This mini pack is the result of a short recording session by night around the outskirts of a french city, near Nîmes.
You’ll find around 1 hour of sound with lots of character.
Passing vehicles recording with different points of view, crickets, passing people and different rumble make this pack interesting, creating an unique atmosphere.
Sounds were recorded using Sound Devices 633, in 24bits 96Khz, Schoeps CMC5 Microphones with a MS Setup.
I removed any unintentional and unwanted sounds to get the clearest sound.
All the sounds are raw (No EQ, No Compression, No Fx). You can find Raw M & S files and Stereo MS.
This pack contains 12 sounds, 36 files, all embedded with detailed metadata on Soundminer.
Urban Passes By delivers hundreds of different vehicles passing by in an urban environment, covering all your needs for traffic scenes, especially to edit cars in the background or vehicles passing by your main character’s car during an onboard scene.
No need to search through your numerous traffic recordings to find the one “pass by”, we gathered hundreds of them from very slow to fast, dry cobblestones to very wet asphalt.
This library aims to help sound editors quickly find the whooshin’ vehicles they need, it includes passes by of cars, motorcycles, mopeds, trucks, etc…
All the sounds are 96 kHz / 24 bits and most importantly embedded with exhaustive metadatas for improved search results, including a detailed description, surface type, microphone setup, etc…
Metadata compatible with Soundminer, Basehead, etc…
The “Source” folder contains 337 files corresponding to 183 different recordings with various microphones setups :
– Cinela LCR array ( ORTF + Center )
– Some sounds are simultaneously recorded from inside and outside a car, giving you extra edit possibilities
The “ Designed” folder contains 59 stereo files with processed sounds such as :
– Interior “whoosh” passes
– Isolated wet asphalt textures
– Resonant bass vehicle textures
Urban Rain is a sound library that delivers 50 city rain sounds recorded in 96 kHz/24 bit, with Soundminer and BWAV embedded metadata. The library contains various types of rain at different intensities, from very light to downpour. Several thunder claps and rumbles are present as well. Locations are as follows: a terrace, a balcony, a backyard, several streets, a rooftop, a garage, inside a car, a loft (from inside), Chelsea FC Stadium and two patios (interior). All files have been recorded at night so human activity is minimum, although you will hear a tiny bit of traffic rumble in the background.
The library also includes 8 Ambisonics files (B-Format, both in FuMa and ambiX, along with a downmix in stereo) and other sounds related to water in the citylife, such as pipes, a drain and a gutter, which are loopable. By using the free SoundField SurroundZone 2 plugin you can convert the B-format files into your preferred format (stereo, 5.0, 5.1, 7.1).
Descriptive markers have been added to several files to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
The total length of the library is 200 minutes.
Gear used: Zoom F8, Sennheiser Ambeo, Sony D100.
Urban Rain II brings you 53 urban rain sounds captured at various indoor and outdoor locations. Recorded at night or at quiet times so it’s free of unwanted sounds, this library includes light, medium and heavy rain over different locations and surfaces.
Urban Russia is a unique sound effects library that captures the atmospheric sound of modern-day Russia.
Ambiences are recorded in places like the streets, parks, the subway, a museum, bank, airport, bookstore, mall, hotel, restaurant, elevators, train stations etc.
It comes with 171 sound clips recorded in Moscow and Saint-Petersburg, Russia – a total of 8 hours of recordings are included!
Urban Traffic is a collection of 34 vehicle soundscapes recorded mainly in and around Newcastle upon Tyne in the North-East of England, featuring the sounds of various engines passing by in the busy city centre as well as sparse, suburban traffic. You’ll hear all kinds of cars, lorries, motorcycles, buses and more with close-up and some distant perspectives.
Bonus Content: A further 16 sounds including bus station, train station, cafe and crowd ambiences.
This library, delivered in our brand-new 3D Surround format, is the perfect fit for your 3D urban ambient scenes. From calm downtown areas to busy crossroads and markets, it features both in- and outdoor subway areas, train stations, highways, parks, fountains, urban beaches, and much more. If your next project is set in an urban area, this collection of urban sounds entails everything your needs require. The duration of the files varies from 3 to 11 minutes to give you more flexibility and less repetitions in your sound design. URBAN USA contains both detailed sound scenes as well as quiet basic layers.
THE WHOLE RANGE OF URBAN SOUND DIVERSITY
URBAN USA covers an immense spectrum of different settings of urban city life. From bustling downtown areas such as subway stations, financial districts, as well as marinas and construction sites, or quieter areas including beaches, parks, and suburbs, URBAN USA offers an authentic and detailed picture of American everyday city-life. As usual, delivered in the best possible quality to exceed the requirements of any professional sound design challenge.
DETAILED SOUND SCENES AS WELL AS QUIET BASIC LAYERS
URBAN USA contains a wealth of rich and expressive sound scenes to create spot-on sound design. In addition, you get a variety of different quiet base layers, perfect for creating the sonic foundation of an urban scene.
INCLUDING STEREO VERSION
In addition to the ORTF-3D files, the 3D SURROUND edition also contains all files in 2.0 stereo for your convenience to save time on unnecessary conversions. Instead, you can instantly use these great new sounds for all your projects that don’t require surround sound.
Urban Winds is 49 minutes / 1.33 GB of medium and high-wind sounds in 38 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and construction sites, office exteriors and the port of Aarhus. You get plastic that flutters or thrashes, metal fences that clatter and vibrate, pipes and cavities resonating in the gusts. You get ambiances and specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas – and on one occasion in the aftermath of a violent storm (the kind that rips the tiles off the roofs). Had a good time standing in the relative safety of my doorway, recording stuff getting blasted down the street! All sounds were captured in Aarhus, Denmark.
