatures, electronic gadgets, and steampunk industrial machines. The Print library also includes several pre-designed steampunk sound effects ready for immediate use.

      Print is also included in Pro Sound Effects’ CORE: Standard.

      Key Features:

      • 50 sound effects (2.2GB)
      • 24-bit/96kHz broadcast .wav files
      • Descriptive embedded metadata
      • 100% Royalty-Free

       

       

      Credits:

      Colin Hart: Recordist, Editor
      Joseph DiMarco: Editor, Librarian

    • Nature & Countryside Ambiences Avalanche and Tree-alanche Play Track 56+ sounds included, 39 mins total From: $70

      • In Avalanche and Tree-alanche, get a powerful collection of sliding snow and ice from the pristine wilderness of the Eastern Cascades, Washington. Hear massive slabs of snow break free and tumble down mountains with majestic power. Hear chunky slides as refrigerator-sized chunks of ice careen down slopes and waterfalls of powder moving like rivers of sand. Hear tree-alanches as snow and ice plastered to branches is dislodged by sun-melt and wind. Hear hellacious debris clouds as gusts hit local canopies and dislodge snow hurricanes of powder, ice, and branches.

      • This library offers you a collection of sounds from an awe inspiring natural event. Avalanches are dangerous and extremely difficult to record. They have the natural power akin to tornadoes or wildfires. I hope you enjoy listening to the roars of wintertime in the remote mountains of Washington.

      2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
      • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
      • Carbon offset credits were purchased to offset my field recording travel for this library.

      KEY FEATURES:
      • 15 avalanches total
      • 2 avalanches in quad
      • 13 avalanches in stereo only
      • What is a tree-alanche? This sound is created when cached snow on branches is dislodged by wind or sun melt.
      • 45 tree-alanches in quad
      • Each tree-alanche is between 15 and 90 seconds
      FILE LIST & METADATA:
      • View larger version or Download CSV
      • A spectrogram is included for each audio file. Double click on the photo to enlarge.
      MORE INFO:
      • Read 40+ testimonials for Thomas Rex Beverly Audio
      • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
      • Browse the Library Info Master List to compare specs on all my libraries.
      • Browse the Metadata Master List to search my entire catalog.
      • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
      GEAR USED:
      • Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
      • Lom Usi
      • Sound Devices MixPre-6
      • Sony D100
      • Cinela Pianissimo Mid/Side Blimp
      STEREO AND QUAD FILES:
      • Stereo: front mid/side decoded to left and right.
      • Quad: double mid/side decoded to quad.
      STEREO ONLY FILES:
      • These recording were made with Lom Usi and do not include a quad version.
      • The “stereo only” files are included in the specs for the “Stereo Specs” below.
    • Recorded in September 2018, over 1 month of travel around the Caucasian country.

      Tucked between Russia, Turkey, Azerbaijan, and Armenia; the lesser-known country Georgia is at the confluent of many cultures and has a wide variety of landscapes.

    • The Paris Ambisonics sound effects library is a collection of 73 immersive city ambience recordings from the streets, plazas, and parks of Paris, France. Use these versatile sounds to enliven your scenes with an authentic city atmosphere.

      Recorded in 24-bit/96kHz with a Sennheiser AMBEO VR mic, Paris Ambisonics was captured at various locations throughout Paris including the Eiffel Tower, Notre Dame Cathedral, Luxembourg Park and more. To capture these stunning ambiences, recordist Matt Snedecor traversed Paris with the goal of depicting its unique essence characterized by narrow streets, outdoor cafes, scooters and sirens. Be it bustling cab rides through dense boulevards or the resonant underbelly of the Arc de Triomphe, these authentic recordings embody the vibrant and dynamic spirit of Paris.

      Delivered in both Ambisonic and stereo formats, each audio file is embedded with rich descriptions for quick intuitive search results. Detailed metadata includes coordinates and cross streets for maximum geographic clarity.

      This library includes SurroundZone2 software by TSL Products that allows you to control the Ambisonics files by pointing “virtual microphones” any direction with a wide range of polar patterns. Unparalleled flexibility lets users match backgrounds with the specific setting of any scene and decode to mono, stereo, 5.1, 7.1 and beyond. These recordings are also perfect for 3D Audio applications including VR and 360º video.

      Key Features:

      • 73 sound effects (27GB)
        • Delivered in both B-format Ambisonics and Stereo
      • 24-bit/96kHz broadcast .wav files
      • Descriptive embedded metadata
      • 100% Royalty-Free

      Credits:

      Matt Snedecor

    • Breathe life into your urban scenes with the authentic energy of the NYC Ambisonics Vol. 2 sound effects library. Create pristine backgrounds for everyday applications and specific locations – including tucked-away Brooklyn streets, MTA subway platforms, the New York Public Library, the rumble of midtown Manhattan, the bustling sounds of Grand Central Station, and more.

