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Home Sound Effects

Sound Effects

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    Foley Sound Effects The Shoe Collection: Soft Hardwood- Rubber Sole Dress Shoe Play Track 308+ sounds included $12

    “The Shoe Collection: Soft Hardwood – Rubber Sole Dress Shoe“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with the rubber sole dress shoe.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  There are several performances with each file to fit the right action you need.  That’s a whopping 308 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

    Add to cart
  • Foley Sound Effects The Shoe Collection: Soft Hardwood- High Top Converse Sneaker Play Track 486+ sounds included $12

    “The Shoe Collection: Soft Hardwood – High Top Converse Sneaker“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with the high top converse sneaker.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need.  That’s a whopping 468 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

    Add to cart
  • Foley Sound Effects The Shoe Collection: Soft Hardwood- Combat Boot Size 7 Play Track 448+ sounds included $12

    “The Shoe Collection: Soft Hardwood – Combat Boot- Size 7“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the combat boot size 7. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 448 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

    Add to cart
  • Foley Sound Effects The Shoe Collection: Soft Hardwood- Backless Heel Play Track 556+ sounds included $12

    “The Shoe Collection: Soft Hardwood- Backless Heel“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the backless heel. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 556 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

    Add to cart
  • Foley Sound Effects The Shoe Collection: Soft Hardwood- Socks Play Track 876+ sounds included $12

    “The Shoe Collection: Soft Hardwood – Socks“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with socks.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the sock.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  We are also packaging the option of a different EQ curve to reduce some of the lower thump of the sock.  There are several performances with each file to fit the right action you need.  438 Footsteps per version. That’s a whopping 876 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

    Add to cart
  • Foley Sound Effects The Shoe Collection: Soft Hardwood- Leather Hard Sole Sandal Play Track 360+ sounds included $12

    “The Shoe Collection: Soft Hardwood- Leather Hard Sole Sandal“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the leather hard sole sandal.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  There are several performances with each file to fit the right action you need.  That’s a whopping 360 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

    Add to cart
  • Foley Sound Effects The Shoe Collection: Soft Hardwood- Platform Play Track 626+ sounds included $12

    “The Shoe Collection: Soft Hardwood- Platform“ by Periscope Post & Audio, provides 22 high quality footsteps files on soft hardwood floors with the platform sandal. The audio files are recorded at 24bit, 192k with mono and stereo recordings. The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe. From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more! There are several performances with each file to fit the right action you need. That’s a whopping 626 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

    Add to cart
  • Creature Sound Effects Beastie Girls 2 Play Track 2227 sounds included $69

    Woman power of all ages and styles!

    Here we have 2227 sounds of female vocalizations for fighting, action, pain, basic reactions, emotions, general gibberish speech and many English words. Less extreme than Beastie Girls 192, you’ll get brand new screaming, shouting, talking, gibbering, hoarsing, whispering, laughing, crying, choking, wheezing, yelping, yawning, moaning, groaning, panting, cheering, breathing, coughing and more.

    – 4 different voice characters including English kid girl, English adult woman, 2 non-native speaking women + 2 more extra subcharacters – Cartoon and Creepy Whisper
    – 2227 files, start and end without silence gaps for immediate implementation
    – 192 kHz / 24 bit file resolution with ultrasonics, 1.58GB unpacked
    – source files – cleaned, with equalisation contour
    – volume normalized to around -18 lufs

    – contact the library creator to order more exclusive vocalizations for your project if needed

    Add to cart
  • Delay EC-300 Native v6 – Echo Collection $99

    The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.

    The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.

    Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay tape
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Over 75 SIMs (Synthetic Impulse Models) included
    • Mono, stereo, and mono-to-stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Delay EC-300 HD v6 – Echo Collection $149

    The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.

    The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.

    Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay tape
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Over 75 SIMs (Synthetic Impulse Models) included
    • Mono, stereo, and mono-to-stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Repair & Denoise DE555 Native v6 $69

    The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Repair & Denoise DE555 HD v6 $119

    The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Dynamic CompressorBank Native v6 $99

    CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.

    CompressorBank is 3 plug-ins:
    • CB101 – basic compression
    • CB202 – compression with pre-filtering
    • CB303 – compression with pre-filtering and static/dynamic EQ

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Static and Dynamic EQ
    • Side chain support and pre-filtering options
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Dynamic CompressorBank HD v6 $149

    CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.

    CompressorBank is 3 plug-ins:
    • CB101 – basic compression
    • CB202 – compression with pre-filtering
    • CB303 – compression with pre-filtering and static/dynamic EQ

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Static and Dynamic EQ
    • Side chain support and pre-filtering options
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Bundles Classic Pack HD v6 $299

    McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as McDSP Classic Pack v5.

    Includes:

    • Analog Channel HD v5
    • CompressorBank HD v5
    • FilterBank HD v5
    • MC2000 HD v5

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Plug-Ins Channel G Surround v6 $149

    Channel G Surround is a Compressor/Limiter optimized for 5.1 channels using 4 compressors sets – LR, C, LsRs, and LFE.
    These compressor sets can key from any combination of the LR, C, LsRs, and LFE channels. Individual compressor controls can be linked across various surround channels, and the LFE channel includes an optional low pass filter.

