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Home Sound Effects

Sound Effects

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    Bundles Everything Pack HD v6.4 $2,499

    For those who need to have it all, Everything Pack is the ticket.

    All McDSP’s channel strips, compressors, equalizers, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, mastering limiters, noise filters, and ‘futz’ tools are included.

    Everything Pack contains all the plug-ins from Emerald Pack, Retro Pack, Classic Pack, plus all the latest McDSP plug-ins including the 6060 Ultimate Module Collection, NR800 Noise Reduction Processor, the 6034 Ultimate Multi-band, and the Emmy Award winning SA-2 Dialog Processor.

    The Everything Pack is the complete bundle for the user who needs powerful plug-ins to make their production sound its very best.
    Includes:

    • 6020 Ultimate EQ
    • 6030 Ultimate Compressor
    • 6034 Multi-Band Compressor
    • 6050 Ultimate Channel Strip
    • 6060 Ultimate Module Collection
    • 4020 Retro EQ
    • 4030 Retro Compressor
    • 4040 Retro Limiter
    • AE400 Active EQ
    • AE600 Active EQ
    • Analog Channel
    • Channel G
    • Channel G Compact
    • CompressorBank
    • DE555
    • EC-300 Echo Collection
    • FilterBank
    • FutzBox
    • MC2000 Multi-Band Compressor
    • ML4000 Mastering Limiter
    • ML8000 Advanced Limiter
    • NF575 Noise Filter
    • NR800 Noise Reduction
    • Revolver Convolution Reverb
    • SPC2000 Serial/Parallel Processor
    • SA-2 Dialog Processor

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Bundles Emerald Pack Native v6 $599

    McDSP’s world-renowned equalizers, compressors, tape machine and analog signal path emulators, mastering limiters, multi-band dynamics processors, convolution reverbs, de-essers, noise filters, and ‘futz’ tools are available together as the McDSP Emerald Pack v5.

    Includes:

    • 6030 Ultimate Compressor Native v5
    • Analog Channel Native v5
    • Channel G Native v5
    • Channel G Compact Native v5
    • CompressorBank Native v5
    • DE555 Native v5
    • FilterBank Native v5
    • FutzBox Native v5
    • MC2000 Native v5
    • ML4000 Native v5
    • NF575 v5
    • Revolver Native v5

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Bundles Emerald Pack HD v6 $849

    McDSP’s world-renowned equalizers, compressors, tape machine and analog signal path emulators, mastering limiters, multi-band dynamics processors, convolution reverbs, de-essers, noise filters, and ‘futz’ tools are available together as the McDSP Emerald Pack v5.

    Includes:

    • 6030 Ultimate Compressor HD v5
    • Analog Channel HD v5
    • Channel G HD v5
    • Channel G Compact HD v5
    • CompressorBank HD v5
    • DE555 HD v5
    • FilterBank HD v5
    • FutzBox HD v5
    • MC2000 HD v5
    • ML4000 HD v5
    • NF575 v5
    • Revolver Native v5

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Bundles Classic Pack Native v6 $199

    McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as McDSP Classic Pack v5.

    Includes:

    • Analog Channel Native v5
    • CompressorBank Native v5
    • FilterBank Native v5
    • MC2000 Native v5

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Dynamic SPC2000 Native v6 $99

    The SPC2000 Compressor features multiple parallel and serial compression combinations.

    SPC2000 is 3 plug-ins:

    • SPC202 – two-band configuration
    • SPC303 – three-band configuration
    • SPC404 – four-band configuration

    Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Dynamic SPC2000 HD v6 $149

    The SPC2000 Compressor features multiple parallel and serial compression combinations.

    SPC2000 is 3 plug-ins:

    • SPC202 – two-band configuration
    • SPC303 – three-band configuration
    • SPC404 – four-band configuration

    Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Reverb Revolver Native v6 $199

    Revolver is a high-powered convolution reverb that operates like no other, providing total impulse response control, dedicated and routable EQ, two sync-able delay lines, a reverb decay crossover network, and specialized stereo imaging for unprecedented flexibility.

    Revolver provides the most compelling impulse library to date, with hundreds of sounds from rare holy grail out of production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools.

    Controls for the total reverb time (in percent and RT60 values), wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available
    All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.
    Revolver is what convolution reverb was always meant to be.