      NYC Ambisonics Vol. 2 features 90 high-quality B-format ambiences with bundled software that allows you to point “virtual microphones” in any direction in real-time with a wide range of polar patterns. Captured by recordist Coll Anderson, this library features 24-bit/96kHz Ambisonics recordings from hand-picked locations throughout New York City, with a focus on Manhattan and Brooklyn. Pre-rendered stereo versions of all of the recordings are also included.

      As a follow-up to Pro Sound Effects’ popular NYC Ambisonics library, and the latest addition to the Urban Ambisonics Bundle, NYC Ambisonics Vol. 2 maintains the standard of quality while expanding the sonic offering to a range of useful new locations.

      The Ambisonics recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond. In addition to giving sound editors and mixers greater flexibility and control over the recordings, these recordings are also perfect for 3D Audio applications including VR and 360º video.

      Key Features:

      • 90 sound effects (32GB)
      • 24-bit/96kHz broadcast .wav files
      • Rich embedded metadata descriptions
      • 100% Royalty-Free
      • SurroundZone2 Software by TSL Products: Gives you full control over “virtual microphone” position and polar patterns

      Credits:

      Coll Anderson

        Notes:

        Your DAW must support Quad (4-channel) tracks in order to use SurroundZone2 plug-in.

      • Produced and recorded by Pro Sound Effects, NYC Ambisonics is a library of New York City ambiences recorded with a SoundField microphone.

        The Ambisonics format allows sound editors and mixers to tweak “virtual microphones” in real time with included software. The Ambisonics recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond. The creative possibilities are endless!

        “Very well recorded…especially the ride on the New York subway as well as the subway platform, and Chinatown is full of life.” – Pro Tools Expert Review

        NYC Ambisonics features 53 high-quality B-format ambiences (nearly 7 hours total) and is bundled with SurroundZone2, software that allows you to point “virtual microphones” in any direction with a wide range of polar patterns. The library features 24-bit/96kHz Ambisonics recordings from all over New York City, including Brooklyn, Queens, and Manhattan. Pre-rendered stereo versions of all of the recordings are also included.

         

        In addition to giving sound editors and mixers greater flexibility and control over the recordings, NYC Ambisonics is also perfect for 3D Audio applications including VR and 360º video.

        New York City has never sounded better!

        NYC Ambisonics is also included in Pro Sound Effects’ CORE: Standard.

        Key Features:

        • 53 pristine Ambisonic recordings in B-Format (FuMa) and Stereo (40+ GB)
        • Nearly 7 hours of NYC Ambiences
        • 24-bit/96kHz broadcast .wav files. Choose between download or flash drive delivery
        • SurroundZone2 Software by TSL Products: Gives you full control over “virtual microphone” position and polar patterns
        • Wide Range of NYC Ambiences: Including streets, parks, & subways

         

        Notes:

        • Your DAW must support Quad (4-channel) tracks in order to use SurroundZone2 plug-in.
        • This is a large library (40+ GB). Please allow plenty of time for downloading and unarchiving the files.
        • NYC Ambisonics can also be delivered on 64GB flash drive (additional $40 + Shipping).

      • Performed and captured using a specially-constructed metal sculpture, Metalmorphosis features 600 high-quality sounds perfect for adding a dramatic, unsettling edge to your projects. Featuring booming metallic groans, wandering wails and piercing squeals, this collection yearns to texture your sound design with character and provide the groundwork for boundless creativity.

        Forged in the spirit of authenticity, the creation of Metalmorphosis began with the construction of a one-of-a-kind layered steel sculpture designed for the sole purpose of generating dense, full-bodied metallic noise. By dragging a violin bow across the contraption, recordist Colin Lechner craftily conceived sonorous layers of scrapes and grinds to add tension and texture to any project and design. These sounds are ideal for injecting your scenes with a shocking, mysterious element and are sure to raise hairs and heart rate alike.

        Recorded with high-quality condenser microphones including an AKG C414, Neumann U87, and a Schoeps CMC 6U/MK 22, these resonant screeches and squeals are masterfully recorded for the utmost sonic clarity. The 9GB of raw sounds can be used to add a layer of mystery and shock to your projects, or altered to fit your creative needs. Recorded at the high sample rate of 192kHz, these sounds are ideal for experimental manipulation, giving you the freedom to pitch and process to seemingly no end. Get lost in this comprehensive collection with hundreds of variations at your disposal.