• Howling, moaning, whistling wind sounds
• Wind-battered city ambiances
• X/Y Stereo and Mono sounds (decoded from M/S)
• Metadata included in CSV and ODS (OpenOffice) formats
Urban Winds II gets you 65 minutes (2 GB) of medium and high-wind sounds in 29 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and alleys, office exteriors and a marina. You get steel wires that whistle and whip in the wind, pipes and cavities resonating in the gusts. You get ambiances and a few specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts. This collection picks off where Urban Winds left off.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas.
In some of the recordings, you will hear wind buffeting – more of the windscreen than the microphones – but there is some. In some cases, I opted to tame the most violent events, but others I left in. In many cases, wind noise reduction simply took away too much of the forcefulness, so I left it as is.
Some specifics appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. All sounds were captured in Aarhus, Denmark.
Various recordings made through several inner-city winters. This collection includes a diverse range of rain recordings, ranging from light to moderate & heavy rain. All recordings were done between 3am and 5am to minimise the intrusion of traffic noise as much as possible.
All sounds were recorded using the DPA 5100 and Sound Devices 788T.
SSL16 USA CONTRASTS is a great collection of American Ambiences. Recorded in Summer 2015, I traveled to some of the most beautiful cities of the country to explore the American way of Life.
From San Francisco to New York, visiting:
Room tones from the quietness of a Las Vengas Hotel vs the Wild Nature of California & Crowd and traffic of the big cities…. This is the real contrast of USA! As always, recorded in full 5.1 Surround format.
Useful Winds contains 17 decoded ms recordings of various types of wind, both interior and exterior. From a mild breeze through an Irish field to a storm gale atop of a Spanish hill, the library delivers a vast array of windy goodness. Recorded with Schoeps mk4/mk8 & SoundDevices MixPre-D.
Characters speak and so do the items they use. USER INTERFACE will bring the small to life with this collection of clicks, notifications, buttons, and swooshes.
Included are: Buttons, Clicks, Jingles, Notifications, Organics, Slides, Swishes
A versatile collection of interactive audio elements exploring both the abstract and the traditional side of User Interface sound design. From familiar notification tones and subtle alerts through to future computer processing sequences and manic glitch outbursts, these sonic assets were designed to fit a multitude of scenarios and will add a unique identity to a variety of interface types.
You get 1,074 individual sounds, in 14 separate soundpacks containing variations on all the sounds.
Included are all commonly required sounds needed for a comprehensive UI experience.
The Users of Tomorrow library is the next level of futuristic and high-tech interface sounds, containing 2.2GB and more than 1,800 sounds designed to be used as final assets or layers.
Users of Tomorrow features more than 2.2GB of 1,800 24bit/96khz files, all embedded with Soundminer metadata.
Need helicopter sounds? The Bell 407 and Bell 429 are *THE* helicopters used in police, news, rescue, military and private fleets. Over 1 hr and 45 minutes of beautiful recordings.
This is a special assortment of design fragments from Eiravaein Works. Libraries in the Vaeyan series will be produced over time as new assorted concepts are explored and designed. A welcome addition of flavor for any sound designer's archive!
The second volume of assorted recording sessions and design fragments from Eiravaein Works.
Libraries in the Vaeyan series will be produced over time as new library concepts are explored and researched.
A second helping of intriguing sonic flavor for any sound designer's archive!
A collection of sounds gathered from conceptual designs and audio experiments. While not centered around a specific theme or topic, Vaeyan III will surely add unique and dynamic flavors to your sound vault.
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
Recording of the British 1943-44 Valentine Mark IX DD tank with a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.
The British 1943-44 Valentine Mark IX DD tank sound effects collection gathers 171 clips in 12.31 gigabytes of audio. It shares the sound of a 165hp GMC 6004 diesel, 6-cylinder 7-liter inline engine.
The bundle includes 10 synchronized takes of onboard and exterior driving. The 9 onboard perspectives mount microphones in the interior, and at the exhaust, engine, and tracks to capture standard driving and with ramps. The 6 exterior perspectives document driving from slow to very fast as the tank approaches, reverses, departs, and passes by. Also provided are a variety of performed effects of levers, pedals, switches, and more.
The sound library includes 4 custom stereo mixes of the onboard recordings, Pro Tools and Reaper mixing sessions, complete professional embedded metadata, and metadata import files for English, Chinese, French, German, Japanese, Korean, and Spanish.
TH Studio Production presents VANDRIA, an epic cinematic vocal library, featuring the voice of the singer Megi Angelova.
Born in Bulgaria, Megi Angelova is a singer/songwriter based in London, UK. Coming from a background of musicians and artists she always has been fascinated by art and music which inspires her to look beyond the frames and to experiment with different styles of music, vocals, lyrics, musical instruments and sound effects .
The library includes a version for the full Kontakt 5.8.1+, and a .wav version:17 Kontakt 5 instruments:
• 2 Types Vocal Legato
• 2 Types Vocal Legato Portamento
• 2 Types Vocal Legato Sustain
• Vocal Music Phrases : Cm , C#m, G#m, Hm .
• Vocal Whispers Phrases
• Vandria Pad
+ WAV version
TH Studio Production presents the Epic Cinematic Vocal Library VANDRIA 2 – New Dawn, featuring the voice of the Bulgarian singer Megi Angelova.
Born in Bulgaria, Megi Angelova is a singer/songwriter based in London, UK. Coming from a background of musicians and artists she always has been fascinated by art and music which inspires her to look beyond the frames and to experiment with different styles of music, vocals, lyrics, musical instruments and sound effects.
[Please note: The full Kontakt 5 plugin is required to use the Kontakt instruments, and is not included. The stand-alone .wav files can be used without Kontakt]
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
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