    Features

    • Huge library of presets of out of production reverbs, rare vintage reverbs, and acoustic spaces
    • Total impulse response manipulation
    • Pre-delay (positive or negative)
    • Two-band dedicated reverb EQ
    • Three-band routable EQ
    • Two sync-able delay lines
    • Tools for creating custom impulse responses
    • Reverb decay crossover network
    • Double precision processing
    • Low Latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Equalizer & Filter NR800 Native v6 $99

    The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

    The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

    The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.
    Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
    Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

    Features

    • HPF and LPF pre-filtering
    • Eight bands of focusable noise reduction
    • Noise reduction mode and bias options
    • Overall noise reduction range and response control
    • McDSP Emmy Award winning engineering

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Equalizer & Filter NR800 HD v6 $149

    The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

    The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

    The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.

    Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
    Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

    Features

    • HPF and LPF pre-filtering
    • Eight bands of focusable noise reduction
    • Noise reduction mode and bias options
    • Overall noise reduction range and response control
    • McDSP Emmy Award winning engineering

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Equalizer & Filter NF575 Native v6 $69

    The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Equalizer & Filter NF575 HD v6 $119

    The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Dynamic ML4000 Native v6 $149

    The ML4000 is two plug-ins:
    • ML1 – mastering limiter
    • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

    The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

    The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

    The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.

    Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

    The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage peak detection and limiting
    • Unique limiter Knee and Mode controls
    • Multi-band Gate, Expander (up/down), Compressor
    • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
    • Multiple real-time metering options
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Low Latency

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Dynamic ML4000 HD v6 $199

    The ML4000 is two plug-ins:
    • ML1 – mastering limiter
    • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

    The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

    The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

    The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.

    Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

    The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage peak detection and limiting
    • Unique limiter Knee and Mode controls
    • Multi-band Gate, Expander (up/down), Compressor
    • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
    • Multiple real-time metering options
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Low Latency

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Dynamic MC2000 Native v6 $99

    The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.

    MC2000 is 3 plug-ins:
    • MC202 – two-band compression
    • MC303 – three-band compression
    • MC404 – four-band compression

    The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Dynamic MC2000 HD v6 $149

    The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.

    MC2000 is 3 plug-ins:
    • MC202 – two-band compression
    • MC303 – three-band compression
    • MC404 – four-band compression

    The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Distortion FutzBox Native v6 $99

    FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.
    Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.

    In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.

    Features

    • Library of Synthetic Impulse Models (SIMs)
    • Configurable ‘futz’ effects including filtering, EQ, and distortion
    • Flexible noise generator with ducking capability
    • Hyper-sensitive gate for signal dropout effects
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Distortion FutzBox HD v6 $149

    FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.
    Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.

    In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.

    Features

    • Library of Synthetic Impulse Models (SIMs)
    • Configurable ‘futz’ effects including filtering, EQ, and distortion
    • Flexible noise generator with ducking capability
    • Hyper-sensitive gate for signal dropout effects
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Equalizer & Filter FilterBank Native v6 $99

    FilterBank, McDSP’s first product, is an equalizer plug-in that rivals any analog EQ with its flexible design and substantial feature collection.
    FilterBank can emulate any EQ, or be used to create a distinct custom EQ.

    FilterBank is 3 plug-ins:
    • E606 – parametric, high and low shelving EQ, high and low pass filters
    • P606 – parametric EQ with variable Q modes
    • F202 – steep high and low pass filtering with resonant Q control
    With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.

    Features

    • Shelving and Parametric EQ
    • High and Low pass filters with resonance control
    • Unique Peak-Slope-Dip Shelving EQ parameters
    • Variable parametric Q modes
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Foley Sound Effects The Shoe Collection: Soft Hardwood- Sneaker Size 9 Play Track 392+ sounds included $12

    “The Shoe Collection: Soft Hardwood – Sneaker Size 9“ by Periscope Post & Audio, provides 22 high quality footsteps on soft hardwood floors with the sneaker.  The audio files are recorded at 24bit, 192k with mono and stereo recordings.  The Sennheiser MKH-60 was used for the mono files with a slightly more distant mic placement than the stereo files, which were recorded with the Sennheiser MKH8050 and the Sennheiser MKH-30 near the shoe.  From different walking speeds, to jogging, sprinting, jumping, hard stops, scuffs, and more!  There are several performances with each file to fit the right action you need.  That’s a whopping 392 footsteps between the mono and stereo files!