        Key Features:

        • 600 sound effects (9GB)
        • 24-bit/192kHz broadcast .wav files
        • Rich embedded metadata descriptions
        • 100% Royalty-Free
      • London Ambisonics is a collection of 55 immersive city ambience recordings from the streets, parks and subways of London, England. Use these versatile sounds to enliven your scenes with an authentic city atmosphere. Recorded in 24-bit/96kHz with a Sennheiser AMBEO VR mic, London Ambisonics was captured at various locations throughout London including St. Paul’s Cathedral, the Palace Theatre, the River Thames and more. Detailed metadata includes coordinates and cross streets for maximum geographic clarity.

        To capture these stunning ambiences, recordist Matt Snedecor traversed London with the goal of capturing its essence. In his own words:

        “London, although there’s a lot of English, just has a different feel and sound than a major US city. So I was partly looking for urban sounds, but also getting the feel of the city itself. It was definitely not as big and loud as NYC and there’s also things like different sirens and horns than we have here.”

        This library includes SurroundZone2 software by TSL Products that allows you to control the Ambisonics files by pointing “virtual microphones” any direction with a wide range of polar patterns. Unparalleled flexibility lets users match backgrounds with the specific setting of any scene.

        The Ambisonics recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond. In addition to giving sound editors and mixers greater flexibility and control over the recordings, these recordings are also perfect for 3D Audio applications including VR and 360º video.

        Key Features:

        • 55 sound effects (21GB)
        • 24-bit/96kHz broadcast .wav files
        • Descriptive embedded metadata
        • 100% Royalty-Free

        Credits:

        Matt Snedecor

        Notes

        Your DAW must support Quad (4-channel) tracks in order to use SurroundZone2 plug-in.

      • City Life Sound Effects LA Ambisonics Play Track 239 sounds included, 1139+ mins total From: $119

        The LA Ambisonics sound effects library is an extensive collection of 239 immersive urban ambience recordings from throughout the city of Los Angeles. Add these LA ambiences sounds to strengthen your scenes with an authentic city soundscape — from beach and boardwalk sounds, city and freeway traffic, to street and restaurant walla, plane pass bys, and more.

        Recorded by Academy Award®-winner Mark Mangini (Blade Runner 2049, Mad Max: Fury Road), LA Ambisonics was captured at various locations throughout Los Angeles including LAX, Venice Beach, Hollywood Boulevard, Union Station, Laurel Canyon and more. To capture these stunning ambiences, Mangini took the opportunity to think critically about what makes Los Angeles sound unique, and how to best achieve the immersion integral to the ambisonics format.

        “I’ve been a fan of Ambisonic recording for some time, having developed my own microphones and plugins, not only for their sonic verisimilitude but for their obvious potential in cinema sound. While ‘immersion’ is the word on everyone’s lips as a sonic panacea, there is a great deal of controversy about how best to achieve it. I believe that it is in the reproduction of a believable 360 degree sound field that one achieves the highest level of ‘immersion’ and Ambisonics is one of the most practical and sonically pleasing ways to get there.” – Mark Mangini

        Delivered in both Ambisonic and stereo formats, each audio file is embedded with rich descriptions for quick intuitive search results. This library includes SurroundZone2 software by TSL Products that allows you to control the Ambisonics files by pointing “virtual microphones” any direction with a wide range of polar patterns. Unparalleled flexibility lets users match backgrounds with the specific setting of any scene and decode to mono, stereo, 5.1, 7.1 and beyond. These recordings are also perfect for 3D Audio applications including VR and 360º video.

        Key Features:

          • 239 sound effects (86GB)
          • 24/48k, 24/96k broadcast .wav files
          • Total length: 17 hr 19 min 41 sec
          • Average recording length: 4 min 15 sec
          • Descriptive embedded metadata
          • 100% Royalty-Free

        Credits:

        Mark Mangini

      • The Foley Essentials sound effects library features over 90 lifelike recordings of everyday actions from Academy Award®-winning sound artists Mark Mangini and Richard L. Anderson. Craft your scenes with common Foley recordings like footsteps, cloth rustle, body grabs, and dozens of props to bring your everyday scenes to life.

        What is Foley? Foley is technically the act of recording sound effects performed in-sync to picture, using various props and surfaces, often on a Foley stage. For this library, these Foley-like sounds were recorded by Mangini and Anderson to fill out temp mixes of feature film projects before the traditional Foley process – with a focus on discrete actions within natural sonic environments.

        Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.

        Key Features:

        • 93 broadcast .wav files (400MB)
        • 24-bit/48kHz, 24-bit/96kHz
        • Descriptive, uniform metadata
        • Delivered via download (.zip)
      • This sound library is part of the Complete Craig Carter Collection, containing a wide range of ape, chimpanzee and gorilla recordings.

        Recorded over Craig’s 34 year career as an esteem Australian sound designer, this library consists of ape, chimpanzee and gorilla vocalisations, grunts, screams, movements, feeding noises and sanctuaries.

        Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

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