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Full featured surround Compressor/Limiter in LR, C, LsRs, and LFE channel sets
    • Optional LFE low pass filter 24 dB/Oct slope
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • 5.1 version only

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Bundles Channel G Native v6 $149

    Channel G is 3 plug-ins:

    • G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section
    • G Equalizer – a five-band professional grade console style EQ with a versatile filter section
    • G Console – a combination of the G Dynamics and G Equalizer configurations

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct
    • Full featured Expander/Gate, Compressor/Limiter
    • Five-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Bundles Channel G HD v6 $199

    Channel G is 3 plug-ins:

    • G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section
    • G Equalizer – a five-band professional grade console style EQ with a versatile filter section
    • G Console – a combination of the G Dynamics and G Equalizer configurations

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct
    • Full featured Expander/Gate, Compressor/Limiter
    • Five-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Plug-Ins Channel G Compact Native v6 $99

    Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.

    Channel G Compact delivers the same sonic experience as Channel G with a smaller DSP footprint. The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • High pass and low pass filters with 12 and 24 dB/Oct slopes
    • Full featured Compressor/Limiter
    • Four-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Plug-Ins Channel G Compact HD v6 $149

    Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.

    Channel G Compact delivers the same sonic experience as Channel G with a smaller DSP footprint. The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • High pass and low pass filters with 12 and 24 dB/Oct slopes
    • Full featured Compressor/Limiter
    • Four-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Special Purpose Analog Channel Native v6 $99

    Analog Channel is 2 plug-ins:

    • AC101 – Emulates analog channel amplifier circuits
    • AC202 – Emulates analog tape machines

    The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.
    The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

    Features

    • Library of presets emulating analog mixing systems
    • Real-time display of saturation curves and calibrations
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Special Purpose Analog Channel HD v6 $149

    Analog Channel is 2 plug-ins:

    • AC101 – Emulates analog channel amplifier circuits
    • AC202 – Emulates analog tape machines

    The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.
    The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

    Features

    • Library of presets emulating analog mixing systems
    • Real-time display of saturation curves and calibrations
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Equalizer & Filter AE600 Active Equalizer Native v6 $149

    The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
    Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
    The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
    Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.

    Features
    • Six fully overlapping fixed and active EQ bands
    • Independent control over all fixed and active EQ parameters per band
    • Selectable EQ mode per fixed and active bands
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Requirements

    McDSP HD and Native plug-ins are compatible with Pro Tools, Pro Tools HD, Logic 9 and Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer (DP), Studio One, and other DAWs that support AAX, AU, VST, and/or VST3 plug-in formats. McDSP HD plug-ins also support the Avid S3L and S6L live sound systems running VENUE OS 5.x or later.

    McDSP Native plug-ins support AAX Native, AU, VST, and VST3 plug-in formats. McDSP HD plug-ins additionally support the AAX DSP plug-in format, as well as AAX Native, AU, VST, and VST3 plug-in formats. McDSP plug-ins support Mac OS 10.7.2 or later (Lion), 10.8.x (Mountain Lion), 10.9.x (Mavericks), 10.10.x (Yosemite), 10.11.x (El Capitan), and Windows 7, 8 and 10.

    McDSP plug-ins require an iLok2 USB Smart Key for authorization.

    McDSP AAX plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Pro Tools 10.3.8 or later, 11.1.3 or later, and Pro Tools 12.x or later.

    McDSP AU plug-ins require Mac OS 10.7.2 or later, and support Logic 9 and Logic X, Digital Performer, Ableton Live, and other AU compatible DAWs.

    McDSP VST and VST3 plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Cubase 7.x or later, Nuendo 6.5.x or later, and other VST and VST3 compatible DAWs.

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Equalizer & Filter AE600 Active Equalizer HD v6 $199

    The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
    Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
    The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
    Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.

    Features
    • Six fully overlapping fixed and active EQ bands
    • Independent control over all fixed and active EQ parameters per band
    • Selectable EQ mode per fixed and active bands
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Requirements

    McDSP HD and Native plug-ins are compatible with Pro Tools, Pro Tools HD, Logic 9 and Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer (DP), Studio One, and other DAWs that support AAX, AU, VST, and/or VST3 plug-in formats. McDSP HD plug-ins also support the Avid S3L and S6L live sound systems running VENUE OS 5.x or later.

    McDSP Native plug-ins support AAX Native, AU, VST, and VST3 plug-in formats. McDSP HD plug-ins additionally support the AAX DSP plug-in format, as well as AAX Native, AU, VST, and VST3 plug-in formats. McDSP plug-ins support Mac OS 10.7.2 or later (Lion), 10.8.x (Mountain Lion), 10.9.x (Mavericks), 10.10.x (Yosemite), 10.11.x (El Capitan), and Windows 7, 8 and 10.

    McDSP plug-ins require an iLok2 USB Smart Key for authorization.

    McDSP AAX plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Pro Tools 10.3.8 or later, 11.1.3 or later, and Pro Tools 12.x or later.

    McDSP AU plug-ins require Mac OS 10.7.2 or later, and support Logic 9 and Logic X, Digital Performer, Ableton Live, and other AU compatible DAWs.

    McDSP VST and VST3 plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Cubase 7.x or later, Nuendo 6.5.x or later, and other VST and VST3 compatible DAWs.

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart

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