    These sound files are also UCS metadata tagged

    Add to cart
  • Foley Sound Effects House 01 Play Track 601 sounds included $70

    House 01 – A virtual grab bag of normal. A complete house as a document. Doors, windows, more doors. Lots of perspectives and various strengths and positions of just about everything.

    Add to cart
  • Metal Sound Effects All Metal Play Track 765 sounds included $99

    The All Metal sound effects library features 765 sounds of metal clashing, clanging and resonating as metal pieces are rummaged through, dropped, and tossed. Create with the various distinct sonic properties of metal objects — from squeaky gates, rattley wires, ringing wrenches, warbling sheet metal, clattering swords and more.

    Each sound was pristinely recorded at 192kHz with lots of variations for more creative freedom. Uncover the sonic treasures that await as you pitch and process the squeals, squeaks and moans of the metallic debris for limitless sound design opportunities. Strengthen your projects with the distinct buzzing, scraping and reverberation of metal impacts for both literal use and creative implementation as layers for intense sound design.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 765 sound effects (2GB)
    • 24 bit/96k, 24 bit/192k broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    • Saro Sahihi
    Add to cart
  • City Life Sound Effects Chicago Ambisonics 35 sounds included From: $39

    Chicago Ambisonics is a library of B-format city ambiences with “virtual microphone” software.

    Included software allows users to tweak perspective in real time for greater control and creativity. The Ambisonics format offers versatile use of the library, as the recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond. The creative possibilities are endless!

    Featuring 35 high-quality urban ambiences (over 3 hours total), Chicago Ambisonics includes SurroundZone2 software by TSL Products that allows you to point “virtual microphones” any direction with a wide range of polar patterns. Unparalleled flexibility lets users match backgrounds with the specific setting of any scene.

    With more productions filming in Chicago than ever before, a Chicago sound effects library is an asset for any sound editor. Chicago Ambisonics features 24-bit/96 kHz city atmospheres captured all over Chicago including recordings from from Magnificent Mile, Chinatown, the L Train, West Loop, Kennedy Expressway, O’Hare International Airport, Lake View, & Wrigley Field.

    This library is also perfect for use in 3D Audio applications including VR experiences and 360º video – prepare your sound effects library for the future of immersive media! Pre-rendered stereo versions of all of the recordings are included as well.

    Key Features:

    • 35 pristine recordings in B-Format (FuMa) & Stereo (14GB)
    • Over 3 hours of immersive Chicago ambiences
    • Average recording length of 6 minutes
    • Diverse Chicago atmospheres: Including streets, parks, & subways
    • 24-bit/96kHz broadcast .wav files
    • SurroundZone2 software by TSL Products: Gives you full control over “virtual microphone” position and polar patterns
    • 100% Royalty-Free

    Notes:

    • Your DAW must support Quad (4-channel) tracks in order to use SurroundZone2 plug-in.
    Select options
  • Horror Sound Effects Raw Cello FX Play Track 183 sounds included $39

    RAW CELLO FX features manipulated and mangled cello sound effects designed to provide the full character of the instrument and harmonic richness in order to create a completely unique set of organic samples between music and noise, intimate and vivid bold sounds expanding new possibilities out of this instrument.

    Different techniques and less-than-conventional microphone placement have been used to create gorgeous harmonics and a wide array of interesting sounds. We “played” with fingers and hands, different bows against the strings, objects and kitchen utensils, bowing, scraping or hitting single and multiple strings or parts of the wood body. 

    The collection features designed hits, bow, crescendo, screech, woosh, swell, bonus fx folder and is ready for trailer and soundtrack projects.

     

     

    Add to cart
  • Door Sound Effects Doors – Old and New Play Track 124 sounds included, 9 mins total $10

    This is a collection of old and modern doors.

    The collection includes wood doors , glass doors and metal doors recorded in an old theater , a cottage and an appartment.
    There are 124 files of slamming doors, doors opening and closing, creaking doors, doors handles and locks.

    Add to cart

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